Muddy Roots 2023 is officially in the books, and with this being my first trip out to Cookeville, TN for MRMF, man was it a hell of an introduction. If you aren’t familiar with what the Muddy Roots crew has brewing in the middle of rural Tennessee, think of a DIY version of Bonaroo, but […]
Muddy Roots 2023 is officially in the books, and with this being my first trip out to Cookeville, TN for MRMF, man was it a hell of an introduction.
If you aren’t familiar with what the Muddy Roots crew has brewing in the middle of rural Tennessee, think of a DIY version of Bonaroo, but way sicker and way more affordable. Free camping virtually anywhere on the premises and a wide-open BYOB policy have helped build a reputation valuing the music and community over large profits, something I appreciated just as much as the huge headliners they’ve attracted in recent years.
The huge headliners in question for this year’s installment were GWAR, Suicidal Tendencies, and Cro Mags, all of which were live firsts for myself. There wasn’t a drop-off in big names either after the top 3, with Amigo the Devil and DRI also playing. And, with the exception of Daikaiju and Night Talkers, almost all artists were, at least personally, live firsts.
The atmosphere was perfect, the music was perfect, everything was perfect. Whatever they’re doing out in Cookeville surely seems to be working. The shuttles to a nearby private waterfall help folks truly appreciate the gorgeous and unique scenery of Eastern Tennessee, while the music starts early and continues late into the night. From bluegrass to sludge-metal, punk rock to rockabilly, local act to international touring musician, Muddy Roots did as good a job as any in bringing people together from all over to celebrate the music we all love.
With the festival lineup growing larger and more diverse each year, I felt coverage of Muddy Roots would be most productive in highlighting some of the weekend favorites, rather than each individual performer. Below you’ll find the eight artists I most enjoyed seeing.
I’ve had the pleasure of seeing Night Talkers a handful of times, most recently opening for The Last Gang at Music City’s best punk bar, the Cobra. And when local ska-punk legends Stuck Lucky were a last minute Covid scratch, onlookers were graced with the Night Talkers signature style of shredding guitar solos and fast, in-your-face rock ‘n’ roll. Although it was a disappointment missing the always entertaining Stuck Lucky, Night Talkers very much filled their shoes, much to the pleasure of the packed-out Wood Stage crowd.
Unless I’m mistaken (which is always a possibility), this was Night Talkers’ Muddy Roots debut. They’ve recently, as of the last year and a half or so, emerged as a local favorite of mine and I’ve been glad to see some local dudes garner interest both around town and out of state.
Hans Gruber and the Die Hards was one of those pesky touring bands that has somehow alluded my radar for several years now. I’ve known who they were for a while, but it wasn’t until the Muddy Roots lineup was announced that I hopped on board with these guys. It sucks to think that I’ve missed out for this long on probably the most entertaining band of the weekend.
Between every song, it seemed someone was switching instruments, whether it was lead-singer Rosey Armstrong switching from saxophone to some sort of handheld percussion instrument, or her husband Kurt dropping the bass and grabbing the traffic cone trombone, these dudes were all over the place, both musically and literally. I couldn’t take my eyes off their set, not only for the fast, hard-hitting punk rock, but for the stage antics that I only managed to capture a fraction of in my shots.
I’ve found the band whose duty it is to fill the Masked Intruder void that was left with the hiatus of everyone’s favorite masked punkers. The Jasons have emerged, assless chaps and all, with their own unique blend of villanous attire and Ramones-core punk rock. Humorous, sexy, terrifying, they’ve got the look figured out, and the music is in no way lacking.
Their closing came in the form of a sort of response to the Menzingers‘ ‘I Don’t Wanna Be an Asshole Anymore’ titled ‘I Wanna Be an Asshole’. And it sent the crowd into nothing short of a frenzy.
Waxed was a band I decided to break my punk-rock-only policy for, and it was probably the best decision I could have made. The experience that’s been gained in their 10+ year history really presented itself with their mastery of stage performance. The crowd was as rowdy as any I’d seen all weekend, even keeping up with the obvious contenders in Suicidal Tendencies and GWAR (although I’ve gotta rank it behind Cro Mags saying as an actual ambulance had to rush to the pit during their set).
Trending more towards modern hardcore than the skatepunk I normally fancy, I did see shades of Turnstile in both sound and performance from these guys. It was obvious from the packed mob of onlookers that a group of fan-favorites was about to take the stage.
Not much else really needs to be said here other than Tim Barry did what Tim Barry does. He put on a hell of a fuckin’ show, split pretty evenly between being up on stage and down on ground level with the rest of the crowd. The sentiment and storytelling were there, giving meaning and insight to the ever-attentive crowd. All the favorites were heard, at least all my favorites, including ‘Fine Foods Market’ much of Rivanna Junction, all culminating with the obvious closer, ‘Avoiding Catatonic Surrender’.
If were going off of technicality here, I guess I had already previously seen Tim Barry’s Fest 20 set last October, but the view sucked and I was rushing off to another set before Barry was halfway through his. This was my first real Tim Barry show and it satisfied every live-show craving I had to see my favorite Americana writer.
I’ve covered multiple Daikaiju attacks, being that they aren’t merely live performances, but attacks. Prior to each show, I seem to forget why they are my favorite band to photograph, and maybe favorite live band overall. Fire always holds a prominent place in performances, almost as prominent as crowd interaction.
Every crowd interaction possibility that I can devise occurred at the Wood Stage, during the late hours of Muddy Roots night one. Lead guitarist Secret Man led the crowd onslaught, riding the shoulders of one crowd member, recruiting others to play instruments, and surfing the remaining spectators, all while playing seemingly neverending surf-punk riffs. The tattered remains of each member’s Hawaiian stage uniform makes a whole lot more sense post-attack. The only antic I had yet to witness (until this performance that is) was their ritualistic tour van arson, which was done almost ceremonially to close their performance.
Having lived in Tennessee for much of my adult life, Suicidal Tendencies and Cro Mags have been bands of legend, with my only hope of seeing live performances being out-of-state travel. So I was beyond stoked seeing the lineup announcement featuring two of the founders of Hardcore. What I was unaware of, however, was the amount of talent and musical experience that would grace the main stage late during the first night.
Beginning with Mike Muir and Dean Pleasants, Muir being the only original member and Pleasants’ now outlasting that of former guitarist Rocky George. The two veterans recruited their asses off, bringing in the next generation of great musicians in Ben Weinman, Tye Trujillo, and Greyson Nekrutman. Weinman, formerly of Dillinger Escape Plan, Trujillo, whose last name may be recognizable as son of RnR Hall of Fame Metallica member Robert Trujillo, and Nekrutman, a worthy replacement for current Offspring drummer Brandon Pertzborn.
During the show, Muir’s years did not show a bit, while Trujillo portrayed a musicianship that didn’t seem to align with the mere 18 years he’s lived. Trujillo boasted some of the fastest, yet cleanest bass playing I’ve witnessed, while Weinman and Nekrutman’s speed was equally impressive. The current Suicidal lineup was, in many ways, the epitome of punk: a group from different backgrounds, genres, and even generations, producing genre-mending music.
While Suicidal Tendencies had gone through an evolution, Cro Mags appeared to be the fast, wreckless, fuckin’ insane punk band that I had pictured from 40 years prior. As was the case with Mike Muir, Harley Flanagan’s age was not a factor in his ability to utilize the entirety of the stage within a matter of seconds.
What was immediately obvious was these guys were veterans, they knew exactly what they were doing up there. The crowd excitement gave this the feel of a small-club East coast show rather than an outdoor festival in rural Tennessee.
There you have it, a pretty good wrap-up of my Muddy Roots experience in a nutshell. However, only so much can be portrayed through word and photograph. The community atmosphere was just as enjoyable as the big headliners, but don’t get me wrong, the music was as rad as ever, making me proud to live so close to something so special.
I feel it to be a punishable offense that the Nashville Dying Scene branch has failed to cover Muddy Roots in the past. I hope to have the privilege to cover MRMF far more frequently in the future because it really is as special as I hope I’ve portrayed. Scroll on down for a bunch of shots from the weekend. As always, thanks for checking out the site. Cheers!
Dying Scene caught up with psychobilly band The Dead End in their hometown of Pueblo, Colorado. The Dead End showed us some of the cool places to visit in town, including Solar Roast Coffee, Analogue, posed for photos, and sat down for an interview at the CR23 Bombshelter. This interview has been edited for length […]
Dying Scene caught up with psychobilly band The Dead End in their hometown of Pueblo, Colorado. The Dead End showed us some of the cool places to visit in town, including Solar Roast Coffee, Analogue, posed for photos, and sat down for an interview at the CR23 Bombshelter.
This interview has been edited for length and clarity.
Dying Scene: Tell me about yourselves. Who’s in the band?
Carlos Gomez: My name is Carlos. I play guitar and vocals.
Pickle: I’m Pickle. I play drums.
Lucien Barela: My name’s LJ. I play upright bass, a little guitar, and backing vocals.
DS: Where are you guys from? When did you guys form? And how did you come up with your band name?
CG: Alright, that’s a lot. Let me simplify this. I’m just joking. Really. The Dead End, this band right here, has been together since 2017. We were previously, or I was previously, Dead End Stompers. Pickle, temporarily, was a Dead End Stomper as well. That band was established in 2012. With the departure of the bass player, I dropped the Stompers part of the name and continued as the Dead End. I asked LJ to play, he said, “Yeah,” and pretty much as soon as he hopped in, me and Pickle just finished recording our first EP. And things just started rolling from there pretty much. So, really we are a Pueblo-based band. Granted. Pickle is from Texas. I think Pickle lived here for a good six months before we started playing music together.
DS: So, I understand you guys have connections with other local bands. Tell me about the familial and personal connections between the Dead End, Diskount Vodka, and Last Reel Hero.
CG: So, I also play in Last Reel Hero. That’s my second band. I play guitar and do main vocals in that band as well. My little brother, Cauthli, is the bass player in Diskount Vodka and he also shares the same drummer as us in the Dead End, Pickle, who’s in Diskount Vodka with his wife Ellie. We’re just one big punk rock family.
LJ: I don’t have any other band other than the Dead End but Carlos and I are cousins. So, we grew up together and started jamming. I was originally a guitar player. I had to learn how to play upright bass when Carlos had asked me to join the band. So, it was a different kind of animal. But when we were young, 13 or 14 being in the basement, just kind of jamming around, playing guitar, you know, we had a band way back in the day. It was almost like a hardcore type of metal or nu-metal. Yeah, it was nu-metal band called Rapture at Dawn in the early 2000s, something like that. It was a long time ago.
CG: We were around in early 2000s. Me and LJ probably started jamming together when we were like 13 or 14, but that band probably started when we were a little bit older like 16 or 17. That’s how we got into the music scene, playing around, getting to meet other people. I met Jeff from Last Reel Hero playing with his band, the Fanatics, when we were Rapture at Dawn. And I never knew 15 years or 20 years later that I’d be in a band with him being Last Reel Hero. So, being in the music scene, I mean, it all comes full circle, really….a lot of friends are in bands with other friends and it’s kind of cool how everyone’s interchangeable. Yeah, it’s a good local scene and I am sure there’s way more other bands and connections and things that we can really deep dive into, but really that’s the meat and potatoes of it.
DS: Wow, that’s pretty cool. It is definitely a small world.
P: Even more crazy is the fact that me and Raymond Burton Estes (…And We All Die) played in The Coffin Boys together and we played a show with Fanatics in Dallas when I was 17 or 18 years old. And now, here I am in the city where Fanatics was born. Their bass player used to be a guy named Randy, he’s passed away now, but he was a Fanatic…and it was crazy reuniting with the Jim, Randy, and the band tons of years later.
CG: One time Pickle had some health issues and he was in the hospital and my little brother who plays bass in Diskount Vodka actually played with me and LJ. We played the show probably about five years ago to the day…I just got the Facebook memories. We didn’t have a drummer, so we did it acoustic. It was just the upright bass, me on acoustic, and my brother played the washboard. Yeah, so it’s kind of weird how it all intertwines. My little brother plays in the band sometimes. When we play bigger shows, I’m like, just play the washboard, just come on stage and play the washboard.
LJ: It sounds really cool.
CG: But we’re all, like I said, a big punk family. It’s kind of interesting how it all is. We all share the same practice space and stuff. So, a lot goes on in that garage, which is weird. It’s the same garage we started off in 20 years ago playing music. And my dad is a musician. So, his band with my uncle, Steel City Band, also uses this garage. So, that little practice area has had a lot of music in it for a long time. It’s kind of crazy to see it branch out into the tree.
LJ: It’s almost generational.
CG: It’s awesome.
DS: Talking about connections with places and people, what is the music scene like in Pueblo?
LJ: I don’t know if it’s anything specific. The way I see it is that it almost created its own community. Especially, here at the CR23 Bomb Shelter. You get a lot of these younger kids, but they’re definitely like a lot of regulars over here with these younger kids. And it was a good place for them to have that outlet, I think because there wasn’t really, not lately anyway, there wasn’t really any other places for a lot of people to go, especially the younger kids in the younger bands that were kind of coming up. A while back, there was Phil’s Radiator and that was the place. But since Cody Rheuff has built this thing, I almost think of it is not necessarily as a scene down here, like it’s the punk scene in Pueblo or it’s the metal scene in Pueblo. It really is kind of just one big community. It seems like that now because you see a lot of these guys support each other, which is really cool, even if they’re not the same genre.
P: There’s a bunch of metal bands here, but we’re the only psychobilly band. Diskount Vodka is the only punk rock band. And then Last Reel Hero is the only ska band in Pueblo, I believe.
CG: There’s quite a few metal bands but I think the way we are with our genres, they are with theirs. One’s like, well, we’re doom and the other one’s like we’re metalcore or whatever. So, I think every band is very diverse and that’s what makes it special because you don’t come to these shows and see just the same band over and over again. This place diverse and it is a community. It’s a community where everyone comes together no matter what. They don’t know what’s in store. Once again, we’re a psychobilly band. So, I like our local scene here. There is no specific genre of scene like LJ said. And, I mean, we’re not that small of a town. I dunno how to say this, but we’re also not that big. So, it’s a weird scene that we have because everyone does support each other and it’s not all likewise music or the same shit.
DS: That’s a perfect segue to my next question. How would you describe your music to someone who hasn’t heard of you? Rockabilly?
CG: That’s an awesome question because I have to answer this a billion times a day. No, honestly, to a person who has never heard the subgenre psychobilly or the genre rockabilly, I have to say it’s really stripped-down 1950s rock and roll, primarily blues-based or even hillbilly-based, hence the billy part. But when you get to psychobilly… The 50’s was almost a hundred years ago. Things evolve. Things change. And from my understanding, in the 80s you had neo-rockabilly bands, like The Stray Cats, who were coming out. Well, in England you had P. Paul Fenech from The Meteors who liked the Stray Cats. Yeah, that’s cool. But to him it was hokey. It wasn’t as rebellious as the 50s could be. And he’s like, okay, let’s put some balls behind this rock and roll music. It’s like, I like the upright bass, I like the guitar picking but there could be a little more oomph, a little more angst behind it. And so when I describe our music, I say it’s almost like 50s rock and roll, but with a punk rock twist. Definitely there’s a lot of punk rock attitude in our music. A lot of punk rock influence. I mean, a lot of the first bands that I’ve heard that were punk rock bands actually reminded me of 50s rock and roll bands, like the Misfits and the Ramones. So, it all goes hand in hand and it’s kind of silly. I kind of manipulated that answer depending on who I’m talking to. If I’m talking to an older person, I’m going to really reference the rockabilly part but if I’m talking to a younger person, I’m really going to be like, it’s really punk rock or whatever. But that’s what I like about our style of music. It can up appeal to a wide audience. I can listen to my music with my grandma and not feel ashamed of it because it reminds her of her time and it has those elements and it’s very Americana. I can also show it to my little nephew who’s into punk rock and he loves it just as much because he can still jump around to it and it gives him that good feeling. So, I try to keep it as a loose term, but I throw out some names to try to get people narrowed into what we try to represent.
P: That sounded good to me.
LJ: Yep.
DS: Thank you. So, you mentioned the Misfits. Who are your biggest influences and inspirations?
CG: The Misfits. No, I’m just joking. No, geez, that’s once again…a little bit of everything. I had mentioned the Stray Cats. I was a kid. I was born in 1987. I kind of caught the tail end of some of that neo-rockabilly stuff that was in the mainstream at that time. La Bamba was a big movie and that had a big influence on my life. Who would’ve thought? But, with that being said, that movie particularly got me into The Big Bopper and Buddy Holly are my all-time favorite rockabilly rock and roll musicians. Fuck dude, Chuck Berry, Willie Dixon. As far as upright bass players go, Willie Dixon really put the standup bass and slap on the map. Part of Chess Records who wrote stuff for Etta James and Chuck Berry and everyone under that catalog…Muddy Waters, Little Walter. So, not only do I like Willie Dixon, who wrote all this stuff, I love all the artists that are underneath that umbrella…50’s doo-wop, but then you get into the 60s and 70s. We do a Tommy James and The Shondells covers because I love 60s power pop. I love The Doors. Then you can move on to the 70s. Shit. You start getting into, I don’t know, you do have the Misfits…you do have Talking Heads. I mean it just goes on and on and on. I can’t say there’s one thing that inspires me because I will go up there and no matter what I play, I’m pulling from all my favorite artists. It’s not just 50s guys or punk rock guys. It is from Ziggy Stardust, it’s from Puff Daddy. It is just whatever moves me will definitely impact who I am as a performer and what influences me. And I don’t segregate anything. I mean if it moves me, then there’s power behind it and I’m going to definitely learn from it. I think you learn the best from your influences.
P: Well, I’m a punk rock drummer at best. I like all these old-school punk rock bands but the psychobilly bands have influenced me here recently in my life. The PeaBrains really fucking good. The Brains have been really good. Rene from The Brains has been real cool to us when we were on Batcave Records there for a little while. Let’s see. Who else? The Meteors are pretty good, too.
P: As far as punk rock goes, all that stuff. Yeah.
LJ: I came into it a little bit different. I really didn’t know a whole lot about the genre until I started talking with these guys. I never was necessarily like a punk guy. I didn’t really know much about the rockabilly/psychobilly scene until “Los” showed me some stuff, which it kind of opened my eyes to it. So, as far as that scene goes, the Brains, like Pickle said, I really, really, really got connected to those guys. Mad Sin is good. I like The Quakes now who I’d never heard of before and these guys are really fucking good. But as far as me just getting into music, I was a metal to metalcore stuff guy growing up and I still like it now. So, playing guitar when I was younger, it was kind of like the usual stuff, the old Metallica, Megadeth, Iron Maiden, Pantera, Black Sabbath, stuff like that. And then as I got into my high school years, it was stuff like All That Remains, Bullet for My Valentine – I’m wearing their shirt now – As I Lay Dying, shit like that. And that’s what kind of got me into it and something that I still kind of gravitate to a little bit. I mean, like I said, I got opened up to this type of music and it kind of broadened my horizons a little bit and very cool stuff and very interesting stuff and I love the hell out of it. But as far as getting into it goes, those were kind of like my roots. That’s where I came from.
DS: That’s pretty cool. So, are you guys working with a record label? If so, who?
CG: At this point we are completely independent. We previously worked with record label but it was best for us to maintain being independent. I mean we put in all the footwork already, so might as well get the prize if you’re going to do that much work. The previous experience we had with the record label was genuinely good but I just figure at this point, If we’re working this hard, why not just receive the full benefits of it. I mean we live in a society where it’s all digital. If there was a major record label, if the right offer is there, and if we are totally into it, yes. At this point it seems like indie artists have more control over things and that’s how it really should be.
LJ: I agree.
DS: So, tell me about your current releases. When should we expect to hear some new music from you guys?
LJ: It’s actually in the process right now, would you say?
CG: We’re definitely in the process of recording some stuff. Honestly, by the first of the year we should not only be seeing three new singles but potentially a music video. So, that’s kind of the goal. Now we did some recording about a year ago at this point. That’s why everyone laughs about it. But we’ve been so busy, I mean especially with me and Pickle between our other two bands playing shows just constantly. We haven’t had time to go finish what we needed to do. So, this time right now is to not only go in there and plug in what we need to plug in, but just fine-tune everything and make it the best product that we can. So, when it comes out, people really do enjoy it. There’s plenty more songs out there that we are ready to record and we’re starting to work on. We play ’em live and people want to hear ’em and can’t. So we got to get ’em out to the people. And hopefully with all the work that we’re putting into these recordings, it’s going to help us do bigger shows. We just finished out a couple tours in the last six months with a bigger psychobilly band from Los Angeles called Three Bad Jacks. It’s fun and cool going on tour with your idol, but I’d rather it be our band headlining. So, that’s the goal. As far as releases go, this whole next year, you could expect at least if not a dozen songs, more.
DS: You’ve been performing locally and touring regionally for several years now. Where have you been performing lately? What is the biggest show you’ve performed or played at? What is the best show you’ve played? Tell me about the most memorable show you’ve played.
LJ: Oh wow. There’s been a lot of New Mexico lately, which is fun. I mean, I like it down there. There’s a bunch of cool bands down there that we played with.
LJ: As far as memorable ones go, it kind of sucks because we haven’t been back there since, but it’s called the Hot Rod Rock & Rumble here in Colorado. And it’s just a kind of a huge three-day car show event. They have swapping stuff over there. They have a ton of bands. It’s like three or four different stages at this thing and it’s a fun, fun event. They have a drag strip down there and we got to, it was like an opening ceremonies for the entire festival thing.
P: Thousands of people.
LJ: It was really cool. So we went up there and the stage was outside right below the drag strips. As soon as we start playing, the cars start going.
CG: We played like three hours.
LJ: Yeah, there’s a shit ton of people on the side and in the sun. Another band that we were playing with caught some footage of it. It was a Thirsty Crows. Unfortunately, they’re no longer together. They’re all really cool guys. One of ’em got some video recording of us playing and I don’t think I’ll ever forget that moment.
CG: That’s probably the biggest show that we ever played, just for the fact that it was this car show with hundreds of people, if not over a thousand people. We played our three-hour set was being played over the monitor system for the whole car show. So, it was a little nerve-wracking. I usually don’t get nervous but it dawned on me that people way over there could hear us. I was like, hey…
LJ: It was insane.
P: Yeah.
DS: That sounds very cool. So, what are you guys currently working on? What are you up to?
LJ: It’s just these new songs, like Carlos said. We have about, I think it was like 12 to 15 new ones that were lined up at one point and three of them pretty much wrapped up now. The first of the year is pretty much the target to get these things going out. We have a little bit of downtime and we’ve kind of came off the hill with the shows. and all this other stuff that we had going on and it was really like the music video stuff now, photo shoot stuff. Trying to get our new stuff out. We have the new stuff, it’s time to get it out there now and that was the biggest thing at this point. The content. It is cool to put up the show flyers on the page, but it would be cool to have another video out and all that stuff.
DS: That leads me to my next question. Have you achieved what you sought out to do as a band?
P: We’ve hit certain points. Yeah, we just need to keep going.
CG: Hell no, I want Everest and we’re down here. No, just joking.
LJ: I don’t know if I would ever really want to put a cap on something like that. You know what I mean? I think if something could be continuously just outside of reach, then I think that helps you kind of fight for it more. Makes you hungry. As far as achievements go, I think a lot has been achieved. I mean, I’ve been playing with some of the bands,I’m like, damn, these guys are good. Then to play a show with some of these bands that you’ve listened to and that they’ve shown me, I’m like…you almost got a little starstruck. You’re like, oh my God, playing with these guys now…
P: Direct support for ’em. It’s pretty wild.
LJ: It’s crazy.
CG: Yeah.
LJ: Yeah. So, I think that’s a good achievement.
CG: I have to say so. I had aspirations a long time ago for what I wanted to do on so many different levels and one of the first ones really was to get an EP out. We got the EP out, no problem. Then I was like, well let’s just do another three songs. Got those out. But like they said with the shows, it was climbing that ladder of playing with bands. At one point you’re calling promoters and venues trying to get on shows. Now our favorite bands are directly messaging us saying, “Hey, what are you doing for this amount of time?” It’s really rewarding because you’re like, wow, these people are actually listening to what we’re doing at this point. It’s like they know what we’re about, what we’re doing. And a couple of those people have even reached out continuously and it’s like, whoa, hold on here. This person that I listened to as an inspiration for this long, thinks I’m worth a shit. So, like LJ said it’s like it’s good to have things out of grasp because it keeps you hungry. But I feel like thus far we’ve achieved quite a bit and I hope if the momentum maintains this way, we can get to Everest.
DS: So what goals do you have for 2024?
P: Just put out new music and just keep playing more shows.
LJ: Getting some new stuff out I think is probably a big one for us. When we did Hellbound, it was so much fun. I had a blast recording and promoting it. It was exciting. I like the recording process, the creativeness of it. So, I would say just getting every piece of that new stuff that we can out there and definitely trying to get another video.
DS: Very cool. This is a fun question. What bands are you guys listening to this week?
LJ: I’ve been on a Bullet for My Valentine kick.
P: I just got it mixed up so it plays a little bit of everything. It might play a little bit of like what he was saying earlier, it might be a little bit of punk rock or some psychobilly or it could be some hip hop, it could be anything at this point. It could be a little bit of everything. Might be some Poison, too.
CG: Just today, I was listening to Frankie Valli and Revolting Cocks, but as of lately, a constant go-to that I’ve been going to is this band called The Paladins. Neo-rockabilly, late eighties, early nineties, actually very Stevie Ray Vaughan influenced. But I cannot get enough of blues guitar and just these hot licks. I just want to just become way more proficient in just being an awesome lead player. A lot of that kind of stuff lately, a lot of Stevie Ray Vaughn, too. I would say Jimi Hendrix is my guy, but lately Stevie’s been more on my record player.
DS: Do you guys have anything else for Dying Scene’s readers?
CG: If you are curious about us, check us out. We’re on Instagram, Facebook, Spotify, all those streaming platforms. And we hope to see you more in the future.
P: And we have lots of videos on YouTube…ones we’ve made our own and live footage. We have all kinds of stuff out. So, check it out.
LJ: And if anybody’s ever in this town to check out a show, definitely come by here CR23 Bombshelter, too.
P: Yeah, this is a hot spot.
LJ: Yeah, it is. Cody’s done an amazing job with it. Even letting us come and hang out and take pictures and do this interview. It’s been awesome. Thanks Cody.
Muddy Roots Music Festival has announced their lineup for this year. Fear (playing The Record in full), Doyle, Zero Boys, The Casualties, Monolord, Stoner, Atagonizers ATL, HR of Bad Brains, The Queers, and Doom Scroll are among the bands announced. Muddy Roots Music Festival will take place September 1-4 at Junebug Ranch in Cookeville, Tennessee. See the full lineup below.
