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Avail

Avail are an iconic punk rock band from Richmond, Virginia. They were initially active from 1987 to 2007, releasing six full-length albums and a variety of EPs and live releases through that time. They came out of semi-retirement in 2019 and continue to play shows periodically.

Dead Format

Pop punk from Richmond, VA and the official Phil Collins street team.

Decide By Friday

Decide By Friday is a band out of Richmond, Virginia. Their sound is an amalgamation of rock genres and hip hop and pop which they call Millennial Blues.

Downhaul

Richmond, VA. “…definitively steps towards a sound tangled in the dense mystery of the South rather than trailing the anthemic reaches of their contemporaries.”

DS Exclusive: Never Erased Compilation from Say-10 Records

Even though we weren’t up and running for most of the month of June, we still wanted to make sure we acknowledged PRIDE Month and what better way to do that than with the first ‘Post-Resurrection’ DS Exclusive Stream! This kick ass comp consists of LGBTQIA artists from across the musical spectrum and will be […]

Even though we weren’t up and running for most of the month of June, we still wanted to make sure we acknowledged PRIDE Month and what better way to do that than with the first ‘Post-Resurrection’ DS Exclusive Stream!

This kick ass comp consists of LGBTQIA artists from across the musical spectrum and will be the first in an ongoing series. Say-10 Records will be donating 50% of the profits from sales of the album to the National Center for Transgender Equality.

A digital version of the comp will be included with every transaction, with the mp3s available immediately after purchase instead of having to wait until 7/29 when it officially releases on all digital platforms. Preorder here!

Also worthy of note, all LP orders will come with a zine that has contributions from all of the artists. Some bands included lyrics, while others opted for something more political, and some just included a little about themselves. See one of the entries below. Cool!

There’s no field guide, road map, manual, blueprint for being a queer musician. You aren’t given any starter kit the first time you decide to play that first chord, connect in a barely air conditioned basement with some friends and try to start a “band.” No one tells you how to answer questions like, “Why don’t you sing like a girl?” or “Do you feel like it’s more economical these days to be a queer-fronted band?” (There’s also no lessons on how to apply your makeup in a dimly lit venue bathroom mirror half covered in band stickers from 1996, but that’s besides the point.) In spite of all that, there’s something pretty amazing about the process. Music has always been subtle, communal magick, creating a sound that helps someone else understand the shape and scope of how you’re feeling inside. It’s why the punk rock ethos and the queer experience have always been so interconnected – we need to know that we’re all out there asking these big questions, figuring ourselves out, picking ourselves up and telling each other that we’re not alone. Speaking from my own experiences with gender and sexuality, there’s always been this nebulous, twisted ball of space dust and frustration swirling in my chest, trying to figure out who it’s supposed to be. My guess is that some of you listening to this record understand that feeling. It’s nothing to be ashamed of. It’s actually part of what makes you beautiful. So here we are, and here you are. This is a compilation of several queer musicians who have come together because music binds us, draws us together and lets us know we all feel these big frustrating, nebulous, wonderful questions. So, whether you’re starting a band, making art, speaking out, or just finding the courage to be who you are amidst the stupidity of a world that doesn’t feel shaped for you – consider this a little field guide. Or at least a message of encouragement: do things your way, always.

-Sarah Rose (Sarah and the Safe Word)

Release Info
1st Pressing:
/250 on Eco Friendly Lps (shipping around the end of the year)
/100 Tapes (shipping in July)
/1000 Zines (shipping around the end of the year)

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DS Show Review and Gallery: Signals Midwest, Into It. Over It, Downhaul, Mush (Chicago, IL – 7/21/22)

Story and Photography by Meredith Goldberg Signals Midwest, from Cleveland, OH, returned to Chicago, supported by Mush, Downhaul, and Into It. Over It. Its performance at Subterranean – aka SubT – was a fun one. The members seemed especially grateful that their friends in Into It, Over It were able to join them. Signals Midwest […]

Story and Photography by Meredith Goldberg

Signals Midwest, from Cleveland, OH, returned to Chicago, supported by Mush, Downhaul, and Into It. Over It.

Its performance at Subterranean – aka SubT – was a fun one. The members seemed especially grateful that their friends in Into It, Over It were able to join them. Signals Midwest lead singer/guitarist Maxwell Stern expressed the sentiment that they should be supporting Into It. Over It instead of the reverse.

Signals Midwest played to what appeared to be an almost capacity crowd in the warm club on a hot night. Said crowd was vastly mellower than most of the shows we cover here in Chicago, with virtually no circle pit, and many fans watched from a second level. Nonetheless, the crowd members were very vocal as they repeatedly shouted their approval.

Signals Midwest performed 7 of the 12 tracks on their new LP “Dent,” which was released in April 2022. The set opener, “I Used To Draw,” was one of those seven. Other “Dent” tracks performed included consecutively “Tommy Takes A Picture,” “Gold In The Grey,” “Sure of It “ and “All Good Things.” The band also performed “Your New Old Apartment,” though without the song’s featured performer, Sincere Engineer. Signals Midwest closed its set with “Alchemy Hour,” from the album, “At This Age” (2016).


Chicago’s own Into It.Over It ripped through its set, performing songs from a cross-section of its albums. These included, among others, “Discretion and Depressing People”, and “Fortunate Friends” from the album Proper; “Spinning Thread”, and “Upstate Blues,” from, Intersections; “Brenham, TX,” and “Augusta GA,” from 12 Towns; and “Heartificial” and 22 Syllables” from 52 Weeks.

The band members also made it absolutely clear their opinions on the recent Supreme Court decision overturning Roe v. Wade. Joe George Shadid, has a sticker on his guitar stating, “Abortion on Demand & Without Apology.” Evan Thomas Weiss echoed the message posted on the band’s Facebook page. Whilst promoting a t-shirt to raise money for abortionfunds.org, Into It. Over It declares, “this band aids and abets abortion. it is our belief that abortion is a human right and we’ll continue to do what we can to fight for the human rights of US citizens.peace and love.”


For the band Downhaul, from Richmond VA, the SubT show marked the furthest from home the group has performed. Gordon Phillips, singer and guitarist for the group said it was during the middle of the tour so they were feeling pretty comfortable with their sets at that point. He did admit they might have been a bit nervous because they usually play venues much smaller than SubT. However, Downhaul received a very warm welcome and Phillips and the rest of his bandmates were very happy to have numerous good friends in the crowd. This group of friends included members of the Atlanta based band Worlds Greatest Dad, who were in the city on a night off from their own tour. They were also accompanied by Signals Midwest’s Max Stern on lap guitar. Up next for Downhaul? The members are finalizing, for release, some new songs they recorded in June and playing Fest for the first time ever. Needless to say, the band is very excited about its future.

Mush, the 5-member group from Chicago and Grand Rapids MI, was the first band to play. The band’s spirited set launched an enjoyable evening in the Bucktown/Wicker Park area of Chicago.


Please see below for more photos!

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Dying Scene Record Radar: New punk vinyl releases & reissues (Against Me!, Frenzal Rhomb, NOFX & more)

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, this is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, grab a few beers, and break out those wallets, because it’s time to run through this week’s […]

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, this is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, grab a few beers, and break out those wallets, because it’s time to run through this week’s new releases and reissues. Let’s get into it!

Swedish punk veterans Millencolin have announced a new LP compiling their first two demo tapes from 1993. Due out in early September, Goofy & Melack will be limited to 500 copies on black vinyl, and 240 copies on red vinyl. Preorder through their webstore starts Thursday, August 4th at 10am Eastern.

Anti-Flag just announced their 13th full-length album Lies They Tell Our Children. It’s due out on January 6th, 2023, and you can pre-order it now here. The record will feature guest appearances from members of Rise Against, Bad Religion, and a bunch of other bands. The cover art’s some avant garde bullshit, which is cool if you’re into that kinda thing. Check out the music video for the first single below.

Asbestos Records has repressed the venerable Against Me!‘s 2007 New Wave LP for the first time in six years. This one’s limited to 1,000 copies on split black/yellow vinyl. Head to the label’s webstore to get yours.

Avail frontman Tim Barry has announced a new solo album titled Spring Hill. This is due out on August 12th, and it sounds like the LP will be available to order the on same day. The “red cloud” variant pictured will only be available at a show he’s playing in Richmond, VA on Friday, August 5th (more details on that here).

Fat Wreck Chords has repressed Frenzal Rhomb‘s incredible Smoko at the Pet Food Factory. Fat doesn’t reveal their colored variants usually, but my super official sources tell me this is what this pressing looks like. Grab your copy here.

British melodic punks Darko just announced a new EP titled Sparkle. It’s due out on October 21st, and you can preorder it here. The first single “Cruel to Be” is really good; check out the music video below!

Zia Records has a new exclusive variant of NOFX‘s Punk in Drublic, limited to to 500 copies on “Transparent Beer With Red Splatter” colored vinyl. Get it here.

New band alert! Bracket‘s Angelo Celli has a new project called Guilty Party and their debut 7″ Imposter Syndrome is coming out next month. Check out “Circling the Truth” below, and go here to get your preorder in. If you like Bracket, you will like this.

The Homeless Gospel Choir‘s 2020 album This Land Is Your Landfill just got repressed. There are two new variants, each limited to 250 copies. Go here to grab this one.

Rude Records is having a summer sale! Records, shirts, and more from bands like Less Than Jake, Guttermouth, and a bunch of others are discounted up to 25%. Head over to their webstore to check it out.

Now that all the cool stuff has been covered, here’s what I’ve been listening to… Saving money by not buying every new release has given me a chance to dig out some stuff I haven’t played in a while. First up this week was Much The Same‘s Quitters Never Win, a very underrated skate punk record that turns 20 years old next year. MxPx‘s The Ever Passing Moment from last year’s box set got some playing time, too. I also revisited one of my favorite Murderburgers records The 12 Habits of Highly Defective People, and Civil War Rust‘s fantastic debut LP The Fun & The Lonely.

That’s all, folks! Thanks as always for tuning in to the Dying Scene Record Radar. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, don’t blow too much money on spinny discs. See ya next week!

Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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Madison Turner

Richmond, VA alt-rock / punk / folk / or something like that. “A Comprehensive Guide to Burning Out” is on Spotify, Apple Music, Bandcamp, & more!

Municipal Waste

Municipal Waste is an American crossover thrash band from Richmond, Virginia, formed in 2001.

Say-10 Records

Bands:  Bad Idols, Sammy Kay

Say-10 is an independent record label and skateboard company owned by Adam Gecking operated out of Richmond, Virginia. Say-10 was founded in 2007 in Virginia Beach, Virginia, while he owned Volume, an independent record store.