This is the first new album from Hub City Stompers since the January 2015 release of “Life After Death”.
Check out the track “Hey Ed” from “Life After Death” below.
Tuesday, February 13, 2018 at 9:49 AM (PST) by Goldfinger
This is the first new album from Hub City Stompers since the January 2015 release of “Life After Death”.
Check out the track “Hey Ed” from “Life After Death” below.
Monday, February 12, 2018 at 2:52 PM (PST) by Mike Scott
You can watch the video below.
Tuesday, February 6, 2018 at 1:40 PM (PST) by The Torchbearer
Philadelphia rock band Dr. Beardface and the Spaceman have released a video for “Coded.”
You can check it out below.
“Coded” comes from the bands’ latest album, Here For The Scraps, which was released in 2017 via Altercation Records.
Tuesday, December 12, 2017 at 12:40 PM (PST) by The Torchbearer
Washington DC pop punks The Split Seconds have released a video for “If I Was You.”
You can check it out below.
“If I Was You” comes from the bands’ latest album, Center Of Attention, which was released back in March via Altercation Records.
Thursday, November 9, 2017 at 12:00 PM (PST) by jaystone
Before I go too deep into the abyss here, allow me to preface this piece by explaining, perhaps unnecessarily, that the thoughts that follow are mine. I don’t pretend to speak for anyone else on the Dying Scene staff, past, present or future.
With that out of the way, I’m going to do a bit of stating of the obvious for a second; shit, right now, is pretty fucked. The catalyst for this piece, as you might have guessed by now, is the lead up to — and fallout from — whatever took place on the Barb Wire Dolls/Svetlanas/57 tour last week that resulted in two of the three international bands jettisoning that tour just after the halfway mark. I thought it was important to clarify a few points from the initial story that broke, to shut down a few of the more quantum leaps that have been made about what happened, and to expound on a few of the points that I made personally that I think are particularly salient but that might have been lost in the noise.
Dying Scene was not present at Jewel Nightclub in Manchester, New Hampshire, last Friday when the aforementioned tour rolled through. I, myself, was present the night before in Somerville, MA, where the photo gallery you may have seen on these pages came from. (Another writer was present at, and took pictures at, an earlier show on tour.) I interacted positively with members of all three touring bands, and saw them interacting positively with one another (including Svetlanas’ drummer Diste and Barb Wire Dolls’ drummer, Crash, collaborating to help fix a broken kick drum). I enjoyed the hell out of the show. I can – and did – attest personally to the passion that both bands have for their own respective music, as both bands play just as intense whether they’re in front of a crowd of 50, 500, or 5,000. I can attest personally to how passionately Barb Wire Dolls, Svetlanas, and 57, the latter of whom totally caught me by surprise, believe in their product and their music. Based on how the night went, I strongly contemplated heading north the following evening for the show in Manchester, my old stomping grounds. In hindsight, I wish I had gone; not because I could have done anything to fix the situation that I certainly didn’t see coming, but at least to accurately quantify what did, and did not, happen.
According to statements made by both Svetlanas and Barb Wire Dolls as bands and by their individual members, there seems to be consensus that there was an individual that was wearing, at least, an SS skull patch, in addition to what seems to have been an anti-Communist back patch. Again, members of both bands seem to be at odds about a lot in the last few days, obviously, but at least seem to be in agreement about that. Both bands also seem to be in agreement that death threats were made by this individual toward Svetlanas and toward 57 following a confrontation at the show. I wasn’t there, nor were the vast majority of people reading these words. But, statements released by members of both bands who were present seem to support those facts.
I made a comment in the story I posted over the weekend that I was saddened, but not surprised, that an individual wearing an SS skull patch would show up to a show in New Hampshire. I’m not surprised, because I’ve seen it before. Not at Jewel, to be sure, as I’ve never been there. Traditionally, the show calendar at Jewel has trended to the more metal end of the spectrum, which isn’t my personal cup of tea, so I haven’t had the occasion to go. I don’t think that Jewel is a hotbed of Nazi-related activity by any stretch of the imagination. I’ve never heard rumors to the effect that such individuals hang out there, and in fact the word on the street about the place has been increasingly positive since they changed management a while back. I don’t pretend to know the identity of the patch-wearer and subsequent threat-maker in question, and by all accounts, it was an isolated, unfortunate incident that snowballed for myriad reasons. The vitriol in the comment sections here and elsewhere on the internet — I know, I know…don’t read the comments — ran the gamut from praising one band, excoriating the other (and of course vice versa), calling them fake punk, calling Svetlanas fake Russian (is that a thing) and stating that Dying Scene was going to get rolled if we continue support Commies. Gotta admit, I’m still a bit flummoxed by that last one. And all of it — all of it — misses the point.
No, I said that I was saddened by not surprised because I’ve seen it before in other places, and in other isolated incidents. The swastika spray-painted on the synagogue that family friends in my hometown in southern New Hampshire worshipped in when we were kids were isolated incidents. The racist graffiti that would get scrawled in the dugouts of the Babe Ruth League dugouts we played in from time to time were isolated incidents. The racist graffiti scrawled on the side of a memorial to two of the first professional African-American baseball players in my old hometown was an isolated incident. The Nazi graffiti found on college campuses in Keene and Durham in recent years were isolated incidents. The racist graffiti scrawled across various locations in Concord a few years ago by a local tattoo shop owner were isolated incidents. The individuals that I’ve seen – with my own eyes – walking downtown Manchester with swastika patches, or the incident of racial hatred and subsequent retaliation by fairly well-known anti-racist group that I witnessed outside now-defunct venue in Portsmouth were isolated incidents.
You know what else were isolated incidents? Boosie Badazz last weekend. The church in Texas last weekend. Las Vegas a month ago. New York City a couple weeks ago. The Pulse in Orlando. San Bernadino. Aurora. Sandy Hook. Virginia Tech. The Bataclan. The Ariana Grande show. Dimebag Darrell. They were all isolated incidents. They all happened in places that people are supposed to feel safe and to find solace from the day-to-day bullshit that we all deal with for however long we’re lucky enough to actually be alive and a part of this planet; concerts, schools, churches, movie theaters, shopping malls. The frequency with which events like those above and countless others have occurred with has left some of us – many of us – feeling desensitized; saddened but not surprised.
We tread into murky waters sometimes in the punk rock world because, at the core, the scene is rebellious, especially in the northeast; let’s not forget that some people’s patron saint of all things punk rock, GG Allin, was not coincidentally born and subsequently laid to rest in New Hampshire. It’s a home for the homeless, a beacon for those who feel disenfranchised. It’s confrontational. It encourages you to fuck authority and confront bullshit and question the answers. Hell, one of the things I praised about the Svetlanas gig in Somerville last night was how aggressive and brazenly in-your-face Olga is. That’s part of the draw, and part of what makes them the most “dangerous band in punk,” just like it was part of the draw to have a Korean band and an outspoken ex-Russian band touring the USA – Donald Trump’s USA – with a band formed by natives of Greece. Confrontation and provocation are not uncommonly part of the deal, and that’s fine.
So if a band or any of its members or an audience member or a club owner or a movie theater patron or a church patron feels a little spooked by somebody or something at the place they go – we all go – to find solace and support and shut off the outside world for a while, that’s important, and it’s valid and for god’s sake it happens all the time in all walks of life, and so you can’t blame them anyone for getting spooked.
Look, gang; we’re all in this together – showgoers, band members, promoters, club owners, photographers, soundboard operators, stage crew, bartenders, coat check staff. We have an obligation to stand up to hatred, bigotry, racism, sexism, homophobia. We have an obligation to look after each other and to take care of each other and to keep giving voice to the voiceless and hope to the hopeless and to be a beacon for the disenfranchised. We have to talk to each other and listen to each other and more importantly go to bat for each other by speaking the fuck up and shining a light on the intolerant bullshit. That’s the only way this all works. Shit’s fucked, but it doesn’t have to be.
Peace and love
Sunday, November 5, 2017 at 12:55 PM (PST) by jaystone
So as you may have picked up on if you checked out our photo gallery from the Barb Wire Dolls headline show in Somerville the other night, that show turned out to be the last night the Greek rockers would be joined on the road by Russian ex-pats Svetlanas and South Korean duo 57.
The night after the show Somerville, MA, the tour made it’s way up Interstate 93 to Manchester, NH. Details from what happened after are still in the “emerging” phase, but it seems a Granite Stater proudly wearing Nazi paraphernalia made his way out to the show. Svetlanas tried to get the staff at the venue, Jewel Nightclub, to take action, and when they failed to do so, the band refused to play. Here’s the statement the band made via social media at the time:
WE DON’T TOLLERATE NAZI PEOPLE AT ANY SVETLANAS SHOW.
For this reason we just cancelled tonight show at Jewel Night Club in Manchester, NH.
Any venue’s owner / promoter hosting a punk show it’s fully responsible for the presence of people wearing nazi symbols of any kind and any band should take a position. We did it.
KEEP IT REAL
From there, things seem to have devolved between the international touring partners. Due what they felt was a lack of support from the headlining Barb Wire Dolls, Svetlanas chose to drop off the remaining twenty dates of this lengthy US tour. Again from the band via social media:
TOUR IS OVER
After the recent events, the countless pubblic and private death threats posts and not receiving, one more time, the support we need from the band we are touring with that refuses to take a clear stand against nazism, WE ARE FORCED to stop this US tour for deep and unresolvible devergences.
We apologize with our fans and supporters but we do have to keep a clear position against ANY kind of violence and discrimination.
Go back to school to learn history kids.
This is SVETLANAS and if you don’t like it GO FUCK YOU SELF
Barb Wire Dolls played in Manchester as scheduled and played again last night in Providence, Rhode Island, as their forty-date tour winds its way south, eventually circling back to Los Angeles. In the early hours of this morning, they released the following statement about the events that followed the Manchester incident that culminated in both Svetlanas AND 57 dropping off the tour:
ANNOUNCEMENT: In the last 7 years we’ve played hundreds and hundreds of shows in lots of countries and we’ve never had any issue with discrimination or hate at our shows…until last night. Let it be known that we don’t tolerate discrimination or hate at our shows because we’re all about sharing the music with good loving vibrations. We’re very saddened to hear that both supporting bands, SVETLANAS and 57, have left the tour as of tonight because of circumstances that happened at last night’s show that involved discrimination and hate from someone we don’t know who attended the show, and because we were contracted to play the show, we still did. We’re very sorry that we didn’t back up the Svetlanas as they told us that we should cancel the show and leave, but at that time we were given false information from others at the venue and not until the today did we find out the full truth…but thats no excuse. We apologize to them. We wish both bands the best and all of our remaining shows will go on as usual – and we’re doing our best to spread more love into this world. It needs it now more than ever.
In order to clarify their point — that it wasn’t just about the Nazi that showed up in Manchester but about the lack of support they felt from their headlining tourmates, Olga Svetlanas and crew posted the following statement about an hour ago:
Reading all these comments and understanding the meaning of our post is being modified or misinterpreted we think it’s time to make it even more clear.
The main reason for us to stop this tour is:
We don’t want and can’t continue to support on or off the stage a band that after a long face to face talk says everyone including nazis are welcome at their show and that an SS skull patch is just an opinion.
We have found many divergences with Barb Wire Dolls during this tour but this is the highest reachable level for us and we cannot accept it.
Their subsequent excuses looks like a pathetic trying to hide the dirt under the carpet and we are glad to announce the S.Korean band 57 decided to leave this ambiguous tour as well.
For better or worse, this story hits fairly close to home for some of us here at Dying Scene, especially yours truly. Obviously we’ve seen and shot both Barb Wire Dolls and Svetlanas a bunch over the years and have gotten to know some members of both bands in person and over social media in the recent past. We were also obviously present at what turned out to be their last show together. But more than that, I was born and raised in southern New Hampshire. I spent years working my day job in Manchester, a stone’s throw from the Jewel Nightclub. I started my show-going career as a New Hampshire-ite (rest in peace The Elvis Room), and I’ve gotten to know some of the people trying to reignite some semblance of a scene in the Granite State. I still return there for shows as much as I can. To say that I’m surprised that a Nazi-adorned show-goer would show up to a club in Manchester, or anywhere else in New Hampshire frankly, would be a lie; I’m saddened, but not surprised, for reasons that I won’t go into now.
It’s 2017. Nazis shouldn’t be a thing. Nazi apologists shouldn’t be a thing. Creating a safe space for hatred at shows because there are “good people on both sides” shouldn’t be a thing. We’ve literally fought wars about this…like three-quarters of a century ago. As shitty as it is for Svetlanas and 57 to have had to deal with, props to both bands for taking a stand. More on this as it develops.
(Editor’s note: All statements are copied directly from each respective band’s social media platforms.)
Monday, October 16, 2017 at 4:47 PM (PST) by Mike Scott
Philadelphia rock band Dr. Beardface and the Spaceman have released a video for “No Angel”. The track is the album closer from the band’s recent album, “Here For The Scraps”, out on Altercation Records.
You can watch the video below.
Monday, October 9, 2017 at 3:50 PM (PST) by Mike Scott
Thursday, October 5, 2017 at 7:57 PM (PST) by liathdavis
According to front man Revered T. Sinister, “Hub City Stompers is truly amped to be joining the Altercation family…HCS has it’s ear to the streets and is ready to kick ass, and we’re glad to join a label with the same motives in mind.”
Tuesday, October 3, 2017 at 12:30 PM (PST) by The Torchbearer
Washington DC pop punks The Split Seconds have announced some October shows they will be playing including a stop at Nowhere Fest in New York, and FEST in Gainesville.
You can check out all the dates and locations below.
The Split Seconds last released Center Of Attention in March via Altercation Records.
Monday, October 2, 2017 at 6:29 AM (PST) by Kelly McPunxy
So this last weekend I see an ad on Facebook that reads “Upstart Music-Arts Brewfest and Fleamarket” and what caught my eye was the font in the word Upstart was the same as Upstart Fest and the Upstart Antisocial Campout two of my favorite punk festivals/tours so I went to the page that was linked on the ad and sure enough the good people from Upstart Fest had put together a street festival in the little town of Catskill NY which is maybe an hour and a half north of where I am from in Poughkeepsie.
And with nothing to do on this fine end of summer day I grabbed two friends and we made the drive up to Catskill NY which turned out to be a really cute little town right on the Hudson River and an easy drive from where we lived. Upon arrival at about noon it appeared the Fest was already in full swing and the street was filled with people, my friends and I grabbed a beer from the Rip Van Winkle Brewery tent and caught the last two songs from a set done by Danny Stitches who looked and sounded like a dead Waylon Jennings, and before you think I’m making fun of Mr. Stitches I’m not, he was done up in rather professional makeup to look like Frankenstein’s Monster with a black cowboy hat and he sang country songs, and from the little I heard was quite good.
Next followed a poppy band called Ramona Lane, whose front man had a good voice, they weren’t bad and with some polishing and more stage presence may be able to gain some recognition down the line in the new alternative scene. The set after that was by a young looking band called Frances Dean, fans of Nirvana rejoice these guys brought back the dead with this set, the front man stood out as the omnipresent grunge master with a permanent scowl on his face as the rhythm guitarist kept the frantic momentum going as they entertained the growing crowd and local fans.
We shared some delicious spinach and potato pierogis bought some ear rings and another craft beer this time from Keegan Ales which was also really delicious, and then returned to the stage to see Mr. Danny Stitches back up there with a different front man and a full band who called themselves Casanova Frankenstein And The Voodoo Machine. Dressed in black and red bowling shirts and all done up like corpses they rocked out a set of creepy rockabilly songs that got us all thinking that we needed to start getting ready for Halloween. And as it happened they did a really great job and were a lot of fun.
The next three bands slated to appear were a surprise, a very good surprise for me as I know and love them all, Dr. Beardfacé And The Spaceman, Pitchfork Militia, and Kyle Trocolla and his full band The Strangers. I was surprised because there was no mention of any of the performers I could see on the Facebook Ad other than “Bands” so obviously once I read the whiteboard with the full list of bands the day got a whole lot more interesting for me.
Dr. Beardfacé And The Spaceman hit the stage hard, opening the set up with Teenage Runaway, one of my favorite songs off their latest album, and then just rolled into song after song in an almost panicked pace hitting us with one song after another Ramones style for at least 45 minutes the crowd growing as they played and jumping when they layed into their cover of Dramarama’s anything anything.
A band who I haven’t seen in years was up next, Hudson Valley legends Pitchfork Militia got up and after their first song announced that this was their 23rd year as a band which garnered cheers from their fans and other show goers as they played their infamous brand of “Cow Punk” with front man Peter Head playing his guitar with a toy fire truck to the amazement of onlookers who were unfamiliar with the bands onstage antics.
And finally Kyle Trocolla of Two Fisted Law fame showcased his solo work with the backing of a full band called The Strangers. I was, or am I should say a big fan of Kyle’s solo work, his song writing and his musicianship are on par with contemporaries like Tim Barry and Chuck Regan I believe. And I had heard he occasionally performs his acoustic songs with a full band but have never seen him do it. Let me state for the record he blew us away, I will stand as a firm fan of his solo acoustic stuff and think his last album The Stranger was one of the finest albums of 2016 but hearing those songs played by a full band with all the additional instruments and intricacies a full band can bring was absolutely phenomenal and a really great treat.
So from three Poughkeepsie girls thank you Upstart people for giving us another fine day of music, food, beer, and really interesting vendors and artists…Yes let me not forget to mention the very interesting vendors, artists and craftspeople who made up the bulk of this fine fair as I ramble on about music. There were vendors manning booths selling canned and jarred foods, fruit and vegetables, cool punk clothing, not so cool mainstream clothing (a girl needs that too) vinyl records, really great and interesting artists, jewelers etc. everything and more you could want or ask for in a street festival of this type.
Upstart Music-Arts Brewfest And Fleamarket, We loved you!
Tuesday, September 12, 2017 at 2:00 PM (PST) by The Torchbearer
Philadelphia rock band Dr. Beardface and the Spaceman have released a video for “Teenage Runaway.”
You can check it out below.
“Teenage Runaway” comes from the bands’ latest album, Here For The Scraps, which was released on May 5th, 2017 via Altercation Records.
Thursday, September 7, 2017 at 8:33 PM (PST) by liathdavis
New York based punks The Jukebox Romantics are kicking off their ‘Sleepwalk Me Home’ tour next week on September 15!
Check out the dates below!
Wednesday, August 16, 2017 at 9:44 AM (PST) by Joe Grimm
Eventually everything comes to pass, even we as humans will reach the inevitable end and have to face our own mortality…I have often wondered if it would be better to go quickly and silently without any notice of my own end. Or if it would be better to know ahead of time and be able to get all of my affairs in order, say good bye to all my loved ones, enjoy the pleasures of my favorite meals or films one last time and I don’t know maybe have one last party before my eventual demise.
Bands for the most part break up or give up after an internal dispute over art, or money or some personality conflict. And although it may not always come as a surprise to the band members themselves it often is a surprise to the world and to the fans. Well this Saturday I was able to witness a spectacle of punk rock love and brotherhood few have ever been able to experience…After over fifteen years of cross country tours, numerous lineup changes, on stage fistfights, and hundreds of drunken booze soaked practices and shows the boys from Two Fisted Law decided to call it quits in early spring of this year. Professionals that they were they kept every date they had booked on their calendar during 2017 and added one more…The Official Final Show which could not be held in their hometown of Danbury Connecticut due to the closing of their local venues Cousin Larry’s and The Heirloom Arts Theater so was held in neighboring New Milford Connecticut at the surprisingly large and well equipped Fast Eddies Billiards.
Upon arrival I was able to catch the last few frantically fast paced songs by Danbury locals and longtime Two Fisted Law friends Social Standards. The speed and aggression of their front man made me kick myself for missing most of the set and reminded me of my own mantra about always checking out every band at a show.
Next up in the lineup was a crowd favorite The Jukebox Romantics who quickly whipped everyone into a frenzy with front man Mike Terry screaming anthemic vocals to an audience of well-versed fans who sang along to every song while shaking fists into the air while slamming into one another…between songs the band would crack jokes and trade insults while sharing Two Fisted Law stories with the audience, this performance alone was worth the hour and a half drive I had to get to New Milford for this show.
After The Jukebox Romantics left the stage Asbury Park New Jersey’s Lost In Society who have just completed a tour with Face To Face and soon leave for tour with Unwritten Law took the stage and unleashed a super tight set of fast paced pop punk songs that again had the entire place dancing and singing along song after song as front man Zach Moyle leaped all over the stage like a man possessed…It was a truly exceptional performance and I can see why these guys are so popular at the moment.
After Lost In Society had finished the feel of anticipation grew as did the crowd which pushed out of the band area of the venue and crept into the main bar and pool playing sections of the club. In attendance was a who’s who of Northeastern punk bands including members of Damn Broads, Cry Havoc, Enziguri, The Lost Riots and others I’m sorry I recognized but could not identify.
It was now about 11:45 pm Two Fisted Law took the stage and current front man Lance thanked everyone for coming out and thanked the band for having them adopt him into the family and the set began…it was tight it was loud and it was fast as they blazed through song after song Lance screaming into the microphone as if his head was about to burst right off of his neck.
In between every other song Lance or Kyle would tell a little anecdote from a past show, or share some love for someone in the room, they thanked the opening acts all of whom have shared in the long and proud history of Two Fisted Law both on and off the stage. Then maybe 25-30 minutes in Lance invited Big Jym the previous and longtime front man up on stage to do a duet, and both men laid into 3-4 songs together the crowd going completely insane then Lance left the stage and the show continued on with Big Jym singing more fan favorites, another pause and the original drummer Matt Rosenzweig, original bassist Dave Haug and original Guitarist Ricky Foster took the stage with much adulation from the crowd of longtime fans they all shared a couple of jokes and insults back and forth and then Ricky sang a never before performed on stage song from the very first inception of the band from some 15-16 years ago before they all went back into the full show with Jym on vocals and the old lineup still in place the band rocked for over two hours in total playing possibly every song off of every release they had done…and in the end every member got on stage including once short term member Mike Terry of the Jukebox Romantics. Kyle Trocolla then again gave a short thank you speech to all in attendance and explained how the song Late Nights And Bar Fights Was indeed written for, and about, every fan who ever made it to any of their shows, they all shared a shot of whiskey and saluted one another and the crowd and then they all…5 Guitarists, 2 bassists, 2 drummers on 2 drum kits, and 2 front men all playing and singing in unison belted out that song. And they tore the house down…I have seen many great shows, I have seen many touching moments on stage, and I will say that as of today this one song at this one show, with everyone onstage playing their hearts out, and managing with all the booze and emotion to be so fucking tight and deliver the wall of sound that they delivered with that many people on stage playing together was bar none one of the greatest moments in punk rock history and I only which everyone in our world was able to experience that one song…It was truly the thing legends are made of.
R.I.P. Two Fisted Law.
Check out photos from the show by Just Vibe below.
Monday, June 19, 2017 at 5:22 PM (PST) by Mike Scott
Hailing from Lincoln, UK Nieviem is a newer skate punk band that has been tearing it up for a little over a year. Steadily releasing new songs, live recordings, and EPs, the band continues the trend with their second EP The Hope Is There. The EP is fast and heavy, borrowing from hardcore but still strongly entrenched in 90's skate punk. If that sounds up your alley, then give it a listen here.