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Bad Cop / Bad Cop

Bad Cop Bad Cop has done angry. The band’s 2017 full-length, Warriors, was recorded in the aftermath of the 2016 presidential election. The Los Angeles quartet’s new full-length, The Ride (Fat Wreck Chords, June 19th), shows what happens when you come out the other side of that anger.

“It’s not that I am just stoked or blind to suffering,” says singer-guitarist Jennie Cotterill. “I think anger is a legitimate and understandable reaction to injustice and wrongdoing. It’s just that for myself, I am trying to move past ‘reaction’ into productive ‘response.’”

The message BCBC is sending this time around is less about wagging your finger at others, or giving the middle one to the Man, than it is about self-love and acceptance. As Cotterill puts it, “Love is a more powerful truth than anger.” That positivity fuels many of The Ride’s tracks: “Originators,” “Simple Girl,” “Community,” “I Choose,” “Perpetual Motion Machine,” and “The Mirage” exude confidence, gratitude, and compassion. In 2020, such things qualify as contrarian.

“These are political statements—self-love is a huge fucking statement,” affirms singer-guitarist Stacey Dee. “Self-love means putting a fix on the problems at home before trying to fix everything in the world. It’s asking people to find it in themselves to create the life that they really want to have so they’re not in turmoil, so they’re not in a place of stress and sickness.”

Dee speaks from experience. In 2018 she was hospitalized twice for different ailments, then discovered she had stage one breast cancer at the end of the year. Fortunately it was highly treatable, but the experience was life-altering. Dee captures it with brutal frankness on “Breastless,” whose bright melodies belie the struggle described in the lyrics.

“Certain Kind of Monster” and “Pursuit of Liberty”—both written and sung by bassist Linh Le—are blistering repudiations of the current administration’s treatment of immigrants.

The former is an imagined conversation with an ICE agent, and the latter juxtaposes her family’s immigration to the U.S. from Vietnam in 1975 to current events, something she’s never explored musically.

The perspective behind The Ride lends it an undeniable maturity, without losing its power. Recorded throughout much of 2018 and 2019 by Johnny Carey and Fat Mike of production team the D-Composers, the album boasts all of the elements of BCBC’s sound: big guitars, lock-step bass and drums (the latter by powerhouse drummer Myra Gallarza), intricate vocal harmonies, and plenty of attitude.

It’s just that this time, the attitude is encouraging, not raging. Nowhere is that more apparent than lilting album closer “Sing With Me.” Built around acoustic guitar, piano, and Cotterill’s voice, it’s an exhortation to “sing with me / or sing your own song / I don’t mind, just as long as you find / a voice.”

Dee adds, “If people are listening to our songs and they’re going to sing along to them, they’re going to start owning some of those words. And in owning some of those words that gives them some strength and power going forward. That’s really the biggest gift that I could give to anybody.”
“Stronger in every way” aptly describes Bad Cop Bad Cop in 2020. The anger may have taken a back seat on The Ride, but what’s taken its place is even more powerful.

Cigar

Skate punk veterans from Eugene, Oregon.

Cigar signs to Fat Wreck Chords, to release 'The Visitor'

Cigar has signed to Fat Wreck Chords and will be releasing their new album, The Visitor on September 9, 2022. The band, which has a new video for "We Used To", has been around since 1996 and we even interviewed them back in 2003 (!). Click Read More for the video.

Dying Scene Album Review: The Flatliners – “New Ruin”

“Let me start by peeling back my skin…” With those lyrics from “Performative Hours,” the opening track and lead single from their 6th studio album, New Ruin, The Flatliners announced their triumphant and long-awaited return to the game. With vocals hollered in throat-shredding fashion about a sonic car-crash of guitar, bass and drums, the track […]

“Let me start by peeling back my skin…”

With those lyrics from “Performative Hours,” the opening track and lead single from their 6th studio album, New Ruin, The Flatliners announced their triumphant and long-awaited return to the game. With vocals hollered in throat-shredding fashion about a sonic car-crash of guitar, bass and drums, the track serves as a perfect opening salvo for what you, the listener, are about to experience over the next thirty-eight minutes.

It’s been a while since we last heard from Toronto’s finest. Five years, in fact, since the band unleased Inviting Light on the masses. (Here’s our review from back then, although it’s formatted to the old site so it might be a little wonky, and in the migration to the new platform we lost record of who actually wrote it. Super fun feature.) That album was a bit of a departure in both the literal and figurative senses of the word; it was their first album on Rise Records after the triumvirate of Fat Wreck Chords releases that immediately preceded it, and it brought with it a sound that probably qualifies as more mature and well-crafted than some of the band more frenetic earlier work.

On New Ruin, the Flats find themselves back on Fat Wreck for the first time in close to a decade (I know, I didn’t believe it either, but Dead Language came out in September 2013). Rather than pick up where they left off, however, and fall back on an earlier sound and a shallower bag of tricks which would have, frankly, been a mistake, the band continue to move forward in a way that might just be their best effort yet.

What’s immediately noticeable on this album are the riffs. Oh are there riffs. Not to insert myself into this review, but I had a list of things I wanted to do on the evening that I first listened to this album, and decided to forgo all of them in favor of picking up my Les Paul and trying to decipher some of the rock-and-roll goodness contained herein. Frontman Chris Cresswell and lead guitarist Scott Brigham have always kept the created a variety of textures that range from blistering intensity to swirling cacophony, New Ruin finds the duo fine-tuning their craft into a series of one soaring riff after another. Paul Ramirez and Jon Darby continue to serve as the band’s rock-steady anchor on drums and bass respectively, allowing their six-stringed compatriots to sail in some pretty deep waters filled with big, anthemic, earworm-style riffs.

New Ruin does a wonderful job of weaving in a lot of the different things that the Flats have always done best, but does it better. There’s the caustic, piss-and-vinegar of songs like “Performative Hours” and “Oath,” the latter being lead by those aforementioned massive riffs over a punishing drum line. There’s the mid-tempo push-and-pull of chugging rhythm guitar underneath swirling, sometimes droning leads in tracks like “Top Left Door” and “Big Strum” and my personal favorite “It’ll Hurt.” At least I think that’s my personal favorite. That does seem to keep changing after approximately four dozen listens at this point, however. After another brief, swirling guitar intro, “Tunnel Vision” turns into one of the more straight-ahead, four-on-the-floor punk rock burners in the band’s arsenal. And if you’re really into the big, swirling riffs, album closer “Under A Dying Sun” sets the bar high, an epic six-and-a-half minute wave that gradually builds to a false crest at the midway point, only to regather its energy and continue crashing upon the sonic shores in bigger, bolder fashion.

Both musically and lyrically, New Ruin shines as a beacon signaling that yes, you can go home again, but you can do so with the added weight and wisdom that come with years of consciously examining and reexamining yourself and your place in…well, in all of this. “Performative Hours” laments the self-important, ego-stroking facades that we build up on all sorts of social media. Songs like “Rat King” and “Big Strum” follow the collapse of power-hungry talking heads and their minions who lose sight of the proverbial forest through the trees, eventually collapsing under the weight of their own misdeeds. “Oath” finds our narrator trying to overcome the poisonous waters of hate and instead moving toward love and freedom and acceptance. It’s all a reminder that you can keep your tongue or your pen or your axe all sharpened and ready for battle, primed to call society and our leaders and, sometimes, ourselves on an ever-increasing amount of bullshit in the hopes of a brighter, more hopeful future. We haven’t come up with an album review rating scale here at Dying Scene 2.0 yet, but pick whatever sign or symbol or totem you want, and New Ruin gets all of them.

“…to at least let a little bit of soft light in.”

You can still pre-order New Ruin on Bandcamp here and through Fat Wreck here.

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Dying Scene Record Radar: New punk vinyl releases & reissues (Against Me!, Frenzal Rhomb, NOFX & more)

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, this is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, grab a few beers, and break out those wallets, because it’s time to run through this week’s […]

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, this is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, grab a few beers, and break out those wallets, because it’s time to run through this week’s new releases and reissues. Let’s get into it!

Swedish punk veterans Millencolin have announced a new LP compiling their first two demo tapes from 1993. Due out in early September, Goofy & Melack will be limited to 500 copies on black vinyl, and 240 copies on red vinyl. Preorder through their webstore starts Thursday, August 4th at 10am Eastern.

Anti-Flag just announced their 13th full-length album Lies They Tell Our Children. It’s due out on January 6th, 2023, and you can pre-order it now here. The record will feature guest appearances from members of Rise Against, Bad Religion, and a bunch of other bands. The cover art’s some avant garde bullshit, which is cool if you’re into that kinda thing. Check out the music video for the first single below.

Asbestos Records has repressed the venerable Against Me!‘s 2007 New Wave LP for the first time in six years. This one’s limited to 1,000 copies on split black/yellow vinyl. Head to the label’s webstore to get yours.

Avail frontman Tim Barry has announced a new solo album titled Spring Hill. This is due out on August 12th, and it sounds like the LP will be available to order the on same day. The “red cloud” variant pictured will only be available at a show he’s playing in Richmond, VA on Friday, August 5th (more details on that here).

Fat Wreck Chords has repressed Frenzal Rhomb‘s incredible Smoko at the Pet Food Factory. Fat doesn’t reveal their colored variants usually, but my super official sources tell me this is what this pressing looks like. Grab your copy here.

British melodic punks Darko just announced a new EP titled Sparkle. It’s due out on October 21st, and you can preorder it here. The first single “Cruel to Be” is really good; check out the music video below!

Zia Records has a new exclusive variant of NOFX‘s Punk in Drublic, limited to to 500 copies on “Transparent Beer With Red Splatter” colored vinyl. Get it here.

New band alert! Bracket‘s Angelo Celli has a new project called Guilty Party and their debut 7″ Imposter Syndrome is coming out next month. Check out “Circling the Truth” below, and go here to get your preorder in. If you like Bracket, you will like this.

The Homeless Gospel Choir‘s 2020 album This Land Is Your Landfill just got repressed. There are two new variants, each limited to 250 copies. Go here to grab this one.

Rude Records is having a summer sale! Records, shirts, and more from bands like Less Than Jake, Guttermouth, and a bunch of others are discounted up to 25%. Head over to their webstore to check it out.

Now that all the cool stuff has been covered, here’s what I’ve been listening to… Saving money by not buying every new release has given me a chance to dig out some stuff I haven’t played in a while. First up this week was Much The Same‘s Quitters Never Win, a very underrated skate punk record that turns 20 years old next year. MxPx‘s The Ever Passing Moment from last year’s box set got some playing time, too. I also revisited one of my favorite Murderburgers records The 12 Habits of Highly Defective People, and Civil War Rust‘s fantastic debut LP The Fun & The Lonely.

That’s all, folks! Thanks as always for tuning in to the Dying Scene Record Radar. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, don’t blow too much money on spinny discs. See ya next week!

Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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Dying Scene Record Radar: New punk vinyl releases & reissues (Descendents, Rancid, Joe Strummer & more)

Hello, loyal readers! Thank you for joining us for this week’s edition of the Dying Scene Record Radar, where we cover all things in the world of punk rock vinyl. Kick off your shoes and make yourself at home, because it’s time to run through this week’s releases. I hope you’re feeling spendy, because there’s […]

Hello, loyal readers! Thank you for joining us for this week’s edition of the Dying Scene Record Radar, where we cover all things in the world of punk rock vinyl. Kick off your shoes and make yourself at home, because it’s time to run through this week’s releases. I hope you’re feeling spendy, because there’s a lot of good stuff that might find its way into your record collection. Let’s get into it!

Up first, we’ve got 1-2-3-4 Go! Records with another killer exclusive pressing of a classic record. This time it’s the DescendentsEverything Sucks, limited to 1,000 hand numbered copies on blue vinyl. This will be available on their webstore Friday, August 5th at 8am Pacific (11am Eastern). Join 1-2-3-4 Go!’s mailing list to be among the first to know when it goes up.

Rancid‘s Let’s Go is getting repressed, this time as a red and black splatter LP. It’s limited to 1,000 copies, and is only available from Newbury Comics. Head over here to get your hands on this one.

Brooklyn Vegan has an exclusive green 2xLP pressing of Social Distortion‘s Hard Times and Nursery Rhymes up to pre-order on their webstore. It’s limited to 300 copies and the color is pretty cool. Not a huge Social D fan myself, but this album’s alright. Also, if you join Brooklyn Vegan’s mailing list, you’ll get 10% off your order! Very nice.

Asian Man Records has brand new pressings of two classic Alkaline Trio LPs available right now. These new variants of Goddamnit and Maybe I’ll Catch Fire are limited to 1,000 copies each. Head on over to Asian Man’s webstore to order.

It’s been a long time coming but No Trigger has finally announced a follow-up to their fantastic sophomore album Tycoon. The new record’s called Dr. Album, and it’s being released next month on Red Scare. Check out the first single below, and pre-order the LP here.

Power pop singer/songwriter Geoff Palmer has re-recorded Dee Dee Ramone’s “rap” album Standing In The Spotlight. The first single, his cover of “Emergency” (my favorite song off the record), can be heard below. Stardumb Records is releasing this on vinyl; head over here to pre-order it.

The Mugwumps just released a new live album, recorded at Italy’s premiere punk festival Punk Rock Raduno in 2021. Check it out below – it kicks ass! My fellow Americans can get this here; our European friends can buy it here.

Mom’s Basement Records has announced their upcoming Queers tribute compilation God Save The Queers Vol.2 will be available to pre-order this Friday, July 29th, at Noon Eastern. Head over to their webstore to grab your copy. Canadians can get this one from Insipid Records, and our Bri’ish mates will wanna hit up Council-Pop Records.

Hardcore punk supergroup OFF! has announced a new record! Free LSD is the band’s first new studio album in eight years. They’re describing it as “a heavy punk industrial free jazz soundtrack recording”. Watch the music video for the first single “War Above Los Angeles” below, and pre-order the record here. There’s also an orange variant available from Brooklyn Vegan.

Making their second Record Radar appearance in three weeks, it’s the Dropkick Murphys with a Newbury Comics Exclusive variant of their upcoming album This Machine Still Kills Fascists. This one’s due out on September 30th, it’s limited to 500 copies on red vinyl, and you can pre-order it here.

British punk pioneers The Vibrators have announced their final album Fall Into the Sky will be released on August 12th through Cleopatra Records. Listen to the first single below, and pre-order the record on pink or blue vinyl here.

Santa Cruz pop-punks Too Bad Eugene just announced their first new album in 20 years! Distance is due out September 14th on People of Punk Rock Records. Listen to the title track below, and pre-order the record here.

Italy’s Radiation Records has reissued two LPs from Los Angeles punk veterans The Generators: 2005’s The Winter of Discontent, and 2007’s The Great Divide. Get ’em here. These are available in the US through Merchbar, too, but the price after shipping is basically the same as importing from Italy.

A decade after the downfall of The Clash, frontman Joe Strummer would spend the last three years of his life making new music with his band The Mescaleros. A box set compiling the band’s three albums and a bonus LP of demos, outtakes, rarities, has been announced. This is due out on September 16th, and can be pre-ordered here. These records go for $100+ each on the resale market, so this is actually a pretty great deal.

Reminder! If you are attending SBAM FestBrackrock Festival, or Punk Rock Holiday over the next few weeks, Fat Wreck Chords is going to have exclusive new variants of a shitload of records at their merch booth. Titles include Lagwagon‘s Hoss, Strung Out‘s Suburban Teenage Wasteland Blues, the new Face to Face album, and many others. These European festivals are the only place in the entire world these will be available. Check out Fat’s Instagram for more info.

Canadian friends, check out Forbidden Beat! They’re a punk distro that always has good shit going up on their Instagram page, at very good prices. They also seem to be the only place in North America with copies of the new Screeching Weasel LP in stock, so if you’re looking for that, hit ’em up!

Now that all the new and upcoming releases have been covered, I thought I’d share what I’ve been listening to lately! I saw my favorite band Less Than Jake for the 19th(?) time last week, so I’ve been on a LTJ kick lately. I got Losers, Kings, And Things We Don’t Understand at a show in Orlando back in… 2012? And this red pressing of See The Light was one of two Christmas variants limited to 100 copies. It had been a while since I listened to either of these, so I gave them a few spins.

That’s all, folks! Thanks as always for tuning in to the Dying Scene Record Radar. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Yype “Record Radar” in the search bar at the top of the page!

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Dying Scene Record Radar: New punk vinyl releases & reissues (Green Day, New Found Glory, OFF! & more)

Welcome to the first installment of the Dying Scene Record Radar! This is a weekly round up of all things punk rock vinyl. We’ll be highlighting new releases to look out for, as well as all those ultra limited reissues that get the collector nerds’ hearts racing. So, let’s get into it… Kicking things off, […]

Welcome to the first installment of the Dying Scene Record Radar! This is a weekly round up of all things punk rock vinyl. We’ll be highlighting new releases to look out for, as well as all those ultra limited reissues that get the collector nerds’ hearts racing. So, let’s get into it…


Kicking things off, New Found Glory! Back in April they released a 20th anniversary reissue of Sticks and Stones. Well, that shit sold out really quick, so they’re doing a second pressing of the reissue, limited to 2,000 copies. Go here this Friday, July 1st at Noon Eastern time to get your hands on it. Or wait ’til they sell out again and pay some clown $100 for it on Discogs.


Bad Religion is also reissuing two of their classic albums. Up first is Generator getting a 30th anniversary reissue. There are different variants for the US, UK, and Australia. Links to order all of those can be found here.


2002’s The Process of Belief is also getting the same reissue treatment for its 20th birthday. This one was announced a few weeks ago but there’s still plenty available. Links to order those are here.


Up next on the reissue train is the best band to name themselves after a Frenzal Rhomb song, Local Resident Failure, with the 10th anniversary reissue of their debut album A Breath of Stale Air. The variants are quite pretty! Americans and Canadians can get it here, Europeans here, and Aussies right here. And you can listen to it, right here! ∨∨∨


Nitro Records participated in Record Store Day 2022 with a reissue of their classic 1996 comp Go Ahead Punk… Make My Day. The compilation features AFI, The Vandals, Guttermouth, The Offspring and Jughead’s Revenge. 5,000 copies were made, and this is its first release on wax. There are still plenty of these out there. You can even get it on Discogs at a very reasonable price.


Now, here’s something that’s sure to ruffle some feathers: Walmart’s Exclusive pressings of Green Day‘s Dookie, American Idiot, and International Superhits. “Green Day? Walmart? That’s not punk!” No fucking shit, but who really cares? Sure the Waltons are one of the most despised families in America and they don’t need any more of your money, but look at the pretty colors! Help fund Billie Joe’s move to the UK, I’m sure he could really use the money.


The Bouncing Souls‘ self-titled record turns 25 this year, so they’re celebrating with four colorful polyvinyl chloride discs. Links to get all the different variants can be found here. East coast! Fuck you!


More reissues! Keith Morris’ OFF! is offering up new pressings of their back catalog, including the stellar First Four EPs, which is now available as a 12″ LP for the first time. These records kick ass. Buy, buy, buy.


Hey, here’s some new music! Screeching Weasel has a new record coming out on July 15th. It’s called The Awful Disclosures of Screeching Weasel. The LP is pricey at $30, but the two songs Mr. Weasel has put up for streaming have been good (stream below), and I enjoyed their last album a lot. Americans can pre-order here, and Europeans can get it here.


Skate punk veterans Cigar have stepped out of a time machine from 1999 to release their sophomore album. The Visitor is due out on September 9th through Fat Wreck Chords. Colored variants are long sold out, but I urge all self respecting skate punk fans to grab it on black wax here in America, here in Europe, and here in Australia. Listen to the debut single while you order!


1-2-3-4 Go! Records has spent the last year reissuing the entire Pinhead Gunpowder discography. The latest installment includes the Shoot the Moon LP (my personal favorite) and 8 Chords, 328 Words 7″. Everything in this series has been Grade A quality, and these reissues are a lot more affordable than original pressings of these records. You can get your hands on these here.


Pop-punk tastemakers Eccentric Pop Records have a bunch of new stuff up on their webstore. For the ridiculously low price of $16 (seriously Travis, how can you sell shit this cheap?!), you can get your hands on Dan Vapid and the Cheats‘ new LP Escape Velocity (listen below), and a new prepress of Horror Section’s long out of print self-titled record. Support a great label and add some awesome records to your collection!


Here’s a highly recommended pickup for those who worship at the altar of Joey Ramone. The Budweisers are a fantastic pop-punk band from Spain, and their new record Look Out Below is great! Plenty of fan service here for everyone who longs for the days when Lookout! Records ruled the pop-punk universe. Monster Zero has it up for pre-order now.


Target joins the “big box store reissuing classic punk albums” party with an exclusive 40th anniversary pressing of The Clash‘s Combat Rock on red vinyl. I grabbed this from my local Target a few weeks ago, and it sounds fantastic. I even signed up for the Red Card and saved 5% – what a deal! I love this record. “Rock the Casbah” is one of mankind’s greatest achievements. There’s a UK pressing on green vinyl as well – you can get that one here.


And I think that oughta do it! There’s undoubtedly a lot of stuff I missed, but hey, shit happens. The world keeps spinning, and we live to see another day. Like I said earlier, these recaps of new colorful plastic discs to waste your money on should be a weekly thing, but I could use a little help. Is there a new record you think should be highlighted in next week’s Record Radar? Suggestions are welcome – send us a message on Facebook or Instagram and we’ll look into it!

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Dying Scene Record Radar: New punk vinyl releases & reissues (No Use For A Name, Gogol Bordello & more)

Good day, fellow humanoid beings! Welcome to another installment in the Dying Scene Record Radar. If you’re new here, thank you for joining us! This column provides a weekly round up of all things punk rock vinyl. We highlight new releases, as well as all the ultra limited reissues that get the collector nerds’ palms […]

Good day, fellow humanoid beings! Welcome to another installment in the Dying Scene Record Radar. If you’re new here, thank you for joining us! This column provides a weekly round up of all things punk rock vinyl. We highlight new releases, as well as all the ultra limited reissues that get the collector nerds’ palms sweaty. Open up your wallets, fire up your Paypal account, and let’s get into it…

Fat Wreck Chords gets us started with an awesome full discography box set for the almighty No Use For A Name. Black Box includes 13 LPs and a bonus 7″, and for $275 this beast can be yours. Lots of pretty colors, lots of great tunes. Grab it here.

Hot Water Music has repressed their latest record Feel the Void. Three new splatter variants (each limited to 250 copies) are now available here. The yellow and red one is my favorite 🙂

SBÄM Records will be releasing California hardcore punks Dead Fucking Last‘s 1997 album Grateful on vinyl for the first time. There are two variants, limited to 200 copies each. Grab it here.

Gogol Bordello has announced a new record! Solidaritine is due out on September 16th. You can listen to two songs from the album below, and pre-order the vinyl here (split blue/yellow), here (solid yellow), or here (yellow w/ blue splatter).

Sound Speed Records has a new release up pre-order. It’s the debut LP from Los Angeles melodic punk band Failing Up. Check the record out below, and buy it on vinyl here.

Hardcore punk supergroup Dead Cross have announced their sophomore album II. For those who are unfamiliar, this band features Mike Patton (Mr. Bungle, Faith No More, etc.) and Slayer’s Dave Lombardo, among others. The record’s first single can be heard below. Links to pre-order all the different vinyl variants can be found here.

The good people at Pirates Press Records are having a summer sale! Tons of great records for very, very cheap. I’m talkin’ dirt cheap. Seriously, head over to their webstore and just look at how cheap this shit is!

Melodic hardcore vets Stretch Arm Strong are reissuing their 1999 LP Rituals of Life. There are a bunch of variants for this one, but Revelation Records seems to be the only place that still has any in stock. Hit up their store to get it on yellow vinyl.

Independent record store chain Zia Records has announced a new exclusive pressing of Millencolin‘s classic Pennybridge Pioneers. It’s limited to 300 copies, so act fast and grab it here.

Modern Baseball‘s 2016 LP Holy Ghost has been repressed. This one’s also limited to 300 copies on “olive green smoke” vinyl. It’s also a Zia Records exclusive, so if you want it, that’s the only place you’re gonna get it!

Now, for the segment where I show you what records I got this week! I’m putting my collection’s expansion on hold for a bit. Rent’s going up fucking 18% and having shelter is slightly more important than collecting colorful music discs. But I did get some stuff I ordered a while ago in the mail, including 1-2-3-4 Go! Records‘ reissue of my favorite Pinhead Gunpowder record Shoot the Moon, and an awesome repress of Satanic Surfers‘ skate punk classic Hero Of Our Time from Chase the Glory Records. Both of these look and sound fantastic, and will be in my regular rotation for a bit.

Time for me to get outta here! I’ve got places to go and people to meet (not really, but you get the point). Anyway, I’m sure there’s some stuff I missed, but hey, nobody’s perfect. As always, I need your help to make these weekly recaps of new colorful plastic discs to waste your money on. So if there’s a new record you think should be highlighted in the column’s next installment, send us a message on Facebook or Instagram, and we’ll look into it. Thanks again for tuning in to the Dying Scene Record Radar. See ya next week!

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Dying Scene Record Radar: New punk vinyl releases & reissues (NOFX, Danzig, Angry Samoans & more)

Hello, friends! Welcome to the latest installment of the Dying Scene Record Radar. If you’re new here, thank you for joining us! This column provides a weekly round up of all things punk rock vinyl. We highlight the new releases, as well as those ultra limited reissues that get the collector nerds’ hearts racing. Open […]

Hello, friends! Welcome to the latest installment of the Dying Scene Record Radar. If you’re new here, thank you for joining us! This column provides a weekly round up of all things punk rock vinyl. We highlight the new releases, as well as those ultra limited reissues that get the collector nerds’ hearts racing. Open up your wallets, fire up your Paypal account, and let’s get into it…

Danzig‘s 6:66 Satan’s Child is getting its first official pressing since 1999. Cleopatra Records is handling this reissue, and there’s a bunch of different variants (some with the uncensored version of the cover art) available on their webstore (sign up for their mailing list and save 10%). Pay up, people! Glenn needs to stock up on kitty litter.

Fat Wreck Chords has announced European festival exclusive variants of some of their classic releases, including Good Riddance‘s For God and Country, No Use For A Name‘s Making Friends, and Swingin’ UttersA Juvenile Product of the Working Class. The only place in the entire world these will be available is the label’s merch booth at SBAM Fest, Brackrock Festival, and Punk Rock Holiday. Think of it like an Easter egg hunt, but much more expensive! Follow Fat on Instagram for more info.

Keeping their recent hot streak alive, Epitaph Records is back at it with even more reissues! Up first is NOFX‘s White Trash, Two Heebs, and a Bean, which turns 30 this year. They’re pressing TEN new variants of the fuckin’ thing. Links to where you can purchase all of these can be found here.

Also from Epitaph: some new pressings of Dropkick MurphysDo Or Die and Blackout, both on white vinyl. These are limited to 500 copies each, and are only available on their European webstore.

And their third and final reissue this week is a 25th Anniversary edition of the Refused album Songs to Fan the Flames of Discontent, featuring bonus tracks and demos. This is available as a clear 2xLP on their webstore. There’s also an Indie Exclusive blue variant; hit up your local record store for that one.

Knock knock! Who’s there? Another god damn reissue, that’s who! This is a really good one though. It’s the Angry Samoans‘ classic Back From Samoa. You can grab this one on green vinyl from Puke ‘N’ Vomit Records, or from Garageland if you like you’d rather have an orange plastic disc.

Surprise! Here’s another new pressing of an old-ass record. The Vandals reissued 1988’s Slipper When Ill (also known as their country album) on red marble vinyl, available through their Bandcamp page. I’m not big on this one personally, but hey, maybe it’s your favorite Vandals record. If that’s the case, I urge you to seek professional help.

Okay, these are the last of the reissues… I promise. Psychobilly icons Reverend Horton Heat are repressing their first three LPs on colored wax. Due out on September 9th, this is the first time these records have been in print since their initial release in the early 90’s. Get ’em here.

Finally, some new music! MU330 frontman Dan Potthast has a new solo record out, and as the title suggests, it’s pretty good! Each LP has a unique outer sleeve, hand made by Dan P himself. You can give the album a listen below, and grab it on vinyl on his Bandcamp.

Next up we have another solo album, this time from former ALL frontman Scott Reynolds. Chihuahua in Buffalo is his first solo acoustic release, and it’s quite enjoyable! This came out on CD/digital last year, but Thousand Islands Records is now releasing it on vinyl. Listen below, and go here to get the wax.

Something To Do Records has announced a new After School Special LP titled Lost Episodes. For those who are unfamiliar, this was Enemy You frontman David Jones’ (RIP) original band. This release will be available to preorder on the label’s webstore starting Friday, July 15th.

And last but not least, Less Than Jake just released a new single titled “Fat Mike’s on Drugs (Again)”. The song is great, and it’s getting a physical release as a flexi disc. Watch the music video below, and preorder the flexi here.

Well, it’s getting late, so I’ll wrap things up. If you’re still reading this for some reason, thank you once again for tuning in to this week’s edition of the Dying Scene Record Radar! Is there a new record you think should be highlighted in next week’s column? Suggestions are always welcome – send us a message on Facebook or Instagram and we’ll look into it!

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