Search Results for "Red Scare"

MakeWar teams up with Worship This for US tour

Heads up US! MakeWar (Red Scare) is gearing up for a good run of dates through some of the more Eastern states. Joining them are A-F Records‘ own Worship this!. Full tour dates for this sweet combo can be found below.

MakeWar’s last release ‘Developing a Theory of Integrity’ was undebatebly one of our favourite releases of 2016.



Nothington announce US tour dates

San Francisco punk rock band Nothington will be heading out for a few gigs in late March and early April. The shows will be supported by Western Settings, The Bombpops, Success, and Druglords of the Avenue. To check out the dates, please click below.

Nothington’s latest album was In The End which was released earlier this year through Red Scare Industries.

 



Breakin’ Even Fest announces lineup (Sidekicks, Pkew Pkew Pkew, Restorations, etc)

Washington DC’s, Breakin’ Even Fest 2 recently announced their full lineup for May 5 & 6th @ Songbyrd DC, and this year it’ all ages!

To learn more about the festival check the Breakin’ Even Fest website for tickets and info, or follow them on Facebook.



DS Exclusive: Nothington Streams “End Transmission” From New LP “In The End”

Six years doesn’t seem like a long time unless that period is devoid of new music from San Fran punk rockers Nothington, then it can seem painfully slow. Even though their last album, Borrowed Time (released in 2011) is incredibly infectious and has sky high replay value, it was time for something new. Well, our prayers were answered and they’ve finally returned with a brand new album, In The End which released digitally last week. In advance of the physical copy release this Friday, the Bay Area boys sent us a track from the LP to stream exclusively for Dying Scene readers! The single, “End Transmission” features the signature, rugged vocals of Mr. Northington, blended with impeccably written melodies and unadulterated, classic punk rock riffs. AHHHHH! That’s the good stuff! Get your fix, below.



Nothington release lyric video for “Burn After Reading”

San Francisco’s Nothington have released a lyric video for “Burn After Reading”, from their Red Scare album “In The End”, which is out this Friday.

You can watch the video below.



Nothington premiere video for new song “The Lies I Need,” announce west coast tour

San Francisco melodic punks Nothington have given us the first taste of their upcoming album In The End, premiering a music video for a brand new track called “The Lies I Need.” Additionally, the band just added some west coast shows to their 2017 tour itinerary.

You can check out “The Lies I Need” and the west coast tour dates below.

Now available to pre-order, In The End will be Nothington’s first album in nearly 6 years, following 2011’s Borrowed Time. The band will soon embark on a European tour.



Album Review: MakeWar – “Developing a Theory of Integrity”

Developing a Theory of Integrity is proof that Red Scare is a punk rock tastemaker. They’re what Fat Wreck was to the scene in the 90s, standing alongside the greats of No Idea and Epitaph as labels with a specific vision of what punk rock should be. I mean, this is a release I only listened to because I saw it announced on Red Scare’s website; one year ago, I’d never heard of MakeWar— now, they’re one of my favorites of the year. See? Tastemakers.

That isn’t to shift all the credit of this release from the artist to the label, but it does bear to mention the “Red Scare Sound.” MakeWar fit in with the lineage just fine, playing heartfelt melodic punk with huge hooks and cherry songwriting. They also have an interesting story, being a band of South American immigrants. But, front and center of Developing a Theory of Integrity are the songs, and it’s the anthemic choruses, with all their wistful and resistant energy that give this release it’s legs.

MakeWar’s lyrical topics aren’t new. Being a twenty-something living an extended and booze-filled adolescence is a well-tread melodic punk trope. But, as with anything, it’s all in the approach. Songwriter Jose Prieto has a knack for imagery that makes his songs about more than just fuck-ups fucking up. And what makes it all work is that he captures the youthful enthusiasm of drinking and partying with friends, and lets tomorrow’s regret creep right along side the empty cans and high-fives. The opening lines of the first track, “Matador Pool Party,” set up the juxtaposition: “Summer is showing her feet, at my doorstep but not coming in. Creeping with sunny flares out my window, while pissing all over the streets.” Even within the scene-setting, Prieto opens us up to the summer and all it’s positive associations, while never letting it become too idyllic.

“Ode” might just be the anthem of the year for me, with perhaps one of the most-singalongable hooks in beard punk history. “I can’t fall asleep, so many demons inside of me, I hope they die, with this shot of whiskey,” is destined to be communally screamed and toasted at live shows for years to come. “Sallie” is another tune made for weekend nights with it’s rallying cry of “fuck nine to five!” With lines like these, Developing a Theory of Integrity coalesces into the ultimate cut-loose album. It’s unapologetically relatable, attacking its cliches with as much gusto as poetry.

It’s bands like MakeWar that keep me in the fold. Every once and awhile, a new songwriting talent emerges and reminds you why you stick around in the first place. It all comes down to recognition. It’s that epiphany in a song, when you’re bobbing your head and you hear that exact couplet that you needed to hear at that exact time. It’s when you recognize a feeling, given muscle and bone through art. Developing A Theory of Integrity is a collection of feelings, as genuine and loud as they come.

5/5



The Lillingtons recording new music

According to a recent Facebook post from Red Scare Industries, Wyoming pop-punk veterans The Lillingtons are in the studio recording new music. They did not specify whether the band’s working on a full-length or an EP, but we’ll keep you posted as more details are revealed.

After reuniting for Riot Fest in 2013, The Lillingtons have continued to sporadically play reunion shows. Since releasing their last album The Too Late Show in 2006, the only new music they have put out was a song called “Pyramids” on Red Scare’s 10th anniversary compilation.



The Brokedowns perform “Born on the Bayou, Too!” on Live From The Rock Room

Chicago punks The Brokedowns were recently featured on Live from the Rock Room, where they performed the song “Born on the Bayou, Too!” live.

You can check it out below.

The Brokedowns released a kick-ass record, Life Is A Breeze, at the end of 2014. According to some German magazine, they’re working on a new record that will be out sometime this year.



Red Scare artists list their “Best Of 2016”

You know what they say; “Best Of… lists are like a box of chocolates”. When Red Scare Industries co-founder Tobias Jeg asked if we wanted to publish some Top 10 lists from Red Scare artists on Dying Scene I said “Hell, yeah!” but I definitely had no idea what I was going to get.

What follows is a schizophrenic compilation of the “Best ‘Whatevers’ of 2016” according to some of the lovable characters from your favorite Red Scare bands. Enjoy!



Nothington announce new album “In The End”

San Francisco punks Nothington have announced details for their long-awaited new album In The End. The record, which has been in the works since 2014, will be released on February 17th, 2017 through Red Scare Industries.

You can listen to the album’s first single “Cobblestones,” and check out its tracklist below. The band also just added more dates to their European tour. Those can be found below as well.

In The End will be Nothington’s first album in nearly 6 years, following 2011’s Borrowed Time. Head over here to get your pre-orders in.



DS Photo Gallery: The Falcon w/ Kyle Kinane, Arms Aloft & Typesetter (Chicago, IL)

On the eve before Thanksgiving, The Falcon took one last flight before calling it a day, donning their hoods and being placed back in their mews (yeah okay, so I may have Googled some falcon facts or whatever). The four-piece played their last show for the foreseeable future at the Metro in their – kind of – hometown of Chicago. Joining them to round out an amazingly strong lineup were Wisconsin’s Arms Aloft and comedian Kyle Kinane along with Chicago locals, Typesetter.

As all great Metro shows go, the pre-party drink-a-thon started next door at GMan, a bar owned and operated by Metro. For those of you not from the Chicagoland area, GMan is the equivalent of the music scene’s Cheers. There is rarely a time when I cross the threshold without instantly recognizing a few faces; tonight was no different. As I grabbed my Tito’s and soda, I noticed an eight top of friends on one side of the bar and as I walked into the newly remodeled back room, there were about twenty more. The chatter mostly pertained to holiday plans, right wing gun toting uncles and a headcount of how many Malort shots everyone would be doing before the night’s end. I took that as my cue to leave and walk over to the venue.

The room was bare but slowly filling up as Typesetter took the stage. While I’ve covered a number of shows at Metro, I have never been on the photography end of the coverage. Ready to pop my photo cherry, I plodded into the photo pit with my camera out and ready to go. “You can’t have that,” a staff member told me as I passed. “No flash.” He was pointing at my external flash. Ladies and gentlemen, we have just reached the first panic inducing obstacle of the evening. I removed the flash, politely thanked him (always be kind to the venue staff!) and began to pray. Dear Annie Leibovitz – wait you’re not dead. Either way, please don’t let me fuck this up too badly without a flash. After some setting adjustments, I started to see images on my display screen again, hoped for the best and started to calm down.

After frequenting as many shows per week as I possibly can cram into schedule, I have somehow mysteriously never seen Typesetter in the four plus years since I’ve moved back to Chicago. This is not for lack of effort on their part either; they’re always playing. But I was finally able to witness what my friends have been raving about. The five piece plays indie rock that may border on shoegaze. (Complete disclosure: I’m too old to understand what that definition means anymore). Ferocious and melodic, Typesetter plowed through their set as a strong opener for the night.

Arms Aloft was next on the bill for the evening. While the band may still be slightly under the radar throughout most of the country, they have been playing and cultivating a decent sized fan base here in Chicago for years. Their latest LP entitled What A Time To Be Barely Alive was released earlier this year to rave reviews. It’s the perfect commentary on the state of our existence, especially with the results of the recent presidential election. Their set consisted of a decent mix of old and new. But that didn’t seem to matter to the crowd, who were shouting along to every word.

I had previously interviewed Kyle Kinane a week before this show and before he even had joined the tour. The one thing that came across loud and clear was his concern for what could go wrong when being strangely slotted between two musical acts. How would the energy of the crowd hold up? How would the audience feel about just standing around while he paced on stage? His concerns started to meld with mine. How do you actively photograph someone who isn’t moving much? What if all my photos look the same? How do you write a review of a comedian? (Note: apparently, you just talk about your fears and pose a lot of questions to waste line space!). But as soon as Kyle came onstage, all of that went out the window. I thought he was hilarious, as always, and the audience seemed to agree. He even shot down a drunken heckler with the greatest of ease as he joked that he would love to be able to just break into a song and drown out the drunk at that exact moment. All in all, I think that the change in pace of the lineup was well received.

The room went dark. I could no longer see the back of the crowd as I looked beyond the barricade from the photo pit. Someone tried to start up the “Hen-nes-sey” chant before the band was even on stage. Too soon, bro! Too soon. But, it was finally time for The Falcon. The four-piece super-group took the stage to Star Wars’ “The Imperial March”, which was a strangely fitting choice. The band members were introduced just before they rapidly broke out into “Sergio’s Here”, the latest single from Gather Up the Chaps. “War of Colossus”, “If Dave Did It”, “The Routes We Wander”, “You Dumb Dildos” “Unicorn Odyssey” and “They Angry Cry…” also made appearances on the set list. Should I go listing song after song? Yeah, I didn’t think so. Just click around on your iTunes and pretend you were there. That song? Yeah, I’m pretty sure they played that one.

Brendan explained to the crowd that the whole of the band was either sick or fighting off terrible colds. The stage presence did seem a little forced in comparison to the other times I had seen The Falcon throughout the year. But that had little impact on the actual performance of the songs. If a sick and somewhat hoarse Brendan Kelly can power through “Hasselhoff Cheeseburger”, then you can do anything. The audience didn’t seem to take note either, as they screamed along to songs about drinking, blacking out, cocaine and black teeth. As the set ended, the band dismounted the stage and infiltrated the audience as ‘You Can Call Me Al” by Paul Simon played in the background. They rallied up the audience for one last conga line that became so long that it snaked its way through one door of the Metro and out another. Although it was a party trick that I had seen at their previous shows, it still hadn’t gotten old and somehow it remained the perfect last hurrah of The Falcon… at least for now.

Check out our full photo gallery from the evening’s festivities below!



DS Exclusive Stream: Good Friend (Punk) Premieres New Track”Daniel O’D and the Moonshiners”

Based in Newcastle, England but originally hailing from Derry, Ireland this talented young trio just released their debut, ten track LP Ride the Storm, via Red Scare Industries. Somewhere between power pop and Celtic punk, the lads categorize their unique sound as “Lion Hearted Rock ‘n Roll”. To welcome the arrival of the album, the boys sent us a track to stream for our devoted readers and we ain’t gonna lie kiddies, this one shreds! Check out the incredibly infectious single “Daniel O’D and the Moonshiners” below, then go order the rest of the LP, here!

Good Friend‘s last studio album was their self titled EP, released in 2012.



Music Video: Good Friend (Irish punk rock) – “Rock Bottom Revival”

Irish punk rock trio Good Friend have premiered a music video for their track “Rock Bottom Revival.” You can check out the video below.

The track comes from their recently released debut album “Ride The Storm,” which was released on November 18 through Red Scare Industries.



DS Exclusive: Brendan Kelly on The Falcon taking a break, firing up the Lawrence Arms and the Wandering Birds…and punching babies in the face?

Dying Scene last touched base with the inimitable Brendan Kelly back in early February. At the time, we discussed the budding relaunch of The Falcon, a band that had already been a pseudo-supergroup and was now adding Dave Hause to the lineup. The band’s first album in close to a decade, Gather Up The Chaps, was still a month-or-so from being released. The band’s first-ever tour dates were booked, but hadn’t kicked off yet. Donald Trump hadn’t yet won so much as a primary, his Presidential bid still widely considered a punchline.

When we learned that The Falcon were going to take a break of indeterminate length after their recent bunch of tour dates, we decided it would be the perfect time to catch up with Beex again to bookend what some (read as: nobody but me until just now) have referred to as The Year Of The Falcon. As it turns out, an awful lot can happen in nine fucking months. Gather Up The Chaps was released to stellar reviews. The initial run of a dozen-or-so tour dates ended up extending to close to four-dozen dates in three countries over the better part of the year. And Personified Fart Donald J. Trump is President-Elect of the United States of America. Talk about taking the good with the bad…

We caught up with Beex in person prior to The Falcon’s recent gig at Firehouse 13 in Providence as a bit of a postmortem on the latest incarnation of the band. “This is it for a while,” says Kelly rather diplomatically, before quickly pointing out that it is not, by any means, the end of The Falcon as we know it. “This is just the last tour on the album cycle. And while there may not be any pending Falcon plans in the near future, don’t you dare use the ‘H-word’ to describe the break in the action. “You know what annoys me?” asks Kelly before diving immediately into the otherwise rhetorical question. “So many bands make these giant proclamations where they’re like (*mock rock star voice*) ‘We’re going on hiatus now.’…It seems to me that it’s just simply a press release so that they can still maintain a little bit of juice while they’re not active on the road. I don’t need to get into any of that nonsense.”

So instead referring to that-which-shall-not-be-named, we’ll call it what it ultimately is: the end of an album cycle.  we just toured on the record, and now tour’s over and there’s other things to do. We’re (all) still cool.” Instead of diving in to a new tour or a new studio album, the individual Power Rangers will focus on their other projects before someday returning to initiate the Falcon Megazord again some day. Hause, for starters, has his third solo studio album in the bag, set for release this coming February. And Kelly? “The next thing I want to do is put out a Wandering Birds record,” he says, much to the delight of yours truly, who still finds I’d Rather Die Than Live Forever amongst his favorite albums of the last half-decade. He adds: “I think The Lawrence Arms needs to get back out on the road a little bit, to remind people that we exist.”

Still, in spite of the fact that the one door closing temporarily allows for the reopening of a few other awesome doors, there are those among us who A) really dig the resurgent Falcon and especially dig Gather Up The Chaps and B) who can envision this project existing as a regular thing going forward. While Kelly is quick to point out that a lot of people seem to agree that this album is something to be proud of and that the shows are a lot of fun, he also points out that “it’s important for us to keep it a little bit lean in order to keep it interesting,” perhaps mindful of making sure they don’t overstay their welcome. He explains: “It’s important to be cognizant of what you’re throwing out there. We’re not a young, hungry, up-and-coming band, like PUP or something where people see it and are like “oh my gosh! There’s this new band you’ve never heard of! You have to come!” With us, it’s like “oh, it’s those guys that you’ve seen in various incarnations for the last twenty years!”

The Falcon project, and the addition of Hause in particular, seems to have recharged Kelly a bit, opening his mind to new, or at least different, ways of working. “It’s easy to get surrounded,” says Kelly, particularly of his working relationship with Andriano, with whom he’s been working since their mid-teenage years in Slapstick, “in this echo chamber, where we all grew up doing things the same way, and now we come into this band, and it’s like “oh, you’re a meticulous, attention-to-detail kind of guy. You’re very precise!” Where meanwhile, I’m more improve, you know what I mean?  That tension is really cool, and it’s informed my worldview. I think it’s informed Dave’s worldview. I think we’ve learned a lot from each other. That’s kinda the coolest part about this journey so far, for me.”

For Kelly and his bandmates, and for many of us, it seems from Jump Street that the prospects of a Brendan Kelly-Dan Andriano-Neil Hennessy-Dave Hause supergroup taking the scene by storm seemed to be more than a little awe-inspiring. “Whenever you start doing something new, you get that kind of “new girlfriend syndrome,” where you think, like, “this is going to be the best ever!” There was a point where I think we all had pretty grandiose ideas about what was going to happen,” Kelly explains, his voice still full of excitement at the prospects. Did those things happen? No. But it’s been awesome. It’s been really, really fun. We’ve made great friends, we’ve played great shows, we’ve become closer as dudes. Those things are so much more invaluable than some sort of fleeting twenty minutes of playing the big stage at Reading or whatever. That shit is fleeting and comes and goes. The real building-blocks experiences out of this have been totally beyond my expectations.”

And so, it’s on to the next phase, and on to writing music under the umbrella of a Trump Presidency. But he’s also, got to get a real job. “My job kinda…ended. I was like a permanent freelancer at this ad agency, and they let go all the freelancers at once. And I had been there for four years. So…I mean it’s fine. But I’ve got to get a job.” That’s a bit more of a daunting task when you’re forty, and when you’ve only had to get a job once before. “The thing is, I never really had a job before. I’ve always done this. The band I was in in high school (Slapstick) was fortunate enough that, through whatever stroke of cosmic dumbassery, we became very popular and I haven’t had to have a real job since then. I’ve been lucky enough to stay on the road and keep making music. So this job that I was at for four years was the first job I ever had… before that…”drank beer in a van for twenty-five years!”

Something tells us that ol’ Beex will do just fine for himself. Head below to check out our full interview. We talk about more than just The Falcon, naturally. There’s the whole but about “punching babies in the face,” and a particularly interesting story about an encounter with a fan in Texas while on the tour as a seventeen-year-old that continues to influence the way that he writes music as a forty-year-old! And if you’re so inclined, check out our photo gallery from the aforementioned Providence show here.