“It’s already done, just waiting for it to be mixed. We have about 15 songs in the can. One of them is called “American Lies,” if you want some inspiration it’s right there, a song Jim wrote and I think you can probably figure out what the song is about from the title alone. We’ve got a raging fast album that I feel like is our best work since Full Circle and Straight Ahead. We’re able to go back to the old school vibe and that’s hard to do. Bands try to go back and recreate their first or second albums and somehow this time we stumbled across an old formula that really worked. It’s aggressive and has a lot of cool lyrics. We’re looking forward to getting it out there around March. We don’t have a title for it yet but we’re meeting this week to put the finishing touches on it and get another one out there for the masses.”
Search Results for "Pennywise"
Tuesday, November 28, 2017 at 8:07 PM (PST) by Chris Ramone
Wednesday, October 11, 2017 at 10:00 AM (PST) by Meredith Goldberg
The weekend of September 15-17 saw the annual return of Riot Fest. Riot Fest 2017 was held for the 12th consecutive year in Chicago and for the third consecutive year in Douglas Park. Once again, Riot Fest saw an eclectic crowd turn out, including multiple generations of families. You can check out our coverage of day one here and our shots from day two here, but we, like Riot Fest organizers this year, certainly saved the best for last.
While last year’s Riot Fest included a Danzig-led Misfits reunion that was noteworthy in its own right, this year’s headline reunion band felt somewhat bigger and more important in a lot of ways. There’s a giant faction of the punk rock scene that’s effectively been the House That Jawbreaker built, and that was certainly reflected in this particular day’s lineup. There’s a direct sonic and stylistic connection from newly-reformed trio, playing only their third show in over two decades, to bands like Hot Water Music to more recent torch-bearers like The Flatliners and The Menzingers. All of the above were on display on a hot and sweaty third-and-final day of Riot Fest 2017, marking a notable past, present and future that seemed to find each generation drawing inspiration from the others.
But wait, there was plenty of other punk rock history to go around! GWAR have kept on keeping on following the death of frontmonster Dave Brockie a few years ago, and have been Riot Fest regulars for years. The Mighty Mighty Bosstones made another stop on their Let’s Face It 20-year celebration shows that’ll wind down with this year’s Hometown Throwdown around Christmastime. Pennywise, who will be celebrating their thirtieth birthday as a band next year, played one of the weekend’s best-received sets. Check out our full photo rundown below!
Great news from the Pennywise camp – frontman Jim Lindberg has confirmed a new album in 2018!
In an interview with the Punkanormal Podcast, Lindberg says the new album is finishing production and is expected to be released early in 2018. Pennywise released Yesterdays in July of 2015 on Epitaph, featuring previously unheard material written by the late Jason Thirsk.
DS recently attended the annual, 4 day punk rock extravaganza that is Rebellion Festival in Blackpool, North West England. Read the first of our reviews of the festival below – looking back at the ridiculously strong line up on day 1.
Rebellion – Day 1
High summer in the UK is unpredictable down in London. One day it’s beautiful, sunbathing weather. The next it’s pissing it down. But, in Blackpool, as a soft southerner, you can be sure to be freezing, regardless of the fact its early August. You find yourself swept off your feet by the blasting wind and greeted by people in t-shirts looking at you funny for shivering. Luckily, the annual pilgrimage up there is for Rebellion – the unique, 4 day punk festival held in the cavernous Winter Gardens. And a couple of us were there for Dying Scene. [Continued below]
Canadian punk rockers rejoice, Music 4 Cancer has announced the full lineup for the seventh edition of the festival and it doesn’t disappoint. This years festival will be held in Centre-ville de Sainte-Therese and run September 14th to 16th. This year’s edition will feature Pennywise, Less Than Jake, Guttermouth and many more (see poster above).
For those unaware Music 4 Cancer not only boasts some amazing band’s on the festival, it’s a great cause as well with the festival being ran by volunteers and the money the festival makes going back into cancer research.
You can grab your tickets here.
The day before ended in Bad Religion, one of the greatest bands the scene has to offer, continuously kicking it until they kick the bucket. And Day Three was the end of it all, the final day for the punks to don their denims and get out into the sun, to dance and sing and hug their new friends. Day Three felt like a long farewell– a little less hectic, a bit more casual, and still a helluva lot of fun.
Press and VIP lines were a breeze and I got in with no problem at all. To give the new venue credit, each day steadily improved. This is also fair time to mention everything that was happening at the fest that weren’t people with guitars, bass, and drums. Vendors packed the left side of the venue with shirts, hats, records, CDs, tote bags, wallets, necklaces, patches, stickers, with a dozen etceteras. Always a sick reminder that there is not only a cool world out there of punk stuff, but there are also people out there creating it. Doc Martens might have had the most inspired festival booth, featuring big piles of deflated beach balls up for the grabbing. By the end of the night, there were over twenty being pushed around in the pit. I’m not a big fan of Doc’s, mostly because they don’t fit my feet, but even I could admit it was a pretty sly move.
Onto the music! The first band of the day was The Quitters. I was actually pretty stoked to hear them based on the recommendation of DS lens-jockey Cricket Fox. They played first, so there was nowhere near a big crowd (and also, the festival starts a bit earlier on the last day, so you know, folks might be sleeping or something like that), but they rocked it. They played an old school kind of punk rock, stuff that is snotty and fun without being pop punk, and loud and shouty without being hardcore. Its the sort of music that if you wanted to create the original ink drop from which all of punk bled out of (ruining some fine parchment in the process), this would be at the tip of the fountain pen. A real cool blended sound of forty years of music, from Descendents to Refused. Their beats were surprisingly danceable too, as even the security guards were breaking characters and nodding along. The Quitters are awesome, check ‘em out when you get a chance.
Roadside Bombs played next. I would describe their sound as a sort of a throwback thing, like a ‘77 punk amalgam with a bit of classic rock thrown in there. It wasn’t too bad, not really my thing, but I thought they performed well. The next band, Wolfpack might get the award for most interesting bio of the weekend. I was watching them intently, mystified by what I read in the pamphlet: they’re a Melbourne not-for-profit band. Crazy, right? Looking at their bandcamp page, they say they’ve raised $26,000 for charity. Even weirder, and maybe cooler, depending on your predilections, is that the band is led from the back by the drummer. Aside from their tax status, they were pretty dope, playing a pretty riffy style of metal-infused hardcore punk.
Day Three was all about Oi! though. Cocksparrer was headlining and they wouldn’t be the only working class punks to grace the PRB stage. This was the year of street punk and oi. Lion’s Law was the first band to start playing the style in earnest and got my attention for being from one of the least oi places I can think of– France. I thought it was pretty cool, and strangely, a natural fit for the naturally surly French accent. It also made me think about how French punk has been getting more and more attention lately with the likes of Lion’s Law, Guerilla Poubelle, and Not Scientists.
And then, in a weird sort of double feature, we had another oi band playing. This was England’s Booze & Glory, and a lot of folks were here for them. I hadn’t heard of them before the festival, but street punk and oi aren’t styles I follow very closely. I’m also not afraid to admit I’m in the minority though, because from day one I saw tons of punks rocking Booze & Glory shirts. I was starting to get the vibe that these guys were the next big thing in their scene. As far as their sound goes, I mean, I’m not sure what there is to describe. They sound like a band that wears suspenders and throws back pints of lager. The real test of mettle for a band like this is in their songwriting, what they can communicate that all the other hooligans with guitars haven’t been able to do before, or to do it now in a way that’ll communicate it to a new generation. Judging from the crowd, Booze & Glory are a torchbearer for their sound. My only issue is with the placement of these two bands on the bill, while I’m sure their audience dug ‘em a lot, it all bled together for me.
As any dude who likes melodic punk bands, the occasional Dan Yemin hardcore project, and folk punk; I also inexplicably love Tragedy, His Hero Is Gone, and anything else that is crusty and patches well on flannel. And that is why I was stoked to see Discharge. The originators of D-beat, true harcore pioneers, and one of the major influences to a lot of my favorite modern hardcore. For such an old fucking band, they killed it. They had tons of energy and ran through a set that felt like a machine gun peppering of shredded solos and barked declaratives. Of all the acts of Day Three, Discharge might have been the most intense to witness.
I was warned about the Adicts before I got to Vegas. I didn’t have a lot to go on, y’ know? I was told they were great live, but I never really listened to them. I mean, I’m not a big face paint guy, bands with a huge visual presence always felt weird to me, same with bands in costume. I don’t know, it’s one of those things that never really felt right. I mean, I don’t even like the Misfits– what do the Adicts have to offer?
It’s nice to be wrong.
When the confetti cleared, the Adicts were my favorite act of Day Three. This isn’t just punk rock, it’s spectacle. While watching them play and dance; throw cards, balloons, and streamers into the audience, I experienced, what I can only assume, is pure joy. My initial worry was of a band that takes themselves too seriously, who take the imagery from A Clockwork Orange and use it as a way to secure some false sense of danger, when its really just adolescent pageantry. The Adicts know exactly what they are, they embrace the silliness– and most of all– they want you to have fun. They’re a fun band that puts on a fun show. Why else would you wear a cape made of mirrors? It’s ridiculous fun. And their music works with the show they’ve crafted. It’s singalong ‘77 style punk, the kind of stuff that got me singing along without ever hearing a word before. The Adicts are amazing, a punk rock treasure that needs to be seen to be believed.
The light was waning after the Adicts wrapped up and I was left in a bit of a state of awe. I mean, what band can really follow that up?
A lot of people have mixed feelings about Pennywise, and I guess I’d count myself in that lot. I like a couple of songs, but mostly see them as the lesser of the 90s melodic hardcore bands to make it big. A little to bro-ey for me, I guess. They have a knack for songwriting though, “Fuck Authority” is ultimately a kind of dumb, almost ritual reduction of one of punk rock’s core tenets, but even I have to admit it strikes a chord. I mean, you could also say punk rock is just a dumb, almost ritual reduction of rock ‘n roll, right? They played a handful of covers in a row, “Wild in the Streets” by Circle Jerks, “Do What You Want” by Bad Religion, in which Fat Mike jumped on stage to help with vocals, and “Minor Threat” by Minor Threat. As is the expectation, they ended their set with “Bro-Hymn” and I got to hear a couple thousand woahs all in unison. Even if Pennywise wasn’t my thing, that was just a little magic.
And of course, it wouldn’t be a punk festival without a little politics mixed with catharsis. Fat Mike appeared on stage before the final set with a statue of a nude Donald Trump. He reaffirmed his beliefs that punk rock and politics are intertwined and not to be unraveled, allowing one of the Stern daughters to be the first to take a swing at the presidential effigy. The bat was shared by various band members as each broke the statue down with more and more nasty blows, batting the president’s dick off, until finally Fat Mike beheaded him. It was a fun, albeit violent sideshow in between the musical sets and a reminder of where PRB’s heart is.
The final act of the mainstage was the exclamation mark in Oi!– scene veterans Cock Sparrer took up their instruments as the air cooled and the festival marched into night. That’s one thing that bears mentioning: at night, Vegas is beautiful. The air is tolerable and the neon gives the city an otherworldly glow. At Punk Rock Bowling, it is a signal for the second half of the day for some, but for everyone in the crowd, it is an invitation to come closer. Cock Sparrer played one of the best sets I’d seen that weekend for devotees and casuals alike. The age old band came out to play old favorites and stuff off their new record Forever. As cliche as it is, they seemed like the kinda guys you’d wanna have a beer with– funny, humble, and talented old school punks. They played a host of tracks that I couldn’t help but singalong to on my first time. If I discovered anything at this Punk Rock Bowling, it might have been a new appreciation of what the best working class punk can do, bring people together and bind them in less than three minutes.
Maybe it was the beer, maybe it was because we were at the end, but this was when I started getting sentimental. I saw a crowd full of people, ages five to sixty-five, and they were singing along and dancing, smiling and laughing. I watched the song “Because You’re Young” become an affirmative anthem for generations of punks, young and old, as they looked back at the road they took in life and let their smiles broaden together. When the set ended, I was smiling too. All the denim, ink, and piercings unloaded into the streets and I saw a community. There was chatter about what they just saw, who they’re seeing next, and when they’ll fly out. Folks threw handshakes and hugs and promised to see each other next year.
A punk show, a party, a community– built from the ground up to rumble every year, to bring old and new together, to close distances– that was Punk Rock Bowling 2017.
Full slide-show below.
California punk icons Pennywise have announced a European tour that will take place next month and in August. The tour includes mostly festival appearances, and headlining gigs with The Offspring, Face to Face, Good Riddance, Teenage Bottlerocket, PEARS and Not on Tour.
Tour dates can be see below, or in the poster above, and tickets and more information are at this location.
Pennywise released the compilation album, Nineteen Eighty Eight, in May of last year via Hardline Entertainment. They have been working on a new album for sometime, which is tentatively due for release later this year and will be their first since 2014’s Yesterdays.
Friday, April 7, 2017 at 12:30 PM (PST) by AnarchoPunk
Day Three was reserved for the most “mature” roster of the weekend with stalwarts like Unwritten Law and Swingin’ Utters sharing the stage alongside genre defining bands like Pennywise and Bad Religion. 125 cumulative years of punk rock history performing on the same day, all in one place equated to an enormous turnout. So for the last time, we dragged Anarchopunk, kicking and screaming, back across the county line to Costa Mesa to cover this, the final day of Musink 2017. Check it out below!
Thursday, March 2, 2017 at 4:31 PM (PST) by Screeching Bottlerocket
Pennywise guitarist Fletcher Dragge was out for a morning drive on Wednesday when he found himself in the middle of a car chase. Police were tailing a suspected carjacker in a gray Scion and the chase was coming directly at him.
Fletcher told Easy Reader News, “I thought I should get out of the way, so I crossed the double yellow to make a U-turn. But my truck is so long I got stuck, blocking the two northbound lanes”.
Soon after, a squad car performed a PIT maneuver on the suspect’s car, causing it to spin out of control and stop 10 feet from Dragge’s truck. Fletcher said, “It looked like he was reaching for the driver side door handle and I thought for a moment he was coming for my truck. But if he was, he changed his mind when we made eye contact”.
So why did the carjacker, who was described as a “small, Hispanic male in his early 20s”, decide to move along? Maybe he was a huge Pennywise fan and didn’t want to ruin his favorite guitarist’s morning drive. Or maybe he was scared shitless when he realized the truck he was about to jack had a 6’5″, 300 pound man behind the steering wheel.
We’re going to go ahead and assume the former.
Friday, February 24, 2017 at 11:56 AM (PST) by villagebrown
Phoenix based broadcasting and media company 98KUPD has announced their 2017 edition of Brufest Presents – Sabroso: Craft Beer, Taco & Music Festival. The festival will take place on April 15th at Fear Farm Festival Grounds in Phoenix, AZ and will see performances by The Offspring, Pennywise, Atreyu, All That Remains, + more.
Along with the musical performances, the fest will also “host over 160 craft beer options from 40 breweries, tacos by Arizona’s best local chefs/restaurants and entertainment by lucha libre style wrestlers.”
Tickets are currently on sale, you can find them and all other information pertaining to the fest here.
Wednesday, February 22, 2017 at 9:19 PM (PST) by Rob Smittix
Montebello Rockfest (Formerly Amnesia Rockfest) has finally announced the full lineup for the annual festival’s 2017’s installment and, as usual, it’s pretty awesome. The festival takes place in Montebello, Quebec, from June 22rd-25th. The first two groups to be announced were Rammstein and The Offspring and then it became a waiting game, but it seems the wait was well worth it.
The 2017 lineup includes, but is not limited to: Iggy Pop, Bad Religion, Pennywise, The Specials, Goldfinger, Reel Big Fish, Less Than Jake, Anti-Flag, Reverend Horton Heat, Agent Orange, Teenage Bottlerocket, Masked Intruder, Frenzal Rhomb, Face to Face and The Unseen.
Also special tribute bands have been assembled to honor Fugazi, Minor Threat, Sex Pistols, Ramones, Spinal Tap and Twisted Sister. Speaking of Twisted Sister we were very surprised to see Dee Snider’s name on the bill after last year’s fiasco when Snider and his band expressed deep displeasure with the festival; guess it wasn’t that bad after all. Other tributes will be held for a few of the best record labels of all time: Fat Wreck Chords, Hellcat Records, Epitaph and Sub Pop.
Wu-Tang Clan is also on the list this year and although they are not punk or metal this addition seems to make perfect sense. If you have never experienced Canada’s largest rock festival check out some of our coverage from last year HERE.
Saturday, January 28, 2017 at 12:35 PM (PST) by Johnny X
Alright, punk fans, it’s officially official. The 2017 lineup for Punk Rock Bowling in Las Vegas has been finalized and publicly announced. I’m too lazy to type it all out so just take a gander at the poster above and start mentally cataloguing who you’re most excited to see.
Still to come are the announcements about the after hour club shows but we’ll post those as soon as PRB starts releasing them.
Punk Rock Bowling takes place over Memorial Day Weekend (May 26th-29th) and is the one festival each year that the Dying Scene staff flies, drives, hitchhikes or crawls from the various basements across the globe that they reside in to meet in person. Keep an eye out for us in our snazzy Dying Scene t-shirts and be sure to tell us how much our site sucks.
Monday, December 26, 2016 at 1:46 PM (PST) by Johnny X
2017 is nearly upon us and you know what that means. Exactly. Time to start planning for Punk Rock Bowling! The long running punk festival has announced the first round of headlining bands for its 2017 installation in Vegas. Here’s the official announcement:
“19 years and counting and we are more excited than ever to announce just a glimpse of this years lineup featuring the Godfather of Punk Rock, the eternal misfit and saboteur of all convention, the 2017 Grammy nominee (and rightly so) Iggy Pop!!
And if that’s not enough, coming all the way from the East End of London, the working class heroes and one of Punk Rock Bowlings all time favorites, the pioneers of Oi!, the one and only Cock Sparrer!!
And let’s take our hat off to Pennywise who after 28 years is a household name in punk rock circles (and circle pits) and we welcome them back to PRB, with Jim Lindberg at the helm (finally!)
Top that all off with The Bouncing Souls, hot on the heels of their new album Simplicity, Hardcore punk legends Discharge, and many more bands to be announced. This is just a preview of what is going down in 2017, stay tuned for more.”
Snag tickets here.
Thursday, December 8, 2016 at 10:10 AM (PST) by Gina Skidz
The 10th annual MUSINK festival, presented by Travis Barker, is set for March 17, 18, and 19, 2017. The festival features music, a tattoo convention, and a classic car show at the OC Fair & Events Center in Costa Mesa, CA. It is billed as the country’s largest tattoo and music festival.
This year’s lineup includes Bad Religion, NOFX, The Used, Pennywise, and more. You can see the lineup as it currently stands below. If you’re lucky enough to be in the Costa Mesa area, you can find ticket info here.
Monday, September 19, 2016 at 11:49 AM (PST) by rick delaney
Unwritten Law’s latest release was an acoustic collection of tracks, aptly titled “Acoustic”, released via Cyber Tracks in spring 2016.