Search Results for "Rise Records"

DS Photo Gallery: Dave Hause and Northcote get classy at City Winery, Boston (6/5/18)

After what was, by all accounts, a pretty successful year on the road with a new band (The Mermaid) following the release of his latest solo album, the redemptive, triumphant Bury Me In Philly, Dave Hause had been planning on scaling things down a little bit for 2018, both to celebrate newly married life and to work on new material. As fate would have it, things don’t always go as plan. Hause and his band played a bunch of European shows with his longtime comrade Brian Fallon earlier this year, and he and his musical – and real-life – brother have played a handful of Canadian and, now, US shows alongside the likes of the Drew Thomson Foundation and, more recently, Northcote. The latter tour rolled through Boston’s somewhat newly-opened City Winery last Tuesday, where they plied their mostly-acoustic wares in front of a house that mostly packed the upscale venue in spite of relatively little advance fanfare.

If you’re not familiar with the City Winery concept, it can be a little bit of a shock to the system if you’re used to sweaty basement clubs or even mid-sized theater shows. To start, you take your seat at one of four rows of family-style tables run perpendicular to the spacious stage, and an ample, attentive waitstaff checks in with you regularly, ready to bring you everything to a $64 bottle of 2014 Pinot Noir from New Zealand to a variety of cheeses and charcuterie board served on an individual cutting board to, chicken coq au vin, the latter of which I thought existed only in places Anthony Bourdain traveled (rest in peace). In spite of the fact that you’re largely looking over your left or right shoulder depending on which side of the table you’re seated at, sight lines are pretty solid and the sound is crystal clear. This is not the rebirth of The Rat, my friends, but that’s okay, because sometimes you’re in your late-30s and have a day job and a kid and don’t want to get your ass kicked in a pit on a Tuesday night. (Plus, there’s perhaps some level of comedic value in seeing a room full of denin-jacketed punks eating roasted Brussles Sprouts singing along to “Dirty Fucker.”)

Anyway, the show’s promoters kept things lean. Northcote (Canadian singer/songwriter Matt Good – not to be confused Canadian singer/songwriter Matthew Good) kicked things off, appearing as a duo with the acoustic-wielding Good supported by longtime collaborator Steven McGillivray on the electric. Like many in the crowd (based on my informal poll), yours truly’s introduction to Northcote in a live setting was his opening slot on Hause’s 2014 tour in support of Devour, or the subsequent dates he played with Gaslight Anthem as they wound down the Get Hurt touring cycle. Good cuts an imposing figure, with the Viking-esque long red hair and beard to match somewhat offset by his denim-and-flannel attire. Good is a criminally underrated songwriter, having earned a good many stripes from a past life playing in punk and hardcore bands before branching out on his own. He’s also owner and operator of one of the premiere voices in all the scene, able to convey both tender sentiments and heart-breaking despair in a single bound. Case in point: Northcote closed his set with an ode to recently-departed Frightened Rabbit frontman Scott Hutchison by covering the latter’s “My Backwards Walk.” The song is gut-wrenching in its original incarnation, but the gravity of the situation and the honesty in Good’s voice left barely a dry eye in the house.

The Brothers Hause followed, and dove right into a stripped-down rendition of Bury My In Philly‘s “Shaky Jesus.” We’ve obviously been pretty open about our love for Dave Hause’s post-Loved Ones career on these pages, but perhaps one of the most exciting, and unexpected, developments of the components there-in has been the emergence of his kid brother, Tim, as not only a perfect right-hand man, but a musical force in his own right. The same Tim that Dave reflected on wanting to spend more time with back on the 2011 track “Resolutions” has turned into a supremely talented guitar player (primarily adding electric textures to his brother’s acoustic rhythms), but split his time on the baby grand piano (told you it was a classy venue) and the mandolin as well, all while providing pitch perfect harmonies. Still riding the wave from their hometown Eagles’ Super Bowl victory over the New England Patriots – on the eve of the now infamously canceled White House visit no less, the Hause brothers were in good, playful spirits for the duration of the set that drew not only from the elder Hause’s three solo albums, but his work with surf punk goofballs The All Brights and, of course, The Loved Ones. That good-nature was put to the test when a spontaneous, mid-set appearance by a background vacuum cleaner, ill-timed in the middle of perhaps Hause’s quietest stomach-punch of a song, “Bricks,” forced the consummate frontman to struggle to keep his composure. Once the vacuum cleaning portion of the evening’s festivities wound down, Hause also included an ode-to-a-departed-hero toward the end of his set, covering the late, great Tom Petty’s “I Won’t Back Down,” though this one turned into a celebratory singalong as you might imagine.

Head below for our full photo gallery from the evening, and stay tuned for more from City Winery in the coming months, because we’re so fancy (you already know). But seriously; Cory Branan and Face To Face and Austin Lucas are playing in the near future, so we’ll be back for the Coq Au Vin soon!

 



Goldfinger release video for “A Million Miles”

California ska-punk veterans Goldfinger have released a new music video for “A Million Miles”, off their latest album “The Knife”. You can have a watch below.

“The Knife” came out in 2017 through Rise Records. It’s their first album since 2008’s “Hello Destiny”.



Knuckle Puck release video for “Twist”

Knuckle Puck have released a video for “Twist”, which is off of their current album “Shapeshifter”, out via Rise Records. You can watch the video below.

You can “Shapeshifter” from all the usual platforms now.



Seminal hardcore band 7Seconds call it a career

Well this is an unexpected bummer of a story to have to write. According to a lengthy post from frontman Kevin Seconds on the band’s various social media pages, seminal hardcore band 7 Seconds have decided to call it a career.

In the statement, Seconds cites ongoing medical and mental health issues concerning some of the band’s members as chief among the reasons that the band have pulled the plug just after their collective 38th birthday. The band had been slated to play Punk Rock Bowling in May and to embark on a European run of dates over the summer, but as the decision is effective immediately, those appearances are now cancelled. Read the full statement from the band below.

We’ll miss you Kevin, Steve, Bobby and Troy. Given that the band collectively came into the world only a couple months after I did, I’ve always had a special place in my heart for 7 Seconds. Be well, fellas, and thanks for 38 loud, ass-kicking years.



American Nightmare release video for “Gloom Forever”

Boston’s American Nightmare have released a new video for “Gloom Forever”. It follows recent video “Flowers Under Siege,” with both tracks coming from the bands’ new self-titled album, out last month on Rise Records.

You can “Gloom Forever” below.



American Nightmare release music video for “Flowers Under Siege”

Boston’s American Nightmare have released a new music video for their song “Flowers Under Siege,” which comes from the bands’ recently released self-titled album.

You can check out the video below.

The new album was released on February 16th via Rise Records, and is their first new album since We’re Down ‘Til We’re Underground was released in 2003.



Thousand Below release video for “Tradition”

San Diego post-hardcore quintet Thousand Below have released a video for a reimagined version of their track “Tradition”. The original version of the song is from their debut album, “The Love You Let Too Close”, which was released back in October via Rise Records.

You can watch the video below.



Dave Hause releases “Bury Me In Philly” video

Dave Hause has released a new music video for “Bury Me In Philly”, which is taken from his latest solo album of the same name. Check it out below.

Bury Me In Philly was released in early 2017 through Rise Records.



T.S.O.L., Voodoo Glow Skulls, Reagan Youth & more playing Punk Against Trump Festival

A festival simply called the Punk Against Trump Festival has been announced. It will take place June 9-10 at the Glass House in Pomona, CA. The lineup includes T.S.O.L., Voodoo Glow Skulls, Reagan Youth, The Dwarves, and Lower Class Brats, among others.

OC Weekly says the festival will also be “bringing together a number of grass roots organizations to attendees to educate festival attendees on everything from DACA to voter registration”.

Tickets are available here.



Goldfinger release “Tijuana Sunrise” video

California ska-punk veterans Goldfinger have released a new music video for “Tijuana Sunrise”, off their latest album The Knife. Check it out below.

The Knife came out in 2017 through Rise Records. It’s their first album since 2008’s Hello Destiny.



Silverstein release music video for “Whiplash”

Canadian punk scene stalwarts Silverstein have released a music video for their song “Whiplash”, which can be viewed below.

“Whiplash” is taken from Silverstein’s most recent album Dead Reflection, which was released last August via Rise Records.



The Bouncing Souls to celebrate 30th anniversary with new album

In a recent interviewThe Bouncing Souls frontman Greg Attonito revealed that they are in the works to begin writing a new album, which will be released to coincide with the band’s 30th anniversary next year. Greg stated:

“We’re in the works to start writing, and we’re preparing for our thirty-year anniversary in 2019. We’re writing and planning, and brainstorming what our thirty-year project will be. Is it some sort of retrospective and some new songs, and some touring? This week, everybody’s connected via email. It’s time to start making a plan. We have lots of ideas that have been kicking around for six months, so it’s time to start getting the ball rolling. We’re digging up old photos, fan stories… . We’ve been doing this thing on Instagram called #SoulSunday, getting fans to tell stories about their past — anything Souls-related. We’ve been getting great stories, and we’re trying to think of ways to incorporate that into some sort of career retrospective.”

The Bouncing Souls’ latest studio album, Simplicity, was released in July 2016 through Rise Records.



DS Staff Picks: Jay Stone’s Favorite Albums of 2017

Hey boys and girls, Jay Stone checking in with yet another year-end list. As has been the case every year I’ve done one of these exercises, I put way more than ten albums on my list this year, because honestly, cutting the list at ten leaves out too much awesome music. As you should also know, there’s a lot of awesome music that we don’t cover at Dying Scene, so I put some of that on the list as well. And if you scroll all the way down, there’s also a handy Spotify playlist that’ll keep you fired up for a couple hours. Check it all out below!



American Nightmare announce new self-titled album, stream single

Boston’s American Nightmare have announced plans to release their first new album in almost 15 years. The self-titled LP comes out on February 16th, 2018 through Rise Records.

You can listen to the first single “The World is Blue” below, and pre-order the album here.

The band’s last full-length We’re Down ‘Til We’re Underground was released in 2003.



DS Photo Gallery: Bouncing Souls with TSOL and Rebuilder, Cambridge, MA (12/7/17)

The Bouncing Souls kicked off a quick, long weekend run of shows in the northeast by playing a sold-out show at the Sinclair in Cambridge’s Harvard Square. It was the Jersey punk rock veterans’ third time to the Bay State this year, but their first time headlining here in a couple years (editor’s note: the Souls supported Frank Turner at a one-off show back in February and the Rancid/Dropkick Murphys “From Boston To Berkeley” tour in August), bringing their devoutly loyal fanbase out in full force.

The quartet came right out of the gate firing on all cylinders, ripping straight into the one-two punch of crowd favorites “Hopeless Romantic” and “The Gold Song.” If you follow our Instagram feed, you may recall that I posted mid-set that it was the third time I’ve seen the Souls this year — I missed the Rancid/DKM show but I was at the Frank Turner gig and I finally made the trek to Jersey for Stoked For The Summer — and it was hands-down the best sounding show of all. Save for a couple technical difficulties primarily during “Satellite,” — see the confused look on frontman Greg Attonito’s face in the picture above — that remained the case throughout. The other two shows were enjoyable, for sure, but there’s something about how an uptempo, melodic four-piece punk band’s sound translates better in the confines of a 500-ish capacity club than in a hockey arena or an outdoor beachfront stage.

It’s tough whittle down a couple of highlights from a set that didn’t really have an low points. Bassist Bryan Kienlen and new-ish drummer George Rebelo play just about as tight and heavy as anybody in the business while guitarist Pete Steinkopf’s trademark Les-Paul-through-Marshall-stack sound somehow plays much bigger than one might expect a single-guitar attack to resonate. Attonito has always been the type of frontman that leaves the mic stand behind and relentlessly paces the bulk of the stage, and the fact that he’s a new parent — his first son was born just five weeks ago — didn’t seem to leave him any worse for the wear. There was a near non-stop parade of crowd surfers throughout the Souls’ hour-plus set (including at least a dozen trips over the barricade by one particular shirtless, luchador-masked patron), which was not a foregone conclusion at the beginning of the evening given that particularly greyish-haired nature of many of the fans — myself included first and foremost — of the band who are rounding the corner on their thirty year anniversary soon. Particular high points included the opening one-two punch, “These Are Quotes From Our Favorite ’80s Movies,” Attonito trying to dig for Boston-area locations in a site-specific version of “East Coast Fuck You,” a spot-on and unexpectedly surprising cover Avail’s “Simple Song,”the goosebump-inducing singalong that “Gone” has become, and a guest appearance on vocals from Street Dogs frontman Mike McColgan on the classic “True Believers.”

California punk veterans TSOL were provided direct support on each of the three dates on this particular jaunt of shows. Much like how I said above that the Bouncing Souls sound translates better in a venue like Sinclair than it does in a larger hockey arena, the squelching-guitar led early 80s hardcore sound that TSOL helped pioneer probably translates better in a smaller club setting without a barricade between the stage and the fans, much like it did when they played here last year at the Middle East. Frontman Jack Grisham has always had one of the more outspoken, dark humored personalities in the scene – look no further than perhaps the band’s biggest hit, the ode to necrophilia that is “Code Blue” – though I will admit that some of his trademark off-color banter sounds not only incredibly dated but, frankly, uncomfortable in the current climate, not unlike rewatching classic stand-up bits by Andrew Dice Clay might. The core of the band still sounded tight, as you’d imagine given that Ron Emoy and Mike Roche have been Grisham’s wingmen for the better part of the nearly four full decades of their existence (editor’s note: total ignorance on my part, but I’m not sure who’s playing drums now that Chip Hanna isn’t involved). The bands fans — and there were more than a few in attendance — totally still dig the classic sound and seemed to warm up as the set went on.

Local favorites Rebuilder kicked off the show in fine fashion. Plans for their first-ever European tour might have gone belly up last spring, but it’s still been a pretty great year for the five-piece; they released a stellar EP, Songs From The Massachusetts Turnpike, on Panic State Records a couple months ago, toured the west coast for the first time, played a bunch of shows back this way with Dead Bars, did a session for Mike Felumlee’s “Live From The Rock Room,” and continued to grow their fanbase by sharing the stage with acts like Dropkick Murphys, Frank Turner, Bombpops, and Red City Radio. The Souls show proved to be a pretty great cap on the year, and in their typical good-natured, tongue-in-cheek fashion, they made sure to include “Le Grand Fromage,” their middle-finger to the Souls’ home state of New Jersey, right smack in the middle of their set.

Head below for the full photo gallery from the evening!