Search Results for "Rise Records"

Seminal hardcore band 7Seconds call it a career

Well this is an unexpected bummer of a story to have to write. According to a lengthy post from frontman Kevin Seconds on the band’s various social media pages, seminal hardcore band 7 Seconds have decided to call it a career.

In the statement, Seconds cites ongoing medical and mental health issues concerning some of the band’s members as chief among the reasons that the band have pulled the plug just after their collective 38th birthday. The band had been slated to play Punk Rock Bowling in May and to embark on a European run of dates over the summer, but as the decision is effective immediately, those appearances are now cancelled. Read the full statement from the band below.

We’ll miss you Kevin, Steve, Bobby and Troy. Given that the band collectively came into the world only a couple months after I did, I’ve always had a special place in my heart for 7 Seconds. Be well, fellas, and thanks for 38 loud, ass-kicking years.



American Nightmare release video for “Gloom Forever”

Boston’s American Nightmare have released a new video for “Gloom Forever”. It follows recent video “Flowers Under Siege,” with both tracks coming from the bands’ new self-titled album, out last month on Rise Records.

You can “Gloom Forever” below.



American Nightmare release music video for “Flowers Under Siege”

Boston’s American Nightmare have released a new music video for their song “Flowers Under Siege,” which comes from the bands’ recently released self-titled album.

You can check out the video below.

The new album was released on February 16th via Rise Records, and is their first new album since We’re Down ‘Til We’re Underground was released in 2003.



Thousand Below release video for “Tradition”

San Diego post-hardcore quintet Thousand Below have released a video for a reimagined version of their track “Tradition”. The original version of the song is from their debut album, “The Love You Let Too Close”, which was released back in October via Rise Records.

You can watch the video below.



Dave Hause releases “Bury Me In Philly” video

Dave Hause has released a new music video for “Bury Me In Philly”, which is taken from his latest solo album of the same name. Check it out below.

Bury Me In Philly was released in early 2017 through Rise Records.



T.S.O.L., Voodoo Glow Skulls, Reagan Youth & more playing Punk Against Trump Festival

A festival simply called the Punk Against Trump Festival has been announced. It will take place June 9-10 at the Glass House in Pomona, CA. The lineup includes T.S.O.L., Voodoo Glow Skulls, Reagan Youth, The Dwarves, and Lower Class Brats, among others.

OC Weekly says the festival will also be “bringing together a number of grass roots organizations to attendees to educate festival attendees on everything from DACA to voter registration”.

Tickets are available here.



Goldfinger release “Tijuana Sunrise” video

California ska-punk veterans Goldfinger have released a new music video for “Tijuana Sunrise”, off their latest album The Knife. Check it out below.

The Knife came out in 2017 through Rise Records. It’s their first album since 2008’s Hello Destiny.



Silverstein release music video for “Whiplash”

Canadian punk scene stalwarts Silverstein have released a music video for their song “Whiplash”, which can be viewed below.

“Whiplash” is taken from Silverstein’s most recent album Dead Reflection, which was released last August via Rise Records.



The Bouncing Souls to celebrate 30th anniversary with new album

In a recent interviewThe Bouncing Souls frontman Greg Attonito revealed that they are in the works to begin writing a new album, which will be released to coincide with the band’s 30th anniversary next year. Greg stated:

“We’re in the works to start writing, and we’re preparing for our thirty-year anniversary in 2019. We’re writing and planning, and brainstorming what our thirty-year project will be. Is it some sort of retrospective and some new songs, and some touring? This week, everybody’s connected via email. It’s time to start making a plan. We have lots of ideas that have been kicking around for six months, so it’s time to start getting the ball rolling. We’re digging up old photos, fan stories… . We’ve been doing this thing on Instagram called #SoulSunday, getting fans to tell stories about their past — anything Souls-related. We’ve been getting great stories, and we’re trying to think of ways to incorporate that into some sort of career retrospective.”

The Bouncing Souls’ latest studio album, Simplicity, was released in July 2016 through Rise Records.



DS Staff Picks: Jay Stone’s Favorite Albums of 2017

Hey boys and girls, Jay Stone checking in with yet another year-end list. As has been the case every year I’ve done one of these exercises, I put way more than ten albums on my list this year, because honestly, cutting the list at ten leaves out too much awesome music. As you should also know, there’s a lot of awesome music that we don’t cover at Dying Scene, so I put some of that on the list as well. And if you scroll all the way down, there’s also a handy Spotify playlist that’ll keep you fired up for a couple hours. Check it all out below!



American Nightmare announce new self-titled album, stream single

Boston’s American Nightmare have announced plans to release their first new album in almost 15 years. The self-titled LP comes out on February 16th, 2018 through Rise Records.

You can listen to the first single “The World is Blue” below, and pre-order the album here.

The band’s last full-length We’re Down ‘Til We’re Underground was released in 2003.



DS Photo Gallery: Bouncing Souls with TSOL and Rebuilder, Cambridge, MA (12/7/17)

The Bouncing Souls kicked off a quick, long weekend run of shows in the northeast by playing a sold-out show at the Sinclair in Cambridge’s Harvard Square. It was the Jersey punk rock veterans’ third time to the Bay State this year, but their first time headlining here in a couple years (editor’s note: the Souls supported Frank Turner at a one-off show back in February and the Rancid/Dropkick Murphys “From Boston To Berkeley” tour in August), bringing their devoutly loyal fanbase out in full force.

The quartet came right out of the gate firing on all cylinders, ripping straight into the one-two punch of crowd favorites “Hopeless Romantic” and “The Gold Song.” If you follow our Instagram feed, you may recall that I posted mid-set that it was the third time I’ve seen the Souls this year — I missed the Rancid/DKM show but I was at the Frank Turner gig and I finally made the trek to Jersey for Stoked For The Summer — and it was hands-down the best sounding show of all. Save for a couple technical difficulties primarily during “Satellite,” — see the confused look on frontman Greg Attonito’s face in the picture above — that remained the case throughout. The other two shows were enjoyable, for sure, but there’s something about how an uptempo, melodic four-piece punk band’s sound translates better in the confines of a 500-ish capacity club than in a hockey arena or an outdoor beachfront stage.

It’s tough whittle down a couple of highlights from a set that didn’t really have an low points. Bassist Bryan Kienlen and new-ish drummer George Rebelo play just about as tight and heavy as anybody in the business while guitarist Pete Steinkopf’s trademark Les-Paul-through-Marshall-stack sound somehow plays much bigger than one might expect a single-guitar attack to resonate. Attonito has always been the type of frontman that leaves the mic stand behind and relentlessly paces the bulk of the stage, and the fact that he’s a new parent — his first son was born just five weeks ago — didn’t seem to leave him any worse for the wear. There was a near non-stop parade of crowd surfers throughout the Souls’ hour-plus set (including at least a dozen trips over the barricade by one particular shirtless, luchador-masked patron), which was not a foregone conclusion at the beginning of the evening given that particularly greyish-haired nature of many of the fans — myself included first and foremost — of the band who are rounding the corner on their thirty year anniversary soon. Particular high points included the opening one-two punch, “These Are Quotes From Our Favorite ’80s Movies,” Attonito trying to dig for Boston-area locations in a site-specific version of “East Coast Fuck You,” a spot-on and unexpectedly surprising cover Avail’s “Simple Song,”the goosebump-inducing singalong that “Gone” has become, and a guest appearance on vocals from Street Dogs frontman Mike McColgan on the classic “True Believers.”

California punk veterans TSOL were provided direct support on each of the three dates on this particular jaunt of shows. Much like how I said above that the Bouncing Souls sound translates better in a venue like Sinclair than it does in a larger hockey arena, the squelching-guitar led early 80s hardcore sound that TSOL helped pioneer probably translates better in a smaller club setting without a barricade between the stage and the fans, much like it did when they played here last year at the Middle East. Frontman Jack Grisham has always had one of the more outspoken, dark humored personalities in the scene – look no further than perhaps the band’s biggest hit, the ode to necrophilia that is “Code Blue” – though I will admit that some of his trademark off-color banter sounds not only incredibly dated but, frankly, uncomfortable in the current climate, not unlike rewatching classic stand-up bits by Andrew Dice Clay might. The core of the band still sounded tight, as you’d imagine given that Ron Emoy and Mike Roche have been Grisham’s wingmen for the better part of the nearly four full decades of their existence (editor’s note: total ignorance on my part, but I’m not sure who’s playing drums now that Chip Hanna isn’t involved). The bands fans — and there were more than a few in attendance — totally still dig the classic sound and seemed to warm up as the set went on.

Local favorites Rebuilder kicked off the show in fine fashion. Plans for their first-ever European tour might have gone belly up last spring, but it’s still been a pretty great year for the five-piece; they released a stellar EP, Songs From The Massachusetts Turnpike, on Panic State Records a couple months ago, toured the west coast for the first time, played a bunch of shows back this way with Dead Bars, did a session for Mike Felumlee’s “Live From The Rock Room,” and continued to grow their fanbase by sharing the stage with acts like Dropkick Murphys, Frank Turner, Bombpops, and Red City Radio. The Souls show proved to be a pretty great cap on the year, and in their typical good-natured, tongue-in-cheek fashion, they made sure to include “Le Grand Fromage,” their middle-finger to the Souls’ home state of New Jersey, right smack in the middle of their set.

Head below for the full photo gallery from the evening!



TSOL announce 2018 west coast tour

California punk veterans TSOL will be touring the west coast in early 2018. The two-week run will see the band supported by Downtown Brown. Check out the tour dates below.

TSOL’s latest album The Trigger Complex was released in January on Rise Records.



DS Interview: Jason Black on Hot Water Music’s new album, playing without Chris Wollard and more

Even by the standards of a band that has defined its near quarter-century career by charting its own course and never seeming to duplicate itself, it’s safe to mark Hot Water Music‘s 2017 as one of the band’s most atypical calendar years yet. The pioneering post-hardcore outfit wrote, recorded and released Light It Up, their eighth studio album, back on September 15th. The album is stellar, prompting even old school fans to note that it’s the band’s most inspired and cohesive project in recent memory. They also played a high-profile gig at Riot Fest in Chicago, a place that has shown enough love to the band over the years that its been something of an adopted second home (their live 2012 triple LP was recorded in the Windy City).

That said, the road has been a little bumpier of late. The iconic quartet’s lineup of Chuck Ragan and Chris Wollard on vocals and guitars, Jason Black on bass and George Rebelo on drums has remained constant — albeit interrupted by the occasional hiatus — since their beginning. Recently, however, they’ve had to play down a man; beginning at Fest last month in their hometown of Gainesville, Wollard has had to take a step back from performing live in order to take care of some self-reported anxiety and stress-related issues. Given the amount of moving parts (day jobs and spouses and babies and pets and so on) that need to line up for Hot Water Music to play live these days, the other three members — with Wollard’s blessing and encouragement — chose to fulfill their long-scheduled tour obligations, including a recent three-day run through Boston, New York City, and Philadelphia, and an upcoming date in Brazil.

And they are doing it with a little help from a few friends; The Flatliners’ Chris Cresswell filled in for Wollard at Fest on fairly short notice and played the three Northeast US shows, while Less Than Jake’s Chris DeMakes, a fellow Gainesvillian and longtime friend of the band, will cover the Brazil show (with any luck, Wollard will be back in fighting shape by the time the band’s January dates in California come around). Not only was Dying Scene on hand to shoot the band’s recent Boston date, but we were lucky enough to sit down with Jason Black back stage just moments before the show got under way. We talked about the lead up to recording Light It Up, looked back at some of the changes over the band’s two-plus decades in the business, and about adding the decade-and-a-half younger Cresswell to the mix; we also got cut off near the end by Ragan and Cresswell joining the conversation, the latter accompanied by a Les Paul and seeking clarification as to his part on the new Wollard-fronted Hot Water Music track “Vultures.” Head below to read our full interview!

Light It Up was released September 15th via Rise Records. Get yours here if you haven’t already.

 



DS Photo Gallery: Hot Water Music with Big Jesus and Bundles, Cambridge, MA

Hot Water Music made their long-awaited return to the Boston area last Friday night, playing to a packed house at the Sinclair in Cambridge that sold out long before the show actually took place. Touring in support of their most recent studio album, Light It Up (released September 15th via Rise Records), the genre-defining four-piece were playing down a man, with Chris Wollard sitting out this run of shows to focus on taking care of anxiety and stress-related issues. However, just like they did at Fest last month, they called on the help of a pretty well-respected friend to fill Wollard’s shoes. That, of course, was none other than Flatliners frontman Chris Cresswell.

If Cresswell had the pre-game jutters that might be expected when filling in on the sold-out first night of a run with a highly influential band fifteen years his senior, he didn’t show them. The show’s twenty-one song setlist did steer more heavily toward the Chuck Ragan sung end of the catalog, and Ragan took over lead vocal duties on the new track, “Vultures,” but Cresswell did Wollard justice on such staples as “A Flight and A Crash,” “Paper Thin,” and, of course, “Trusty Chords.” Ragan, who sounded as solid and high-energy as he ever has, seemed on more than one occasion to look on in proud admiration at his new stage-left counterpart. For their part they rhythm section core of Jason Black (bass) and George Rebelo (drums) were a lock-tight gas pedal, which, while they’ve been playing together for the better part of a quarter-century, is not necessarily an easy task given that it was the first night of a brief three-day tour for a band that doesn’t live on the road nearly the way they did earlier in their respective careers. Rebelo’s recent turn behind the drumkit with Bouncing Souls has provided his playing with a little bit of an added, uptempo spark, which seems to play right into the nimble-fingered Black’s wheelhouse. It may not have been the traditional Hot Water Music lineup that has been so long-revered in this scene, but goddamn it still felt pretty special.

Big Jesus provided direct support on all three shows on this run. Trying to narrow down the sound of Big Jesus to one definable genre is a bit on the difficult side, but they’ve got a sludgy, swampy metal guitar attack that’s offset by bassist/vocalist Spencer Ussery’s airy, melodic vocals that have drawn comparisons to Smashing Pumpkins but are really more like Silversun Pickups-meets-Clutch. They were apparently “discovered” and subsequently managed by the Madden brothers, though you’d honestly never guess that from their sound or their look. 

Local three-piece Bundles, who’ve become increasingly beloved around these parts, were added to the bill to kick off the show only about a week or so ago, after it was announced that Strike Anywhere wouldn’t be on this particular date. We’ve caught the trio on longer bills at various smaller bars in Boston, so to get the chance to see them on the larger stage (editor’s note: we’re pretty sure O’Brien’s in Allston would fit on the stage at Sinclair, but we digress) was a bit of a proud moment that the band seemed to revel in. There’s is an updated, stripped down version of the sound pioneered by bands like Hot Water Music twenty-five years ago, but with lyrics that draw as much inspiration from classic literature as they do from personal pain and struggle. Fun opportunity for the band and it was awesome to see them as being up to the task.

Check out our full photo gallery below, and stay tuned for our sit-down with Hot Water Music’s Jason Black in the next few days!