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As we near the end of 2022, music critics, publications, and fans alike are busy putting together their year-end lists. Did your favorite band put out a new project that you love? Did you discover a new artist altogether? Whatever tops your list will surely fill you with a sense of nostalgia for the music year that was. Sometimes, however, some truly excellent projects need to be revisited. Before The Dying Scene contributors put out any year-end list, some projects we did not cover throughout the year deserve some love! Without further ado, here are five punk/punk-adjacent albums released in 2022 that you may have missed.
The Chats: Get Fucked
Ironically, the first artist covered in this collection is one many readers have likely already checked out. That’s okay, though, because the only criteria we’re going off of is whether Dying Scene covered their 2022 release. And we didn’t.
The Chats are a garage punk-y band from Sunshine Coast, Queensland, Australia. The band has made a name for themselves in their short career with a viral hit in their pocket; their 2017 single “Smoko.” The song and its accompanying music video have been listened to and viewed millions of times, making it a track with mainstream success that few new punk bands have experienced now in recent times. They’ve built on this acclaim and continued their string of releasing solid material with their 2022 release, Get Fucked.
Get Fucked continues in the style the Chats have made their trademark early in their career. The hallmarks of this style include sneering, bratty vocals, straightforward garage guitar riffs, and simple yet catchy songwriting that harkens back to early British punk bands while still not sounding dated. Clocking in at under 30 minutes, this is no-nonsense pub rock/garage punk that makes for a fun listen. If you haven’t already checked out Get Fucked, start with the single 6L GTR.
Chat Pile: God’s Country
While the Chats’ Get Fucked oozes fun and charisma, God’s Country by Chat Pile (not to be confused with The Chats) switches gears into abrasive and disgusting cacophony (This is a compliment of the highest order).
Chat Pile, hailing from Oklahoma City, Oklahoma, is a self-described noise rock outfit that some music media lumps into the sludge metal category. Whatever you want to call it, Chat Pile burst onto the scene in 2022 with the release of their debut album God’s Country. While the band formed in 2019 and released EPs after that, their 2022 debut served as a real coming-out party. God’s Country was met with critical acclaim, currently at 87% approval on Metacritic.
Don’t trust the critics; take this record on a spin yourself. It certainly isn’t for everyone, but for anyone that enjoys noisy, unvarnished, and brutal rock music, this record may be for you.
While the instrumentation provides much of the mood, and truthfully this record would still be enjoyable if you only treated the vocals as sonic texture, a dive into the songwriting serves as horror itself. The vocalist of Chat Pile, under the pseudonym Raygun Busch, described the themes in God’s Country as ranging from homelessness to a 1974 mass murder of six restaurant employees in Oklahoma City. If you missed God’s Country and are intrigued, check out the opening track for the record “Slaughterhouse.”
Fresh: Raise Hell
In July of 2022, Brighton emo/indie/pop punk rockers Fresh released their new record, Raise Hell. Before the release of Raise Hell, Fresh was perhaps best known for their 2021 single “Girl Clout,” an anthemic indie rock track about disingenuous performative feminism in the punk and overall music community. The star in this track is the simultaneously emotionally vulnerable and biting songwriting and vocal performance of Kathryn Woods.
Raise Hell is a natural follow-up to the path set forth on that 2021 single as Fresh comes through with an 11-track suite of melodic emo/pop punk/indie rock tracks. (Full disclosure, this is not my favorite style of music, but Raise Hell has proven to be something that continues to draw attention and re-listens.)
Each track comes with at least a few moments of clever songwriting, a fun riff, or something in the overall composition that seems to transport you to the emotional place the song is trying to evoke. This means that even if one song is not one’s favorite on the album, something still makes it stand out. Check out their single “Why Do I,” and if you’re into it, consider giving the record a listen!
Petrol Girls: Baby
Throughout punk rock history, much of the excellent material is born out of anger, anxiety, or isolation from society. It’s unfortunate that the genre often reaps its most memorable moments from the unjust actions of society, but that is something that comes with the territory. Baby, the new full-length record by UK/Austria-based hardcore band Petrol Girls, is now a vital part of this tradition.
Hardcore/Post-Hardcore/Riot Grrrl act Petrol Girls have always been incredibly politically active, specifically on feminist issues. Still, the developments around women’s reproductive rights over the last couple of years seemed to light an even greater fire for the band. Baby is the band’s rawest, most vitriol-filled, and angriest project. While the disdain is palpable, the songwriting is always well-crafted, with much thought put into it. On many songs, albums, or pieces of media that deal with political or social issues, it’s easy to fall into the trap of being ham-fisted. This trap never reveals itself on Baby as the issues at hand are of grave importance and are treated as such.
The music matches the message, too, as, in a similar way to the aforementioned God’s Country, this record is not necessarily a pleasant listen. The math-rock and post-hardcore influences that have always been present in their work show up in even greater abundance. The texture is like sandpaper on many songs, providing a perfect backdrop to the vocal performance and lyrics, which take center stage. A short-form review like this can’t do justice to this project’s depth and gravity. If you missed out on Baby, do yourself a favor, acquaint yourself with the single “Preachers,” and listen to the whole album.
Soul Glo: Diaspora Problems
In the late 1990s and early 2000s, the term “rap-rock” used to be cause for apprehension. There are, of course, some stand-out successes, but for the most part, you knew you were in for something that was likely tacky, aesthetic over substance, and not a great listening experience. This trend has recently changed with several artists, such as Show Me the Body, Slowthai, and City Morgue, producing a much more palatable and harmonious fusion of the genres. Another such artist at the forefront of this effort is Soul Glo, who released an excellent project, Diaspora Problems, in 2022.
Soul Glo is a trio from Philadelphia that has quickly risen to be one of the punk landscape’s most exciting and unique voices. They are simultaneously a hardcore band and a rap outfit. They deal with serious themes like racism and consumerism but also love to inject absurdist humor.
Soul Glo has built a lot of momentum since their formation in 2014, and Diaspora Problems feels like the culmination and crowning achievement of this moment in their career. As their first release on Epitaph Records, this is likely the most prominent platform the band has ever had. The record is abrasive, hardcore, and at times features production reminiscent of a classic east-coast hip hop (think Public Enemy’s classic It Takes a Nation of Millions…) style but updated and outfitted to the unmistakably punk leanings of the group.
Much like Baby from Petrol Girls, the songwriting themes on this record are too nuanced and in-depth to cover in this kind of short format, but do yourself a favor and check out Diaspora Problems, along with their single “Driponomics (Featuring Mother Maryrose).”
Wrapping Up 2022
We hope you discovered some new bands or excellent projects released in 2022 through this collection. Obviously, there are far more than just these five albums that may have slipped through the cracks for some people. Let us know your favorite albums from 2022 that may have yet to get the press or hype they deserve!
While this was just a quick summary of some of these projects, it is impossible in this format to give them the in-depth analysis they deserve, so please consider checking out the ones that intrigue you.
Architects are a British metalcore band from Brighton, East Sussex, formed in 2004 by twin brothers Dan and Tom Searle. The band now consists of Dan Searle on drums, Sam Carter on vocals, Alex Dean on bass, and Adam Christianson and Josh Middleton on guitars. They have been signed to Epitaph Records since 2013.
Bad Religion is an American punk rock band that formed in Los Angeles, California, in 1980. The band’s lyrics cover topics related to religion, politics, society, the media and science. Musically, they are noted for their melodic sensibilities and extensive use of three-part vocal harmonies. The band has experienced multiple line-up changes, with singer Greg Graffin being the band’s only constant member, though fellow founding members Jay Bentley and Brett Gurewitz have also been with the band for most of their history while guitarist Brian Baker has been a member of the group since 1994. Guitarist Mike Dimkich and drummer Jamie Miller have been members of the band since 2013 and 2015 respectively.
Burning Heads is a punk rock band from Orléans, France, formed in 1987. They have released albums on Epitaph and Columbia Records.
The Descendents are an American punk rock band formed in 1977 in Manhattan Beach, California, by guitarist Frank Navetta, bassist Tony Lombardo and drummer Bill Stevenson. In 1979, they enlisted Stevenson’s school friend Milo Aukerman as a singer, and reappeared as a punk rock band, becoming a major player in the hardcore punk scene developing in Los Angeles at the time. They have released eight studio albums, three live albums, three compilation albums, and four EPs. Since 1986, the band’s lineup has consisted of singer Milo Aukerman, guitarist Stephen Egerton, bassist Karl Alvarez, and drummer Bill Stevenson.
Los Angeles punk band started by former ALL frontman Dave Smalley in 1989.
The final day of Riot Fest 2022. What a journey it has been! Do you ever get that post-concert blues? Because I sure was feeling it after Riot Fest. Check out our photo gallery of Save Face, Mom Jeans. and long-time favorites Less Than Jake.
Mom Jeans. is an indie rock/emo band from California. Time to get your sad on!
Another first for me was seeing Save Face and I’m so glad I did. The red jumpsuit-wearing post-hardcore/emo band released their debut album Merci with Epitaph Records in July 2018.
If you’re a ska fan then you are well familiar with Less Than Jake. They formed in 1992 and been making waves ever since. Check them out in the full gallery below, along with some neat shots of their toilet paper shooter (yes, you read that correctly)!