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Counterpunch

Skate/90’s melodic punk rock band from Chicago, IL. Half Blackhawks fans, half Red Wings fans. We like beer, kebabs & good tunes. Featuring ex-members of We Are the Union (Paper + Plastick Records), Voice of Addiction, & She Likes Todd. Check out our pages & follow us on twitter! Merch available online at BigCartel. Cheers!  

DS Exclusive: Counterpunch debut video for “Judgement Day”

Dying Scene is fired up to bring you the brand new video from Counterpunch! The Chicago punks put out their latest album, Rewire, last month via Thousand Islands Records and SBAM Records, and today they’ve unveiled the video for the featured track “Judgement Day.” Here’s what the band had to say about the video’s symbolism: […]

Dying Scene is fired up to bring you the brand new video from Counterpunch! The Chicago punks put out their latest album, Rewire, last month via Thousand Islands Records and SBAM Records, and today they’ve unveiled the video for the featured track “Judgement Day.” Here’s what the band had to say about the video’s symbolism:

So when I was writing this song I had sort of a comic book fantasy of what this song would look like and then what actually drove the lyrics. It was something along the lines of a god figure showing up to see what its creation has become. Disappointed, the being is trying to decide if it’s time to hit the reset button. Lyrically I wrote this song based on the observations of how folks engage on social media. Wake up, log on and start judging. What that process does to one’s self and how that same place we use to promote and explore is also being used to blame, manipulate and ostracize. The lyrics describe how that world drains on me mentally. “Defeated, beaten, broken and disturbed.” Asking myself over and over “who will save you now from yourself?” I’m trying to highlight the inner struggle to stay plugged in, or remove myself from that world altogether.

Check out the video below!

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Dying Scene Album Review: Chicago’s Counterpunch is back with their new album “Rewire”

The last two years have been taxing on us all mentally, physically and emotionally. An unfortunate and dire situation the world remains in but it seems there is a light at the end of the tunnel. As much pain, confusion, stress, frustration and adversity we’ve had to overcome, one thing keeps us going. The music […]


The last two years have been taxing on us all mentally, physically and emotionally. An unfortunate and dire situation the world remains in but it seems there is a light at the end of the tunnel.

As much pain, confusion, stress, frustration and adversity we’ve had to overcome, one thing keeps us going. The music has never stopped. A lot of bands have taken advantage of this time to release new music and convey their feelings through songs.

For Counterpunch, a punk rock band from Chicago, this is an opportunity for the world to hear what they’ve been working on for these past two years. It has certainly been well worth the wait. Their new album Rewire is out now.

The last full length album, Bruises was released in 2014, and was a solid album full of melodic and upbeat skate punk tunes. This new album Rewire not only picks up where Bruises left off, but it carves out some new paths the band is taking with their music.

Rather than use the cliche idea that a band “matures” with a new release, Counterpunch has made an album that displays their signature melodic hardcore/skate punk sound (as evident in tracks like “Waiting in the Wings,” “Collateral Damage,” and “Avarice”) and exploring some different territory (“Judgment Day,” “Rewire” and “The Pendulum”).

Rewire is proof that this band has worked extremely hard to make some fantastic music. Each track brings its own sound and each track leaves the listener wanting more. The excitement of hearing some of these songs live is definitely building. This album will be the soundtrack of the summer.

Rewire is out now via Thousand Island Records. Buy it here!

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Fest Review & Gallery: Punk Rock Saves Lives Fest 2022 – Day 1 (Ratio Beerworks – Denver, CO)

Punk Rock Saves Lives has been doing some incredible shit in our beloved community for a few years now and during that time, they’ve come to be one of the largest non-profit scene related charity organizations, focusing on Health Concerns (both physical and mental), Equal Rights, Human Rights, and so much more. If you’re not […]

Punk Rock Saves Lives has been doing some incredible shit in our beloved community for a few years now and during that time, they’ve come to be one of the largest non-profit scene related charity organizations, focusing on Health Concerns (both physical and mental), Equal Rights, Human Rights, and so much more. If you’re not familiar with them, check them out, give them a follow and stop by their tent at pretty much any large punk fest in North America and say ‘Howdy’!

This year the ever growing charity decided to throw their first ever Punk Rock Saves Lives Festival in Denver, CO. The terrific, two day event (not counting the pre-party show at EastFax Tap on Friday night) was held at Ratio Beerworks (Overland) to help raise awareness and funding to allow them to continue providing vital resources to our comrades in punk (anyone really, they just lean towards us filthy lowlifes for some reason 😛). Since The Masked Moron, Anarchopunk lives in the Mile High now, we dispatched him to take some pics, drink some locally brewed beer, eat some great food truck grub (those CFH Sliders from Brutal Poodle truck slapped), party with a whole slew of awesome people…..and get Covid. We hear that he successfully accomplished his mission (especially the getting Covid part), so check out his report below!


Local solo act, Sputnik Slovenia started things off, promising to be the tamest act of the night and even though I think he was right, we were still treated to some pretty raucous tunes including a rousing cover of the theme to “Gilligan’s Island” which scored major fan participation points, because who doesn’t sing along to that one, even if it’s just the “…threeeee hour toooouuuur” part?


Next to hit the stage was Adams County’s premiere appliance repairmen/punk rock band, Dryer Fire. Some bands have political messages, others may speak on cultural/social issues, some just sing about having fun. But for this group, appliance safety is paramount, taking ample time between songs to remind everyone to clean their lint traps and check their dryer exhausts on a regular basis. Sooooo……go clean your lint trap and check your dryer exhaust.


Tacoma, WA based pop punks, Let Me Downs flew in on short notice to cover for a band that had to fall out and I think the crowd appreciated them a little extra for that because the energy level spiked significantly during their thirty minute set, which was supposed to be the last indoor set of the night (that’s called foreshadowing, kids).


Time for some fresh Rocky Mountain air! Local favorites, Discomfort Creature (fresh off of a Euro Tour) kicked things off on the outdoor stage. The extra space on the lawn was quickly filled with a humble yet aggressive circle pit and the band fed off of the power that was generated by the constant swirl of the denim and leather clad cyclone.


Denver based super-group, Record Thieves were up next and the crowd definitely knew it as they started slowly creeping towards the stage area, in small waves prior to the band taking the stage. Musically speaking, these guys probably hit the highest mark on the ‘Talent Meter’ for Day One and always bring a pretty high level of intensity. But the highlight for me was hearing the first live performance of their new single “Fault Lines”. Stellar work as always, comrades!


Thousand Island Records representing hard at PRSL Fest! Chicagoland residents, Counterpunch took the stage next. The Windy City punks played through some songs from their most recent LP (and AoTY Contender?) Rewire. But they also tipped their hat to the local scene by inviting The Gamits‘ ex-frontman Chris Fogal to provide vocals for their cover of the defunct band’s most popular tune, “Dotted Lines”. Side Note: I think I have a new favorite basser. That cat fucking briiiings it!


Yes, everybody enjoyed all of the other bands. Yes, everyone had a fabulous day, all around. But let’s be real, everyone was ultimately here to see Chicago hardcore stalwarts, The Bollweevils. Before the set even started, the pit was starting to form and it got more fervid as the band took the stage. After the first song, the weather started to shift and Dr. Daryl, as expected, took his secondary position down in the middle of the ever swelling pit, thrashing around with the fans. The weather continued to deteriorate and as the winds picked up to 25+ MPH 98Gotta love Denver weather), a large tent that was affixed the pergola caught air and nearly flew away. At that point, it was determined that for eh safety of everyone involved, the show had to move back indoors. The sound crew did an amazing job and had the show back in operation inside in about twenty mins. As the set recommenced, The Good Doctor asked the crowd if they could remember where they had left off before Mother Nature interrupted, to which the reply was a hearty “Start Over!”. The band complied and we were treated to a bonus ‘extended set’! It’s been four years since I’ve been tossed that badly down in the pit. Damn, it felt good!

*Check out the rest of the day’s action in the below slideshow! Keep an eye out for Day Two coverage, coming soon!


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