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Chat Pile

5 Awesome Albums You Need To Listen To Before Finalizing Your 2022 AoTY Lists

Chat Pile

As we near the end of 2022, music critics, publications, and fans alike are busy putting together their year-end lists. Did your favorite band put out a new project that you love? Did you discover a new artist altogether? Whatever tops your list will surely fill you with a sense of nostalgia for the music year that was. Sometimes, however, some truly excellent projects need to be revisited. Before The Dying Scene contributors put out any year-end list, some projects we did not cover throughout the year deserve some love! Without further ado, here are five punk/punk-adjacent albums released in 2022 that you may have missed.

The Chats: Get Fucked

Ironically, the first artist covered in this collection is one many readers have likely already checked out. That’s okay, though, because the only criteria we’re going off of is whether Dying Scene covered their 2022 release. And we didn’t.

The Chats are a garage punk-y band from Sunshine Coast, Queensland, Australia. The band has made a name for themselves in their short career with a viral hit in their pocket; their 2017 single “Smoko.” The song and its accompanying music video have been listened to and viewed millions of times, making it a track with mainstream success that few new punk bands have experienced now in recent times. They’ve built on this acclaim and continued their string of releasing solid material with their 2022 release, Get Fucked.

Get Fucked continues in the style the Chats have made their trademark early in their career. The hallmarks of this style include sneering, bratty vocals, straightforward garage guitar riffs, and simple yet catchy songwriting that harkens back to early British punk bands while still not sounding dated. Clocking in at under 30 minutes, this is no-nonsense pub rock/garage punk that makes for a fun listen. If you haven’t already checked out Get Fucked, start with the single 6L GTR.

Chat Pile: God’s Country

While the Chats’ Get Fucked oozes fun and charisma, God’s Country by Chat Pile (not to be confused with The Chats) switches gears into abrasive and disgusting cacophony (This is a compliment of the highest order).

Chat Pile, hailing from Oklahoma City, Oklahoma, is a self-described noise rock outfit that some music media lumps into the sludge metal category. Whatever you want to call it, Chat Pile burst onto the scene in 2022 with the release of their debut album God’s Country. While the band formed in 2019 and released EPs after that, their 2022 debut served as a real coming-out party. God’s Country was met with critical acclaim, currently at 87% approval on Metacritic.

Don’t trust the critics; take this record on a spin yourself. It certainly isn’t for everyone, but for anyone that enjoys noisy, unvarnished, and brutal rock music, this record may be for you.

While the instrumentation provides much of the mood, and truthfully this record would still be enjoyable if you only treated the vocals as sonic texture, a dive into the songwriting serves as horror itself. The vocalist of Chat Pile, under the pseudonym Raygun Busch, described the themes in God’s Country as ranging from homelessness to a 1974 mass murder of six restaurant employees in Oklahoma City. If you missed God’s Country and are intrigued, check out the opening track for the record “Slaughterhouse.”

Fresh: Raise Hell

In July of 2022, Brighton emo/indie/pop punk rockers Fresh released their new record, Raise Hell. Before the release of Raise Hell, Fresh was perhaps best known for their 2021 single “Girl Clout,” an anthemic indie rock track about disingenuous performative feminism in the punk and overall music community. The star in this track is the simultaneously emotionally vulnerable and biting songwriting and vocal performance of Kathryn Woods.

Raise Hell is a natural follow-up to the path set forth on that 2021 single as Fresh comes through with an 11-track suite of melodic emo/pop punk/indie rock tracks. (Full disclosure, this is not my favorite style of music, but Raise Hell has proven to be something that continues to draw attention and re-listens.)

Each track comes with at least a few moments of clever songwriting, a fun riff, or something in the overall composition that seems to transport you to the emotional place the song is trying to evoke. This means that even if one song is not one’s favorite on the album, something still makes it stand out. Check out their single “Why Do I,” and if you’re into it, consider giving the record a listen!

Petrol Girls: Baby

Throughout punk rock history, much of the excellent material is born out of anger, anxiety, or isolation from society. It’s unfortunate that the genre often reaps its most memorable moments from the unjust actions of society, but that is something that comes with the territory. Baby, the new full-length record by UK/Austria-based hardcore band Petrol Girls, is now a vital part of this tradition.

Hardcore/Post-Hardcore/Riot Grrrl act Petrol Girls have always been incredibly politically active, specifically on feminist issues. Still, the developments around women’s reproductive rights over the last couple of years seemed to light an even greater fire for the band. Baby is the band’s rawest, most vitriol-filled, and angriest project. While the disdain is palpable, the songwriting is always well-crafted, with much thought put into it. On many songs, albums, or pieces of media that deal with political or social issues, it’s easy to fall into the trap of being ham-fisted. This trap never reveals itself on Baby as the issues at hand are of grave importance and are treated as such.

The music matches the message, too, as, in a similar way to the aforementioned God’s Country, this record is not necessarily a pleasant listen. The math-rock and post-hardcore influences that have always been present in their work show up in even greater abundance. The texture is like sandpaper on many songs, providing a perfect backdrop to the vocal performance and lyrics, which take center stage. A short-form review like this can’t do justice to this project’s depth and gravity. If you missed out on Baby, do yourself a favor, acquaint yourself with the single “Preachers,” and listen to the whole album.

Soul Glo: Diaspora Problems

In the late 1990s and early 2000s, the term “rap-rock” used to be cause for apprehension. There are, of course, some stand-out successes, but for the most part, you knew you were in for something that was likely tacky, aesthetic over substance, and not a great listening experience. This trend has recently changed with several artists, such as Show Me the Body, Slowthai, and City Morgue, producing a much more palatable and harmonious fusion of the genres. Another such artist at the forefront of this effort is Soul Glo, who released an excellent project, Diaspora Problems, in 2022.

Soul Glo is a trio from Philadelphia that has quickly risen to be one of the punk landscape’s most exciting and unique voices. They are simultaneously a hardcore band and a rap outfit. They deal with serious themes like racism and consumerism but also love to inject absurdist humor.

Soul Glo has built a lot of momentum since their formation in 2014, and Diaspora Problems feels like the culmination and crowning achievement of this moment in their career. As their first release on Epitaph Records, this is likely the most prominent platform the band has ever had. The record is abrasive, hardcore, and at times features production reminiscent of a classic east-coast hip hop (think Public Enemy’s classic It Takes a Nation of Millions…) style but updated and outfitted to the unmistakably punk leanings of the group.

Much like Baby from Petrol Girls, the songwriting themes on this record are too nuanced and in-depth to cover in this kind of short format, but do yourself a favor and check out Diaspora Problems, along with their single “Driponomics (Featuring Mother Maryrose).”

Wrapping Up 2022

We hope you discovered some new bands or excellent projects released in 2022 through this collection. Obviously, there are far more than just these five albums that may have slipped through the cracks for some people. Let us know your favorite albums from 2022 that may have yet to get the press or hype they deserve!

While this was just a quick summary of some of these projects, it is impossible in this format to give them the in-depth analysis they deserve, so please consider checking out the ones that intrigue you.

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DS Festival Recap: Riot Fest Day Three (The Academy Is…Yeah Yeah Yeahs, Sleater-Kinney, Lunachicks and more)

Day 3 of the Riot Fest took place in Chicago’s Douglass Park on September 18, 2022, with some of the most influential all-women or women led bands dominating the stages. Jawbox, the Washington D.C, iconic band founded in 1989, whose original run lasted until 1997, was welcomed back during its midday set. The bright sun […]

Day 3 of the Riot Fest took place in Chicago’s Douglass Park on September 18, 2022, with some of the most influential all-women or women led bands dominating the stages.

Jawbox, the Washington D.C, iconic band founded in 1989, whose original run lasted until 1997, was welcomed back during its midday set. The bright sun beating down on most of the band members’ faces did not cause a step lost as Jawbox gave the crowd a forceful performance. The set included “Mirrorful,” “Motorist,” ”Cooling Card,” “Static,” “Cutoff,” and “Savory.” The band members J. Robbins, Bill Barbot, Kim Coletta, and Zach Barocas also solidly covered “Lowdown” by Wire, and “Cornflake Girl” by Tori Amos. A hot set made the hot sun more bearable for the Sunday attendees.

Concrete Castles hit the Rebel Stage with the Ferris Wheel and other carnival rides in the sightline of many in the crowd. Vocalist Audra Miller, guitarist Matthew Yost, and drummer Sam Gilman held their fans’ attention with an effervescent set which included “Wish I Missed U,” “Half Awake,” “Sting,” “Just a Friend,” “Lucky,”  and “You Won’t See Me Again.” The Erie, PA band started out as the very popular cover band First to Eleven in 2009 before forming Concrete Castles in 2021. Young though the members may be – all three are in their early 20s they all perform with the maturity of confident musical veterans. That’s what they are, combined with a bright and hopefully long future creating terrific music.

Zola Jesus‘ bewitching performance immediately brought to mind Stevie Nicks of Fleetwood Mac, not just because of her flowing garments. The Merrill WI performer, known offstage as Nika Roza Danilova, has an ethereal stage presence, and her set including “Lost,” “Soak,” “Exhumed,” “The Fall,” “Sewn,” and “Undertow” made for as intriguing a performance as her stage name.

Lunachicks kicked off their set with some seriously iconic music, Bill Conti’s inspiring Oscar-nominated theme from Rocky “Gonna Fly Now.” This was the perfect walk-on song as the band appeared, as they always do, ready to fight (for issues in which they believe. Not physically. Though I’m guessing they can hold their own in that manner as well). Band members Theo Kogan, Gina Volpe, Sidney “Squid” Silver, and Chip English didn’t wear their hearts on their sleeves, they wore them on their jumpsuits, dresses and shirts. “Not Government Property,” “Roe Rage Riot,” and “Our Bodies, Our Choice,” were among the messages displayed prominently during a year in which The Supreme Court of the United States overturned Roe V. Wade. Of course, feminist activism is engrained in the DNA of the band. The NYC band’s 2021 memoir “Fallopian Rhapsody” was met with critical acclaim. Lunachicks exhibited their signature power as they ripped through an extensive set including “Bad Ass Bitch,” “Say What You Mean,” “Jerk of All Trades,” “The Day Squid’s Gerbil Died,” “Luxury Problem,” and “Less Teeth More Tits.” A prodigious set indeed by voices perhaps more relevant than ever. Heroes we deserve? Probably not. Heroes we need? Most definitely.

One of Sleater-Kinney‘s first rehearsal spaces was located on Sleater-Kinney Road in Lacey Washington, nearby to Olympia, where the band was founded. The road from that road has been as long one for the now legendary Sleater-Kinney. Its set at Riot Fest 2022 once again proved why Corin Tucker and Carrie Brownstein continue to be so compelling, both as a band and as individuals. Among other tunes, the band performed “High in the Grass,” “Jumpers,” “All Hands on the Bad One,” “Bury Our Friends,” “Modern Girl,” and “The Center Won’t Hold.” Sleater-Kinney delivered a dynamic performance, one that makes us hope we won’t have to wait long before catching them again. Maybe at Riot Fest 2023?

Yeah Yeah Yeahs’ Karen O.’s signature black bowl hairstyle was partially obscured at the start of the band’s set by the topper of an elaborate bright, multi-colored outfit. The first sight of the outfit elicited wows from the crowd and other observers. Her bandmates, Nick Zinner and Brian Chase, clad in clothing nearly matching the night sky, and positioned further away from the spotlight focused on O. were partially obscured themselves. In any case, the Yeah Yeah Yeah’s stood out as a shining example of what a great band can accomplish during a crowded festival weekend. The band performed “Spitting Off The Edge of the World,” and “Burning,” from its new album “Cool it Down.” The well-received album, its first new one since 2013’s “Mosquito,” was released just under two weeks post-Riot Fest, on September 30, 2022. The set also included “Zero,” “Wolf,” “Soft Shock,” “Cheated Hearts,” and “Under the Earth.” It was a fun set to watch and Yeah Yeah Yeahs are enjoyable to shoot photos of as well.

As Riot Fest was born in Chicago, it was fitting that the band with the latest scheduled set start time, by a mere 15 minutes, was from Chicago as well. Nine Inch Nails might have been presented as the Sunday night headliner but The Academy Is… did a pretty good job of drawing many members of the hometown crowd, as well as visitors too, away from Trent Reznor and his bandmates. The band returned to active status seven years after its farewell tour in 2015 and for those fans, seeing them again or for the first time, could not contain their enthusiasm. Band members William Beckett, Adam T. Siska, Mike Carden Andy “The Butcher” Mrotek rewarded their wait with an energetic set, performing “The Phrase That Pays,” “LAX to O’Hare,” “Bulls In Brooklyn,” “Black Mamba,” “We’ve Got a Big Mess on Our Hands,” “Checkmarks,” and “After the Last Midtown Show.” The Academy Is…also paid tribute to Material Issue, the immensely popular Chicago band active from the mid-80’s to the mid-90’s, by covering the latter band’s song, “Very First Lie.” There was a special surprise for fans. Original band members Michael Del Principe and AJ LaTrace joined the others on stage to perform “Attention”  off their debut album, “Almost Here. “

Riot Fest 2022 was an exhausting and hot weekend full of great tunes and good times. As coverage of this year’s event winds down, we’re finding it difficult to take a full break from the event. After all, there’s Riot Fest 2023 in the works.

More photos from the final day of Riot Fest 2022 below!

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DS Festival Recap: Riot Fest Day Two – Part Two (9/17/22) w/ Sunny Day Real Estate, The Front Bottoms and War on Women

Continuing with our Riot Fest 2022 coverage with a few bands from day two! In case you missed it, click here to see my day one recap. We’re starting off with the hardcore punk band War on Women. This female-fronted band delves heavily into political and feminist issues. Shawna Potter is the very definition of […]

Continuing with our Riot Fest 2022 coverage with a few bands from day two! In case you missed it, click here to see my day one recap.

We’re starting off with the hardcore punk band War on Women. This female-fronted band delves heavily into political and feminist issues. Shawna Potter is the very definition of fierce; definitely see this band live if you get the chance…and, head’s up they will be touring with fellow hardcore punk band Cancer Bats this fall for an East Coast U.S. tour.

Next are The Front Bottoms, an emo/indie rock band from New Jersey. They released their third installment of their popular Grandma EP series titled Theresa on September 2, 2022.

Long-time emo band Sunny Day Real Estate made a stop at Riot Fest for their fourth reunion tour. Their 1994 debut studio album Diary has been considered one of the defining albums of the Midwest emo genre.

Check out the full gallery below and Part One of day two here!

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DS Show Review and Photo Gallery: Punk Rock Tacos: A DIY 4th on the 3rd (Chicago, IL)

Story and Photos by Meredith Goldberg Noah Corona just needed to find a place to eat within a block or two of his home in the Chicago suburb of Villa Park, IL. It was the first day of the Covid lockdown. Lacking groceries and concerned that driving to get food might lead to him being […]

Story and Photos by Meredith Goldberg

Noah Corona just needed to find a place to eat within a block or two of his home in the Chicago suburb of Villa Park, IL. It was the first day of the Covid lockdown. Lacking groceries and concerned that driving to get food might lead to him being arrested, he walked around the corner from his home and came upon Cemitas Poblanas. The restaurant offered a $9.00 burrito meal, so it instantly became Corona’s daily spot during the pandemic. It also led to friendships with the staff and owners, “Mauro and Jennifer, a couple who had come from NYC in November ‘19 to start their new business. They are both originally from Puebla, Mexico, and spent 18 years in NYC, and worked in restaurants for a lot of that time,” says Corona (whose surname surely caused a few of his friends to tease him in 2020).

Cemitas Poblanas also has a small stage, which planted the seeds in Corona’s mind, of an idea he would work to fruition over the following year. Thus, was born “Punk Rock Tacos,” a monthly Friday nights DIY (do it yourself) event.  

Corona’s DIY ethos was inspired by the late Mark “Monk” Hubbard. The visionary Seattleite Hubbard created the famous Burnside Skatepark Project in Portland, OR. Hubbard also founded Grindline, a company which designed over 400 skatepark across the United States and elsewhere. Corona met Hubbard, a DIY inspiration to many across the world, one month prior to Hubbard’s June 2018 death. Hubbard’s band Grindline, named after his company, was playing in Oakland, CA at a skateboarding event, the P-Stone Invitational. Corona says that during Grindline’s set “He [Hubbard] stared so intensely into my soul as he performed 5 ft in front of me.”

It was a life-changing moment for Corona and would lead directly to his passion project: Punk Rock Tacos (PRT). This is the first of many ideas Corona has for PRT. One he hopes to tackle next is building skateboarding bowl behind the restaurant.

The first PRT Sunday edition led to some patrons being disgruntled by the rowdy punk rock music, so these special showcases take place in a small exterior area behind the restaurant.   

Looking forward to the Fourth of July this year, Corona organized an event to take place on the Sunday the 3rd.  As a nod to Independence Day, the 13-band showcase featured two American flags adorned to the back of an old Army flatbed truck. Said truck, which Corona purchased for the event, also served as the stage. 

Although this was a Fourth of July event, it was hardly a day for shouting “Murica” and chanting USA USA USA. 

Instead, there was a strong diversity of band and crowd members, more than a few Anti-Fascist and Anti-Nazi patches on clothing, call-outs for change and fighting back by the musicians, Pride t-shirts spotted, in addition to feminist statements made. One singer received roaring applause to his declaration that men who lay hands (violently) on women are trash. In many ways, Punk Rock Tacos Fourth on the Third represented what should be the ideals of this experiment in democracy. Oh, and rocking the pit harder than anyone else in attendance were a four-year-old named Lucas and an Australian cattle dog named Max. 

Of course, the main reason for the event wasn’t to focus on the disturbing events of the last several years, and especially the past few months. 

For Punk Rock Tacos founder Noah Corona, this was event was not about politics or division. Rather, it was about release and people having an out outlet to express themselves. Corona reflected on the event a day after the Highland Park mass shooting. He has also been shaken by a fatal motorcycle accident just blocks away from the event which Corona informed me occurred “while we were partying.”  Per Corona, “Life is too shitty to not have a good time, and if people don’t have their outlets a whole lot more death would be upon us.” 

What an outlet it was. Among the thirteen bands were No Dead HeroesThe RustixWAYDSBQuantumThe ThrowawaysShitizen, and Real Bad Real Fast

No Dead Heroes’ mission statement is, “We’re here to fuck shit up.” Shit did not actually get fucked up but the band tore through its 30-minute set much to the delight of the attendees. Those in lawn chairs and car seats removed from their vehicles to be used as lawn chairs, as well as those who stood both near and away from the stage. Frank Lombardo propelled the band both in voice and on the drums. Whether it was the heat of the bright afternoon or his physical efforts, Lombardo’s reddened face painted a portrait of punk rock intensity. 

Milwaukee’s The Rustix don’t consider themselves a political band according to its social media. However, per a Facebook post from June 25, 2022, “Rustix and the Midwest Hardcore Punx scene stand in solidarity with people that have uteruses. If you don’t, don’t come to our shows, you aren’t welcome.” For the band members some issues transcend politics and The Rustix brought a set that was as tight and strong as that message.

WAYDSB states on its website: “We want to share our perspectives with you, and maybe our music will help you understand and feel what it is we’re expressing.” The band demonstrated this motto during its banger of a set. Drummer Liam Cavanaugh was clad in a (LGBQT+) “Pride” shirt and rainbow tie dye style cap, while guitarist James McFadden wore a t-shirt sporting the name of satirical 2016 U.S. Presidential candidate Deez Nutz. 

Quantum, out of Crystal Lake, brought the fun. With a combo multi-bongo and just enough cowbells set up, how could it not? There was Bass player Shawn Belletynee draped in an American flag as a cape, a brand-new song entitled Planet B.S., and blood. Well, blood on the bongos at least. Lead singer Zac Dawson decided it was a good sign and queried “Blood on the bongos, isn’t that a Bob Dylan album?”

Noah Corona’s own band, The Throwaways, elicited loud cheers and clapping for both the music and for his creation of Punk Rock Tacos and this event. It was obvious by his constant smile throughout the day, how grateful Corona was for that appreciation and the joy his hard work has brought him. The Throwaways, as a band, honored his hard work with its rollicking set. Immediately after the set Corona was back on the ground making sure the rest of the evening went off without a hitch. 

Ah Shitizen. With all due respect to, and respect is most definitely owed to them, Josh on drums, Elliot on bass, and Jerm on guitar, it is lead singer Claudia Guajardo who steals the most focus at every Shitizen show. With her hyperkinetic energy and charisma, she is the very definition a band’s front person. As is the case at every Shitizen show, Guajardo refused to stick only to the stage. But this being on the back of a truck, she did accept an assist from her boyfriend Adam Kreutzer (lead singer for Kreutzer and the newly joined drummer for Knoxious.) who helped her in and out of the high up flatbed stage. She scaled the truck herself before the set and after, but Kreutzer’s help allowed her the continuity of singing, microphone in hand. It’s a blast to watch Guajardo in frenzied action. The band is also a model of DIY as they finished up making their band shirts and merch themselves the morning of the event. 

Metro Chicago’s Real Bad Real Fast was formed in 5 or 6 years ago. They invited friends and family to this event on Facebook with a sentiment presently shared by a good portion of the USA: “Come celebrate Freedom (cough)” adding “At least freedom enough for us to rock your socks off!!” As the gloaming set in, lights were installed on the already too confined stage before knocking off of socks began.

Corona described the event as epic and credited his second in command organizer Matthew “Cactus Matt” Durica and sound engineer Steve Anthony for much of the success of the event and PRT, and told everyone involved that he was “proud of all of us.”

A few days after the event Corona stated, “I am happier than shit right now, and all I can think is, what’s next?”

More Photos from The Fourth on the Third below!

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Petrol Girls

Petrol Girls is an English punk rock band formed in London in 2012 by Ren Aldridge and Liepa Kuraitė, with Joe York and Zock Astpai joining later. The band is named after the historical Pétroleuses and is outspokenly feminist. They have released three albums on independent labels.


Olympia, WA.

Sleater-Kinney was founded in the early riot grrl era in Washington State. The band is known for its feminist and liberal activism and politics.

Carrie Brownstein is also an actress and writer who has filled both roles in Portlandia and Saturday Night Live.

Corin Tucker is also a member of the Portland, Oregon Alt-supergroup Filthy Friends.

War on Women Band

War on Women

War On Women is a hardcore punk band from Baltimore, Maryland with political and feminist themes in their music.