Search Results for "Fat Wreck Chords"
Thursday, July 12, 2018 at 3:11 PM (PST) by otter272
West coast punk stalwarts Swingin’ Utters have announced that they are releasing a new album titled Peace and Love on August 31 via long time home Fat Wreck Chords. To get you pumped you can check out the first single “Human Potential” below.
Peace and Love is Swingin’ Utters first release since last year’s compilation album Drowning in the Sea, Rising with the Sun and their first studio album since 2014s Fistful of Hollow.
Saturday, July 7, 2018 at 12:56 PM (PST) by forrestcook
From The Toadies’ Rubbernecker Red to Hanson’s MMMhops and… what was that other group again? Strung Out is the latest in the trend of bands and musicians to team up with breweries to try and bring beer-drinking fans a little something special.
Astrolux Golden Ale is expected to be “light, refreshing, crisp, and clean, but pack more punch than your daily drinking beer,” describes Brian Shmitz, the breweries founder, and at 6.1% ABV with Strung Out’s track record for putting out superb tunes, we are all sure hoping it satisfies… Oh, and science is involved in the beer-making as well.
Astrolux is already available in the breweries taproom and select bars and restaurants, with an official release party set for July 21 including a special guest acoustic set by… Can you guess who? It’s Strung Out.
“Punk Rocksteady” is a neato concept cd. From what I gather, the Mad Caddies and Fat Mike came up with the idea of doing some Rocksteady, Reggae, Ska, etc. covers of classic Punk songs. And, if you come at this cd from the angle of enjoying it for what it is, you’ll love it. Weeks ago, I was on social media and I read that the Mad Caddies did a Reggae cover of Green Day’s She. I listened to it and thought: “Nope. Nice try, but will everyone quit stroking Green Day’s ego? They’re claiming that they are God’s favorite band.” Tho, to listen to the entire “Punk Rocksteady” album, it makes sense..all the songs do. Individually, they are open to criticism…but as a collective they are poignant.
The cover of Bad Religion’s Sorrow is moving, to say the least. The lyrics really work well in the genre setting. A couple years ago I lived in Florida for a winter. I worked at a pizza restaurant with a bunch of Haitian refugees…who listened to Reggae all day long. It was like a Music History/Appreciation class. Sorrow really gives me the same vibe as real Reggae. Seriously, if you kinda don’t give a crap about this sort of thing but wanna be Punk-woke, at least listen to Sorrow from “Punk Rocksteady”.
The second song’s bass is just phenomenal. We all know that the whole Rocksteady/Ska/Reggae realm of music is good for bassists and bass lovers. But Sleep Long is splendiferous. I sat in my car in a parking lot just enveloped in that bass tone. Sure, the rest of the tunes have stellar bass recordings, but Sleep Long just sticks out like a fat female vocalist in a Pop Country video.
The funnest tune is Sink, Florida, Sink. If that doesn’t make you wanna dance, then you probably don’t like dancing.
I dunno…initially, I listened to this cd 3 or 4 times in a row. Not just cuz I have to for this gig…nope. I just really took to it. I was in a mood where I just wanted something uplifting. It was a nice day. Bright enough for sunglasses but not hot enough to sweat while standing around…so I took a drive. Ended up in a parking lot eating chips listening to “Punk Rocksteady”. It seemed to make me agree with the world. I had that “F-it, it’s almost summer…I don’t see any civil unrest..people are just coexisting in harmony from what I can tell…I’ll just listen to this here cd and not worry about what opinions journalists are editorializing about” mentality. It was a fine time. I even had to pick up a family member…who leans Right, so to speak. The album seemed to make him mad. Like it wasn’t American enough to be worthy of listening to. So that made me chuckle to myself. Not that I’m some whiny Leftist that wants to make it to where we can’t laugh at Daniel Tosh’s humor, no. I’m just saying that Punk Rocksteady has the potential to frustrate fools. So yeah. #PunkRock
I then spent a few days not listening to but thinking about the cd. I thought about how I’ve never been a Mad Caddies fan. I always respected them as a band. You know how it goes…some bands are around and you’ve heard a few songs and were like: “Okay. Not bad. Maybe one day I’ll wind up a super-fan.” but that day never comes. Lots of the 3rd Wave Ska was…well…it seemed to linger. Even upon first coming out, bands like the Mad Caddies just seem to linger. They didn’t seem to punctuate anything…just exist knowingly.(Think of how Jughead’s Revenge was to Punk.) I honestly wish I liked them more…along with a lot of the 3rd Wave stuff but it’s just so meh.
After days of not listening to “Punk Rocksteady”, I couldn’t will myself to listen to it. I lost myself to the idea that Punk is basically a traveling carnival. You pay your way to get in to the show, for a few hours you get to act like it’s actually part of reality, and then you leave, go home, and the world isn’t a carnival. I don’t know about you, but I never see punkers. We’re so rare that when I see one of us in public I think: “Why are you out and about? You should be inside. Don’t you know that society hates us?” Sure, we can start Punk bands but what is that other than living in poverty and trying to impress those above glass ceilings? Any unsigned Punk and/or Ska bands that don’t want to burn Fat Wreck and Hellcat to the ground at least a little bit aren’t anti-establishment at all.
Ever since ol’ what’s-his-face became president, I consider poverty differently. I look at most products and think: “Is this more important than feeding the starving?” As neato as “Punk Rocksteady” is, I think the money that went into making it would have been better spent feeding the starving. But, the cd exists. If you go to the Fat Wreck store on their website, you can download the album for $10…or you can buy the cd w/ digital download for $10.
I’ll let you think about that for a moment.
Understand that I have a bit of the Asperger’s Syndrome…so sometimes what makes sense to most people is just lost to me. When I was a younger human being, a cd cost about $12. I got into my own band when I was older than the previous younger. We recorded a cd. I realized that cds cost around $12 cuz you had to pay for recording, legal fees, packaging/distribution, and a few other things. When the MP3 craze took over Pop and helped MTV convince the masses that music isn’t worthy of attention, it seemed like the cost of a digital copy of an album would be much less. Even if the labels/bands were still trying to recoup costs (don’t think about paying $1 for a download of something off Blink 182’s Enema of the State these days…seriously, don’t)….even if recouping is still a concern, wouldn’t the price of packaging/distributing be taken out of the price of digital downloads?
I’m sure you’re like: “Well, logically yes. But people can charge whatever they want for the products they create. That’s capitalism.” Yes, and capitalism is ruining America faster than bipartisanship. I, personally, have contacted pros about this mathematical disaster and they act like I’m crapping on Punk. I’m all like: “Look it: You’re the ones that are supposed to be creating an image of self-sufficiency in the industry. Don’t come at me with terrible math acumen and complain about how song sales aren’t as high as you’d like. Sell your product for a reasonable price and people won’t feel ripped off and complacent, you knuckleheads.” But I sperg. I go nowhere.
So yeah, you can spend a ten dollar bill on digital or click the other button and get an actual physical copy of the cd also…and don’t you dare believe the hype shoved down our throats by the tech companies. People still have cd players. There are people that still have their record players from the 1970s…you gonna tell me that absolutely everyone that ever owned a cd player just up and threw them out because our phones are supercomputers? C’mon.
I woke up this morning and had to run a quick errand. I turned on the local Alternative Rock station in the car and instead of some histrionic, loudmouth morning dj, they were playing Rancid’s Ruby Soho. I guess it set the tone for my day. A blast from the past. Here’s to never having a blast of the present.
The Mad Caddies’ “Punk Rocksteady” is a decent buy…but I’d say it’s only worth $3 digitally…and it’s an album that deserves to be bought on sale. So like $2.25. That’s not me devaluing the songs, no. I think that’s more of a rational valuation of digital music. Charging as much for digital as you would a cd is highway robbery and we punkers have been getting screwed over so much by the pros over the years that we just plain enjoy being ripped off.
“Punk Rocksteady” seems like a cd that could be important to music.
Here’s to overwhelming amounts of importance.
Sunday, July 1, 2018 at 9:30 AM (PST) by forrestcook
Oh my God. Did I really get wasted while running the merch booth for Pears?
What was I thinking? Those guys are the most amazing people ever. They paid me seventy bucks to spill beer all over their merchandise. I was supposed to be slangin’ the goods!
In my defence, it was somewhat overwhelming. Pears is loaded! I hope I didn’t accidentally embezzle too many funds. I vaguely remember commenting on Zach Quinn’s Ugg Boots.
I am such an asshole.
I’m also irresponsible. Dude, Pears is fucking loaded!
…a few months before all that (over a year or so, now, and long before I was a writer at DyingScene) I had a very pleasant chat with Brian Pretus, Pears’ guitar player at Three Links over a couple large glasses of Horchata. Read through that conversation below.
Tuesday, June 26, 2018 at 1:20 PM (PST) by The Torchbearer
You can check out the dates and locations below.
Lagwagon last released Hang in 2014 via Fat Wreck Chords.
Tuesday, June 26, 2018 at 12:01 PM (PST) by Goldfinger
With the recent sad news of Rockfest having to file for bankruptcy protection, us Canadians got some good news in the form of Punk In Drublic Fest announcing they would be headed to moose country for some stops next year. Presented by the suddenly polarizing Fat Mike and with stops ranging all the way across this vast nation, every hockey loving, poutine eating, maple syrup blooded Canadian will get a chance to scoot to their nearest major city and check out the craft beer and music festival.
Monday, June 18, 2018 at 8:57 AM (PST) by rick delaney
Fat Wreck Chords stalwarts Mad Caddies are allowing fans to stream all of their latest album. Punk Rocksteady features cover versions of several legendary punk rock tunes from the likes of Propagandhi, Misfits, Lagwagon, Bad Religion, and others. Of course, they’re all delivered with the laid back ska sounds Mad Caddies have become famous for.
You can listen to it all below. Enjoy!
Friday, June 15, 2018 at 12:00 PM (PST) by AnarchoPunk
Formed in Nottingham in 1994, Consumed gained mainstream success when they were signed to Fat Wreck Chords fir the release of Breakfast At Pappas in ’98 and Hit For Six the following year. Since the ’02 release of Pistols at Dawn though, the quartet has gone silent on the release front…until now. A Decade of No is to be the first Consumed release in sixteen years, The six track EP, due out on July 13th will be released on CD and Vinyl thru Umlaut Records and SBAM (three exclusive, unreleased tracks from Pistols at Dawn included with every vinyl order). To celebrate the upcoming release, the band has premiered the debut video for “What Would Cliff Burton Do?”. Stream it until your ears bleed, below!
Friday, June 15, 2018 at 1:22 AM (PST) by forrestcook
The official release date is August 3, 2018. Until then, they’re leaving us with a sample in the form of “Cheese/Where’s My Slice” below.
Monday, June 11, 2018 at 9:34 AM (PST) by rick delaney
Legendary Fat Wreck Chords act Face to Face are allowing fans to stream a track from their latest acoustic album Hold Fast: Acoustic Sessions. The tune is titled “Keep Your Chin Up” and first appeared on the band’s 2016 record Protection.
The below version of “Keep Your Chin Up” is the second track that Face to Face have released from Hold Fast: Acoustic Sessions. The first was a stripped down version of their classic song “Disconnected”.
The full record will be released on July 27, 2018.
Tuesday, June 5, 2018 at 12:03 PM (PST) by Goldfinger
Socal punk legends Face to Face announced earlier this year they were working on a new acoustic record. Hold Fast will be released July 27th via Fat Wreck Chords. The band has spoiled us with the first song off the new album, for long time fans “Disconnected” will always be a favorite, but now we get the softer more stripped down version and it doesn’t disappoint.
Check out the amazing acoustic version of this classic below.
This is the first new release from Face to Face since the 2017 EP Say What You Want. You can catch Face to Face this December playing alongside Flogging Molly at the third annual “Fireball – Fueling the Fire” tour.
Monday, June 4, 2018 at 11:09 AM (PST) by rick delaney
If you give anything of a shit about NOFX, you’ll have certainly heard about the hot water they managed to get themselves in recently. For those who somehow missed it, I’ll recap. There’s also a statement from the band themselves below.
Wednesday, May 30, 2018 at 6:56 PM (PST) by Murderdingus
Wednesday, May 23, 2018 at 11:00 AM (PST) by jaystone
This should come as not exactly breaking news, but this coming weekend in Las Vegas marks the twentieth installment of Punk Rock Bowling. Created by Stern Brothers of Youth Brigade fame two decades ago, the annual bacchanalian celebration of all things punk rock has grown into a much larger festival than it originally started out as. Yet somehow it has remained true to the the spirit of the scene that spawned it. It remains a must-see destination for punk rockers from not just around the country but around the world. Like, for example, Joey Cape.
The solo artist-slash-Scorpio-slash-Gimme-Gimme-slash-Lagwagon-frontman is not only pulling double duty at the event this year (he’s headlining a solo gig on Friday alongside Tim Barry – limited tickets still available here – and Lagwagon headlines the sold-out Fat Wreck Chords showcase on Saturday), but he’s been in attendance for all but a small handful of Punk Rock Bowling weekends over the last two decades. And while it’s long been a compelling event for Cape even if he’s not playing, he remembers having misgivings in the earliest years about if the concept would take off. “I’ll be honest, I remember the first year or the second year, thinking that “this isn’t going to last!” I didn’t know that it would work. I was definitely skeptical,” he explains. While Vegas has long attracted people from across all walks of life and garnered a well-earned reputation for glitz, glamour, and debauchery, there was something about the derelicts taking over and throwing a bowling party that might be too much for even Sin City to handle. “I just imagined with all those people, that I was going to enjoy (the first installment of PRB) because it was definitely going to be the first and last one of those, you know!” Cape credits not only the Stern brothers for running a great ship, but the location itself for creating a unique environment that keeps the festival working. “It’s all in one area, and it’s in Vegas, which is just the built-in best possible platform. You throw a stone in any direction and there’s a bar or something else to do that’s wild and fun. That place has always been an escape for adults; like a Disneyland for adults. So you couple that with this kind of music, and there’s the simple absurdity of it that works for people.”
There are a handful of milestone events coming rapidly down the ‘pike for Lagwagon this year, although when your band has been in existence for such a long time, there are seemingly no shortage of such milestones to celebrate. The band’s highly-regarded fourth album, Double Plaidinum, somehow turned twenty last year, while its stellar – albeit shorter – follow-up Let’s Talk About Feelings reaches the same milestone this year. Once Cape and his Lagwagon cohorts return from a fairly lengthy European tour in August, there are plans in the works to hopefully celebrate both albums in a meaningful way, and to tie them into an even larger and more meaningful milestone: 2019, you see, marks Lagwagon’s thirtieth year as a band. Kinda.
“Within the band, we kinda go “is it ‘88 or ‘89?” explains Cape. “There was a band in ‘88 that I wasn’t in that was the band I joined. When I joined the band (Section Eight), I started writing songs for the band, and it was enough of a revamp. I like to think (it was) ‘88, but it’s funny, the one other member that was in the band before me, Chris Flippin, The Big Bitch, prefers ‘89.” Because of the somewhat nebulous origin of the band’s initial formation, the band have blown by several milestone anniversaries in the past – their 25th anniversary roughly coincided with the Fat Wreck Chords 25th anniversary tour a few years back, though even that tour came around the label’s actual 26th anniversary – but whatever timeline you go by Cape and his bandmates seem to realize that this milestone is an important one. “You have anniversaries that you’re married every year, and the tenth anniversary of a marriage is a big deal, so the thirtieth anniversary of a band should be celebrated! That’s five assholes trying to get along! And they’re not even having sex!”
Some plans to celebrate the band’s coinciding milestones are still taking shape, but we do know that Lagwagon will perform Let’s Talk About Feelings in its entirety at Fest 17 in Gainesville this coming October. Album-specific shows and tours have become more of the norm for bands of all genres over the last handful of years, and while that might give one initial pause to jump into that fray, there is a special lure to events like that if they’re done the right way. “I love doing it because I think there is a historic time-stamp that coincides with the release of an album,” Cape explains. “We obviously come from a generation where sequence and the entire album matter and have their own feel. That still matters to us, being old men in a day and age where singular songs and Spotify are the norm. I think there’s something really cool about doing it with a band. It takes playing a whole record to really revisit that vibe and that feeling and that climate that the band was in.”
Stay tuned for more on Let’s Talk About Feelings and Double Plaidinum plans in the ramp-up to Lagwagon’s 30ish anniversary in 2019. And who knows..maybe we’ll even get new music before 2019 is up: it has, somehow, been four years since the release of their latest full-length, Hang, after all. “We’ll probably get back in the studio by the end of the year or the beginning of next year, so we are going to actually follow through,” says Cape. “After we made Hang, everybody agreed and said “let’s stop doing this bullshit, let’s get right back on the horse after tour.” Between touring for Hang and touring for Fat Wreck’s 25th, anniversary, that “tour” lasted for a couple years, however. Cape jokes: “we toured for like two years, and at the end of two years it’s like “alright, I’ll see you guys NEVER! I love you guys, but fuck you!!”
Head below to read our full chat with the Joey Cape. We caught up over the phone on the eve of “Lagwagon Day,” and a long, winding, fun conversation ensued, ranging from details on the band’s history to tidbits about new solo material. And let us know if you’re in Vegas for PRB or Gainesville for Fest!