Behind The Album: Big D And The Kids Table – “Good Luck” (1999)

Words by Big D And The Kids Table front man David McWane

After the release of Shot By Lammi in 1996, Big D toured the States non-stop. Videotape footage of the band on these early tours was captured and can be found on Big D’s Dvd ‘Built Up From Nothing’. We look like puppies. To this day I don’t know how a bunch of 18 & 19 year olds saved up for a van and drove around the U.S. playing music, meeting new friends and laughing endlessly. It was an 8 passenger van and we had 10 musicians. I sat on the back wheel hub and we took turns sitting on a cushion in between the driver seat and shotgun.

We had always been close, but now we were officially brothers and you could hear that in the new songs we were writing for our second full length ‘Good Luck’. The official Big D writing process had solidified itself with the writing of Good Luck. Every idea was positively excepted and worked on. Every musician was encouraged to write a song. We wrote for ourselves and not for the public and still do to this day. Listeners had learned the lyrics to Shot By Lammi and sung them at shows. This made me want to really give them something useful for Good Luck. The process of writing the lyrics began one afternoon when I was walking down a snow covered street in Boston. A homeless man with vitiligo crashed into me grabbing my jacket to stop him from falling to the ice. He looked at me with his green eyes and said, “The only thing I miss is myself”. I wrote most of those lyrics walking down the streets of Boston, occasionally huddling in doorways to write a line here and there. The band was now becoming important to me.

When the songs were finished we did the same process – we went to Big Sound recording in Maine when it was closed and recorded for 24 hours for three days. Again, I believe we only gave Lammi another 300-bucks and some beer. The recording process was simply laughter and music. Afterward I got together with Gary Hedrick (singer of Kicked In The Head) and we put together the artwork. All of the 1950’s clip art was from my families encyclopedia that I used through out my earlier school days and still have today. I may use it again for Big D’s next album. Gary worked on Photoshop 1 on a Mac Performa; It took one full day to render. We had a blast together; Possibly our best time together.

Big D has never been a fortunate band when it comes to connections and opportunity. We have seldom been excepted by them ‘cool bands’. I have always described us as the orphans of the scene. However, persistence is a gift. There have been three kind people in Big D’s 21 years thus far, and the first one to make his introduction is – Mike Parkof Asianman records.

Through this somewhat new thing called email, Mike said he would put Good Luck out on his label. Most of Big D live together at the time and non of us had cellphones yet, so I put a note on Sean P. Rogan’s bed that said – ‘We got signed to Asianman – Meet us at the bar’. And he did.

This band that had been created simply so that 10 freaks could have a fun Friday night was now about to bring the ruckus.

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Tune in next week for another Big D “Behind The Album” piece. They’ll continue weekly until all 34+ Big D albums have been covered!


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