Brooklyn had the honor and privilege not only of catching frnkiero and the Patience on one of their first shows back in the States after a crippling bus accident almost claimed their lives in Australia, but also of the eclectic Dave Hause’s latest project, The Mermaid, on their debut touring circuit, last month – and Jersey Beat was there to document the sights, the sounds, and the smells of it all.
The Mermaid were the openers this tour, but, as everyone who has ever seen Hause perform in any capacity knows, he always steals the show. Hause had recently scaled back his high-energy performances both with The Loved Ones and as a solo artist with his excellent 2013 release, “Devour,” taken on the road with brother Tim as a mellow acoustic set. Now, Hause brings that bounce back with his latest touring band, The Mermaid, in support of Hause’s February release, “Bury Me In Philly.”
A Frank Iero crowd is not the easiest to win over (this fate has only, to the best of my knowledge, been flawlessly achieved by the charming Homeless Gospel Choir and, of course, the impossible not to love live Against Me!). However, The Brothers Hause and the rest of The Mermaid accomplished the task with ease – so much so that the ever-present fan line was just as excited to meet them as they were The Patience, and they all bought cds. I bought a “Dirty Fucker” shirt, which Hause had the entire crowd chanting as an informal fuck you to the current administration.
The album is amazing, and the songs translate incredibly live. And, as always, Dave threw in a jam for us Loved Ones fans in the audience, “C’mon, Kid.” The set went by way too quickly. Hause is always an electriifying performer and a damn fucking good songwriter. If you haven’t grabbed a copy of “Bury Me In Philly” yet, run, don’t walk, to your latest record store / download site and nab one now.
As incredible as The Mermaid were, Iero and The Patience were not to be outdone. Always engaging and fun to watch onstage, Iero has really come into his own as a frontman. These shows see him comfortable and engaged in between songs, trading laughs and sharing anecdotes with the audience. This album, “Parachutes,” informally the sophomore release to 2014’s “Stomachaches,” performed live with three quarters of this current lineup, is really, really good.
Don’t let the innocent faces of this young crowd fool you, kids: this band is punk through and through, and those kids are pretty damn hardcore. Crowdsurfers pepper the pit and beer and sweat hit faces as Iero and the crowd scream every word together. I’m told that it was Iero who insisted that the barricade be removed that night, to eliminate the barrier between band and fan.
The set included the full “Parachutes” album and most of “Stomaches”, as well as a handful of Iero’s solo songs, including “B.F.F.,” which was written by his six-year-old daughter. Their shows are a like a bloodfest of frenetic energy. The band moves so rapidly onstage, that all photographic attempts wind up blurs until they’re in between songs. Everyone’s hair is in their mouths and everyone’s voices are shot at the end of the set – both artist and aficionado.
Iero is a very adept songwriter and interesting performer, and this tour, in particular, is very well worth the trip, but if you can’t make it out, definitely check out “Parachutes,” it’s a total ass-kicker.
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