Chicago. “Band of piss and vinegar with 80s Punk sensibilities and a touch of grunge.”
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Story and Photography by Meredith Goldberg
Liar’s Club, always supportive of members of the Chicago punk rock community, often hosts fundraisers for various individuals/causes. Recall, the venue sponsored one of the Dying Scene Resurrection Shows recently. On Saturday August 6, 2022, Liar’s Club was the site for one of several local shows benefitting the Chicago Abortion Fund (CAF). Venues in Chicago and elsewhere have been holding similar fundraisers in wake of the of the Supreme Court of the United States’ 2022 decision in Dobbs v. Jackson Women’s Health Organization, which overturns landmark SCOTUS decisions in Roe v. Wade (1973) and Planned Parenthood v. Casey (1992) and endangers numerous other privacy related rights. The announced amount of money raised for the CAF came to almost $2,000.
Boybrain turned on the show’s engine with a hair swirling, brains (of all genders) smashing performance. The dizzying actions of the band members were matched by their striking physical appearances. Suited up in matching half uniforms of t-shirts with “Abortions” written across them in a font reminiscent of rec league baseball jerseys, and athlete-style black grease marks under their eyes. Boybrain slammed though a tight set featuring “Blood Wolf Moon,” off its 2022 debut album In the Company Of Worms. The band is comprised of punk rock veterans from the Chicago area and elsewhere: Patti on guitars and vocals, Inga on lead guitar, Colin on drums, and “Dr. Doom” (whose first name is actually Lauren. Come on though, Dr. Doom is a pretty cool moniker) on bass and vocals.
Aweful, which we featured in the aforementioned Resurrection Show, once again offered its talents to an important cause. The trio, made up of Traci Trouble, Lucy Dekay, and Izzy Price, as always had the crowds pumped and their fists pumping. They ripped through tunes including “Far Away,” “Bubble,” “Just Like Me,” and one of their most popular singles, “No Avail.” Whipping around the stage, guitarist Dekay displayed her usual flair, whilst drummer Price and bass player Trouble fueled the backbeat. Trouble’s gritty vocals matched her stage presence as well as those of her bandmates. It’s always a fun moment to see how she and Dekay go back to back literally, appearing to be simultaneously competing for flashiest performance and joining together to create a single, more powerful organism. So powerful that watching both women then fall away from each other, as if ripped apart, collapsing onto the floor seems the natural next occurrence. Even on the floor, Trouble and DeKay, are at times, still attached, playing a sort of punk rock patty cake with their sneakers.
Djunah, an electrifying two-piece group from Chicago, is comprised of Donna Diane and Jared Karns. Diane pulls triple duty on vocals, guitar, and Moog Organ bass, as Karns powers through on drums. It was a rousing and hypnotic set. Thus far, 2022 has been a busy year for Diane, between recording vocals for Jason Narducy‘s Verboten the Musical, and the band playing festivals and sold-out shows, with at least two more upcoming fests. Those events being Louisville’s PRFBBQLOU2022 in late August-early September, and Milwaukee’s Bay View Bash, in mid-September.
Heet Deth is another 2-piece band from the Windy City. Formed in 2018 by best friends, Julia B on drums and vocals, and Laila E on guitar and vocals, Heet Deth describes itself as operatic. Wearing matching blood red shortsleeve coveralls, with their faces garishly painted red, white, and black, they manage to create their own styles even as the likes of David Bowie and Monkey from the Adicts are brought to mind. Heet Deth’s theatrical appearance is equaled by its non-stop energy.
Good to see the punk rock community standing up for all of our rights, as unfortunate as it is that these rights have to be fought for so vigorously at this point in history. Alas, the fight WILL proceed and there will be great music to keep us inspired and energized.
More photos below!