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DS Festival Gallery: Riot Fest Day Three (9/18/22) w/ Less Than Jake, Save Face & Mom Jeans

The final day of Riot Fest 2022. What a journey it has been! Do you ever get that post-concert blues? Because I sure was feeling it after Riot Fest. Check out our photo gallery of Save Face, Mom Jeans. and long-time favorites Less Than Jake. Mom Jeans. is an indie rock/emo band from California. Time […]

The final day of Riot Fest 2022. What a journey it has been! Do you ever get that post-concert blues? Because I sure was feeling it after Riot Fest. Check out our photo gallery of Save Face, Mom Jeans. and long-time favorites Less Than Jake.


Mom Jeans. is an indie rock/emo band from California. Time to get your sad on!


Another first for me was seeing Save Face and I’m so glad I did. The red jumpsuit-wearing post-hardcore/emo band released their debut album Merci with Epitaph Records in July 2018.


If you’re a ska fan then you are well familiar with Less Than Jake. They formed in 1992 and been making waves ever since. Check them out in the full gallery below, along with some neat shots of their toilet paper shooter (yes, you read that correctly)!


Don’t forget to check out Riot Fest day one coverage and day two!


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DS Photo Gallery: Less Than Jake, Bowling for Soup in Nashville, TN 7.25.22

If you saw my last gallery on Frank Turner, The Bronx and Pet Needs, I was quoted as saying, “[The Bronx] may very well be my favorite live band”. Well I lied … kind of. I forgot about a group of ska-loving punk rockers from Gainesville that played a pivotal role in my musical upbringing. […]

If you saw my last gallery on Frank Turner, The Bronx and Pet Needs, I was quoted as saying, “[The Bronx] may very well be my favorite live band”. Well I lied … kind of. I forgot about a group of ska-loving punk rockers from Gainesville that played a pivotal role in my musical upbringing. I’m not gonna say that the Less Than Jake dudes’ performance topped that of the LA guys in the Bronx, but I’m content having a two-way tie for first on the list of ‘Nathan’s Favorite Live Bands’.

This was a fun show. It’d been almost five years since my last LTJ show, that one being across town at the Mercy Lounge with the Red City Radio boys. This was my first encounter with Doll Skin and Cliff Diver (both of which I mentally labeled as ‘will see again’), and although I am very familiar with Bowling for Soup from my early days of investigating pop-punk, I had never caught a live show of theirs either. So other than reacquainting myself with Less Than Jake’s live set, this was an evening of firsts.

What stuck out most from Doll Skin‘s performance was the sheer chaos and havoc that lead singer Sydney Dolezal rendered during their set. The images here do little justice as an accurate portrayal of the set’s intensity. They are one of few opening bands that I’ve seen that achieve this level of crowd engagement and attentiveness, which speaks volumes about this band’s live show.

Cliff Diver was an excellent opener for the two headliners because their style was a mix of what drew fans of both headliners to the show. They had the early 2000s pop-punk sound that fans of BFS would love. On the other hand, at times they also had a more traditional ska-punk sound that those who came for LTJ could appreciate.

And one other thing … man, can Briana Wright sing!

There seemed a clear division among those attending that I somewhat alluded to earlier. You had those attending for Less Than Jake (the crowd I would lump myself in with), and those who came for Bowling for Soup, and there was not much overlap between the two groups. Between LTJ’s set and BFS’s, the crowd huddled up near the stage was an entire new set of faces.

Although BFS’s glory days may seem to be in the past, these dudes can still hold their own and there’s still a pretty large group of followers who all still have the same question: Are they bowling in order to earn soup, or on behalf of soup?

There’s not much I can write here other than if you haven’t caught the Less Than Jake guys live, you’re probably in the minority of readers of this site, and you need to see them immediately. I’ve seen bands where their stage antics are gimmicky and their humor distasteful, but what could possibly be gimmicky about a damn toilet paper cannon?

In all truthfulness, you could see the sincerity of the performance from each and every member on stage. They were all genuinely having the time of their life up there.

As always, your time and attention here are very much appreciated. Check out all these rad bands, and I’ll have more galleries up in the coming weeks. Until next time, cheers!

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DS Record Radar: This Week in Punk Vinyl (NOFX, Bad Religion & More)

Greetings, fellow degenerates! Welcome to the latest installment of the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is a weekly column where we cover all things punk rock vinyl; new releases, reissues… you name it, we got it. So kick off your shoes, pull up a […]

Greetings, fellow degenerates! Welcome to the latest installment of the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is a weekly column where we cover all things punk rock vinyl; new releases, reissues… you name it, we got it. So kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

NOFX makes yet another appearance on the Record Radar, this week with two releases! Up first is their upcoming record Double Album, which is now available to pre-order on colored vinyl. Fat Wreck has the LP (along with a shitload of bundles) available on their webstore. Europeans can grab it here, and our Australian friends can buy it here. Check out the album’s latest single “Punk Rock Cliché” below.

The other NOFX record making an appearance in this week’s column is a brand new EU-exclusive color variant (see the picture) of the almighty Punk in Drublic. Go here to get your hands on this one.

Next up is Bad Religion with a new pressing of 2004’s The Empire Strikes First. This red and black marbled LP is a Newbury Comics exclusive, limited to 600 copies. Grab it here.

Also from Newbury Comics: a new pressing of Flogging Molly‘s Drunken Lullabies, limited to 500 copies on “clear with yellow and purple splatter” colored vinyl. Get your copy here.

In addition to recording a new album, Frenzal Rhomb recently announced 2003’s Sans Souci would be released on wax for the first time. If the “Russel Crowe Shit Brown” colored vinyl didn’t do it for you, they’ve revealed additional variant! The LP is available to pre-order on “Ballchef Blood Red” colored vinyl here.

Another recently-announced reissue to get a new color variant is Less Than Jake’s ever-divisive In With the Out Crowd. In addition to the purple LP limited to 1,000 copies, LTJ now has a blue variant on their webstore. It’s limited to 500 copies and they want… $40 for it.

Revelation Records has an exclusive color variant of the upcoming LP from Lenny Lashley’s Gang of One. This pressing of Five Great Egrets on yellow vinyl is limited to 100 copies. Check out the first single “Heart of Stone” below, and grab the record here.

The Dickies have announced a new 7″ with some old-ass (previously unreleased) songs. “Blink 183” was supposedly recorded for a Fat Wreck Chords compilation but didn’t make the cut, and “Clean Money” is a b-side from their 2001 album All This And Puppet Stew. These are good songs (listen below for yourself), but $16 for a two-track 7″ is insane. If you can stomach the asking price, feel free to buy it here.

The 1991 debut album from French melodic punk veterans Burning Heads is getting a 30th Anniversary reissue on Radiation Records. If you’re a fan of that fast, melodic 90’s Epifat sound, I highly recommend checking these guys out (they were briefly on Epitaph btw). Check out my favorite track below, and go here to get a copy of this great record.

Spanish Love Songs‘ 2018 LP Schmaltz is back in print on a few new color variants, limited to 250 copies each. Grab your copy here. A few colors have already sold out, so you’ll want to act fast.

Citizen‘s Youth has been reissued on “highlighter yellow” colored vinyl. Head over to their Bandcamp page to grab this one.

Today’s the day! Now available to order (and shipping immediately) are three brand new reissues from MxPx. After being out of print since the turn of the century, Life in GeneralSlowly Going the Way of the Buffalo, and The Ever Passing Moment are back on wax. Head over to the band’s webstore to get a piece of the action.

RECORD OF THE WEEK!

We here at Dying Scene are all about trying new things, so this week I’m challenging you, loyal reader, to listen to something new! This week’s Record of the Week comes from a band featured on our recent “Ten Underrated Punk Bands That Should Be On Your Radar” column. If you like blazing fast skate punk in the vein of Belvedere and Mute, you’ll wanna check out Quebec City’s Fullcount and their 2018 LP Part of the Game. Give it a listen below, and grab that beautiful colored wax here.

And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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DS Show Review & Gallery: Me First & The Gimme Gimmes/The Black Tones/Son Rompe Pera (House of Blues – Chicago, IL – 10/1/22)

The foremost punk rock supergroup cover band hit the House of Blues in Chicago, IL on the first day of October 2022. The band brought the humor and fun, performing others’ classics but at break-neck speed. Me First and the Gimme Gimmes has a rotating cast of characters. At this House of Blues Chicago, only […]

The foremost punk rock supergroup cover band hit the House of Blues in Chicago, IL on the first day of October 2022. The band brought the humor and fun, performing others’ classics but at break-neck speed.


Me First and the Gimme Gimmes has a rotating cast of characters. At this House of Blues Chicago, only one of the original members, Spike Slawson, was on stage. Joey Cape of Lagwagon and Fat Mike of NOFX were unable to join Slawson due to both bands being on tour. However, Slawson did have a pretty solid set of bandmates: CJ Ramone on bass, Speedo aka John “The Swami” Reis of Rocket From the Crypt on guitar, Jake Kiley from Strung Out, and Andrew “Pinch” Pinching formerly of The Damned, on drums. The entire band was decked out in white denim and glittery pink shirts, accented by white ties Slawson added a white sports jacket and Elton John style specs, as well his Lounge Lizard persona.


The band zoomed through a pair of John Denver tunes, “Leaving on a Jet Plane” and “Take Me Home Country Roads,” as well as Paul Simon’s “Me and Julio Down by the Schoolyard,” Paula Abdul’s “Straight Up,” “ScienceFiction/Double Feature” by Richard O’Brien


The set also featured Dolly Parton’s “Jolene,” Willie Nelson’s “On the Road Again,” “Rocket Man (I Think It’s Going to Be a Long, Long Time)” by Elton John, “Mandy,” by Barry Manilow and Gloria Gaynor’s “I Will Survive.”


Me First and the Gimme Gimmes serves up a reliably good time, no matter what the lineup at any given time. It’s all in good fun, though there was an early oof moment when Slawson joked about John Denver’s skills as a helicopter pilot (Denver died when the home-made aircraft he was flying crashed. The National Transportation Safety Board determined the crash to pilot errors). Aside from that, the band members play with an earnestness rather than a mocking spirit underneath the levity. They seem to be enjoying this insouciant break from their “day jobs.” The crowd was all for it and left asking for more.


The Black Tones, on its first national tour, got the show started in a big way. The duo, comprised of Eva Walker on vocals and guitar, and her twin brother Cedric Walker on drums and vocals, have built a devoted fan base in the state of Washington. The Seattle duo’s hit song, “The Key Of Black (They Want Us Dead)” speaks to police brutality fueled by racism.The name of the Walkers’ first album, Cobain & Cornbread, is a nod to both their hometown of the Emerald City, and their family’s southern roots in Louisiana.

On stage, joined by family as back-up musicians and singers they soared. Eva Walker is both an indefatigable shredder and a dynamic vocalist. Cedric Walker is a thunderous drummer, every bash complementing his sister’s swaggering stage presence. With songs like “Mr. Pink,” “Ghetto Spaceship,” and “Mama, There’s A Spider In My Room,” this band will continue to knock the socks off of those lucky enough to see them in the future.


In the middle slot of the evening were the rising stars in Son Rompe Pera. The band, like The Black Tones, is led by siblings. The three brothers Gama: The two Marimberos/Vocalists, Mongo and Kacho, and percussionist/vocalist Kilos. The family is from Naucalpan de Juárezon the outskirts of Mexico City. They are joined in Son Rompe Pera by Raul Albarrán on bass and Albarrán’s cousin, Richi López on drums. The band has played nearly every size of music venue, and was interviewed by National Public Radio. They were also featured in a video for NPR’s Tiny Desk Sessions, On this Windy City Saturday night, Son Rompe Pera buoyantly showcased its sound which is traditional marimba music and cumbia fused with garage punk and psychobilly. Marimberos Kacho’s and Mongo’s synchronized rapid fire banging of their mallets across their marimbas, whilst furiously dancing, building momentum, caused them to appear breathless as they hit the crescendos. Those moments elicited gasps from the crowd followed by roaring cheers. Son Rompe Pera did not just warm up the crowd for the headliners, Instead, it was introducing to many of the Me First and the Gimme Gimmes fans a piece of the members’ heritages and family traditions. In the process, they were also garnering new fans of their music and of the marimba and cumbia.


See below for more photos from the show!

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DS Show Review and Gallery: Apocalypse Hoboken, the Brokedowns and more, Chicago, IL (9/2/22)

Chop Shop in Chicago was the site of a kick-off for September live music. The Windy City’s own Apocalypse Hoboken headlined the bill after having pull out of their show there earlier this summer due to a positive Covid case. Joined by three other Chicago area bands, it was well worth the wait to see […]

Chop Shop in Chicago was the site of a kick-off for September live music. The Windy City’s own Apocalypse Hoboken headlined the bill after having pull out of their show there earlier this summer due to a positive Covid case. Joined by three other Chicago area bands, it was well worth the wait to see Apocalypse Hoboken take the stage once again. 

Chicago’s Apocalypse Hoboken, whose first incarnation began in 1987, played at Chop Shop on September 2, 2022. It’s still playing shows but with a wink to the members’ ages perhaps, an AARP sticker was spotted on one of the amps. Nonetheless, AH shows are still a blast and these recent one was no exception. Wearing a needed eyepatch over his left eye, and a Hawaiian style shirt, Apocalypse Hoboken lead singer Todd Pot bounded onto the stage and wasted no time hitting top speed. However, even before he sang the first note, the band wanted to ensure that crowds members could sing along. Band members handed out folders full of pages with AH song lyrics on them. It was reminiscent of a first day of high school choir practice, or for me, middle school band practice for this former Alto Sax player. Of course, it also alleviated the need for sweaty, exhausted but satisfied fans to grab for an often wrinkled and torn set list post-show. Complementing Pot’s energy were the animated expressions on the face of guitar player Scott Hoffman. Sean Seeling, also on guitar was less animated in his expression but still equally compelling to Hoffman in his playing. Bass player Kurdt Dinse appeared more stoic in comparison but he and drummer Andy Peterson provided a pulsating rhythm section. Apocalypse Hoboken kept fans excited through nearly three dozen songs, including “Jerk Lessons,” “Pop Goes The World,” “Pocketful of Lips,” and “Monchhichi.” 



The Brokedowns, founded in Elgin /Fox Valley region of IL, are usually a quartet but Covid struck again, this time temporarily knocking out guitar player and vocalist Eric Grossman. However, his presence was felt. Actually it was cardboard, in the form of a large cardboard cutout of Grossman, his bandmates brought out on stage with them. Kris Megyery, guitar and vocals, Jon Balun, vocals and bass, and drummer Mustafa Daka tore through a set which included older songs such as “Born On The Bayou Too,” and “Cash for Gold.” It also included the newer tunes, “Cinnamon King,” and “Samurai Sword.”


Canadian Rifle might reference the USA’s neighbors to the north, but they are one of Chicago’s beloved own. With a backdrop sporting their signature visuals of the words “dreams” and “goals” within what is commonly known as the No Symbol, the band slashed through its set. The dynamic performances of Jake Levee, Tim Murphy, Josh Snader, and Dustin Christian, prompted some members of the enthusiastic crowd to jump up and down repeatedly. Perhaps none more exuberantly than Lucas Sikorski of opening band WIG. 


The aforementioned WIG, got things popping with a lively set. Sikorski on bass, and bandmates, Chris Gottlieb, on vocals and guitar, and Clayton Demuth on drums, ensured no weaker spots on this bill. WIG is a Chicago band on the rise and very worth checking out. So please do that stat!


See more photos below!

  • Apocalypse Hoboken

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Dying Scene Album Review: Joker’s Republic – “Necessary Evil”

For a long time, it wasn’t “cool” to say you like ska, but that never deterred me; I’m not cool anyway. I see Less Than Jake more often than I see my parents. I get through long days at work by listening to The Toasters, Mighty Mighty Bosstones, Against All Authority, Buck-O-Nine, and my favorite […]

For a long time, it wasn’t “cool” to say you like ska, but that never deterred me; I’m not cool anyway. I see Less Than Jake more often than I see my parents. I get through long days at work by listening to The Toasters, Mighty Mighty Bosstones, Against All Authority, Buck-O-Nine, and my favorite hometown band Victims of Circumstance. In recent years, ska has enjoyed quite the revival, and the old guard is starting to make way for some new blood. Ska Tune Network has brought the genre to a new audience, with fun ska-punk covers of pop songs and video game music garnering over 12 million views on YouTube. The Interrupters are breaking into the mainstream and have even performed on national TV. The tide is turning, and for the first time in a long time, ska is cool again.

Naturally, with the revival of a genre comes a new wave of bands. New Jersey’s Joker’s Republic is part of a growing crop of ska-punk up-and-comers. Their new album Necessary Evil was recorded and produced by Less Than Jake’s Roger Lima at his Gainesville recording studio The Moathouse. If you’re a fan of the poppy “fourth wave” ska-punk formula played by bands like We Are The Union and Kill Lincoln, these guys are right up your alley. The production on this album is top notch, and the songwriting isn’t too shabby either. Necessary Evil, the band’s third effort, offers up a mix of pop-punk and ska, with a hint of skate punk. The album-opening title track is my favorite song, but the blazing fast “Talk To Me” is a close second. “Gin and Tonic” is cleverly built around a fun early Blink-182 sounding guitar riff that doubles as a bassline during the song’s second bridge. “Anxiety” and “Dead Man Walking” are both very skankable tracks with some really catchy hooks. The album wraps up with “Anchor”, a grooving mid-tempo ska song that reminds me a lot of “The Science of Selling Yourself Short“.

As much as I like this album, I have to say that Joker’s Republic and Necessary Evil would benefit greatly from the addition of a horn section. The opening track features a guest appearance from LTJ’s Buddy “Goldfinger” Schaub on trombone, laying down some awesome horn parts. This added a much needed extra layer of depth to the song’s melody, and rounded out the band’s sound very nicely. After this, on the album’s remaining nine tracks, there are no brass instruments to be found. How could you do this to me? I feel deceived, hustled, betrayed, and utterly bamboozled! Let’s Face It, ska just isn’t as good without horns; unless, of course, your band is named Operation Ivy. In other words, it’s time to start auditioning for your horn section, fellas!

These guys are a promising young band, and I look forward to watching them continue to evolve. Listening to their previous releases on Spotify and comparing it to their latest work, it’s easy to see that Joker’s Republic is progressing pretty quickly. Necessary Evil is by far their best work to date. Listen below and click here to grab the CD. If you prefer digital, visit their Bandcamp to download the album.

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Dying Scene Album Review: The Bruce Lee Band – “One Step Forward. Two Steps Back.”

When I think of ska, one of the first names that comes to mind is Mike Park. You might know him as the founder of an iconic label called Asian Man Records; a venture he has operated out of his mom’s garage for over 25 years, helping break bands like Alkaline Trio, Less Than Jake, […]

When I think of ska, one of the first names that comes to mind is Mike Park. You might know him as the founder of an iconic label called Asian Man Records; a venture he has operated out of his mom’s garage for over 25 years, helping break bands like Alkaline Trio, Less Than Jake, and The Lawrence Arms. You may also know of his work as a brilliant singer, songwriter, and performer who has played in bands like Skankin’ Pickle and The Chinkees.

As of late, Mike Park has returned to his role as frontman of The Bruce Lee Band, a project which had been mostly dormant since its 1995 self-titled debut LP. In 2014, Park revived the band seemingly out of thin air with Jeff Rosenstock‘s help, releasing a ska-punk masterpiece titled Everything Will Be Alright, My Friend. And while I’m sure following up an excellent album like that can be a daunting task, the Bruce Lee Band’s all star lineup passed the test with flying colors on 2022’s One Step Forward. Two Steps Back.

The band’s new record boasts a 12-song track list ranging in style from bouncy keyboard infused two-tone songs like “Did You Find the Money Farm”, “So Nice for Me and You”, and “Dance Dance Revolution”, to up-tempo anthems in “Lie Big and Do it Often”, “Putting Up With All My Crazy”, and “I’ll Feel Better”. This is a quintessential ska-punk album that will have you skanking from start to finish if your stamina permits. I loved the last Bruce Lee Band record, and I can say with confidence this one will be staying in my regular rotation for a while.

Mike Park’s soothing baritone voice sounds as great as ever, and after all these years, he still has quite the knack for writing great choruses. His All Star caliber backing band featuring Rosenstock on bass, keys and the saxaphone, MU330‘s Dan Potthast on guitar, and former Chinkees bandmate Kevin Higuchi on drums delivers the goods as well. There is not a skippable song to be found on this record. Keep an eye out for One Step Forward. Two Steps Back. on plenty of “Top 10 Albums of 2022” lists; it has definitely earned a spot on mine.

Listen to One Step Forward. Two Steps Back. below, and head over to Asian Man’s webstore to grab the LP.

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Dying Scene Record Radar: New punk vinyl releases & reissues (Against Me!, Frenzal Rhomb, NOFX & more)

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, this is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, grab a few beers, and break out those wallets, because it’s time to run through this week’s […]

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, this is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, grab a few beers, and break out those wallets, because it’s time to run through this week’s new releases and reissues. Let’s get into it!

Swedish punk veterans Millencolin have announced a new LP compiling their first two demo tapes from 1993. Due out in early September, Goofy & Melack will be limited to 500 copies on black vinyl, and 240 copies on red vinyl. Preorder through their webstore starts Thursday, August 4th at 10am Eastern.

Anti-Flag just announced their 13th full-length album Lies They Tell Our Children. It’s due out on January 6th, 2023, and you can pre-order it now here. The record will feature guest appearances from members of Rise Against, Bad Religion, and a bunch of other bands. The cover art’s some avant garde bullshit, which is cool if you’re into that kinda thing. Check out the music video for the first single below.

Asbestos Records has repressed the venerable Against Me!‘s 2007 New Wave LP for the first time in six years. This one’s limited to 1,000 copies on split black/yellow vinyl. Head to the label’s webstore to get yours.

Avail frontman Tim Barry has announced a new solo album titled Spring Hill. This is due out on August 12th, and it sounds like the LP will be available to order the on same day. The “red cloud” variant pictured will only be available at a show he’s playing in Richmond, VA on Friday, August 5th (more details on that here).

Fat Wreck Chords has repressed Frenzal Rhomb‘s incredible Smoko at the Pet Food Factory. Fat doesn’t reveal their colored variants usually, but my super official sources tell me this is what this pressing looks like. Grab your copy here.

British melodic punks Darko just announced a new EP titled Sparkle. It’s due out on October 21st, and you can preorder it here. The first single “Cruel to Be” is really good; check out the music video below!

Zia Records has a new exclusive variant of NOFX‘s Punk in Drublic, limited to to 500 copies on “Transparent Beer With Red Splatter” colored vinyl. Get it here.

New band alert! Bracket‘s Angelo Celli has a new project called Guilty Party and their debut 7″ Imposter Syndrome is coming out next month. Check out “Circling the Truth” below, and go here to get your preorder in. If you like Bracket, you will like this.

The Homeless Gospel Choir‘s 2020 album This Land Is Your Landfill just got repressed. There are two new variants, each limited to 250 copies. Go here to grab this one.

Rude Records is having a summer sale! Records, shirts, and more from bands like Less Than Jake, Guttermouth, and a bunch of others are discounted up to 25%. Head over to their webstore to check it out.

Now that all the cool stuff has been covered, here’s what I’ve been listening to… Saving money by not buying every new release has given me a chance to dig out some stuff I haven’t played in a while. First up this week was Much The Same‘s Quitters Never Win, a very underrated skate punk record that turns 20 years old next year. MxPx‘s The Ever Passing Moment from last year’s box set got some playing time, too. I also revisited one of my favorite Murderburgers records The 12 Habits of Highly Defective People, and Civil War Rust‘s fantastic debut LP The Fun & The Lonely.

That’s all, folks! Thanks as always for tuning in to the Dying Scene Record Radar. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, don’t blow too much money on spinny discs. See ya next week!

Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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Dying Scene Record Radar: New punk vinyl releases & reissues (Descendents, Rancid, Joe Strummer & more)

Hello, loyal readers! Thank you for joining us for this week’s edition of the Dying Scene Record Radar, where we cover all things in the world of punk rock vinyl. Kick off your shoes and make yourself at home, because it’s time to run through this week’s releases. I hope you’re feeling spendy, because there’s […]

Hello, loyal readers! Thank you for joining us for this week’s edition of the Dying Scene Record Radar, where we cover all things in the world of punk rock vinyl. Kick off your shoes and make yourself at home, because it’s time to run through this week’s releases. I hope you’re feeling spendy, because there’s a lot of good stuff that might find its way into your record collection. Let’s get into it!

Up first, we’ve got 1-2-3-4 Go! Records with another killer exclusive pressing of a classic record. This time it’s the DescendentsEverything Sucks, limited to 1,000 hand numbered copies on blue vinyl. This will be available on their webstore Friday, August 5th at 8am Pacific (11am Eastern). Join 1-2-3-4 Go!’s mailing list to be among the first to know when it goes up.

Rancid‘s Let’s Go is getting repressed, this time as a red and black splatter LP. It’s limited to 1,000 copies, and is only available from Newbury Comics. Head over here to get your hands on this one.

Brooklyn Vegan has an exclusive green 2xLP pressing of Social Distortion‘s Hard Times and Nursery Rhymes up to pre-order on their webstore. It’s limited to 300 copies and the color is pretty cool. Not a huge Social D fan myself, but this album’s alright. Also, if you join Brooklyn Vegan’s mailing list, you’ll get 10% off your order! Very nice.

Asian Man Records has brand new pressings of two classic Alkaline Trio LPs available right now. These new variants of Goddamnit and Maybe I’ll Catch Fire are limited to 1,000 copies each. Head on over to Asian Man’s webstore to order.

It’s been a long time coming but No Trigger has finally announced a follow-up to their fantastic sophomore album Tycoon. The new record’s called Dr. Album, and it’s being released next month on Red Scare. Check out the first single below, and pre-order the LP here.

Power pop singer/songwriter Geoff Palmer has re-recorded Dee Dee Ramone’s “rap” album Standing In The Spotlight. The first single, his cover of “Emergency” (my favorite song off the record), can be heard below. Stardumb Records is releasing this on vinyl; head over here to pre-order it.

The Mugwumps just released a new live album, recorded at Italy’s premiere punk festival Punk Rock Raduno in 2021. Check it out below – it kicks ass! My fellow Americans can get this here; our European friends can buy it here.

Mom’s Basement Records has announced their upcoming Queers tribute compilation God Save The Queers Vol.2 will be available to pre-order this Friday, July 29th, at Noon Eastern. Head over to their webstore to grab your copy. Canadians can get this one from Insipid Records, and our Bri’ish mates will wanna hit up Council-Pop Records.

Hardcore punk supergroup OFF! has announced a new record! Free LSD is the band’s first new studio album in eight years. They’re describing it as “a heavy punk industrial free jazz soundtrack recording”. Watch the music video for the first single “War Above Los Angeles” below, and pre-order the record here. There’s also an orange variant available from Brooklyn Vegan.

Making their second Record Radar appearance in three weeks, it’s the Dropkick Murphys with a Newbury Comics Exclusive variant of their upcoming album This Machine Still Kills Fascists. This one’s due out on September 30th, it’s limited to 500 copies on red vinyl, and you can pre-order it here.

British punk pioneers The Vibrators have announced their final album Fall Into the Sky will be released on August 12th through Cleopatra Records. Listen to the first single below, and pre-order the record on pink or blue vinyl here.

Santa Cruz pop-punks Too Bad Eugene just announced their first new album in 20 years! Distance is due out September 14th on People of Punk Rock Records. Listen to the title track below, and pre-order the record here.

Italy’s Radiation Records has reissued two LPs from Los Angeles punk veterans The Generators: 2005’s The Winter of Discontent, and 2007’s The Great Divide. Get ’em here. These are available in the US through Merchbar, too, but the price after shipping is basically the same as importing from Italy.

A decade after the downfall of The Clash, frontman Joe Strummer would spend the last three years of his life making new music with his band The Mescaleros. A box set compiling the band’s three albums and a bonus LP of demos, outtakes, rarities, has been announced. This is due out on September 16th, and can be pre-ordered here. These records go for $100+ each on the resale market, so this is actually a pretty great deal.

Reminder! If you are attending SBAM FestBrackrock Festival, or Punk Rock Holiday over the next few weeks, Fat Wreck Chords is going to have exclusive new variants of a shitload of records at their merch booth. Titles include Lagwagon‘s Hoss, Strung Out‘s Suburban Teenage Wasteland Blues, the new Face to Face album, and many others. These European festivals are the only place in the entire world these will be available. Check out Fat’s Instagram for more info.

Canadian friends, check out Forbidden Beat! They’re a punk distro that always has good shit going up on their Instagram page, at very good prices. They also seem to be the only place in North America with copies of the new Screeching Weasel LP in stock, so if you’re looking for that, hit ’em up!

Now that all the new and upcoming releases have been covered, I thought I’d share what I’ve been listening to lately! I saw my favorite band Less Than Jake for the 19th(?) time last week, so I’ve been on a LTJ kick lately. I got Losers, Kings, And Things We Don’t Understand at a show in Orlando back in… 2012? And this red pressing of See The Light was one of two Christmas variants limited to 100 copies. It had been a while since I listened to either of these, so I gave them a few spins.

That’s all, folks! Thanks as always for tuning in to the Dying Scene Record Radar. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, don’t blow too much money on spinny discs. See ya next week!

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