Search Results for: Thousand Island Records

Search Archives Only

DS Exclusive: Counterpunch debut video for “Judgement Day”

Dying Scene is fired up to bring you the brand new video from Counterpunch! The Chicago punks put out their latest album, Rewire, last month via Thousand Islands Records and SBAM Records, and today they’ve unveiled the video for the featured track “Judgement Day.” Here’s what the band had to say about the video’s symbolism: […]

Dying Scene is fired up to bring you the brand new video from Counterpunch! The Chicago punks put out their latest album, Rewire, last month via Thousand Islands Records and SBAM Records, and today they’ve unveiled the video for the featured track “Judgement Day.” Here’s what the band had to say about the video’s symbolism:

So when I was writing this song I had sort of a comic book fantasy of what this song would look like and then what actually drove the lyrics. It was something along the lines of a god figure showing up to see what its creation has become. Disappointed, the being is trying to decide if it’s time to hit the reset button. Lyrically I wrote this song based on the observations of how folks engage on social media. Wake up, log on and start judging. What that process does to one’s self and how that same place we use to promote and explore is also being used to blame, manipulate and ostracize. The lyrics describe how that world drains on me mentally. “Defeated, beaten, broken and disturbed.” Asking myself over and over “who will save you now from yourself?” I’m trying to highlight the inner struggle to stay plugged in, or remove myself from that world altogether.

Check out the video below!

Post a Comment

Your email address will not be published.

Dying Scene Album Review: Chicago’s Counterpunch is back with their new album “Rewire”

The last two years have been taxing on us all mentally, physically and emotionally. An unfortunate and dire situation the world remains in but it seems there is a light at the end of the tunnel. As much pain, confusion, stress, frustration and adversity we’ve had to overcome, one thing keeps us going. The music […]


The last two years have been taxing on us all mentally, physically and emotionally. An unfortunate and dire situation the world remains in but it seems there is a light at the end of the tunnel.

As much pain, confusion, stress, frustration and adversity we’ve had to overcome, one thing keeps us going. The music has never stopped. A lot of bands have taken advantage of this time to release new music and convey their feelings through songs.

For Counterpunch, a punk rock band from Chicago, this is an opportunity for the world to hear what they’ve been working on for these past two years. It has certainly been well worth the wait. Their new album Rewire is out now.

The last full length album, Bruises was released in 2014, and was a solid album full of melodic and upbeat skate punk tunes. This new album Rewire not only picks up where Bruises left off, but it carves out some new paths the band is taking with their music.

Rather than use the cliche idea that a band “matures” with a new release, Counterpunch has made an album that displays their signature melodic hardcore/skate punk sound (as evident in tracks like “Waiting in the Wings,” “Collateral Damage,” and “Avarice”) and exploring some different territory (“Judgment Day,” “Rewire” and “The Pendulum”).

Rewire is proof that this band has worked extremely hard to make some fantastic music. Each track brings its own sound and each track leaves the listener wanting more. The excitement of hearing some of these songs live is definitely building. This album will be the soundtrack of the summer.

Rewire is out now via Thousand Island Records. Buy it here!

Post a Comment

Your email address will not be published.

Dying Scene Album Review: Trashed Ambulance “Future Considerations”

Imagine this if you will, the year is 1999, it is the beginning of Summer, and you’re surrounded by nothing but wilderness and beautiful landscape. You’re about to take a dive off of a 40-foot cliff into a lake, which is really living in the moment. Now the loud music you have blasting on your […]

Imagine this if you will, the year is 1999, it is the beginning of Summer, and you’re surrounded by nothing but wilderness and beautiful landscape. You’re about to take a dive off of a 40-foot cliff into a lake, which is really living in the moment.

Now the loud music you have blasting on your stereo smacks you back into reality. Some fine-tuned punk rock, heavy on the melody and heavy on the fun. You pull off your headphones and stand up to stretch. What was going on before? Were you dreaming?

I was a part of a school-sponsored trip to Canada the Summer before my Junior year of High School, and what was described above actually happened. This was my formal introduction to the wonderful Country of Canada. Fast forward some twenty or so years, and Canada isn’t just a vacation destination for those who love the outdoors.

Canada has become an epicenter for punk rock for the past ten to fifteen years, boasting such great bands as Propagandhi, The Flatliners, Belvedere, Mute, and Silverstein. That’s only naming a few of the many bands who have put Canada on the map for punk rock music.

Trashed Ambulance is a three piece skatepunk/pop punk band out of Red Deer, Alberta and Future Considerations is the band’s third full length album. It is also the first album with the current lineup.

For me being a relatively new fan, after giving Future Considerations a spin, it felt like I have been listening to these guys for years. The influences in their music is instantly apparent and adding their own sound is what drew me to writing this review.

The opening track “56” sets the tone for what is going to be a very loud, energetic, upbeat, melodic and fun album. “Menace” is a standout track, mixing elements of pop punk and skatepunk into a very jumpy and poppy rock tune. On one hand, I can hear Pennywise, specifically their sound from the album All or Nothing, and on another hand I hear NOFX on this track. I really love the dueling vocals with Emilie Plamondon and Robbie Moron on “Stalk in the Park,” it gives a vibe reminiscent of the cover of “Fairytale in New York,” by No Use for a Name. “Blip on the Radar” is my absolute favorite track on the entire album and can be considered a punk rock anthem. I can already picture the crowd singing this one aloud while pumping their fists and chugging their domestic beers. This is a really fun and catchy tune that will likely become a fan favorite.

Trashed Ambulance consists of three members: Josh Hauta – Guitar/Vocals, Jason “Ozone” Ezeard – Bass/Vocals and Riley Bourne – Drums/Vocals. “We tried not to make a paint by numbers skate punk record,” exclaims Hauta. “This album was a true collaboration of ideas between the band members and producer Casey Lewis. We are proud of how it turned out and while we’re under no illusions that we will change the world with a skate punk record in 2022, we are still stoked to be able to present an accurate representation of the band and how we operate in current times.”

They should be proud, this is another solid effort by a hard-working punk rock band. I am pretty confident it will be in heavy rotation among the punk rock scene and those of you reading this review. Do yourself a favor and give this one a spin!

Future Considerations is available on CD and Vinyl via Thousand Islands Records.

Future Considerations by Trashed Ambulance

Post a Comment

Your email address will not be published.

Dying Scene Record Radar: New punk vinyl releases & reissues (A Vulture Wake, The Network, Adolescents & more)

Yo! What’s going on, friends? Welcome back to the Dying Scene Record Radar, the weekly column where we present you with colorful plastic discs of music to spend your hard earned money on. We’ve got a lot of good shit in store for you this week, so I hope your wallet’s feeling fat, and your […]

Yo! What’s going on, friends? Welcome back to the Dying Scene Record Radar, the weekly column where we present you with colorful plastic discs of music to spend your hard earned money on. We’ve got a lot of good shit in store for you this week, so I hope your wallet’s feeling fat, and your credit limit is nice and high. Enough fucking around, let’s get into it.

Super exclusive, world premiere, breaking news, OMGGGGGGGGG hoooooly fuuuuuuck!!!!!!

1-2-3-4 Go! Records has been on an absolute tear lately with exclusive reissues from Rancid, Bad Religion, and the Descendents, to name a few. In their latest email blast, the Oakland record store announced their next reissue will be an exclusive pink vinyl pressing of Money Money 2020 by The Network (which totally isn’t just Green Day wearing ski masks). This is coming at some point in September; join their mailing list to be among the first to know exactly when it’ll be available.

Former ALL frontman Chad Price’s band A Vulture Wake has announced a new full-length album! One.Kingdom.Animal is set to release in November on Thousand Islands Records. There are two vinyl variants, limited to 250 copies each. Go here to get your pre-orders in, and look out for a new single next week.

New York pop-punk band With The Punches is releasing a new LP that combines their first two EPs Keep it Going and It’s Not the End of the World. Both of these releases have been out of print for over 10 years. Grab yours here.

Lots of exciting stuff going on over at Mom’s Basement Records! Some of their upcoming releases include new LPs from two Canadian pop-punk bands, Avem and The Smelters, and a brand new record from Germany’s Hawaiians. They also have copies of the Punk Rock Raduno 5 compilation. Head over to their webstore for all of this and more. Our Canadian friends can get Avem’s Three Birds Stoned LP from the Forbidden Beat Distro.

Swedish punk veterans Venerea have announced a new album titled Euro Trash, due out August 26th on SBÄM Records. There are two vinyl variants (yellow and blue), each limited to 200 copies. Check out their new single “Blind Faith” below, and pre-order the LP here.

Here’s another one from our friends at Thousand Islands Records. British punks On A Hiding To Nothing released their debut album We’ll Probably Be Fine, last year and it kicked fuckin’ ass. Now, it’s getting the wax treatment, with a super limited red vinyl pressing. Get your hands on this one here.

Epitaph Records has announced a 25th Anniversary reissue for The HivesBarely Legal. There are a few different variants of this one; go here for links to where you can obtain each one in exchange for some form of currency.

The Adolescents have repressed two of their more recent LPs, Manifest Density and Cropduster. You can get both of these records on gold colored vinyl here.

Also from SBÄM Records: a new comp featuring songs by Pulley, Love Equals Death, Snuff, and a bunch of other great bands. This is only available through their European webstore, and is a cool way to grab a slice of everything on the label’s eclectic roster.

Now that all the cool stuff has been covered, here’s what I’ve been listening to… I continue to abstain from spending money on new records; after all, I’ve already got hundreds of the fuckin’ things, why do I need more? This week the Lawrence Arms and Frenzal Rhomb got some play time, along with Sloppy Seconds‘ classic Knock Yer Block Off. I’ve been listening to Sheboygan, WI’s Jetty Boys a lot in the car and at work, so I threw their record Let ‘Er Rip on the turntable, too. This is a fantastic pop-punk album – highly recommended listening!

And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

Post a Comment

Your email address will not be published.

Dying Scene Record Radar: New punk vinyl releases & reissues (Green Day, New Found Glory, OFF! & more)

Welcome to the first installment of the Dying Scene Record Radar! This is a weekly round up of all things punk rock vinyl. We’ll be highlighting new releases to look out for, as well as all those ultra limited reissues that get the collector nerds’ hearts racing. So, let’s get into it… Kicking things off, […]

Welcome to the first installment of the Dying Scene Record Radar! This is a weekly round up of all things punk rock vinyl. We’ll be highlighting new releases to look out for, as well as all those ultra limited reissues that get the collector nerds’ hearts racing. So, let’s get into it…


Kicking things off, New Found Glory! Back in April they released a 20th anniversary reissue of Sticks and Stones. Well, that shit sold out really quick, so they’re doing a second pressing of the reissue, limited to 2,000 copies. Go here this Friday, July 1st at Noon Eastern time to get your hands on it. Or wait ’til they sell out again and pay some clown $100 for it on Discogs.


Bad Religion is also reissuing two of their classic albums. Up first is Generator getting a 30th anniversary reissue. There are different variants for the US, UK, and Australia. Links to order all of those can be found here.


2002’s The Process of Belief is also getting the same reissue treatment for its 20th birthday. This one was announced a few weeks ago but there’s still plenty available. Links to order those are here.


Up next on the reissue train is the best band to name themselves after a Frenzal Rhomb song, Local Resident Failure, with the 10th anniversary reissue of their debut album A Breath of Stale Air. The variants are quite pretty! Americans and Canadians can get it here, Europeans here, and Aussies right here. And you can listen to it, right here! ∨∨∨


Nitro Records participated in Record Store Day 2022 with a reissue of their classic 1996 comp Go Ahead Punk… Make My Day. The compilation features AFI, The Vandals, Guttermouth, The Offspring and Jughead’s Revenge. 5,000 copies were made, and this is its first release on wax. There are still plenty of these out there. You can even get it on Discogs at a very reasonable price.


Now, here’s something that’s sure to ruffle some feathers: Walmart’s Exclusive pressings of Green Day‘s Dookie, American Idiot, and International Superhits. “Green Day? Walmart? That’s not punk!” No fucking shit, but who really cares? Sure the Waltons are one of the most despised families in America and they don’t need any more of your money, but look at the pretty colors! Help fund Billie Joe’s move to the UK, I’m sure he could really use the money.


The Bouncing Souls‘ self-titled record turns 25 this year, so they’re celebrating with four colorful polyvinyl chloride discs. Links to get all the different variants can be found here. East coast! Fuck you!


More reissues! Keith Morris’ OFF! is offering up new pressings of their back catalog, including the stellar First Four EPs, which is now available as a 12″ LP for the first time. These records kick ass. Buy, buy, buy.


Hey, here’s some new music! Screeching Weasel has a new record coming out on July 15th. It’s called The Awful Disclosures of Screeching Weasel. The LP is pricey at $30, but the two songs Mr. Weasel has put up for streaming have been good (stream below), and I enjoyed their last album a lot. Americans can pre-order here, and Europeans can get it here.


Skate punk veterans Cigar have stepped out of a time machine from 1999 to release their sophomore album. The Visitor is due out on September 9th through Fat Wreck Chords. Colored variants are long sold out, but I urge all self respecting skate punk fans to grab it on black wax here in America, here in Europe, and here in Australia. Listen to the debut single while you order!


1-2-3-4 Go! Records has spent the last year reissuing the entire Pinhead Gunpowder discography. The latest installment includes the Shoot the Moon LP (my personal favorite) and 8 Chords, 328 Words 7″. Everything in this series has been Grade A quality, and these reissues are a lot more affordable than original pressings of these records. You can get your hands on these here.


Pop-punk tastemakers Eccentric Pop Records have a bunch of new stuff up on their webstore. For the ridiculously low price of $16 (seriously Travis, how can you sell shit this cheap?!), you can get your hands on Dan Vapid and the Cheats‘ new LP Escape Velocity (listen below), and a new prepress of Horror Section’s long out of print self-titled record. Support a great label and add some awesome records to your collection!


Here’s a highly recommended pickup for those who worship at the altar of Joey Ramone. The Budweisers are a fantastic pop-punk band from Spain, and their new record Look Out Below is great! Plenty of fan service here for everyone who longs for the days when Lookout! Records ruled the pop-punk universe. Monster Zero has it up for pre-order now.


Target joins the “big box store reissuing classic punk albums” party with an exclusive 40th anniversary pressing of The Clash‘s Combat Rock on red vinyl. I grabbed this from my local Target a few weeks ago, and it sounds fantastic. I even signed up for the Red Card and saved 5% – what a deal! I love this record. “Rock the Casbah” is one of mankind’s greatest achievements. There’s a UK pressing on green vinyl as well – you can get that one here.


And I think that oughta do it! There’s undoubtedly a lot of stuff I missed, but hey, shit happens. The world keeps spinning, and we live to see another day. Like I said earlier, these recaps of new colorful plastic discs to waste your money on should be a weekly thing, but I could use a little help. Is there a new record you think should be highlighted in next week’s Record Radar? Suggestions are welcome – send us a message on Facebook or Instagram and we’ll look into it!

Post a Comment

Your email address will not be published.

Dying Scene Record Radar: New punk vinyl releases & reissues (Mr. T Experience, Tony Hawk’s Pro Skater soundtracks & more)

Hello, and welcome to this week’s installment of the Dying Scene Record Radar! This is a weekly round up of all things punk rock vinyl, highlighting new releases and all those ultra limited reissues that get the collector nerds’ hearts racing. So, let’s get into it… Now that all the new and upcoming releases have […]

Hello, and welcome to this week’s installment of the Dying Scene Record Radar! This is a weekly round up of all things punk rock vinyl, highlighting new releases and all those ultra limited reissues that get the collector nerds’ hearts racing. So, let’s get into it…

Wake up, sleepy heads! 1-2-3-4 Go! Records has a new exclusive pressing of an East Bay punk classic going up Friday, July 8th (that’s today!) at 8am PST/11am EST. Limited to 500 hand numbered copies on fiery red vinyl, it’s Jawbreaker‘s 24 Hour Revenge Therapy! Make sure to join their mailing list to be notified when this goes up.

Save the date! The Mr. T Experience is finally reissuing their 1997 LP Revenge Is Sweet, And So Are You. Preorders for this one start Monday, July 11th at Noon Eastern time. To gain access to the preorder, you need to join this mailing list. This pop-punk classic has been out of print since its initial release on Lookout! Records 25 years ago. Don’t miss out!

Speaking of Lookout! Records, Sewer Trout‘s full discography is getting reissued as a compilation LP. This is a collaborative effort between Lavasocks Records and Dead Broke Rekerds. You can preorder it here.

Epitaph Records is reissuing Down By Law‘s 1994 LP Punkrockacademyfightsong on purple vinyl. This is another one that’s limited to 500 copies. US preorders are already sold out, but the label’s European store still has some in stock if you can stomach the extra shipping cost. Or hey, maybe you live in Europe!

Canadian punks Trashed Ambulance just put out a new album called Future Considerations. It’s available to stream right now, but Thousand Islands Records doesn’t expect the LPs to be in hand for a few months. Listen to the album on the below, and preorder it here (North America) or here (UK).

Attention, all skate punk fans! I implore you to check out the new record from Australia’s No Quarter. If you like fast, melodic punk in the vein of Satanic Surfers, you’ll like these guys. You can listen to Fear and Loathing on the Pacific Highway below, and order the LP here.

Feeling nostalgic for the days when you played Tony Hawk’s Pro Skater late into the night, chugging Mountain Dew and getting Cheeto dust on your Mad Catz controller? Then maybe these vinyl bootlegs of the THPS 1 and 2 soundtracks will interest you. If so, you’ll wanna hurry up and grab one here, because these have nearly sold out in just two days.

People of Punk Rock Records will be giving two Rufio albums their first-ever vinyl releases. Head to their website Monday, July 11th at 11am Eastern to get your hands on these beautiful new pressings of MCMLXXXV and The Comfort of Home.

Garageland has exclusive reissues of three – count ’em, three! – Agnostic Front records. Something’s Gotta Give, Riot Riot Upstart, and Dead Yuppies are all available on limited splatter colored vinyl. Head over to their store and get ’em while the gettin’s good.

European friends! If you’re looking for a deal on some great punk records, I suggest you head over to SBÄM Records‘ webstore, where you can save 25% on everything through July 29th. Just enter the code “SBAMFEST” at checkout and you’re ready to roll. They have a bunch of good shit from Pulley, Frenzal Rhomb, Chaser, Guttermouth, and many more. You name it, they’ve probably got it!

Mom’s Basement Records just replenished their pop-punk arsenal with some killer records! New additions to their distro include LPs by the Hawaiians, Beatnik Termites, Lillingtons, and Methadones. Lots of good stuff for my fellow pop-punk enjoyers to munch on.

Now that all the new and upcoming releases have been covered, I thought I’d show you the records I picked up this week, because I’m sure you really care! Anywho, I was in Ocala, FL visiting my parents for the 4th of July and I decided to stop by the only local record store in town, which is appropriately named Vinyl Oasis. I was very happy to find the RamonesIt’s Alive II, a 2020 Record Store Day title that I had been in search of for the last two years, and I was even happier it was only $30 (suck it, resellers!). I also snatched up a brand new 3xLP copy of The Clash‘s notoriously bloated Sandinista (I like it!), and a few CDs including the very interesting Misfits / Nutley Brass crossover album Fiend Club Lounge.

Well, it’s getting late, so I’ll wrap things up there. If you’re still reading this for some reason, thank you again for tuning in to this week’s edition of the Dying Scene Record Radar! Is there a new record you think should be highlighted in next week’s column? Suggestions are always welcome – send us a message on Facebook or Instagram and we’ll look into it!

Post a Comment

Your email address will not be published.

Dying Scene Record Radar: New punk vinyl releases & reissues (NOFX, Danzig, Angry Samoans & more)

Hello, friends! Welcome to the latest installment of the Dying Scene Record Radar. If you’re new here, thank you for joining us! This column provides a weekly round up of all things punk rock vinyl. We highlight the new releases, as well as those ultra limited reissues that get the collector nerds’ hearts racing. Open […]

Hello, friends! Welcome to the latest installment of the Dying Scene Record Radar. If you’re new here, thank you for joining us! This column provides a weekly round up of all things punk rock vinyl. We highlight the new releases, as well as those ultra limited reissues that get the collector nerds’ hearts racing. Open up your wallets, fire up your Paypal account, and let’s get into it…

Danzig‘s 6:66 Satan’s Child is getting its first official pressing since 1999. Cleopatra Records is handling this reissue, and there’s a bunch of different variants (some with the uncensored version of the cover art) available on their webstore (sign up for their mailing list and save 10%). Pay up, people! Glenn needs to stock up on kitty litter.

Fat Wreck Chords has announced European festival exclusive variants of some of their classic releases, including Good Riddance‘s For God and Country, No Use For A Name‘s Making Friends, and Swingin’ UttersA Juvenile Product of the Working Class. The only place in the entire world these will be available is the label’s merch booth at SBAM Fest, Brackrock Festival, and Punk Rock Holiday. Think of it like an Easter egg hunt, but much more expensive! Follow Fat on Instagram for more info.

Keeping their recent hot streak alive, Epitaph Records is back at it with even more reissues! Up first is NOFX‘s White Trash, Two Heebs, and a Bean, which turns 30 this year. They’re pressing TEN new variants of the fuckin’ thing. Links to where you can purchase all of these can be found here.

Also from Epitaph: some new pressings of Dropkick MurphysDo Or Die and Blackout, both on white vinyl. These are limited to 500 copies each, and are only available on their European webstore.

And their third and final reissue this week is a 25th Anniversary edition of the Refused album Songs to Fan the Flames of Discontent, featuring bonus tracks and demos. This is available as a clear 2xLP on their webstore. There’s also an Indie Exclusive blue variant; hit up your local record store for that one.

Knock knock! Who’s there? Another god damn reissue, that’s who! This is a really good one though. It’s the Angry Samoans‘ classic Back From Samoa. You can grab this one on green vinyl from Puke ‘N’ Vomit Records, or from Garageland if you like you’d rather have an orange plastic disc.

Surprise! Here’s another new pressing of an old-ass record. The Vandals reissued 1988’s Slipper When Ill (also known as their country album) on red marble vinyl, available through their Bandcamp page. I’m not big on this one personally, but hey, maybe it’s your favorite Vandals record. If that’s the case, I urge you to seek professional help.

Okay, these are the last of the reissues… I promise. Psychobilly icons Reverend Horton Heat are repressing their first three LPs on colored wax. Due out on September 9th, this is the first time these records have been in print since their initial release in the early 90’s. Get ’em here.

Finally, some new music! MU330 frontman Dan Potthast has a new solo record out, and as the title suggests, it’s pretty good! Each LP has a unique outer sleeve, hand made by Dan P himself. You can give the album a listen below, and grab it on vinyl on his Bandcamp.

Next up we have another solo album, this time from former ALL frontman Scott Reynolds. Chihuahua in Buffalo is his first solo acoustic release, and it’s quite enjoyable! This came out on CD/digital last year, but Thousand Islands Records is now releasing it on vinyl. Listen below, and go here to get the wax.

Something To Do Records has announced a new After School Special LP titled Lost Episodes. For those who are unfamiliar, this was Enemy You frontman David Jones’ (RIP) original band. This release will be available to preorder on the label’s webstore starting Friday, July 15th.

And last but not least, Less Than Jake just released a new single titled “Fat Mike’s on Drugs (Again)”. The song is great, and it’s getting a physical release as a flexi disc. Watch the music video below, and preorder the flexi here.

Well, it’s getting late, so I’ll wrap things up. If you’re still reading this for some reason, thank you once again for tuning in to this week’s edition of the Dying Scene Record Radar! Is there a new record you think should be highlighted in next week’s column? Suggestions are always welcome – send us a message on Facebook or Instagram and we’ll look into it!

Post a Comment

Your email address will not be published.

Dying Scene Record Store Spotlight: Clearwater Record Shop (Tampa Bay, FL)

Hello, and welcome to Record Store Spotlight; a new column here on Dying Scene dedicated to an institution almost as American as apple pie and unfettered capitalism – the record store! Today, I’ll be putting the spotlight on one of my favorite local stores, the Clearwater Record Shop. Nestled in the middle of my hometown […]

Hello, and welcome to Record Store Spotlight; a new column here on Dying Scene dedicated to an institution almost as American as apple pie and unfettered capitalism – the record store!

Today, I’ll be putting the spotlight on one of my favorite local stores, the Clearwater Record Shop. Nestled in the middle of my hometown (a city most well known for being home to the Church of Scientology’s headquarters), the Clearwater Record Shop sets itself apart from other record stores with its heavy focus on used music. Rather than relying on distributors to supply new releases, owner Casey Brown has spent years building his inventory one record collection acquisition at a time. The store which spans two interconnected warehouse spaces boasts one of the most expansive selections of used CDs I’ve ever seen. Every time I visit, I leave with a stack of jewel cases a few feet high. It’s easy to get carried away when you’re met with hundreds of bins overflowing with discs, the majority of which are just $3.75 each (or six for $20!).

Sure, it’s hard to beat the ease and convenience of shopping online. But the Clearwater Record Shop goes toe to toe with Discogs prices, and I find that most of the time, they come out ahead. Also, I’ve yet to find a more enjoyable way to kill a few hours on my day off than thumbing through thousands of records and CDs, searching for worthy additions to my collection. It’s a visceral experience that can’t be matched by browsing an online marketplace. Finding a record like The Clash’s Combat Rock for $15, and not having to wait an eternity for USPS to deliver it is icing on the cake. My only complaint about this store is that the selection is literally overwhelming. If you’re on a budget, you might have to get a little picky as your stack grows taller.

In the cooler months (yes, we sometimes have those here in Florida), the Clearwater Record Shop acts as a host to monthly swap meets. Local record collectors and vendors are invited to set up tables in the parking lot to sell their wares. These events serve as a great meeting place for the community, and are a highlight of winter and spring for me. The first time we attended, I grabbed a few LPs, including the BuzzcocksA Different Kind of Tension ($10) and Billy Joel’s Songs in the Attic ($5), along with a bunch of dollar bin CDs by the likes of the Ramones, Ozzy, and Megadeth.

It’s always a fun time shopping at this store. Casey is very personable and has created something really special here. The store has a unique, inviting old school atmosphere. The selection is great, and the prices are fair. Your dollar goes a lot further here than it does at most record stores.

If you ever find yourself in the Tampa Bay area, I highly recommend stopping by the Clearwater Record Shop. With two air conditioned warehouses packed to the rafters with nothing but music, music, and even more music, you’re bound to stumble upon something that suits your fancy. Or, if you lack self control like me, you’ll probably leave with a mountain of stuff that suits your fancy.

For more info, check out the store’s website, and follow them on Instagram.

Do you have a favorite local record store you’d like to let everyone know about? Of course you do! Hit us up on Facebook or Instagram and submit your own Record Store Spotlight. The more the merrier!

Post a Comment

Your email address will not be published.

Fest Review & Gallery: Punk Rock Saves Lives Fest 2022 – Day 1 (Ratio Beerworks – Denver, CO)

Punk Rock Saves Lives has been doing some incredible shit in our beloved community for a few years now and during that time, they’ve come to be one of the largest non-profit scene related charity organizations, focusing on Health Concerns (both physical and mental), Equal Rights, Human Rights, and so much more. If you’re not […]

Punk Rock Saves Lives has been doing some incredible shit in our beloved community for a few years now and during that time, they’ve come to be one of the largest non-profit scene related charity organizations, focusing on Health Concerns (both physical and mental), Equal Rights, Human Rights, and so much more. If you’re not familiar with them, check them out, give them a follow and stop by their tent at pretty much any large punk fest in North America and say ‘Howdy’!

This year the ever growing charity decided to throw their first ever Punk Rock Saves Lives Festival in Denver, CO. The terrific, two day event (not counting the pre-party show at EastFax Tap on Friday night) was held at Ratio Beerworks (Overland) to help raise awareness and funding to allow them to continue providing vital resources to our comrades in punk (anyone really, they just lean towards us filthy lowlifes for some reason 😛). Since The Masked Moron, Anarchopunk lives in the Mile High now, we dispatched him to take some pics, drink some locally brewed beer, eat some great food truck grub (those CFH Sliders from Brutal Poodle truck slapped), party with a whole slew of awesome people…..and get Covid. We hear that he successfully accomplished his mission (especially the getting Covid part), so check out his report below!


Local solo act, Sputnik Slovenia started things off, promising to be the tamest act of the night and even though I think he was right, we were still treated to some pretty raucous tunes including a rousing cover of the theme to “Gilligan’s Island” which scored major fan participation points, because who doesn’t sing along to that one, even if it’s just the “…threeeee hour toooouuuur” part?


Next to hit the stage was Adams County’s premiere appliance repairmen/punk rock band, Dryer Fire. Some bands have political messages, others may speak on cultural/social issues, some just sing about having fun. But for this group, appliance safety is paramount, taking ample time between songs to remind everyone to clean their lint traps and check their dryer exhausts on a regular basis. Sooooo……go clean your lint trap and check your dryer exhaust.


Tacoma, WA based pop punks, Let Me Downs flew in on short notice to cover for a band that had to fall out and I think the crowd appreciated them a little extra for that because the energy level spiked significantly during their thirty minute set, which was supposed to be the last indoor set of the night (that’s called foreshadowing, kids).


Time for some fresh Rocky Mountain air! Local favorites, Discomfort Creature (fresh off of a Euro Tour) kicked things off on the outdoor stage. The extra space on the lawn was quickly filled with a humble yet aggressive circle pit and the band fed off of the power that was generated by the constant swirl of the denim and leather clad cyclone.


Denver based super-group, Record Thieves were up next and the crowd definitely knew it as they started slowly creeping towards the stage area, in small waves prior to the band taking the stage. Musically speaking, these guys probably hit the highest mark on the ‘Talent Meter’ for Day One and always bring a pretty high level of intensity. But the highlight for me was hearing the first live performance of their new single “Fault Lines”. Stellar work as always, comrades!


Thousand Island Records representing hard at PRSL Fest! Chicagoland residents, Counterpunch took the stage next. The Windy City punks played through some songs from their most recent LP (and AoTY Contender?) Rewire. But they also tipped their hat to the local scene by inviting The Gamits‘ ex-frontman Chris Fogal to provide vocals for their cover of the defunct band’s most popular tune, “Dotted Lines”. Side Note: I think I have a new favorite basser. That cat fucking briiiings it!


Yes, everybody enjoyed all of the other bands. Yes, everyone had a fabulous day, all around. But let’s be real, everyone was ultimately here to see Chicago hardcore stalwarts, The Bollweevils. Before the set even started, the pit was starting to form and it got more fervid as the band took the stage. After the first song, the weather started to shift and Dr. Daryl, as expected, took his secondary position down in the middle of the ever swelling pit, thrashing around with the fans. The weather continued to deteriorate and as the winds picked up to 25+ MPH 98Gotta love Denver weather), a large tent that was affixed the pergola caught air and nearly flew away. At that point, it was determined that for eh safety of everyone involved, the show had to move back indoors. The sound crew did an amazing job and had the show back in operation inside in about twenty mins. As the set recommenced, The Good Doctor asked the crowd if they could remember where they had left off before Mother Nature interrupted, to which the reply was a hearty “Start Over!”. The band complied and we were treated to a bonus ‘extended set’! It’s been four years since I’ve been tossed that badly down in the pit. Damn, it felt good!

*Check out the rest of the day’s action in the below slideshow! Keep an eye out for Day Two coverage, coming soon!


Post a Comment

Your email address will not be published.

In Retrospect: The Best Albums We Missed While We Were Away (Part 1: Dylan’s picks)

Welcome back, friends! It’s been a while. Almost three years, in fact. It goes without saying that a lot of great music has been released in Dying Scene’s absence. To coincide with our little website’s “resurrection”, we’ll be highlighting some of the best albums we weren’t here to cover. Who knows? Maybe you missed some […]

Welcome back, friends! It’s been a while. Almost three years, in fact. It goes without saying that a lot of great music has been released in Dying Scene’s absence. To coincide with our little website’s “resurrection”, we’ll be highlighting some of the best albums we weren’t here to cover. Who knows? Maybe you missed some of them, too! Today’s list comes from longtime DS writer Dylan, aka “Screeching Bottlerocket”. Look forward to more entries in this series from some of our other contributors down the line.

Giant Eagles – Second Landing

The pride of Rotterdam, Netherlands, Giant Eagles have been pumping out extremely catchy, synthesizer-laden pop-punk for a while now. Their debut album Giant Egos was released in 2014, and their sophomore effort Second Landing arrived in 2020. The latter is without a doubt my favorite album of the 2020’s so far. The production is excellent (just listen to those fuckin’ synths!), and the songwriting is somehow even better. If you’re a fan of 90’s pop-punk and looking for a change of pace, I cannot recommend Giant Eagles enough.

Standout tracks: The entire album, especially Evil Robot Nation
Buy it: Mom’s Basement Records (USA) / Shield Recordings (EU) / Stardumb Records (EU)

Kill Lincoln – Can’t Complain

After going on a hiatus of their own for a few years, Washington, DC ska-punk band Kill Lincoln released their comeback album Can’t Complain in 2020. And what a comeback it was! This record seems to have officially put the band on the map, if the constant stream of represses it has received is any indication (seriously, they’re having a hard time keeping this thing in print). It is their most polished release to date, and they seem to have really honed their brand of bouncy pop-punk infused ska. Can’t Complain is a very fun record, and the perfect soundtrack for your summer.

Standout tracks: Greetings from Inner Space & Last Ditch Denial
Buy the record: Bad Time Records (USA) / HHV (EU)

Chaser – Dreamers 

Not many bands release their best music 20 years into their career, but Chaser isn’t like most bands. The Orange County melodic punk veterans made their triumphant return in 2018 with their first album in eight years, Sound the Sirens. They followed that with 2021’s Dreamers. I can safely say this is the definitive album of Chaser’s career thus far. It’s just really fucking good; melodic, fast, hard hitting skate punk. The cover art is awesome, too! Chaser is firing on all cylinders and isn’t slowing down any time soon.

Standout tracks: Good Times (just listen to that bassline!), The Ripper, Always With You & See You at the Show
Buy it: Sound Speed Records (USA) / Thousand Islands Records (Canada) / SBÄM (EU) / Pee Records (Australia)

The Putz – Rise and Shine

I’ve long been a fan of Indianapolis’ The Putz. Like most of the band’s previous work, their fourth full-length Rise and Shine checks all the boxes that I look for in a great pop-punk record. It’s a relentless 35 minute barrage of downstrokes, charmingly simple songwriting, and countless earworm hooks. If you told me this was a long-lost Lookout! Records release, I’d be inclined to believe you. This is a fantastic, well rounded album from one of the best pop-punk bands in the game.

Standout tracks: She’s a Brat, Kicked Out, Numbskull & Invitation Only
Buy it: Eccentric Pop Records (USA) / Stardumb Records (EU)

Victims of Circumstance – Five

One of the longest tenured bands in the Tampa Bay music scene, and the first local band I fell in love with, Victims of Circumstance delivered their aptly titled fifth album Five in 2020. It had been six long years since the ska-punk veterans’ last full-length No More Heroes, an album that would stay in my car’s CD player for months at a time. The good news is, the wait was worth it! Five is essential listening for any third wave ska fan. This album is brimming with grooving mid-tempo songs with chunky basslines, hard-hitting guitar driven punk anthems, and everything in between.

Standout tracks: Tonight We’re Getting Loud, Enemy, The Edge & Ready to Go
Buy it: vocska.com (CD) / Bandcamp (digital)

Post a Comment

Your email address will not be published.