Search Results for "Hellcat Records"

Rancid stream entire new album “Trouble Maker”

East Bay punk veterans Rancid are streaming their upcoming album Trouble Maker in its entirety. You can listen to it below.

Trouble Maker will be released on June 9th through Hellcat/Epitaph Records. It’s their first album since 2014’s Honor Is All We Know.



Rancid stream two new songs “Farewell Lola Blue” and “Say Goodbye to Our Heroes”

East Bay punk veterans Rancid are streaming two new tracks from their upcoming album Trouble Maker. They are called “Farewell Lola Blue” and “Say Goodbye to Our Heroes”, and you can check them out here.

Trouble Maker will be released this Friday (June 9th) through Hellcat/Epitaph Records. It’s their first since 2014’s Honor Is All We Know.



Rancid stream new song “Where I’m Going”

East Bay punk veterans Rancid have premiered another song from their upcoming album Trouble Maker. This one’s called “Where I’m Going”, and you can check it out below.

Trouble Maker is set to release on June 9th through Hellcat/Epitaph Records. It will serve as a follow up to 2014’s Honor Is All We Know.



Rancid release video for new song “Telegraph Avenue”

Rancid has released a video for another new song called “Telegraph Avenue.”  Like the video for “Ghost Of A Chance” we shared a few weeks ago, the new video features the band getting together to play the song in a garage.

You can check it out below.

“Telegraph Avenue” comes from the band’s upcoming album Trouble Maker, which is set to be released on June 9th via Hellcat/Epitaph Records.  It will serve as a follow up to 2014’s Honor Is All We Know.



Rancid announces new album, tour dates, and video

Lots of news coming from Rancid today.  The California punk legends announced that they will be releasing their new album Trouble Maker on June 9th via Hellcat/Epitaph Records.  They also released a video for the first single “Ghost Of A Chance.”

You can check out that video, along with the new albums’ track listing, and all of the bands’ upcoming tour dates below.

Rancid’s last release was Honor Is All We Know in 2014.



Live Videos: Rancid performing at Lollapalooza in Brazil and Argentina

Two videos of Rancid performing live at this year’s Lollapalooza in Brazil and Argentina, which took place last weekend (March 25th) and last night (March 31st) respectively, have been posted on YouTube, and in case you missed either show, you now get to watch them in their entirety below.

Rancid released “Silence Is the Only Rule“, their first song in two years, last November, and have a new album in the works, which will be their first since 2014’s Honor Is All We Know. The band will be on tour this summer with Green Day in Europe and Dropkick Murphys in the United States.



DS Photo Gallery: Dropkick Murphys and The Interrupters at Agganis Arena (Boston, MA)

 

For the last fifteen-or-so years, Massachusetts-based Celtic punk icons Dropkick Murphys playing a string of hometown shows has become as synonymous with St. Patrick’s Day as their musical forebears Mighty Mighty Bosstones doing a similar thing has been with Christmastime. As the band’s popularity has increased, so too has the size of venues at these St. Patrick’s weekend shenanigans, and the last two years have featured dates at the Agganis Arena, the state-of-the-art, 7200-capacity hockey rink located on the campus of Boston University. For many bands, the tendency on such a large stage might be to play “just the hits” in order to cater to the casual fans, but Dropkick Murphys, as it turns out, are not one of those bands. Say what you will about their level of “Tessie”/”Shipping Up To Boston”- inspired fame, but Dropkick Murphys have long been conscious or remembering the fans that’ve been there since the days when the clubs they played would fit within the confines of the stage of the Agganis (case in point: yours truly first saw the Dropkicks in August 1997, when they played in between the Mr. Rogers Project and The Pietasters at the Living Room in Providence).

A confetti cannon (seen above) and the instrumental “Lonesome Boatman” from the Dropkicks’ latest release 11 Short Stories Of Pain & Glory (released January 6th on their own Born & Bred Records) introduced the band to the stage before they proceeded to launch into their 2007 hit “State Of Massachusetts.” If I can take a minute to inject myself into this story, here’s where I publicly apologize to Ken Casey & Company. I think it’s important to point out that I count myself as one of those hometown fans that’s been hypercritical (unfairly so) of the band over the last dozen post-“Tessie” years, though that’s strictly a musical critique; their tremendous fundraising and community work and their ongoing penchant for giving local bands a break is not only beyond reproach but is ultimately the stuff to which all bands should aspire. But I’ll tell you what…since the 90 minute set that began with the opening tenor banjo riff on “…Massachusetts,” yours truly has been not only back aboard the Good Ship Murphys, but more than a little embarrassed about having jumped off in the first place.

The setlist on this night, as on most nights, was pretty varied and all-encompassing. Sure 11 Short Stories… was well represented, but so too were earlier albums like Do Or Die, Blackout and The Warrior’s Code on songs like “Boys On The Docks,” “Time To Go,” and, of course, the latter album’s title track, which is a shoutout to local boxing legend “Irish” Micky Ward who was, of course, in attendance. What’s perhaps most impressive about a Dropkick Murphys set circa 2017, aside maybe from their ability to keep a crowd constantly fired up, is the level of sheer musicianship among the group’s core. Ken Casey is, by his own admission, not the world’s most astute bass player, but he’s also their unquestionable heart-and-soul. Drummer Matt Kelly and principle frontman Al Barr are about as quietly strong-up-the-middle as you’ll find. Like the band as a whole, the trio of Tim Brennan, Jeff DeRosa and Kevin Rheault (longtime tech who’s filling in for James Lynch on this run), however, don’t get nearly enough credit. At any given time, the three trade off between guitar, mandolin, banjo, bouzouki, tin whistle and keyboard duties, rarely manning the same battle station for more than two or three songs in a row. The seamless nature that things seem to run in that regard is  really awesome, in the literal sense of the word.

Direct support on this night, as on the bulk of the month-long tour, came from The Interrupters. The ska punk quartet have been mighty busy over the last nine months or so since releasing their sophomore album, Say It Out Loud; since playing the duration of last year’s Warped Tour, they headlined full Europe and US tours of their own before heading back across the pond to open for Green Day immediately before this Dropkicks spot. It’s no secret that The Interrupters have been one of yours truly’s favorite bands to cover over the last few years, and performances like this particular one exemplify why, at least in part. The insanely talented (and yet somehow still wildly underrated) rhythm section of twin brothers Jesse (drums) and Justin (bass) Bivona keep the gas pedal floored, with Justin teaming with big brother Kevin (guitar, above) and frontwoman Aimee “Interrupter” as a three-headed ball of constant frenetic energy at the front of the stage. As Kevin mentioned when we caught up for an interview on these pages last year, the band are mindful that they’ve developed a sound product that definitely works, and if anything critical can be said of how they’ve made it work at the end of another long, successful tour run, it’s almost that they make it look TOO easy. (Oh, and they’re one of the only bands that can cover an Operation Ivy classic, “Sound System,” without sounding like a cheap, watered-down knockoff.)

Also opening this night (and most of the rest of the tour) was genuine Irish punk band Blood Or Whiskey. With all apologies to the Dublin-based sextet, a variety of communication mishaps between arena staff lead yours truly on a half-hour-long wild goose chase that resulted in me missing the entirety of their set, save for a song about frontman Dugs Mulhooly’s favorite pub back home closing down, only to be replaced by a coffee shop. Sorry lads…we’ll catch you next time around, we promise.

Head below for our full photo gallery from the Interrupters and Dropkick Murphys sets. And a special thanks to my much younger brother from another mother Nick Gold for the assist. Good on ya, bud.



Rancid, Dropkick Murphys, Buck-O-Nine & more to play It’s Not Dead Fest 2

The first round of bands playing the 2nd edition of It’s Not Dead Fest has been revealed. The lineup for the California punk festival currently features Rancid, Dropkick Murphys, Buck-O-Nine, Good Riddance, Voodoo Glow Skulls, Mad Caddies, and more.

Check out the full list of bands included in the first announcement below.

It’s Not Dead Fest 2 is set take place on Saturday, August 26th at the Glen Helen Festival Grounds in San Bernardino, CA. Tickets will be available through the festival website starting Monday, March 20th at 9am PDT.



Rancid and Dropkick Murphys announce co-headlining “From Boston To Berkeley” tour

For all of you that have been living under a rock over the last twenty-four hours and have subsequently not been on the Internet…Dropkick Murphys and Rancid are co-headlining a North American tour this coming summer!

Dubbed the “From Boston To Berkeley” tour, the month-long jaunt kicks off July 27th in Bangor, Maine, and runs through August 26th in Los Angeles. (We’ll just let that one percolate for a minute.) If the co-headliners weren’t enough to get you out to a show, the two heavyweight bands are bringing along a handful of openers who are pretty impressive in their own individual rights. Support on the first half of the tour (through August 9th in Milwaukee) comes from The Bouncing Souls and Jake Burns of Stiff Little Fingers. The second half kicks off two days later in August 11th and features support from The Selecter and Kevin Seconds. Head below for the full rundown!



Rancid to open for Green Day on European tour

California punk legends Rancid have announced they will be opening for their Bay Area comrades Green Day on the latter’s upcoming summer European tour, which includes mostly festival appearances. The dates and locations can be found below.

The European tour comes in support of Green Day’s latest album Revolution Radio, which was released last October. Rancid released “Silence Is the Only Rule“, their first song in two years, last November, and have a new album in the works, which will be their first since 2014’s Honor Is All We Know.



DS Staff Picks: Jay Stone picks his top sixteen albums of 2016 with Spotify playlist!

I’m not entirely sure how, but we’ve reached the middle of December 2016 without the Earth’s core opening up and swallowing us all down into the burning fiery furnace below. That can only mean one thing; it’s time for people who spend all year pretending to be entertainment journalists to narrow down the most entertaining things of the last 365 days into bite size pieces. And in list form! This is the sixth one of these I’ve done for Dying Scene, so the intro stuff might start to get a bit repetitive. As such, I’ll spare you my normal rambling 1500 word babble and jump in to the music itself. You’re welcome.

As is usually the case, I didn’t trim my list to ten, in spite of our esteemed leader, Johnny X, instructing us to do so. What can I say; I’m not a fan of restrictions, or base ten number systems. I thought there was something apropos about reclaiming the number 16 from the giant shitstorm that was this year. I also genuinely love all of the albums in my final list, and if I were to submit this list a week from now, the last half-dozen or so might be in a very different order. I did adhere to the instructions about keeping the list Dying Scene-relevant. If you’re into expanding horizons, you should check out Sturgill Simpson’s A Sailor’s Guide To Earth, Amanda Shires’ My Piece Of Land, Sadler Vaden’s self-titled album, David Bowie’s Blackstar, Wilco’s Schmilco, and probably a bunch of other mid-tempo stuff I’m forgetting.

As always, I didn’t include EPs, split-releases or live albums in my final list, because…because I didn’t. However, you should by no means skip toyGuitar‘s Move Like A Ghost, Useless ID‘s We Don’t Want The Airwaves and Dead To Me‘s I Wanna Die In Los Angeles on the EP front. You should also check out The Darlings‘ live album, and the Bundles/Dan Webb And The Spiders split 12-inch that came out a couple months ago. Oh, and Oklahoa’s Don’t Make Ghosts put out an EP, Death Ride, that’s easily one of the best debuts this year.

I did include tracks from all of the above, and obviously all of the below, on the Spotify playlist I curated for this story…scroll all the way down for that and hit “play.”

Check out my list below.



The Interrupters release new video for “By My Side”

L.A. ska band The Interrupters just released a video for their song “By My Side,” and you can check it out below.  The song appears on the band’s outstanding sophomore album, Say It Out Loud, which was released on Hellcat Records in June of this year.

The Interrupters just finished a nationwide headlining tour with support from Bad Cop Bad Cop.  You can check out a review of the Boston show here.



Rancid stream first song in two years “Silence Is the Only Rule”

Bay Area punk veterans Rancid have premiered their first song in two years, titled “Silence Is the Only Rule”, taken from the compilation album Oi! Ain’t Dead Vol. 5 – USA Attack!, which is available for purchase right here. You can give the song a listen below.

It is not known if “Silence Is the Only Rule” will appear on Rancid’s upcoming ninth studio album, but we’ll be sure to keep you posted as more details come to light. Their latest album Honor Is All We Know was released in 2014 through Hellcat Records.



DS Photo Gallery: The Interrupters, Bad Cop Bad Cop, The Doped Up Dollies and Mickey Rickshaw take over Boston

To refer to The Interrupters current nationwide tour featuring direct support from Bad Cop Bad Cop as “highly anticipated” would be understating things in every possible way. The seven-week run circumnavigates the lower 48, and serves as not only The Interrupters first full US headlining tour, but Bad Cop Bad Cop’s first lengthy full US tour as well. For those reasons, and I’m sure many others, the tour rightfully ranks as a giant milestone moment filled with countless smaller milestone moments in the careers of both bands. But there is something about the tour that also feels like a milestone moment for the observer. For starters, it feels like a bit of a throwback to the groundbreaking glory days of Epitaph Records and Fat Wreck Chords, respectively, a time period that formulated the punk rock listening habits of a great many of us. But more than that, and you’ll have to forgive my occasionally foggy-at-best memory, but in the recent annals of punk history (and probably the not-so-recent ones too), you’d be hard-pressed to find such a lengthy, well-received tour involving not one, but two female-fronted punk bands playing in front of such high volume crowds. To put things bluntly, the tour feels, on paper, to be important. (Check out our recent tour-previewing interview with Kevin and Aimee from The Interrupters here.)

If you’ve been following the tour via the respective bands’ social media accounts, you’re probably well aware of just how fun and positive and high energy things seem to be as the tour rounds into its second month. But just like calling the tour “highly anticipated” is an understatement of epic proportions, so to is referring to its individual shows as an amalgam of “fun” and “positive” and “high energy.” So when you add to that already stellar lineup two intense and passionate local openers (The Doped Up Dollies and Mickey Rickshaw) the net result is that the Boston stop equated to one of the better showgoing experiences of this or most any other calendar years. Touring in support of their stellar sophomore album, Say It Out Loud, The Interrupters overcame a few early-set microphone-related technical difficulties to blast through a 21-song set that left little-if-anything to be desired.

From the very first notes of set opener “A Friend Like Me,” the foursome never really took their collective feet off the gas pedal. Anchored by the rock-solid Jesse Bivona on drums, the front-of-stage trio of Kevin Bivona (guitar), Justin Bivona (bass) and of course Aimee “Interrupter” Allen on vocals served as a continuous ball of frenetic energy, endlessly dancing, bouncing back-and-forth across the venue’s rather small stage. There are very few bands going who seem to genuinely enjoy their jobs and interacting with crowds night-in and night-out like The Interrupters do. Loyalty and family are recurring themes throughout the band’s body of work, and they seem sincere in referring to their fans as part of their extended family. Another of their family members, David McWane of Big D and the Kids Table fame, joined the band on stage for a true-to-the-0riginal cover of the Operation Ivy classic “Sound System,” while all available members of the collection of opening bands joined the foursome on stage for a dance party during encore closer “This Is My Family” before posing for a now-trademark post set group shot.

As mentioned above, Bad Cop Bad Cop are providing direct support for the duration of this tour. If there were another band in the scene that can match The Interrupters level of frenetic energy and their seeming enjoyment of taking the stage and playing night in and night out, it would o doubt be Bad Cop Bad Cop. Making only their second-ever Boston stop – and their first with bass player Linh Le in the house (Masked Intruder’s Intruder Yellow filled in when the band opened up the Fat Wreck 25th Anniversary tour last year as Le was attending her best friend’s wedding), the band seemed intent on making up for lost time in front of a crowd that seemed all-too eager to welcome them back to town. Drummer Myra Gallarza, who is easily one of the more underrated pace-setters in the scene provided a stable foundation for the three-part monster of co-frontwomen Stacey Dee and Jennie Cotterill to trade riffs and three-part harmonies with the whirling dervish that is Le.

Speaking of three-part harmonies, direct local support came by way of The Doped Up Dollies, a trio that rather famously started as supporting vocalists for David McWane and his band of Boston ska veterans, Big D and the Kids Table, before branching out as a unique, standalone act. The Dollies bill themselves as a three-piece act that play a “fusion of hopscotch/double dutch, ska, reggae, blues and soul,” and backed by a band that I’m pretty sure consisted of eighteen parts (honestly, I lost count but I think there were a total of nine members on the small club stage), including McWane himself, the trio of Brie McWane, Sirae Richardson and Erin McKenzie (pictured in that order above) present one of the more unique newish acts in the game. The variation in styles keeps the band from being pigeonholed, and allows them to fit in perfectly in myriad settings, and they proved to be a fantastic sonic change of pace on this particular bill without sacrificing much, if anything, in the way of overall energy.

Mickey Rickshaw, another stage-crowding local band (I’m relatively convinced that there are 8 of them, but again, the stage was small enough that I might have lost one or two or seven of them), opened the show off with about as frenetic a set as you can get. The band play an unapologetically fast and loud blend of Celtic punk that somehow, because of their energy level, make that occasionally well-worn sound seem fresh and vibrant. In a scene, particularly locally, that can seem crowded and redundant, Mickey Rickshaw have rather quickly made a name for themselves as the cream that has risen to the top.

Check out our full photo gallery below!



Nekromantix stream new full-length “A Symphony of Wolf Tones & Ghost Notes”

Just in time to get us in the mood for Halloween psychobilly veterans Nekromantix are streaming their new album, A Symphony of Wolf Tones & Ghost Notes, and you can jam it below.

A Symphony of Wolf Tones & Ghost Notes was released on October 21st via Hellcat Records.