The Most Interesting Band in the World. From NYC.
The Most Interesting Band in the World. From NYC.
The Most Interesting Band in the World. From NYC.
NYC’S ONLY PUNK BAND! LOUD, FAST PUNK SKA CRUST FOLK
queer – commie conspiracy /// nyc
Dog Park Dissidents are an angry queer punk rock trio from New Orleans, LA, Long Island, NY, and Philadelphia, PA.
HOOOOOO-LEEEEE SHIIIIIIIIIIT! I’m not sure we’ve been this excited about a Band Spotlight since featuring NYC punks Proper! DC punks, Celebration Summer have only been around since 2019 but you wouldn’t know it by hearing them. They sound like grizzled veterans with expertly constructed music laid behind raw vocals which bellow out relatable and very well written lyrics. Add to that extremely catchy riffs and choruses and these guys make the perfect counter to anyone who says there’s no “good” punk rock these days.
We guess we’re not the only one’s who have noticed their talent, because their debut full length album Patience In Presence is being released via the illustrious A-F Records here in the US and by Shield Recordings abroad. and will be available on September 23rd (pre order here). Great minds think alike! When we asked Lead vocalist/guitarist Nate Falger about the newest single/title track “Patience in Presence” he said: “It provides a glimpse of how I deal with anxiety. The lyrics are a reminder to myself to be present in every moment despite the daily, overwhelming weight I feel on myself.”
If you dig music videos, they’ve also released three of them for tracks off of the upcoming eleven track LP: “Fraud“, “Disconnected” and the aforementioned title track “Patience in Presence“. Give ’em a watch!
*Featured Image by Alec Berry (@roxplosion)
If you’re unfamiliar, Proper. are a three-piece formed in NYC roughly 5/6 years ago (as The Great Wight initially) but hailing really from a variety of locations across the country and bringing with them all of their collective experiences and musical influences and creating something that hasn’t really been done before. I remember hearing their last album, I Spent The Winter Writing Songs About Getting Better admittedly a little late and thinking “damn…I’ve never really heard anything like this before.” The new album, The Great American Novel, takes all of the things that were great about the last one and pushes the needles way past 10. It’s important music. It’s music about alienation and about not fitting in and about being a queer person of color in a land that, despite it being 2022, is at times becoming even less comfortable with people that check those boxes. It’s raw and it’s powerful and it’s somehow still hopeful. Oh, and if fucking rips. I feel lucky that I was able to catch up with the whole band (not just with Erik Garlington who spearheads the whole thing shredding on guitar and vocals but with the full band, new mom Natasha Johnson on bass and Elijah Watson on drums and whom you may also know from his “day job” as a journalist for Okay Player) for the (*both laugh*) podcast a couple months ago – you can check that our here or wherever you listen to your podcasts. In the meantime, fire up The Great American Novel and be ready to be blown away. we were able to catch up.
Day 3 of the Riot Fest took place in Chicago’s Douglass Park on September 18, 2022, with some of the most influential all-women or women led bands dominating the stages.
Jawbox, the Washington D.C, iconic band founded in 1989, whose original run lasted until 1997, was welcomed back during its midday set. The bright sun beating down on most of the band members’ faces did not cause a step lost as Jawbox gave the crowd a forceful performance. The set included “Mirrorful,” “Motorist,” ”Cooling Card,” “Static,” “Cutoff,” and “Savory.” The band members J. Robbins, Bill Barbot, Kim Coletta, and Zach Barocas also solidly covered “Lowdown” by Wire, and “Cornflake Girl” by Tori Amos. A hot set made the hot sun more bearable for the Sunday attendees.
Concrete Castles hit the Rebel Stage with the Ferris Wheel and other carnival rides in the sightline of many in the crowd. Vocalist Audra Miller, guitarist Matthew Yost, and drummer Sam Gilman held their fans’ attention with an effervescent set which included “Wish I Missed U,” “Half Awake,” “Sting,” “Just a Friend,” “Lucky,” and “You Won’t See Me Again.” The Erie, PA band started out as the very popular cover band First to Eleven in 2009 before forming Concrete Castles in 2021. Young though the members may be – all three are in their early 20s they all perform with the maturity of confident musical veterans. That’s what they are, combined with a bright and hopefully long future creating terrific music.
Zola Jesus‘ bewitching performance immediately brought to mind Stevie Nicks of Fleetwood Mac, not just because of her flowing garments. The Merrill WI performer, known offstage as Nika Roza Danilova, has an ethereal stage presence, and her set including “Lost,” “Soak,” “Exhumed,” “The Fall,” “Sewn,” and “Undertow” made for as intriguing a performance as her stage name.
Lunachicks kicked off their set with some seriously iconic music, Bill Conti’s inspiring Oscar-nominated theme from Rocky “Gonna Fly Now.” This was the perfect walk-on song as the band appeared, as they always do, ready to fight (for issues in which they believe. Not physically. Though I’m guessing they can hold their own in that manner as well). Band members Theo Kogan, Gina Volpe, Sidney “Squid” Silver, and Chip English didn’t wear their hearts on their sleeves, they wore them on their jumpsuits, dresses and shirts. “Not Government Property,” “Roe Rage Riot,” and “Our Bodies, Our Choice,” were among the messages displayed prominently during a year in which The Supreme Court of the United States overturned Roe V. Wade. Of course, feminist activism is engrained in the DNA of the band. The NYC band’s 2021 memoir “Fallopian Rhapsody” was met with critical acclaim. Lunachicks exhibited their signature power as they ripped through an extensive set including “Bad Ass Bitch,” “Say What You Mean,” “Jerk of All Trades,” “The Day Squid’s Gerbil Died,” “Luxury Problem,” and “Less Teeth More Tits.” A prodigious set indeed by voices perhaps more relevant than ever. Heroes we deserve? Probably not. Heroes we need? Most definitely.
One of Sleater-Kinney‘s first rehearsal spaces was located on Sleater-Kinney Road in Lacey Washington, nearby to Olympia, where the band was founded. The road from that road has been as long one for the now legendary Sleater-Kinney. Its set at Riot Fest 2022 once again proved why Corin Tucker and Carrie Brownstein continue to be so compelling, both as a band and as individuals. Among other tunes, the band performed “High in the Grass,” “Jumpers,” “All Hands on the Bad One,” “Bury Our Friends,” “Modern Girl,” and “The Center Won’t Hold.” Sleater-Kinney delivered a dynamic performance, one that makes us hope we won’t have to wait long before catching them again. Maybe at Riot Fest 2023?
Yeah Yeah Yeahs’ Karen O.’s signature black bowl hairstyle was partially obscured at the start of the band’s set by the topper of an elaborate bright, multi-colored outfit. The first sight of the outfit elicited wows from the crowd and other observers. Her bandmates, Nick Zinner and Brian Chase, clad in clothing nearly matching the night sky, and positioned further away from the spotlight focused on O. were partially obscured themselves. In any case, the Yeah Yeah Yeah’s stood out as a shining example of what a great band can accomplish during a crowded festival weekend. The band performed “Spitting Off The Edge of the World,” and “Burning,” from its new album “Cool it Down.” The well-received album, its first new one since 2013’s “Mosquito,” was released just under two weeks post-Riot Fest, on September 30, 2022. The set also included “Zero,” “Wolf,” “Soft Shock,” “Cheated Hearts,” and “Under the Earth.” It was a fun set to watch and Yeah Yeah Yeahs are enjoyable to shoot photos of as well.
As Riot Fest was born in Chicago, it was fitting that the band with the latest scheduled set start time, by a mere 15 minutes, was from Chicago as well. Nine Inch Nails might have been presented as the Sunday night headliner but The Academy Is… did a pretty good job of drawing many members of the hometown crowd, as well as visitors too, away from Trent Reznor and his bandmates. The band returned to active status seven years after its farewell tour in 2015 and for those fans, seeing them again or for the first time, could not contain their enthusiasm. Band members William Beckett, Adam T. Siska, Mike Carden Andy “The Butcher” Mrotek rewarded their wait with an energetic set, performing “The Phrase That Pays,” “LAX to O’Hare,” “Bulls In Brooklyn,” “Black Mamba,” “We’ve Got a Big Mess on Our Hands,” “Checkmarks,” and “After the Last Midtown Show.” The Academy Is…also paid tribute to Material Issue, the immensely popular Chicago band active from the mid-80’s to the mid-90’s, by covering the latter band’s song, “Very First Lie.” There was a special surprise for fans. Original band members Michael Del Principe and AJ LaTrace joined the others on stage to perform “Attention” off their debut album, “Almost Here. “
Riot Fest 2022 was an exhausting and hot weekend full of great tunes and good times. As coverage of this year’s event winds down, we’re finding it difficult to take a full break from the event. After all, there’s Riot Fest 2023 in the works.
More photos from the final day of Riot Fest 2022 below!
This review is better late than never… don’t blame me, blame Dying Scene for being on “vacation”… Anyway, with MC5 playing down the street, and The Chats, Mean Jeans, and Thick playing a few towns over, I didn’t know what to expect as far as a turnout on this rainy Friday in Pittsburgh. To make things more uncertain, it was my first time at this venue, which didn’t exist before I started a decade of living in NYC and New Jersey. One thing was clear that night: people show up for The Jasons. It helped that the bill was also pretty stacked with pop punk vets, Latecomer, Jerk! (on tour from Las Vegas) and Bottle Rat, whose members have been doing the punk thing for what feels like decades.
Cattivo, in the Lawrenceville neighborhood of Pittsburgh wasn’t at all what I expected. I expected a small – medium sized bar venue that might have a stage, or might not. I was way wrong. This is a dual-level venue that had The Jasons show being held downstairs. The room and stage were a decent size and there was a cash bar serving drinks. The room offered plenty of standing room, a lot of space for band merch, and the bathroom was acceptable. Venues like this aren’t uncommon, but it had been a while since I’ve been to one like this. Aside from the shiny curtain in the back of the stage creating the backdrop, there isn’t really anything memorable about this place. You could say the focus is on the bands, which is always a good thing.
The first band up was Bottle Rat. If you’ve been in the Pittsburgh punk scene in the last twenty years you’ve definitely seen these dudes in one band or another. There’s something about Bottle Rat that takes me back ten years or so to what I remember loving about the Pittsburgh punk sound. The best way to describe that Pittsburgh sound and Bottle Rat is an energetic, growly, anthemic, blue collar street punk style. Every song is a toe tapper, some songs are even hand clappers, and there’s just something about these guys that leaves you wanting more. This performance was no exception. You can bet I’ll be seeing these guys a lot in the future and I’ve given their album, All My Friends Are Animals a few spins since the show.
Next was Jerk!, on tour from Las Vegas, NV. I’ve been following this band since I first heard about them through Mom’s Basement Records and was immediately intrigued. Jerk! plays a sort of pop punk / ramonescore hybrid with a drummer that reminds me of Bill Stevenson both in looks and style of playing. Their set was a lot of fun and featured a ton of upbeat and poppy songs. The only album I’ve ever heard from them is “Panic Attack” and they made sure to hit a ton of songs on that album. They also performed their version of the Screeching Weasel song, “Guest List” which is always a crowd pleaser. There’s no telling when Jerk! will be back in the ‘Burgh again, but when they are I’ll be there!
The last opener of the night was Latecomer. I’ve known Zach and Pete since they were in their first band, Shuttlecocks, over a decade ago and I’ve had the pleasure of playing shows with this latest band. These guys have been killing it for years and every time they take the stage, it gets more and more polished. They dish out a brand of catchy as hell sing-along songs that never disappoint and remind me of bands like the Jetty Boys, Dopamines, older Menzingers, and an edgier Green Day. They have a few releases at this point and made sure to play songs from all of them during their set. The crowd started to really fill in around this time and everyone knew their songs and provided plenty of crowd participation. Always a great sign for a band. It was really nice to hear some of my favorite songs like “All My Friends” and “Refrigerator” live again. Latecomer has always been very active, so if you’re in the Pittsburgh area and they’re playing, be sure to check them out!
The headliner for the night were The Jasons from Crystal Lake, NJ! Boy do these dudes have a following. What’s great about them is while they play a ramonescore style pop punk, you’ll see people from all different subgenres of punk coming out to support them! I’ve seen them a few times at this point and the show keeps getting better. Mainly because The Jasons have everything… a uniformed look, between song banter, great stage presence, and a great stage show… oh yeah, the songs are also catchy too. As soon as the first note rang out, the pit opened up, fists went into the air, and the excitement started. The Jasons went on to rip through classics like, “Blood in the Streets”, “Get Fucked”, “I Wanna Be An Asshole”, “Dead Fuck”, and “J.J. Was a Headbanger”. Overall, the set was flawless, right down to the smoke machines being in sync with the music, and after a quick (and forced) encore, the set was over and so was the show.
It had been a minute since I’ve attended a show where I truly dug all the bands on the lineup. It was also nice to see a ton of familiar Pittsburgh faces and I look forward to more of these types of shows to come. Thanks to all the bands, Cattivo, and the promoter Some Die Nameless!