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DS Band Spotlight: Proper.

If you’re unfamiliar, Proper. are a three-piece formed in NYC roughly 5/6 years ago (as The Great Wight initially) but hailing really from a variety of locations across the country and bringing with them all of their collective experiences and musical influences and creating something that hasn’t really been done before. I remember hearing their […]

If you’re unfamiliar, Proper. are a three-piece formed in NYC roughly 5/6 years ago (as The Great Wight initially) but hailing really from a variety of locations across the country and bringing with them all of their collective experiences and musical influences and creating something that hasn’t really been done before. I remember hearing their last album, I Spent The Winter Writing Songs About Getting Better admittedly a little late and thinking “damn…I’ve never really heard anything like this before.” The new album, The Great American Novel, takes all of the things that were great about the last one and pushes the needles way past 10. It’s important music. It’s music about alienation and about not fitting in and about being a queer person of color in a land that, despite it being 2022, is at times becoming even less comfortable with people that check those boxes. It’s raw and it’s powerful and it’s somehow still hopeful. Oh, and if fucking rips. I feel lucky that I was able to catch up with the whole band (not just with Erik Garlington who spearheads the whole thing shredding on guitar and vocals but with the full band, new mom Natasha Johnson on bass and Elijah Watson on drums and whom you may also know from his “day job” as a journalist for Okay Player) for the (*both laugh*) podcast a couple months ago – you can check that our here or wherever you listen to your podcasts. In the meantime, fire up The Great American Novel and be ready to be blown away. we were able to catch up.


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Proper.

If you’re unfamiliar, Proper. are a three-piece formed in NYC roughly 5/6 years ago (as The Great Wight initially) but hailing really from a variety of locations across the country and bringing with them all of their collective experiences and musical influences and creating something that hasn’t really been done before. I remember hearing their last album, I Spent The Winter Writing Songs About Getting Better admittedly a little late and thinking “damn…I’ve never really heard anything like this before.” The new album, The Great American Novel, takes all of the things that were great about the last one and pushes the needles way past 10. It’s important music. It’s music about alienation and about not fitting in and about being a queer person of color in a land that, despite it being 2022, is at times becoming even less comfortable with people that check those boxes. It’s raw and it’s powerful and it’s somehow still hopeful. Oh, and if fucking shreds. I feel lucky that we were able to catch up not just with Erik Garlington who spearheads the whole thing but with the full band (Natasha Johnson on bass and Elijah Watson on drums and whom you may also know from his “day job” as a journalist for Okay Player). (Words by: Jay Stone)