Search Results for "Rise Records"

Hot Water Music’s Chris Wollard is taking a break

It’s not often I hear news about Hot Water Music that makes me sad, but this does. Chris Wollard is taking a break from the band for his own health. His statement is long and heartfelt, and you can read it in its entirety below.

Hot Water Music will continue their tour with The Flatliners‘ Chris Cresswell filling in for Wollard in Boston, Brooklyn and Philly from November 17-19 and Chris DeMakes of Less Than Jake handling Wollard duties in Brazil on December 2nd. The band are touring in support of their latest full-length, “Light It Up” which is their first album in 5 years. It was released on September 15th via Rise Records.



Hot Water Music announce tour dates with Strike Anywhere

Hot Water Music have announced tour dates with Strike Anywhere and Big Jesus this month. The tour consists of three dates:

Nov 17th – Boston, MA – The Sinclair
Nov 18th – Brooklyn, NY – Warsaw
Nov 19th – Philadelphia, PA – Union Transfer

You can get tickets here but you had better be quick as the Boston show has already sold out!



Knuckle Puck release video for “Gone”, share tour dates

Our pop punk buddies Knuckle Puck have just shared their video for “Gone,” which is off of their new album Shapeshifter via Rise Records.

You can check out the video here, which plays on the ever classic “Rock Show” from Blink 182 amd shows their fun in Indiana- cigars with the dads included.

The boys are also heading out on tour tomorrow, which will last for a month. You can scope out the dates below, and click here to buy tickets.



DS Photo Galley: Racquet Club and Mercy Union, Cambridge, MA (10/16/17)

 

For those that were paying attention, a fun bit of punk scene history took place just under the radar upstairs at the legendary Middle East nightclub in Cambridge, MA, a couple of nights ago. The centerpiece of the evening’s festivities was the East Coast debut of Racquet Club, the latest brainchild of Blair Shahan and Sergie Loobkoff, the latter obviously of Samiam fame. Racquet Club became a thing only recently after the reunion shows that Shahan and Loobkoff’s previous band, Knapsack, played a handful of years ago after what had been a decade-and-a-half absence. After the demise of Knapsack, Shahan went on to front The Jealous Sound for a number of years, and recruited that band’s last drummer, Bob Penn, to join him when the new, post-Knapsack project with Loobkoff started. The rhythm section on the new project would be rounded out by Ian Smith, who previously played bass in a band called Mercy Beat with Sam from The Bravery (remember them, kids??). Put ’em all together and what’ve you got? Racquet Club!

The foursome put out their self-titled full-length debut album three weeks ago via Rise Records and headed out on their first headlining tour this week, stopping in Chicago before making their way down the East Coast. Cambridge marked only their third headlining show, though you wouldn’t necessarily know that by watching them. Penn and Smith were a thunderously tight anchor, keeping the low end rocking hard and heavy to drumstick-shattering results. Their dynamic playing provided reliable foundation for Shehan and Loobkoff to build and soar off. Given the songwriting parts involved, there is an element of familiarity to the melodies, though Shahan’s tone is a bit more hopeful than from the Jealous Sound/Knapsack days. Loobkoff’s trademark SG-divebombs are as angular and textured as ever, even if he snapped his high E string halfway through the set and forged ahead as a five-string player for the duration of the set, that included the band’s entire album in reordered fashion. The crowd was a tad thinner than some (read as: me) had hoped, though it was a Monday night for sure. Still, those in attendance were legit fans, many singing along for the duration of the set.

Opening this week-long stretch of the Racquet Sound East Coast trek is four-piece New Jersey band Mercy Union, whom you probably think you’ve not heard of and yet whom you’ve most definitely heard of. I’ll explain. A handful of years ago, Jared Hart, frontman for Bayonne, New Jersey street punk band The Scandals, started performing solo acoustic-style during Scandals downtime. With the help of a few local friends, he put out a full-length solo album, Past Lives and Pass Lines, a couple years ago on Say-10 Records and continued to alternate between solo shows and Scandals shows (as well as a stint in Brian Fallon’s backing band, The Crowes). Hart put together a full backing band for a few shows earlier this year, and used them to record what was slated to be the second Jared Hart solo album but what in actuality turned out to be its own thing, and for good reason. The aforementioned “backing band” includes Nick Jorgensen on bass, Rocky Catanese of Let Me Run (one of the first bands I discovered and subsequently fell in love with through Dying Scene) on guitar/backing vocals, and Benny Horowitz of The Gaslight Anthem on drums. They decided on a name — Mercy Union — only a few days before this run with Racquet Club (they had previously been billed as Jared Hart – Full Band shows), and since Cambridge was the first night of tour, that meant it was also their first show as a unified item.

The band’s set consisted of a mix of reworked songs from Past Lives & Pass Lines interspersed with new tracks from their upcoming full-length debut (more on that in the coming months). Hart’s projects, whether solo or The Scandals, have always been well received in Boston, which has become a bit of an adopted home-away-from-home for him, and that was certainly true on this night as well, if a bit more subdued than in previous shows (Boston…seriously…if you like a set of musicians enough to pay money to go to their shows and sing along and enjoy yourself in the process, what’s with the invisible semi-circular perimeter in front of the stage that people dare not tred in. Particularly upstairs at the Middle East, it’s a phenomenon I’ve never been able to explain. But I digress.) The sound, particularly on the new songs, is very much rock-and-roll (not surprising given their so so Jersey pedigree) but doesn’t quite sound exactly like the sum of the aforementioned parts would. There’s a really cool upbeat groove to a couple of the tracks (I won’t pretend to have written the names down). Even though the band collectively have several decades in the game as touring musicians, there’s a bit of unfamiliarity as they learn to play with each other. That said, the rhythm was pretty tight, Catanese provided noticeably solid harmonies to Hart’s trademark rask, and the added guitar tone provided plenty of depth to Hart’s pre-existing body of work; all clear signs that this was only night one of what should be — and deserves to be — many more to come. And don’t worry Scandals fans; both projects will co-exist!

Check out our full photo gallery below, and stay tuned for more on these pages from Racquet Club and Mercy Union going forward!



At The Drive In announce new EP “Diamanté”

Post-hardcore veterans At The Drive In have announce a new EP titled “Diamanté. It is due to be released on November 24th (Record Store Black Friday).

Track Listing:
1.Amid Ethics
2.Despondent at High Noon
3.Point of Demarkation



TSOL announce California shows, set to play first EP and “Dance With Me”

California punk band TSOL have announced some January shows in California in which they will be playing all the songs from their first EP as well as from their classic album Dance With Me.

You can check out those dates and locations below.

TSOL last released The Trigger Complex on January 27th, 2017 via Rise Records.



Tiger Army announces “October Flame IX”

Legends of psychobilly Tiger Army have announced 3 shows in Santa Ana, CA later this month for their “October Flame IX”

You can check out all the details of those shows below.

Tiger Army last released “V” in 2016 via Rise Records.



Silverstein release new video for “Lost Positives”

Canadian punk scene stalwarts Silverstein have released a new video for the song “Lost Positives” off their latest album “Dead Reflection”. Silverstein is heading out on tour to support the new album.

You can check out the slick new video and upcoming tour dates below.

“Dead Reflection” was released in August of this year and represents the ninth release for the veteran group out of Hamilton.  



Knucke Puck stream new song “Want Me Around”

Chicago pop-punks Knuckle Puck are streaming another song off their upcoming album Shapeshifter. The track’s called “Want Me Around”, and you can give it a listen below.

Shapeshifter is due out on October 13th through Rise Records.



Emarosa premiere video for “Blue: Reimagined”

Post-hardcore act Emarosa have put out a music video for their song, “Blue: Reimagined”, which you can find below.

The song comes off their recently released EP “131 Reimagined” which is off Hopeless Records.



Knuckle Puck announce tour of Australia and Japan

Chicago-based pop-punks Knuckle Puck have announced they will be headed out on a tour across Australia and Japan, starting on January 9th, 2018 in Melbourne. You can find the tour poster, dates, and locations below.

Joining Knuckle Puck in Australia will be UK pop-punk group ROAM. Both bands are set to release new albums before the tour on October 13th, with Knuckle Puck’s Shapeshifter via Rise Records and ROAM’s Great Heights & Nosedives via Hopeless Records.



At the Drive-In announce EU and UK 2018 tour

At the Drive-In have announced a European and UK tour for February and March of 2018. Death From Above and Le Butcherettes will be tagging along. Check out the tour dates below.



Album Review: Hot Water Music – “Light It Up”

Before Hot Water Music was a band I loved, they were a band I wanted to love. From the outside looking in, there’s an undeniable something about the band’s output that makes you wish you were a part of it. Maybe it’s the minor cult of personality surrounding Chuck Ragan– Hemingway-styled man’s man and gravel-throated troubadour. It could be the name too, Hot Water Music— a name shared with a short story collection by Charles Bukowski. Then, of course, there’s the music itself. At once groove-based, experimental, airy, and tightly interlocked– then also, inherently singable, loud and anthemic. With so many ideas making up the core of Hot Water Music, it’s easy to forget that the actual core of the band is four people: Chuck, Chris, George, and Jason. And more than anything, how each member irreplaceably contributes is what makes all the difference.

I have fond memories of Fuel for the Hate Game, it was my first Hot Water Music album, and as music cliches go, it’ll probably always be my favorite. I had already heard Fugazi, so I at least had a band to namecheck against its post-hardcore approach to melody and rhythm. “Turnstile” the most unabashed punk banger on the album, reeled me into the new waters, and soon the rest of the album followed. By the time Exister came out, I felt like a seasoned fan, rolling around in the muck and excitement of a new Hot Water release.

Well, we’ve come to the end of one release cycle and entered a new one. Fittingly, it’s time to write one of my favorite collections of words: Hot Water Music is back. Light It Up wants you to know from the get-go that it is a Hot Water Music album, both a continuation of what they’ve been doing years and a sonic scrapbook. Before you even start spinning, the album artwork hearkens back to the wonderful and abstract cubism of Scott Sinclair’s art. Then, there’s also the fact that this album, for the first time since Fuel for the Hate Game, is totally produced by the band. For better or worse, this release carries with it the same weight as a self-titled album. Hot Water Music wants you to know they’re back, and across Light It Up, they’re exploring everything that makes them unique.

Light It Up is a latter-day Hot Water Music album, so game-changing is out of the question. In this stage of any band’s career, there are few boundaries to adequately explore that don’t feel perfunctory or worse, stale. The best you can hope for from a band with a handful of classic albums is that their new stuff is what they’re excited about playing. And continuing the theme of distilling the essence of Hot Water Music– the time honored back to roots approach of latter-day album making– they have reintroduced some of the band’s old idiosyncrasies that were sadly missing from Exister. The Chris Wollard led tracks are the most obvious in these regards, as they usually are. “Vultures” verses are shouted, a throwback to the band’s own hardcore influence and “Overload” is carried by the bass fills that have been with the band since the start. On “Show Your Face,” we get to hear a more aggressive Chuck Ragan delivery than usual, with him barking the opening verse. Hearing Chuck tap into his punk side a little more on this album is a real treat, as I thought some of the most off-notes of Exister were when it felt like we got the electric B-sides of a Revival Tour jam. He actually delivers the angriest track this time around– “Sympathizer”– a mid-tempo banger with a nasty minor-key riff that punctuates lines like, “It’s safe to say you burned our bridge!” It’s an easy standout in an album full of quality songs.

“Bury Your Idols” is a Chuck Ragan-belter that begs to be screamed along to in sweaty crowds. This song and others, bring to mind that as Hot Water Music has aged, they have settled comfortably into a punk rock sound that takes as much from early Bad Religion as Fugazi. The hearty and melodic woahs that appear across Light It Up make the case well, and while I could argue it strays the band further from their core (but, I could also point to “Wayfarer” off Caution and wonder what the fuck I’m talking about in the first place), they execute everything with such gusto that it’s hard to say any one element doesn’t belong. Big woahs aren’t what I go to a Hot Water Music album for, but they make for sweaty communion in the live setting. And if anything, that might be what has guided the band from an angular post-hardcore outfit to gritty anthem-writers– it’s hard to project yourself onto twisting rhythms, but traditional songwriting is tried and true and more connective than most of us want to admit. The fact that Hot Water Music hasn’t totally bled out all of their abrasion is a minor miracle. “Light It Up” is literally a marriage between the past and present, one of their fastest tracks in a long time, filled with fast-spitting vocals and yes, a big woah chorus.

The album closes with “Take You Away,” an impassioned track with a killer lead vocal performance from Chuck Ragan and some call and response. And I think, that is essentially why Light It Up works so well. It’s not groundbreaking for Hot Water Music, but it makes good on every disparate element of their music and delivers in the spirit, if not the exact formula– it’s passionate, but also, it has integrity. It comes through in the vocal performances, the emocore-hearkening lead on “Rabbit Key,” the fluid basslines on “Complicated,” and George Rebelo’s glue like drumming that keeps so many strong voices on the same team without losing his own.

Again, I take a deep breath and say my favorite words: Hot Water Music is back. Light It Up is a record of songs that wanted to be written, an album that respects the past without slaving to it. As an entity, Hot Water Music has already made their bones, and with Light It Up, they’re telling the world they plan to keep them.

4/5



Knuckle Puck release video for new track “Double Helix”

Chicago-based pop-punks Knuckle Puck have released a music video for their new track “Double Helix”. The song is taken from their upcoming album “Shapeshifter” which is due out on October 13th via Rise Records. Check out the video below.

The band will begin their headlining tour on October 11th with support from from Movements, With Confidence and Homesafe. You can find the full list of tour dates here.



Goldfinger announce Midwest and West Coast dates

Goldfinger have announced a Fall tour of the Midwest and the West Coast.  A portion of the dates will be supporting NoFX and Bad Religion – the band have booked some headline shows around those gigs. The string of shows kick off September 9 at The Rave in Milwaukee, WI and conclude October 15 at Booney Field in Sacramento, CA. The tour will promote  their recent album “The Knife”, out via Rise Records.

A full list of dates in below.