Search Results for "Fat Wreck Chords"

Useless ID release music video for “How to Dismantle an Atom Bomb”

Israeli punk veterans Useless ID have released a music video for “How to Dismantle an Atom Bomb”, which appears on their latest album State is Burning. Check it out below.

Guitarist Ishay Berger had this to say about the song and video:

“The situation at home is sometimes so frustrating that it seems like a hotbed of conflict and anger for everyone involved. These things affect and change people’s lives, and we address these feelings in our song. We feel that the lyrics and the images of the video connect strongly.”

State is Burning was released in 2016 through Fat Wreck Chords. The band’s currently touring Europe and will be playing some Japanese shows immediately after that.



The Bombpops perform “Watch Me Fold” live from The Rock Room

San-Diego stationed pop punks The Bombpops recently caught up with the good folks over at ‘Live From The Rock Room’ for a live session.

You can catch their performance of the song ‘Watch Me Fold’ below.

‘Watch Me Fold’ comes from the bands latest album, Fear of Missing Out, which was released on February 10th through Fat Wreck Chords.



DS Photo Gallery: Bad Cop/Bad Cop, Barb Wire Dolls and The Ataris at Vans Warped Tour in Mansfield

There are a lot of descriptors you can use to help quantify the experience that is the Vans Warped Tour circa 2017, but perhaps the most accurate — and non-judgmental — is “total sensory overload.” Now in its 23rd year and counting, the annual touring punk rock summer camp has morphed into a monster: ten hours and seven stages spread across numerous acres playing host to seventy-ish hard and loud and fast bands, each with their own brightly colored merchandise tent selling the entire gamut of logo-adorned paraphernalia (t-shirts and hats and shoes and belt buckles and skateboard decks and flags and rubber ducks and on and on and on), and that’s before you factor in the food vendors and the independent merchandise vendors and the gigantic Slip ‘N Slide. All of the above is also before you account for the weather, which typically qualifies as hot and steamy but on occasions like last week in Mansfield, Massachusetts, consisted of rain that was certifiably torrential.

The rains came early and often with the sky opening up almost exactly as the gates to the Xfinity Centre  amphitheater grounds did the same. Thunder and lightening made repeat appearances as well, causing a few temporary shutdowns in the action, pushing set times back for most of the day. While bottled water is typically one of the most sought-after commodities at Warped Tour stops, on this particular day it was $5 plastic rain ponchos, though any expectation that they were going to keep their users completely dry was obviously a mistake. Still, it was something, especially if you weren’t one of the masses lucky enough to be in attendance primarily for bands playing under the covered portion of the venue and were relegated to the side stages in the parking lot areas. As you can probably surmise from this discussion, we were there for the parking lot stages.

Having focused on some of the older school bands last weekend in Hartford, we turned our attention elsewhere during the deluge in Mansfield, namely to Bad Cop/Bad Cop. We had missed the Fat Wreck Chords foursome at the Connecticut stop due to the timing of their pre-noontime set, so we made it a point to be present this time. The band filled their eight-song set with tracks from their two full-length albums (2015’s Not Sorry and last month’s stellar Warriors) and played with such a blistering pace that they were able to squeeze a ninth song (“Asshole,” from their 2014 Boss Lady EP) into their scheduled twenty-five-minute set. Say what you will about the concept of divine intervention, but clearly something was at play, as shortly after the band took the stage, the rain not only stopped, but the sky cleared up enough to allow the sun to make a welcome appearance that lasted, all told, about an hour, a welcome mid-afternoon respite for sure.

The weather conditions made photography more than a little bit of a difficult proposition for our lowly-trained camera jockey (read as: me). Still, after having just kinda given in to the rain at one point, we were able to catch all or part of super enjoyable sets from Alestorm (a pirate-themed enjoyably gimmicky schtick band), the mighty Valient Thorr, Municipal Waste, Sonic Boom Six and The White Noise. We also shot…and maybe fell in love with…five-piece Greek rock and roll band Barb Wire Dolls. Frontwoman Isis Queen is one of the more enigmatic, quintessentially “rock star” performers we caught during our two Warped Tour stops, with a five-piece band (rounded out by bassist Iriel Blaque, Pyn Doll and Remmington on guitar and Krash Doll on drums) that remained especially tight and high energy in spite of the conditions.

We also caught a spirited set by The Ataris. We’ll be honest; aside from founding frontman Kris Roe, we can’t honestly say we know who’s actually, officially, in The Ataris at this point in 2017. They’ve sorta become Goldfinger or the touring version of MxPx in that regard. But they’re good; they’re real good. The band’s set, particularly tracks like “Your Boyfriend” and, of course, their set-closing cover of “The Boys of Summer” was well received by the soggy masses, and Roe and company promised to play a much longer, higher energy set when they return to the area with The Queers later this summer.

Check out our full photo gallery below.



The Lillingtons announce Midwest tour

Wyoming pop-punk veterans The Lillingtons have announced they will be touring the Midwest next month. Check out the dates below to see if there’s a show near you.

The band recently released the Project 313 EP through Red Scare. They just signed with Fat Wreck Chords and plan to release a new full-length album later this year.



The Flatliners announce tour dates with the Smith Street Band and Sum 41

Toronto’s Flatliners recently announced a set of West Coast tour dates around the US and Canada. They will be accompanied by The Smith Street Band, up until It’s Not Dead Fest. They are also adding a few dates to the end of July, in Canada, supporting Sum 41.

Check out all the dates below

The Flatliners put out their last album, Inviting Light, back on April 7th of this year via Rise Records.



DS Photo Gallery: Strung Out, Street Dogs, The Adolescents and The Alarm represent the old school at Warped Tour (Hartford, CT)

Much has been made of the backseat that traditional punk rock took for quite a while at the annual Vans Warped Tour. Over the last handful of years, however, those old-school punk rock vibes have been slowly returning, albeit on a bit of a smaller scale. While bands like Attila and I Prevail and Beartooth seem to represent the lion’s share of the sounds emanating from most of the 2017 edition of the Warped Tour’s seven stages, there is a distinct presence of bands from what I guess we’d call an older school of more straight-forward street punk and hardcore and rock and roll bands. Hatebreed, Sick Of It All, Valient Thorr, Municipal Waste, Anti-Flag and GWAR have all been drawing fairly sizable crowds night-in and night out in recent days. Dying Scene took in the Hartford stop on the Vans Warped Tour last weekend, and caught a couple of our favorite throwback heavyweights.

Boston working-class heroes Street Dogs played a late-afternoon set on the Skullcandy stage, set on one of the outdoor parking lot areas at Hartford’s Xfinity Theater. If you’re a veteran of Warped Tours in the late 90s – early 00s, you’re no doubt familiar the concept at the outdoor stages; bands alternate playing on what are basically oversized trailers placed side by side, resulting in a constant barrage of roughly twenty-five minute sets. That means you’re not going to hear an awful lot deep cuts, although Street Dogs, themselves veterans of three prior Warped Tours, do an admirable job of keeping things interesting. The set on this particular day kicked off with personal favorite of mine “In Defense Of Dorchester” and threw fan favorites like “Back To The World,” “Punk Rock And Roll,” and “Not Without A Purpose” into the mix. Frontman Mike McColgan spent at least half the set on the barricade, interacting personally with a lot of the band’s notoriously die-hard, blue collar fans. The “new lineup” consisting of longtime bassist Johnny Rioux and more recent adds Lenny Lashley and Matt Pruitt on guitar and Pete Sosa on drums) have actually been plugging away for four years now, and have finally got some new music due out before long. That’s a good thing, as the band’s trademark rallying cries are much needed in times like these.

LA punk veterans Strung Out played an early afternoon set on one of the two side-by-side stages inside the venue’s amphitheater. I will say that when the Warped Tour venues started to change a bunch of years ago and started to center, at least in this part of the country, around amphitheater settings, I and others were more than a little skeptical. But I’ll tell you what – it’s actually pretty cool having the stage split in half and allowing large crowds to stay out of the heat and/or other imposing weather elements. Like with Street Dogs, it’s tough for a band like Strung Out to adequately represent their catalog in a twenty-five minute set, but songs like “Too Close To See” from 1998’s seminal album Twisted By Design and “The Animal and the Machine” from their latest album, 2015’s Transmission.Alpha.Delta do a pretty adequate job. Frontman Jason Cruz remains one of the defining voices in the genre, and guitarists Jake Kiley and Rob Ramos continue to shred blistering, metal-infused riffs over lock-tight rhythm section Jordan Burns (drums) and Chris Aiken (bass), and no member off the quintet stays in one place for very long, making for a tightly packed, high energy set.

Representing the even older school on one of the amphitheater stages for back-to-back sets were The Alarm and the legendary Adolescents. The former, if you’re not familiar, are a seminal early-80s new wave band from Wales who have been plugging away in some form of another ever since. The brainchild of Mike Peters (also co-founder of the Love Hope Strength Foundation, which you should be familiar with), The Alarm played to a modest crowd that consisted, as you might imagine, of older fans who were very well aware of the band’s legacy, singing along with every word to tracks like “Sixty Eight Guns.” The Adolescents, who themselves are veterans of their fair share of Warped Tours since reforming fifteen-or-so years ago, played one of those sets that the other bands took notice of. Unarguably one of the coolest parts of Warped Tour is watching the camaraderie amongst the bands on the bill, and members of Street Dogs, Strung Out and Bad Cop/Bad Cop were among those present around the stage as living legends Tony Reflex and Steve Soto and the gang (Dan Root and Ian Taylor on guitar, Dave Cambra on drums) went to work. Again a case where members have changed but the core have remained just as steady as ever. Let’s face it: Tony Reflex/Cadena/Adolescent and Steve Soto are legends for a reason (and not only because their self-titled debut has been a desert island album since before most of our readers were born!).

Check out our full photo gallery below.

 



Useless ID announce Japanese tour

Israeli punk veterans Useless ID have announced they will be touring Japan following their European tour. More info on the 6-show run can be found below.

The band’s latest album State is Burning was released in 2016 through Fat Wreck Chords.



Fat Wreck releasing limited edition 2017 Punk Rock Holiday comp

Fat Wreck Chords has announced a special, limited edition compilation for Punk Rock Holiday. The Fat Wreck Holiday 2017 10″ will feature 10 songs, two of which are brand new. Like last year’s release, it will only be available to buy at the Slovenian punk festival.

Attendees can also get their hands on “exclusive vinyl titles, 2 new Euro Record Store exclusives (limited to less than 100), plus some cool new merch”, according to Fat’s announcement.

For more info on the 2017 edition of Punk Rock Holiday, visit the festival’s official website.



Bad Cop/Bad Cop release music video for “Womanarchist”

Los Angeles pop-punks Bad Cop/Bad Cop have released a music video for “Womanarchist”, taken from their new album Warriors. Check it out below.

Warriors was released on June 16th through Fat Wreck Chords. The band will be making their way through the US on this summer’s Warped Tour.



Teenage Bottlerocket add European, Australian & Hawaiian dates to tour

Wyoming pop-punks Teenage Bottlerocket have added a ton of dates to their 2017 tour itinerary. In addition to their previously announced east coast shows with OC45, the band will also be touring Europe, Australia, and Hawaii in the coming months.

See if they’re stopping in a town near you by checking out the tour dates below.

Teenage Bottlerocket will be releasing a covers album, fittingly titled Stealing the Covers, on July 14th through Fat Wreck Chords. They’ll be putting out a new 7″ on that date as well.



Good Riddance, Pulley, 30footFALL & more playing 2017 Remember The Punks festival

The initial lineup for the 2017 edition of San Antonio, Texas’ Remember The Punks musical festival has been announced. Bands playing the fest include Good Riddance, Pulley, 30footFALL, JFA, Bigwig, The Unseen, and Big D and the Kids Table, among others.

The full list of bands that have been announced so far can be seen below. Tickets for the festival which takes place at Paper Tiger on October 21st are available here.



Teenage Bottlerocket release video for cover “Why the Big Pause”

Wyoming native pop punks Teenage Bottlerocket have just released a brand spanking new video for their cover of The Punchlines “Why the Big Pause.”

The track will be on their anticipated album “Stealing the Covers” which will hit the streets on July 14th via Fat Wreck Chords. 

Check it out below.



Get Dead announce European tour

West Coast punk legends Get Dead are hitting the road. The band has announced tour dates throughout Europe. The tour will begin July and stretch through mid-August.

You can find the complete list of tour dates below.

Get Dead’s most recent release “Honesty Lives Elsewhere” was released in July of last year on Fat Wreck Chords.



DS Interview – Bad Cop/Bad Cop On “Warriors,” The First Great Punk Album Of Trump’s America

In the wake of the disastrous results of last year’s presidential election in the United States, there were more than a handful of people who took solace in the fact that at least having a sexist, xenophobic, probably racist, certainly narcissistic megalomaniac at the helm of our nation would make for some good, old-fashioned angry protest punk rock. Now that we’re at about six months P.E. (post election), we’re starting to see the musical fruits of that fateful national decision and learning that that solace was not hollow by any stretch of the imagination. With the recent release of the their sophomore album, Warriors, Bad Cop / Bad Cop are among the first out of the gate in the punk rock Trump era and have set the bar incredibly high for those that will follow in their footsteps.

The California-based four-piece all-female “freight train of ‘fuck yeah!’” that is otherwise known as Bad Cop / Bad Cop were on a nationwide tour with The Interrupters in the lead up to, and immediate aftermath from, the aforementioned election. Knowing that they were due to head into the studio immediately upon completion of tour, it became obvious pretty quickly exactly what direction the new album would take. Says Jennie Cotterill, one of the band’s two guitarists/lead vocalists and principal songwriters, We kind of made a conscious decision to make this more meaningful than fun — not that there’s anything wrong with fun — but we wanted to really talk about issues that were important to everybody.”

If the question of what to say was pretty apparent from the beginning, the question of how to say it was a little trickier. While the pull for a punk rock band might be to attack an administration in a relentlessly in-your-face manner, the Bad Cop / Bad Cop crew opted to try to pull people in toward at least having conversations, rather than just pushing them away. Says Cotterill: “the reaction to this extreme situation is extreme. But then, when you go extreme, you lose people in the middle.” While the punk scene was still in its infancy forty years ago when Joey Ramone poked some tongue-in-cheek fun at the certain faction within this little world that seems hell-bent on simply being against everything, though that element still remains. “We talked about…how are we going to do this and what are we going to say, because we don’t want to alienate people,” says Cotterill. “Having productive conversation is more important than just saying “I’m against you!” Once there’s a physical line, that’s where people stop listening, and I really don’t care to do that.”

And let’s face it; we’ve all got friends (or parents, or friends’ parents, or at least that one uncle) whose beliefs remain about as diametrically opposed to our own as possible, in spite of what should be overwhelming commonality.  “(As we were writing) I kept thinking about this one friend that I have that is real right thinking,” explains Cotterill’s co-frontwoman and partner-in-crime, Stacey Dee. “We grew up together, and I won’t give up on this guy because at the end of the day, I know we get along. We’re coming from the same fucking place in life. I know that his search is one of health and positivity and happiness, so at the end of the day, you can’t be fucking hateful when you’re positive and happy.” And while a more in-your-face approach might be appropriate for some — Bad Cop / Bad Cop favorites and co-Warped Tourmates War On Women for example — there’s room at the table for different approaches. Says Cotterill: “War On Women is great if you’re woke, but there’ a lot of people that aren’t woke… I think that our platform is hoping to rope the unsuspecting listener into a conversation.”

With that in mind, the band recruited their frequent producer Davey Warsop (Dave Hause, Foo Fighters), took a little creative input from their label boss, the one-and-only Fat Mike Burkett, and put out the first truly defining album of the Trump presidency. While’s it’s got an obvious progressive bent to it, to call it a political album is a bit of a mistake. “No one political belief will sum up who you are as a human being on this planet,” says Dee. Like her fellow sisters-in-arms, Dee takes seriously her role as a conduit for change and for building bridges. “The truth is, entertainment is going to be the way to reach across the aisle, because people on the other side that are going to be racist or whatever are going to see something in somebody, whether it be an actor or a musician or whatever, and they’re going to say “fuck, I can’t deny that. I like that person.”

Cotterill and Dee alike have seen the tide shift at its most basic level, taking note of positive changes even though they might be slow to come to pass. Cotterill remembers a sense of bewilderment when marriage equality first came on the ballot in California in 2008.  “(At first) I was like ‘of course it’s going to pass because people aren’t that awful.’ And then it didn’t pass and I was crushed. But then Iowa passed it (the following year)…And we think we’re the ones that are so progressive.” By the time the California Supreme Court finally overturned Proposition 8 five years later, the tide had long-since turned and a clear majority of California voters were in favor of same-sex marriage protections. “Really conservative people felt that it was a victory (the first time around),” says Cotterill, quickly pointing out that “everybody else was like “I never thought about it until right now.”

While the bulk of Warriors consists of material aimed not only at the current political system but the overarching nature of American society circa 2017 as well, there are still a handful of moments that are not merely a little more personal, but that are personal in a way that is stomach-punchingly honest and raw and without any shred of pretense. Album closer “Brain Is for Lovers,” for example, deals head on with Cotterill’s feelings surrounding the suicide of a longtime friend and former band mate. The chorus of “Brain…” relays a sentiment that’s not overly common in songs that are ultimately about grief and loss and remembrance. “(That song) was about someone who was a really good friend of mine and committed suicide about a year ago and I was so worked up about that song that I couldn’t even talk about it,” explains Cotterill. Dee, herself the author of another of the album’s more powerful and personal tracks, “Retrograde,” (more on that in a minute) sounds particularly proud of her Cotterill’s work on “Brain Is For Lovers”: “It was gnarly! But where we got to in the end, and the way that Jennie pushed through, her voice is fucking killer! She was pissed that she had to do it, but it came out fucking great. Sometimes you have to see the forest through the trees!”

Oh, so about the above-mentioned track, “Retrograde.” Frequent readers of these pages may recall last year’s in-depth sit-down we had with Dee in which she opened up about her battles with drug addiction and her subsequent journey out of that particularly dark era of her life. This made for a notoriously difficult experience when it came time to write music after finding sobriety: “As I got older and as I got sober over the last couple years, my writing hasn’t been like it used to be. I was predominantly negative, and negative stuff comes out when you’re negative.” Album-opener “Retrograde” reclaims Dee’s place as a songwriting powerhouse, telling the story of a woman grappling her own demons in kick-ass, unapologetic fashion. It’s also a song that Fat Wreck co-founder Erin Burkett is particularly fond of: “To me, it’s about finding your inner strength, and re-inventing yourself.  Stacey wrote this about her battle with drugs and alcohol; however, addiction takes on all forms. Sometimes being addicted to behaviors or people can be just as damaging, and the only way to overcome any of it is to realize, that all the power is yours.  No one else is going to fix you.”

Fat Wreck Chords, the label founded by Burkett and her now-ex-husband Fat Mike more than a quarter century ago remains a pillar of the independent music community in large part because of the family environment that they’ve created and fostered over that period of time. As all too many people know, it can be devastatingly painful to watch a family member struggle their way through an active addiction. Burkett elaborates on this particular situation: “I have to say that I am so proud of Stacey. She was in a very dark place on our FAT 25 year anniversary tour, and the band ended up having to leave the tour, possibly breaking up for good. Over the years, we have put a lot of band members through rehab, but it’s up the individual to do the work. Sometimes it works, and sometimes it doesn’t. Looking yourself in the mirror and not liking what you see is a very hard thing to overcome. Stacey has come back better and stronger and pissed off and ready to change the world. These four woman have really gelled as a band, and found their voice together. It’s awesome.”

The tide may be turning in a more positive and encouraging direction both for the band and for society as a whole again, but as the Bad Cop/Bad Cop ladies note, it won’t do so without education and hard work. That we’re at a point where a group of four women who are not, as Cotterill states it, “twenty-anythings,” is a bit of a light in the darkness in and of itself. “For people to like us as women in our thirties and forties is fucking killer,” explains Dee. “We definitely have something to say and stand by, and I think we have to lead this revolution!”

Warriors was obviously released last Friday (June 16th) on Fat Wreck. Bad Cop / Bad Cop are playing the duration of this year’s Warped Tour, which also kicked off last Friday in Seattle; head here for info on your local stop!

Head below to check out our email exchange with the one-and-only Erin Burkett and the text of our far-reaching and in-depth chat with Dee and Cotterill below!

 



CJ Ramone announces UK tour

Former Ramones bassist CJ Ramone has announced he and his band will be touring the UK this summer. Check out the tour dates below to see if they’re stopping in a town near you.

CJ’s latest album American Beauty was released in March through Fat Wreck Chords.