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Against Me!

Against Me! is an American punk rock band formed in 1997 in Naples, Florida.

DS Photo Gallery: A Vulture Wake, Stuck Lucky Headline Nashville Punk Rock Flea Market 6.11.22

I can confidently say this is the best punk event held in Music City at least since I began calling here home in 2013. Held at the notorious Further Farms just a short drive from downtown, and judging by the fact that event shirts, water and food had all sold out just halfway through the […]

I can confidently say this is the best punk event held in Music City at least since I began calling here home in 2013. Held at the notorious Further Farms just a short drive from downtown, and judging by the fact that event shirts, water and food had all sold out just halfway through the event, expectations were shattered and we had ourselves a party. All eight bands playing completely kicked ass, over 50 vendors set up camp and drew a crowd I would guess numbered well over a thousand people, and Denver-based nonprofit Punk Rock Saves Lives was swabbing people left and right for their bone marrow registry. Beer was drank and fun was had!

Indianapolis native Mike Muse of Amuse kicked things off with a solo acoustic set after the other 2/3 of a Amuse were unable to make it. Nonetheless, the acoustic set was a great precursor for what was to come. To close, the boys in SecondSelf hopped up to join Mike for a much needed and well-timed Skate or Die cover, much to the pleasure of the continuously growing crowd.

SecondSelf has solidified themselves as one of my local favorites over the past several years; they’re a great bunch of dudes that play hard, fast, killer punk rock, what more could you ask for. These dudes have something really cool going, and for Nashville punk rock’s sake, I hope it continues. I’ve caught these guys live more than almost anybody, and Nate’s guitar solos still nearly melt my face off on the regular.

Sugar In The Gas Tank were a somewhat last minute addition to the NPFM, but they offered a nice change of pace with their early 2000s blink 182-esque brand of pop punk. Their catchy riffs and upbeat tempo gave me flashbacks to my younger Warped Tour days and showed me a side of Nashville punk that I hadn’t seen in years, but was glad to have present.

I’ve caught Tank Rats a few times over the years, most recently a few months back opening for the Cryptics. And man do these guys bring some damn energy! The Tank Rats brand of Nashville street punk was on full-display with this awe inspiring performance. From the start of their set on, the atmosphere picked up and our Music City party was in full-swing, thanks in large part to the absolute mayhem that these guys brought to the stage.

Stuck Lucky holds a special place in my heart. They headlined the first punk show I ever attended in Nashville, and from then on, I’ve followed along to any local show these guys are a part of. A masterful blend of ska and punk that I have trouble drawing similarities to, and, like a fine wine, these guys have only gotten better with age.

Their mastery was put on full display during their set, which involved trombonist Will Carter hopping down in the crowd and straddling a stuffed banana mid-song.

Flummox was a great representation of the sheer diversity that the Nashville punk scene encompasses. We had West Coast skate-punk well represented by Secondself, pop-punk by Amuse and SITGT, ska by Stuck Lucky, and oi! by Tank Rats. Flummox was weird, but in all the best ways, and it’s hard to pin them down to any one genre.

Breaux! was the first of two acts that I was especially excited to see for the first time. I don’t know how I had never heard of these guys, but their performance made me reminisce about seeing A Wilhelm Scream in Nashville a few years prior. Lead singer Price Cannon entertained the shit out of the steady crowd that continued to fill the market, and they were an excellent predecessor for the punk rock mastery that was to follow, A Vulture Wake.

Now we’ve reached the main event, the band that I had been dying for years to see ever since I stumbled across Chad Price’s One Week Record in 2018, A Vulture Wake. When I found out about guitarist Dan Wleklinsi’s tenure in early Rise Against, this only added to my anticipation. To put it bluntly, these dudes know how to rock and exceeded everything I had expected.

There’s not too much to be said about this type of performance other than I would recommend these guys to anybody asking for a great punk show to see. Wleklinski can shred the hell out of the guitar, and I was in awe of Chad Price’s vocals for their entire set. If anything, look at that dude’s hair; worth the price of admission in and of itself.

Attached below are any other photos I got from the show (these make up the tiny percentage that did not come out as complete garbage). Feel free to peruse at your own leisure and I hope to have many more of these galleries up in the coming months. Cheers!

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DS Photo Gallery: Frank Turner and the Sleeping Souls, The Bronx, Pet Needs in Nashville, TN 7.5.22

I have a confession to make. Although I am greatly ashamed, and I’m probably going to be shunned by all of the Dying Scene faithful, I must admit that this was my first time seeing Frank Turner. I know, I know, the guy tours nonstop and frequents Nashville and the surrounding cities. Not to mention […]

I have a confession to make. Although I am greatly ashamed, and I’m probably going to be shunned by all of the Dying Scene faithful, I must admit that this was my first time seeing Frank Turner. I know, I know, the guy tours nonstop and frequents Nashville and the surrounding cities. Not to mention that I have been knowingly committing punk rock sacrilege by not having attended at least once, but, excuses aside, I finally made it. And man did it live up to all the hype.

Pet Needs, traveling from across the pond to the US for the first time, was a phenomenal opener. The Bronx reminded me why they might very well be my favorite live band. And Frank Turner was, well… Frank Turner. The dude was a true professional and was as classy and entertaining as I had heard.

Like I said, Pet Needs was enjoying their first trip to the states, and as soon as they started their set, they made me a fan. They’ve got some catchy tunes, most notably ‘Tracey Emin’s Bed’ and ‘Punk Isn’t Dead, It’s Just Up for Sale’, and guitarist George Marriott can down-right shred. In a way, they reminded me of some of the early English punk acts that made their way over to the states: the Buzzcocks, The Clash, etc. After seeing them live, I could not have thought of a better opener for the king himself.

I’ve seen The Bronx a number of times and my love for them grows with every performance. These guys are about as professional as it gets and they throw one hell of a party. What made their set even more exciting for me was when I realized former Offspring and current Against Me drummer Adam ‘Atom’ Willard was behind the kit tearing things up, all with an ear-to-ear grin for the set’s entirety.

Seeing my favorite drummer absolutely kill it was just icing on the cake. Seeing the Bronx is always a treat, but this most recent show was long overdue.

There’s not a whole lot that I could write here that would be new to anybody reading this. This was Frank Turner‘s 26th show in the last 26 days (on the road to 50 shows in 50 days – editors note: you can see our coverage of the New Jersey show here and listen to our interview with Frank from just before tour was announced here) and show number 2653.

I haven’t been at this whole concert photography thing for too long, but I’m gonna go ahead and label Frank and the rest of The Sleeping Souls as the most photogenic group in punk. It was hard to get a bad picture of these guys, and that’s saying something for a guy who takes photos that are normally 90% complete shit. Thanks to these dudes, this was the most fun I’ve had watching a show in a long time

Down below is the full gallery from all three bands. Had a lot of fun with this one and it would be much appreciated if you took the time to check these out. Until next time, Cheers!

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Dying Scene Album Review: Joker’s Republic – “Necessary Evil”

For a long time, it wasn’t “cool” to say you like ska, but that never deterred me; I’m not cool anyway. I see Less Than Jake more often than I see my parents. I get through long days at work by listening to The Toasters, Mighty Mighty Bosstones, Against All Authority, Buck-O-Nine, and my favorite […]

For a long time, it wasn’t “cool” to say you like ska, but that never deterred me; I’m not cool anyway. I see Less Than Jake more often than I see my parents. I get through long days at work by listening to The Toasters, Mighty Mighty Bosstones, Against All Authority, Buck-O-Nine, and my favorite hometown band Victims of Circumstance. In recent years, ska has enjoyed quite the revival, and the old guard is starting to make way for some new blood. Ska Tune Network has brought the genre to a new audience, with fun ska-punk covers of pop songs and video game music garnering over 12 million views on YouTube. The Interrupters are breaking into the mainstream and have even performed on national TV. The tide is turning, and for the first time in a long time, ska is cool again.

Naturally, with the revival of a genre comes a new wave of bands. New Jersey’s Joker’s Republic is part of a growing crop of ska-punk up-and-comers. Their new album Necessary Evil was recorded and produced by Less Than Jake’s Roger Lima at his Gainesville recording studio The Moathouse. If you’re a fan of the poppy “fourth wave” ska-punk formula played by bands like We Are The Union and Kill Lincoln, these guys are right up your alley. The production on this album is top notch, and the songwriting isn’t too shabby either. Necessary Evil, the band’s third effort, offers up a mix of pop-punk and ska, with a hint of skate punk. The album-opening title track is my favorite song, but the blazing fast “Talk To Me” is a close second. “Gin and Tonic” is cleverly built around a fun early Blink-182 sounding guitar riff that doubles as a bassline during the song’s second bridge. “Anxiety” and “Dead Man Walking” are both very skankable tracks with some really catchy hooks. The album wraps up with “Anchor”, a grooving mid-tempo ska song that reminds me a lot of “The Science of Selling Yourself Short“.

As much as I like this album, I have to say that Joker’s Republic and Necessary Evil would benefit greatly from the addition of a horn section. The opening track features a guest appearance from LTJ’s Buddy “Goldfinger” Schaub on trombone, laying down some awesome horn parts. This added a much needed extra layer of depth to the song’s melody, and rounded out the band’s sound very nicely. After this, on the album’s remaining nine tracks, there are no brass instruments to be found. How could you do this to me? I feel deceived, hustled, betrayed, and utterly bamboozled! Let’s Face It, ska just isn’t as good without horns; unless, of course, your band is named Operation Ivy. In other words, it’s time to start auditioning for your horn section, fellas!

These guys are a promising young band, and I look forward to watching them continue to evolve. Listening to their previous releases on Spotify and comparing it to their latest work, it’s easy to see that Joker’s Republic is progressing pretty quickly. Necessary Evil is by far their best work to date. Listen below and click here to grab the CD. If you prefer digital, visit their Bandcamp to download the album.

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Dying Scene Record Radar: New punk vinyl releases & reissues (Against Me!, Frenzal Rhomb, NOFX & more)

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, this is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, grab a few beers, and break out those wallets, because it’s time to run through this week’s […]

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, this is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, grab a few beers, and break out those wallets, because it’s time to run through this week’s new releases and reissues. Let’s get into it!

Swedish punk veterans Millencolin have announced a new LP compiling their first two demo tapes from 1993. Due out in early September, Goofy & Melack will be limited to 500 copies on black vinyl, and 240 copies on red vinyl. Preorder through their webstore starts Thursday, August 4th at 10am Eastern.

Anti-Flag just announced their 13th full-length album Lies They Tell Our Children. It’s due out on January 6th, 2023, and you can pre-order it now here. The record will feature guest appearances from members of Rise Against, Bad Religion, and a bunch of other bands. The cover art’s some avant garde bullshit, which is cool if you’re into that kinda thing. Check out the music video for the first single below.

Asbestos Records has repressed the venerable Against Me!‘s 2007 New Wave LP for the first time in six years. This one’s limited to 1,000 copies on split black/yellow vinyl. Head to the label’s webstore to get yours.

Avail frontman Tim Barry has announced a new solo album titled Spring Hill. This is due out on August 12th, and it sounds like the LP will be available to order the on same day. The “red cloud” variant pictured will only be available at a show he’s playing in Richmond, VA on Friday, August 5th (more details on that here).

Fat Wreck Chords has repressed Frenzal Rhomb‘s incredible Smoko at the Pet Food Factory. Fat doesn’t reveal their colored variants usually, but my super official sources tell me this is what this pressing looks like. Grab your copy here.

British melodic punks Darko just announced a new EP titled Sparkle. It’s due out on October 21st, and you can preorder it here. The first single “Cruel to Be” is really good; check out the music video below!

Zia Records has a new exclusive variant of NOFX‘s Punk in Drublic, limited to to 500 copies on “Transparent Beer With Red Splatter” colored vinyl. Get it here.

New band alert! Bracket‘s Angelo Celli has a new project called Guilty Party and their debut 7″ Imposter Syndrome is coming out next month. Check out “Circling the Truth” below, and go here to get your preorder in. If you like Bracket, you will like this.

The Homeless Gospel Choir‘s 2020 album This Land Is Your Landfill just got repressed. There are two new variants, each limited to 250 copies. Go here to grab this one.

Rude Records is having a summer sale! Records, shirts, and more from bands like Less Than Jake, Guttermouth, and a bunch of others are discounted up to 25%. Head over to their webstore to check it out.

Now that all the cool stuff has been covered, here’s what I’ve been listening to… Saving money by not buying every new release has given me a chance to dig out some stuff I haven’t played in a while. First up this week was Much The Same‘s Quitters Never Win, a very underrated skate punk record that turns 20 years old next year. MxPx‘s The Ever Passing Moment from last year’s box set got some playing time, too. I also revisited one of my favorite Murderburgers records The 12 Habits of Highly Defective People, and Civil War Rust‘s fantastic debut LP The Fun & The Lonely.

That’s all, folks! Thanks as always for tuning in to the Dying Scene Record Radar. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, don’t blow too much money on spinny discs. See ya next week!

Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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Dying Scene Show Review and Photo Gallery: Windy City Sensation w/ Flesh Panthers, Criminal Kids, Some Hearts, RMBLR and more

Story and Photography by Meredith Goldberg Windy City Sensation returned in Chicago over the weekend of July 16-17, taking over Liar’s Club for two nights of a loud and rowdy rock cocktail with a twist of punk and hardcore. The iconic bar/venue on West Fullerton Avenue played host to a multitude of bands all competing […]

Story and Photography by Meredith Goldberg

Windy City Sensation returned in Chicago over the weekend of July 16-17, taking over Liar’s Club for two nights of a loud and rowdy rock cocktail with a twist of punk and hardcore. The iconic bar/venue on West Fullerton Avenue played host to a multitude of bands all competing for title of most hyper-energetic set.

Of course, the music was pretty damn good too.

Jump starting the weekend were some well-liked sons of the Windy City, Bad Sons. The Chicago born and bred street punk crew has two modes working in conjunction “Fast. Loud.” The band hit its targets on both. 

Though no exact stats available at the moment, Milwaukee might be the non-Chicago city with the highest number of bands having played at Liar’s Club. Convert, the first of the weekend’s several Milwaukee bands, followed Band Sons. Convert made up of musicians from two different hometown scenes: punk rock, and electronic music.  Somewhat obscured through a very dense layer of blue fog its performance nonetheless broke through strong and clear.  

Some Hearts is based out of both Tulsa, OK and Los Angeles, CA, which one member, Niah Bervin, joked was “weird, I know haha,” found its way into the heart of the opening night crowd with its energetic set. 

Criminal Kids has around for a while and has deservedly developed a reputation for rollicking sets. From the regularity of the band’s appearances at Liar’s, it is obvious this is a favorite spot for them. It even recorded a live record at the venue in September 2021. All of this contributed to a sense the band was very much at home, among friends, on the compact stage at 1665 W. Fullerton. Its performance did not disappoint. 

From Criminal Kids immediately to a crime of another sort. Crime Line comes out of Norfolk, one of the cities making up Hampton Roads, a metropolitan area in southeastern Virginia. (Note: it is also where I lived for several years so I know the area well) Along with its Naval facilities, Hampton Roads might be musically best known for homegrown hip-hop legends Missy Elliott and Pharrell Williams. As shown in the documentary, “Hardcore Norfolk: The Movie” (2011) it also has a strong punk rock legacy. The most well-known of which is likely Waxing Poetics.  Crime Line carries that legacy forward with its rambunctious performance. Lead singer Ray Braza might have been purposefully or perhaps subconsciously but bloodily inspired by   Jack “Choke” Kelly from legendary Boston hardcore band Slapshot.  Braza smashed up his own head with the resulting blood running down his face and garishly mixing with sweat to soak his white t-shirt failed to stop him. Alas, it was difficult to determine if tears completed the metaphorical holy trinity symbolizing the hard work it takes to succeed. 

Capping off night 1 was Dinos Boys out of Atlanta Georgia. Chase Tail pulled triple duty for the weekend. Tail is the lead singer for both Dinos Boys and RMBLR, with each band at the top of its respective night’s bill. In addition, Tail organized the event. However, if he was exhausted at any point, it did not show. 

Aces, from Milwaukee, got the Sunday session off to a pummeling start with its no flash all thrash set. The band appeared to be buoyed by its latest EP, released this year, “Raw Deal,” which includes the single, “Outta Time.” 

Flesh Panthers are vets of the Second City punk scene. Revrend Zombotron led the group with an enthusiasm which led the crowd to slam against the stages and the walls surrounding the compact stage. Flesh Panthers’ lively performance was a highlight among many highlights during the Windy City Sensation 2022 weekend. 

And then there was Baltimore’s BBQT. The 5-piece crew from Charm City delivered an especially exciting set. Gabbie “Sleaze-E-G” Torres dominated both the stage and the floor. At times she appeared ready slither right off the stage. Thankfully, the stage is built fairly low to the ground.  Her bandmate,  guitarist Alex Briscoe, brought to mind a whirling dervish with his nearly continuous spins. He remained in perpetual motion for the duration of the BBQT set. 

Closing out the weekend, RMBLR left the crowd panting and exhausted. Event organizer Chase Tail growled into the mic, slashing across the stage. At one point he dropped to the floor of the stage and proceeded to easily do one-handed push-ups.

Despite a few brief technical glitches with sound gear and guitar straps, the weekend was a bit of chaotic glory. If there is a Windy City Sensation 2023 there will be high expectations to meet. I have little doubt that organizers can and will exceed those expectations. 

Please see below for more images from Windy City Sensation.

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John Tomasevich

John Tomasevich is a singer/songwriter from Burlington, North Carolina. After years of playing under different stage names, he released his first record under his actual name, “DEVOLUTION”, in late January of 2022. His music combines the angst of his punk rock heroes, Against Me!, with the folk heartland rock sounds of his first musical love, John Mellencamp.

Propagandhi

Propagandhi is a Canadian punk rock band formed in Portage la Prairie, Manitoba in 1986 by guitarist Chris Hannah and drummer Jord Samolesky. The band is currently located in Winnipeg, Manitoba[4] and completed by bassist Todd Kowalski and guitarist Sulynn Hago.

While their earlier work was aligned with the punk rock and skate punk tradition, in later years Propagandhi records have moved towards a heavier and more technical heavy metal-influenced sound. Both in their lyrics and hands-on activism, the band’s members champion various left wing and anarchist causes and veganism, and have taken a vocal stance against human rights violations, sexism, racism, nationalism, homophobia, imperialism, capitalism and organized religion.

Rent Strike

RENT STRIKE is a call to action! Fiercely independent and pushing up against all bounds, their music is a wild dream, a spreading fire, an explosion in every direction, and a challenge to our notion of our time and of our place.

Rise Against

Rise Against is a punk rock band from Chicago, formed in 1999. Rooted in hardcore punk and melodic hardcore, the band is known for their outspoken social commentary, covering a wide range of topics such as political injustice, animal rights, humanitarianism, and environmentalism.