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Dying Scene Album Review: Stand Atlantic’s “f.e.a.r.” is everything I Love About Pop-Punk

I want everyone to take a moment to appreciate the thematic significance of this band, Stand Atlantic, releasing their pandemic album called f.e.a.r. on Hopeless Records, and opening with a track called “doomsday.” “Got a panic room with a view like a tomb with windows that show me bad news” is a poignant lyric that […]

I want everyone to take a moment to appreciate the thematic significance of this band, Stand Atlantic, releasing their pandemic album called f.e.a.r. on Hopeless Records, and opening with a track called “doomsday.” “Got a panic room with a view like a tomb with windows that show me bad news” is a poignant lyric that kicks the album off sharply.

Before I can keep up with an anxiety-inducing amount of stanzas on hopelessness we arrive at “pity party (feat. Royal & the Serpent),” my favorite track from the group. On the album, it’s a swelteringly catchy song that ends in a fun skit, it tickles my blink-182 funny-bone real good-like but I would be remiss not to mention the “pity party (hyperpunk remix)” as it is a blissful noise bath.

Each track punches as hard as it growls. The bass on “dumb (feat. Tom The Mail Man)” slaps so hard I got sent back to 1995 to skydive/rollerblade with The Power Rangers. I could gush more about the production and composition of this amazing album, and I will, but I want to draw attention to Act 1 of this album and the fact that every other track has a feature on it.

I’ve already mentioned the previous two, but the third, “deathwish (feat. nothing, nowhere.)” has an amazing hyperpop feel that fits the featured artist as well as Bonnie Fraser’s immaculately versatile voice. “nails from the back” aches with anxiety and I love a pop-punk band that knows how to write a song that can be for more than just pop-punk fans and this band brings that without fear, or should I say…with…f.e.a.r.? Sorry. Track 9, “bloodclot,” dissolves into twinkly guitars and warm bass that grooves. The vocals fly over everything delivering lines like, “I know that you hate it/Crippling your patience/Am I just a blood clot stuck in your veins? and “Do you think I’m good for you, honestly?” helps stake the plot of the album back into your heart.

Stand Atlantic. Credit: Niles Gibbs

Let’s talk about Act 2 of this album now which I count as everything from Track 7 to the end. This band is great at genre-bending rhythms, soaring vocals that know when to growl for poignancy, and slapping bass that fattens the battleground of sound. When this band drops the heavy production we saw in Act 1 and just lets the band shine with their amazing vocalist I would argue that they rival Paramore at their best.

It’s tacky to mention streaming stats (see Trapt), but I would be remiss not to mention that the back half of this album is sorely lacking in the numbers compared to Act 1. THAT’S NOT A CRITIQUE OF THE SONGS, please, don’t mistake it for that. One of my favorite tracks, “xo”, comes in at barely more than 1% of the plays of their most popular song “deathwish.” I blame the youth and this darn music culture but I’ll shake my fist at clouds another day. This band kicks ass and is everything that I grew up loving about pop-punk while seeming to also include every other nostalgic mile marker for wayward suburbanites.

I can’t tell what flavors I’m enjoying at any given moment like a good salted caramel. Huge arena drums that give way to hardcore breakdowns, trap drums under nu-metal chugs, RIFFS, and again, the skits, the production, the tight instrumentation, everything is right where I want it to be and I can’t stop going back. If you are tempted to only listen to the singles, check “molotov [OK],” the 3rd single is a sonic punch with words that I hope fill you with enough dread and…f.e.a.r. (I’m sorry) that you’ll have to spin the whole album. Especially to get to the fun outtake titled “i wonder what kind of garlic bread they eat at MENSA” that serves as nothing more than a cap on this adventure. Some people aren’t fans of skits, outtakes, and hidden little oddities in albums but I’ll be damned if they don’t make me smile.

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Dying Scene Album Review: Take The Reins – “I’m At Your Door”

Windy City punks, Take The Reins have brought back that feel good, pop punk greatness we all know and love with their newest seven track album I’m At Your Door. This fantastic quintet kills the classic sound and do a kick ass job at making any kid who ever went through an “emo phase” have […]

Windy City punks, Take The Reins have brought back that feel good, pop punk greatness we all know and love with their newest seven track album I’m At Your Door. This fantastic quintet kills the classic sound and do a kick ass job at making any kid who ever went through an “emo phase” have a blast to the past. Their positive approach to the music and their overall fun attitude, is perfectly blended with some slower and more sentimental tunes to break up all the excitement. This is the perfect album for either listening cover to cover or for the listener who wants to be able to shuffle the album still have it sound killer.

The album’s first two songs kick things off with a very lively and traditionally fast paced punk feel before backing off a little for the third track with a more moody atmosphere. “Last Stop Model” brings the tempo back up for a fun, bouncy riff that you can easily head bang to. Although not as slow this time, the album takes another turn towards softer side with “Dorothy” before launching into the title track “I’m At Your Door” where the jumping and thrashing can once again resume in full force! The album also features an awesome acoustic version of their song “South Side Rules” which was previously released in 2017 on their debut album, Addiction by Subtraction.

All in all, this album is very well written and just as expertly arranged. It showcases the band’s technical abilities and the front woman’s vocal talents in such a kickass, throwback way. I can’t wait to see what else they pull from their bag of riffs and melodies!

Amazing job, Take the Reins. Way to bring us all back to the “good old days”!

I’m At Your Door (Flat Aht Records) is available on all streaming platforms right now!

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Dying Scene Album Review: The Flatliners – “New Ruin”

“Let me start by peeling back my skin…” With those lyrics from “Performative Hours,” the opening track and lead single from their 6th studio album, New Ruin, The Flatliners announced their triumphant and long-awaited return to the game. With vocals hollered in throat-shredding fashion about a sonic car-crash of guitar, bass and drums, the track […]

“Let me start by peeling back my skin…”

With those lyrics from “Performative Hours,” the opening track and lead single from their 6th studio album, New Ruin, The Flatliners announced their triumphant and long-awaited return to the game. With vocals hollered in throat-shredding fashion about a sonic car-crash of guitar, bass and drums, the track serves as a perfect opening salvo for what you, the listener, are about to experience over the next thirty-eight minutes.

It’s been a while since we last heard from Toronto’s finest. Five years, in fact, since the band unleased Inviting Light on the masses. (Here’s our review from back then, although it’s formatted to the old site so it might be a little wonky, and in the migration to the new platform we lost record of who actually wrote it. Super fun feature.) That album was a bit of a departure in both the literal and figurative senses of the word; it was their first album on Rise Records after the triumvirate of Fat Wreck Chords releases that immediately preceded it, and it brought with it a sound that probably qualifies as more mature and well-crafted than some of the band more frenetic earlier work.

On New Ruin, the Flats find themselves back on Fat Wreck for the first time in close to a decade (I know, I didn’t believe it either, but Dead Language came out in September 2013). Rather than pick up where they left off, however, and fall back on an earlier sound and a shallower bag of tricks which would have, frankly, been a mistake, the band continue to move forward in a way that might just be their best effort yet.

What’s immediately noticeable on this album are the riffs. Oh are there riffs. Not to insert myself into this review, but I had a list of things I wanted to do on the evening that I first listened to this album, and decided to forgo all of them in favor of picking up my Les Paul and trying to decipher some of the rock-and-roll goodness contained herein. Frontman Chris Cresswell and lead guitarist Scott Brigham have always kept the created a variety of textures that range from blistering intensity to swirling cacophony, New Ruin finds the duo fine-tuning their craft into a series of one soaring riff after another. Paul Ramirez and Jon Darby continue to serve as the band’s rock-steady anchor on drums and bass respectively, allowing their six-stringed compatriots to sail in some pretty deep waters filled with big, anthemic, earworm-style riffs.

New Ruin does a wonderful job of weaving in a lot of the different things that the Flats have always done best, but does it better. There’s the caustic, piss-and-vinegar of songs like “Performative Hours” and “Oath,” the latter being lead by those aforementioned massive riffs over a punishing drum line. There’s the mid-tempo push-and-pull of chugging rhythm guitar underneath swirling, sometimes droning leads in tracks like “Top Left Door” and “Big Strum” and my personal favorite “It’ll Hurt.” At least I think that’s my personal favorite. That does seem to keep changing after approximately four dozen listens at this point, however. After another brief, swirling guitar intro, “Tunnel Vision” turns into one of the more straight-ahead, four-on-the-floor punk rock burners in the band’s arsenal. And if you’re really into the big, swirling riffs, album closer “Under A Dying Sun” sets the bar high, an epic six-and-a-half minute wave that gradually builds to a false crest at the midway point, only to regather its energy and continue crashing upon the sonic shores in bigger, bolder fashion.

Both musically and lyrically, New Ruin shines as a beacon signaling that yes, you can go home again, but you can do so with the added weight and wisdom that come with years of consciously examining and reexamining yourself and your place in…well, in all of this. “Performative Hours” laments the self-important, ego-stroking facades that we build up on all sorts of social media. Songs like “Rat King” and “Big Strum” follow the collapse of power-hungry talking heads and their minions who lose sight of the proverbial forest through the trees, eventually collapsing under the weight of their own misdeeds. “Oath” finds our narrator trying to overcome the poisonous waters of hate and instead moving toward love and freedom and acceptance. It’s all a reminder that you can keep your tongue or your pen or your axe all sharpened and ready for battle, primed to call society and our leaders and, sometimes, ourselves on an ever-increasing amount of bullshit in the hopes of a brighter, more hopeful future. We haven’t come up with an album review rating scale here at Dying Scene 2.0 yet, but pick whatever sign or symbol or totem you want, and New Ruin gets all of them.

“…to at least let a little bit of soft light in.”

You can still pre-order New Ruin on Bandcamp here and through Fat Wreck here.

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Dying Scene Album Review: The Manges – “Book of Hate for Good People”

The beautiful country of Italy has provided us with countless luxuries for which we should be eternally grateful. The list includes but is certainly not limited to: Subway’s Italian herbs & cheese bread, the Super Mario Bros. video games, and arguably their greatest export, The Manges! An Italian pop-punk institution since 1993, the Manges are […]

The beautiful country of Italy has provided us with countless luxuries for which we should be eternally grateful. The list includes but is certainly not limited to: Subway’s Italian herbs & cheese bread, the Super Mario Bros. video games, and arguably their greatest export, The Manges!

An Italian pop-punk institution since 1993, the Manges are back with their sixth full-length album, and I think it may be their best one yet. I was extremely impressed with 2020’s Punk Rock Addio. At the time, I thought it was by far the band’s most well produced, polished, and complete studio recording. With their new record Book of Hate for Good People, the Manges have once again one-upped themselves.

The songwriting is on another level from anything this band has done before. Starting things off is the high octane album opener “Lucky Tiger”, complete with an infectiously catchy chorus and a healthy dose of Screeching Weasel style lead guitar parts. This song sets the bar quite high, but the rest of the album has no difficulty clearing that bar. “Back to Bangcock” – a song that’s been in my regular rotation since its release as a single months ago – keeps the energy up and delivers big time with its hook: “Once again, dripping red, a small fish in the net, feeling trapped, in the same old crap”.

Having listened to this album about a dozen times, I can pick out a few songs that I’m not totally into. “Jesus is My Homeboy” is an fun little rock ‘n’ roll track, but it kinda ruins the flow of the tracklist being sandwiched between ultra-energized songs like “I Shot Cyrus” and “High on Stress”. The only other song that doesn’t quite stick the landing is “Too Many Freaks”. Obviously, the Manges are massive Ramones fans, but this attempt at a Dee Dee style hardcore song doesn’t quite do it for me.

Enough negativity, back to blowing smoke up some asses! The back end of this record is killer. “The Hate Parade” and “I’m Not a Sissy” throw back to the Manges’ tougher sound from their Bad Juju record. “Red Flags” closes out the album on one final high note. This one’s got another chorus that super glues itself to your brain; the guitar driven melody on this track is awesome as well.

So yes, this record has surpassed Punk Rock Addio as the best Manges record. I can say that with absolute certainty. Book of Hate for Good People is essential listening and is one of my Top 10 albums of 2022.

Buy Book of Hate for Good People:

Digital / CD / Blue vinyl / Yellow vinyl

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Dying Scene Album Review: Trashed Ambulance “Future Considerations”

Imagine this if you will, the year is 1999, it is the beginning of Summer, and you’re surrounded by nothing but wilderness and beautiful landscape. You’re about to take a dive off of a 40-foot cliff into a lake, which is really living in the moment. Now the loud music you have blasting on your […]

Imagine this if you will, the year is 1999, it is the beginning of Summer, and you’re surrounded by nothing but wilderness and beautiful landscape. You’re about to take a dive off of a 40-foot cliff into a lake, which is really living in the moment.

Now the loud music you have blasting on your stereo smacks you back into reality. Some fine-tuned punk rock, heavy on the melody and heavy on the fun. You pull off your headphones and stand up to stretch. What was going on before? Were you dreaming?

I was a part of a school-sponsored trip to Canada the Summer before my Junior year of High School, and what was described above actually happened. This was my formal introduction to the wonderful Country of Canada. Fast forward some twenty or so years, and Canada isn’t just a vacation destination for those who love the outdoors.

Canada has become an epicenter for punk rock for the past ten to fifteen years, boasting such great bands as Propagandhi, The Flatliners, Belvedere, Mute, and Silverstein. That’s only naming a few of the many bands who have put Canada on the map for punk rock music.

Trashed Ambulance is a three piece skatepunk/pop punk band out of Red Deer, Alberta and Future Considerations is the band’s third full length album. It is also the first album with the current lineup.

For me being a relatively new fan, after giving Future Considerations a spin, it felt like I have been listening to these guys for years. The influences in their music is instantly apparent and adding their own sound is what drew me to writing this review.

The opening track “56” sets the tone for what is going to be a very loud, energetic, upbeat, melodic and fun album. “Menace” is a standout track, mixing elements of pop punk and skatepunk into a very jumpy and poppy rock tune. On one hand, I can hear Pennywise, specifically their sound from the album All or Nothing, and on another hand I hear NOFX on this track. I really love the dueling vocals with Emilie Plamondon and Robbie Moron on “Stalk in the Park,” it gives a vibe reminiscent of the cover of “Fairytale in New York,” by No Use for a Name. “Blip on the Radar” is my absolute favorite track on the entire album and can be considered a punk rock anthem. I can already picture the crowd singing this one aloud while pumping their fists and chugging their domestic beers. This is a really fun and catchy tune that will likely become a fan favorite.

Trashed Ambulance consists of three members: Josh Hauta – Guitar/Vocals, Jason “Ozone” Ezeard – Bass/Vocals and Riley Bourne – Drums/Vocals. “We tried not to make a paint by numbers skate punk record,” exclaims Hauta. “This album was a true collaboration of ideas between the band members and producer Casey Lewis. We are proud of how it turned out and while we’re under no illusions that we will change the world with a skate punk record in 2022, we are still stoked to be able to present an accurate representation of the band and how we operate in current times.”

They should be proud, this is another solid effort by a hard-working punk rock band. I am pretty confident it will be in heavy rotation among the punk rock scene and those of you reading this review. Do yourself a favor and give this one a spin!

Future Considerations is available on CD and Vinyl via Thousand Islands Records.

Future Considerations by Trashed Ambulance

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Dying Scene Presents – Artists Beyond the Chords: Chris Shary

When art and music collide! “Artists Beyond the Chords” is a Dying Scene series highlighting stories from various visual artists in the scene. Our first installment showcases the work and wisdom of Chris Shary. Chris Shary is one of the hardest working artists, who’s been a hard hitting staple in the punk community for decades. […]

When art and music collide! “Artists Beyond the Chords” is a Dying Scene series highlighting stories from various visual artists in the scene. Our first installment showcases the work and wisdom of Chris Shary.

Chris Shary is one of the hardest working artists, who’s been a hard hitting staple in the punk community for decades. Based out of Stockton, California, Shary is also a dedicated drama teacher, father, husband, and self-proclaimed dork. He truly does it ALL (pun intended). Best known for his depiction of “Milo” (Descenedents), his works have also supported the likes of ALL, The Damned, Devo, Blink-182, The Meatmen, Circle Jerks, 7 Seconds, The Dead Milkmen, Agent Orange, Melvins, The Lillingtons, Chemical People, Masked Intruder, and so many more. His output ranges from album art, concert flyers, t-shirts, specialized merch items, and even action figures. With such an impressive resume, one might think it’s all done for notoriety, but deep down he’s just a huge fan expressing his undying love for music. 

Shary’s artistic journey began when he was first able to hold a crayon and pencil, but really became serious at the tender age of 6. At 17 years old, he started creating pieces for different bands and has been going strong ever since. He often teeters between different portraiture styles such as vibrant pop-art induced color blocking and black and white sketch realism. His current art-weapons-of-choice are pen and ink, mainly sharpies, but he recently started working with acrylic paints again. Consistently creating is key to his process.

“I try and draw every day, but I do a lot of thinking prior to starting commissioned work, or if I am getting ideas together for a band I want to work with. I walk my dog for a half hour every morning right when I wake up and that’s time I devote to thinking of ideas of what I might create,” said Shary.

Another way he searches for ideas is by experiencing live music. Oftentimes you can catch him at some of the biggest shows snapping shots for his latest creations. Not many can rock a phone camera in the photo pit without getting a boot from security, but he has clout, and for good reason. 

“I use the photos as reference when I’m working,” Shary explained, “but it also connects me with bands on a much closer level.”

As far as his true artistic motivation, Shary does not look outside of his own home. Family comes first, and it lives in the heart of each piece he creates. 

“My family is the thing that inspires me the most. My wife Lori is also an amazing artist and she is constantly making incredible pieces and kinda pushes me because of that. My son is also a big fan of the work we do, so I always want to impress him.”

Like a machine, Shary regularly posts new works on his social media accounts. Whether it’s commissioned or perfectly juxtaposed doodles for his own pleasure. Music aside, subjects range from pop culture references, memes, movies, television, and comic books. He never lets himself falter or take long breaks away from art, and strongly believes no creative person should. 

“I think the idea of an artist’s block is kind of a self-fulfilling prophecy. People tend to psych themselves out and then can’t get out of it. It just seems like an easy way to not work. I’m all about making things and hitting headlines. Just keep doing work and there is no need to slow down.” 

For those who want to break into the music art industry, Shary preaches the importance of repetition while remaining open and to your true self. 

“Do the work. Draw everyday and be happy to do it for yourself. No one owes you anything so be happy for whatever happens. It’s not always a quick process so do the work,” he advised. 

When asking Shary what he would like to leave Dying Scene readers with he offered a pure sentiment of kindness. 

“Be nice to each other, and try seeing things from other people’s point of view.”

View and support Chris Shary’s artwork at: 

Chrisshary.bigcartel.com

Instagram

Facebook 

Chris Shary’s Liner Notes

Do you have a favorite concert memory? 
One of my biggest thrills was singing “Bloodstains” with DESCENDENTS in 97. I guess one of my all time favorite shows was one with Kevin Seconds, Steve Soto and Alyson Seconds in an acoustic setting. It was insanely beautiful. 

What bands are you listening to now? 
The Linda Lindas have been an obsession lately. Just saw Bleached and fell for them. Kinda been listening to the Lemonheads a lot lately and always Jawbreaker, and DESCENDENTS of course. Saw HoleHog in Sacramento the other night and they were rad!

What song best describes you as a person? 
The theme from Shaft. At least that’s what I hear in my head a lot.

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Dying Scene Record Radar: New punk vinyl releases & reissues (new NOFX, Bad Religion, The Vandals, Dropkick Murphys & more)

Whaddup, fuckers! Thank you for joining us for this week’s edition of the Dying Scene Record Radar, where we cover all things new in the world of punk rock vinyl. Kick off your shoes and make yourself at home, because it’s time to run through this week’s releases. I hope you’re feeling spendy, because there’s […]

Whaddup, fuckers! Thank you for joining us for this week’s edition of the Dying Scene Record Radar, where we cover all things new in the world of punk rock vinyl. Kick off your shoes and make yourself at home, because it’s time to run through this week’s releases. I hope you’re feeling spendy, because there’s a lot of good stuff that might find its way into your record collection. Let’s get into it!


Bad Religion continues to reissue their back catalog. The latest is a 40th Anniversary reissue of How Could Hell Be Any Worse?. Once again, there are a billion variants, with regional and retailer exclusivity. Links to where you can buy all of these can be found here.


The Vandals have re-pressed their debut LP When In Rome (Do As The Vandals) on pink and black splatter vinyl. Head over to their Bandcamp page to grab it.


Punk Rock Radar and Cat’s Claw Records are releasing a Split LP from two great German pop-punk bands Lookit, Martians! and The Cheap Pops. There are two very creatively named color variants, each limited to 100 copies. If you enjoy 90’s pop-punk even half as much as I do, this shit’s right up your alley. Check out a few tracks below, and pre-order here (US) or here (EU).


Celtic punk veterans The Real McKenzies have announced a new covers album. Songs of the Highlands, Songs of the Sea is due out in November on Fat Wreck Chords. Check out their cover of “Scotland the Brave” below. Pre-order the record here (US), here (CA), here (EU), or heeeeeeere (AUS).


Speaking of Celitc punk, Newbury Comics has a new exclusive pressing of the Dropkick MurphysThe Gang’s All Here. This one’s limited to 500 copies on blue vinyl. Grab it here.


Earache Records has announced a new crowdfunding project called Earache on Demand. Every month they will be announcing a few new releases, each with its own funding goal. If enough people pre-order and the goal is met, the release gets pressed. If the goal is not met, you get your money back. Very cool! My favorite record from their first round is Municipal Waste‘s Hazardous Mutation. This has been out of print since 2005. Head over here to pre-order and help make this reissue a reality.


Next up is the much-anticipated new album from NOFX. It’s the follow-up to Single Album, which was released back in February. This one is called…you guessed it…Double Album! The lead single is “Darby Crashing Your Party” and it’s full of the kind of self-deprecation and wordplay you’ve come to know and love from Fat Mike. The video is below and vinyl pre-orders through Fat Wreck Chords are here.



Last but not least, Big D and the Kids Table have announced a 15th anniversary edition of their 2007 SideOneDummy debut Strictly Rude. The updated edition comes with five previously-unreleased tracks. It’s also a double LP with one record coming in an exclusive color. Oh, and there’s updated artwork and a poster. Pre-orders are available here, and it looks like it’ll ship in December 2022. Tell your mom to add it to your Christmas list!



And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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Dying Scene Record Radar: New punk vinyl releases & reissues (Against Me!, Frenzal Rhomb, NOFX & more)

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, this is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, grab a few beers, and break out those wallets, because it’s time to run through this week’s […]

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, this is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, grab a few beers, and break out those wallets, because it’s time to run through this week’s new releases and reissues. Let’s get into it!

Swedish punk veterans Millencolin have announced a new LP compiling their first two demo tapes from 1993. Due out in early September, Goofy & Melack will be limited to 500 copies on black vinyl, and 240 copies on red vinyl. Preorder through their webstore starts Thursday, August 4th at 10am Eastern.

Anti-Flag just announced their 13th full-length album Lies They Tell Our Children. It’s due out on January 6th, 2023, and you can pre-order it now here. The record will feature guest appearances from members of Rise Against, Bad Religion, and a bunch of other bands. The cover art’s some avant garde bullshit, which is cool if you’re into that kinda thing. Check out the music video for the first single below.

Asbestos Records has repressed the venerable Against Me!‘s 2007 New Wave LP for the first time in six years. This one’s limited to 1,000 copies on split black/yellow vinyl. Head to the label’s webstore to get yours.

Avail frontman Tim Barry has announced a new solo album titled Spring Hill. This is due out on August 12th, and it sounds like the LP will be available to order the on same day. The “red cloud” variant pictured will only be available at a show he’s playing in Richmond, VA on Friday, August 5th (more details on that here).

Fat Wreck Chords has repressed Frenzal Rhomb‘s incredible Smoko at the Pet Food Factory. Fat doesn’t reveal their colored variants usually, but my super official sources tell me this is what this pressing looks like. Grab your copy here.

British melodic punks Darko just announced a new EP titled Sparkle. It’s due out on October 21st, and you can preorder it here. The first single “Cruel to Be” is really good; check out the music video below!

Zia Records has a new exclusive variant of NOFX‘s Punk in Drublic, limited to to 500 copies on “Transparent Beer With Red Splatter” colored vinyl. Get it here.

New band alert! Bracket‘s Angelo Celli has a new project called Guilty Party and their debut 7″ Imposter Syndrome is coming out next month. Check out “Circling the Truth” below, and go here to get your preorder in. If you like Bracket, you will like this.

The Homeless Gospel Choir‘s 2020 album This Land Is Your Landfill just got repressed. There are two new variants, each limited to 250 copies. Go here to grab this one.

Rude Records is having a summer sale! Records, shirts, and more from bands like Less Than Jake, Guttermouth, and a bunch of others are discounted up to 25%. Head over to their webstore to check it out.

Now that all the cool stuff has been covered, here’s what I’ve been listening to… Saving money by not buying every new release has given me a chance to dig out some stuff I haven’t played in a while. First up this week was Much The Same‘s Quitters Never Win, a very underrated skate punk record that turns 20 years old next year. MxPx‘s The Ever Passing Moment from last year’s box set got some playing time, too. I also revisited one of my favorite Murderburgers records The 12 Habits of Highly Defective People, and Civil War Rust‘s fantastic debut LP The Fun & The Lonely.

That’s all, folks! Thanks as always for tuning in to the Dying Scene Record Radar. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, don’t blow too much money on spinny discs. See ya next week!

Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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Dying Scene Record Radar: New punk vinyl releases & reissues (Descendents, Rancid, Joe Strummer & more)

Hello, loyal readers! Thank you for joining us for this week’s edition of the Dying Scene Record Radar, where we cover all things in the world of punk rock vinyl. Kick off your shoes and make yourself at home, because it’s time to run through this week’s releases. I hope you’re feeling spendy, because there’s […]

Hello, loyal readers! Thank you for joining us for this week’s edition of the Dying Scene Record Radar, where we cover all things in the world of punk rock vinyl. Kick off your shoes and make yourself at home, because it’s time to run through this week’s releases. I hope you’re feeling spendy, because there’s a lot of good stuff that might find its way into your record collection. Let’s get into it!

Up first, we’ve got 1-2-3-4 Go! Records with another killer exclusive pressing of a classic record. This time it’s the DescendentsEverything Sucks, limited to 1,000 hand numbered copies on blue vinyl. This will be available on their webstore Friday, August 5th at 8am Pacific (11am Eastern). Join 1-2-3-4 Go!’s mailing list to be among the first to know when it goes up.

Rancid‘s Let’s Go is getting repressed, this time as a red and black splatter LP. It’s limited to 1,000 copies, and is only available from Newbury Comics. Head over here to get your hands on this one.

Brooklyn Vegan has an exclusive green 2xLP pressing of Social Distortion‘s Hard Times and Nursery Rhymes up to pre-order on their webstore. It’s limited to 300 copies and the color is pretty cool. Not a huge Social D fan myself, but this album’s alright. Also, if you join Brooklyn Vegan’s mailing list, you’ll get 10% off your order! Very nice.

Asian Man Records has brand new pressings of two classic Alkaline Trio LPs available right now. These new variants of Goddamnit and Maybe I’ll Catch Fire are limited to 1,000 copies each. Head on over to Asian Man’s webstore to order.

It’s been a long time coming but No Trigger has finally announced a follow-up to their fantastic sophomore album Tycoon. The new record’s called Dr. Album, and it’s being released next month on Red Scare. Check out the first single below, and pre-order the LP here.

Power pop singer/songwriter Geoff Palmer has re-recorded Dee Dee Ramone’s “rap” album Standing In The Spotlight. The first single, his cover of “Emergency” (my favorite song off the record), can be heard below. Stardumb Records is releasing this on vinyl; head over here to pre-order it.

The Mugwumps just released a new live album, recorded at Italy’s premiere punk festival Punk Rock Raduno in 2021. Check it out below – it kicks ass! My fellow Americans can get this here; our European friends can buy it here.

Mom’s Basement Records has announced their upcoming Queers tribute compilation God Save The Queers Vol.2 will be available to pre-order this Friday, July 29th, at Noon Eastern. Head over to their webstore to grab your copy. Canadians can get this one from Insipid Records, and our Bri’ish mates will wanna hit up Council-Pop Records.

Hardcore punk supergroup OFF! has announced a new record! Free LSD is the band’s first new studio album in eight years. They’re describing it as “a heavy punk industrial free jazz soundtrack recording”. Watch the music video for the first single “War Above Los Angeles” below, and pre-order the record here. There’s also an orange variant available from Brooklyn Vegan.

Making their second Record Radar appearance in three weeks, it’s the Dropkick Murphys with a Newbury Comics Exclusive variant of their upcoming album This Machine Still Kills Fascists. This one’s due out on September 30th, it’s limited to 500 copies on red vinyl, and you can pre-order it here.

British punk pioneers The Vibrators have announced their final album Fall Into the Sky will be released on August 12th through Cleopatra Records. Listen to the first single below, and pre-order the record on pink or blue vinyl here.

Santa Cruz pop-punks Too Bad Eugene just announced their first new album in 20 years! Distance is due out September 14th on People of Punk Rock Records. Listen to the title track below, and pre-order the record here.

Italy’s Radiation Records has reissued two LPs from Los Angeles punk veterans The Generators: 2005’s The Winter of Discontent, and 2007’s The Great Divide. Get ’em here. These are available in the US through Merchbar, too, but the price after shipping is basically the same as importing from Italy.

A decade after the downfall of The Clash, frontman Joe Strummer would spend the last three years of his life making new music with his band The Mescaleros. A box set compiling the band’s three albums and a bonus LP of demos, outtakes, rarities, has been announced. This is due out on September 16th, and can be pre-ordered here. These records go for $100+ each on the resale market, so this is actually a pretty great deal.

Reminder! If you are attending SBAM FestBrackrock Festival, or Punk Rock Holiday over the next few weeks, Fat Wreck Chords is going to have exclusive new variants of a shitload of records at their merch booth. Titles include Lagwagon‘s Hoss, Strung Out‘s Suburban Teenage Wasteland Blues, the new Face to Face album, and many others. These European festivals are the only place in the entire world these will be available. Check out Fat’s Instagram for more info.

Canadian friends, check out Forbidden Beat! They’re a punk distro that always has good shit going up on their Instagram page, at very good prices. They also seem to be the only place in North America with copies of the new Screeching Weasel LP in stock, so if you’re looking for that, hit ’em up!

Now that all the new and upcoming releases have been covered, I thought I’d share what I’ve been listening to lately! I saw my favorite band Less Than Jake for the 19th(?) time last week, so I’ve been on a LTJ kick lately. I got Losers, Kings, And Things We Don’t Understand at a show in Orlando back in… 2012? And this red pressing of See The Light was one of two Christmas variants limited to 100 copies. It had been a while since I listened to either of these, so I gave them a few spins.

That’s all, folks! Thanks as always for tuning in to the Dying Scene Record Radar. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Yype “Record Radar” in the search bar at the top of the page!

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Dying Scene Record Radar: New punk vinyl releases & reissues (Green Day, New Found Glory, OFF! & more)

Welcome to the first installment of the Dying Scene Record Radar! This is a weekly round up of all things punk rock vinyl. We’ll be highlighting new releases to look out for, as well as all those ultra limited reissues that get the collector nerds’ hearts racing. So, let’s get into it… Kicking things off, […]

Welcome to the first installment of the Dying Scene Record Radar! This is a weekly round up of all things punk rock vinyl. We’ll be highlighting new releases to look out for, as well as all those ultra limited reissues that get the collector nerds’ hearts racing. So, let’s get into it…


Kicking things off, New Found Glory! Back in April they released a 20th anniversary reissue of Sticks and Stones. Well, that shit sold out really quick, so they’re doing a second pressing of the reissue, limited to 2,000 copies. Go here this Friday, July 1st at Noon Eastern time to get your hands on it. Or wait ’til they sell out again and pay some clown $100 for it on Discogs.


Bad Religion is also reissuing two of their classic albums. Up first is Generator getting a 30th anniversary reissue. There are different variants for the US, UK, and Australia. Links to order all of those can be found here.


2002’s The Process of Belief is also getting the same reissue treatment for its 20th birthday. This one was announced a few weeks ago but there’s still plenty available. Links to order those are here.


Up next on the reissue train is the best band to name themselves after a Frenzal Rhomb song, Local Resident Failure, with the 10th anniversary reissue of their debut album A Breath of Stale Air. The variants are quite pretty! Americans and Canadians can get it here, Europeans here, and Aussies right here. And you can listen to it, right here! ∨∨∨


Nitro Records participated in Record Store Day 2022 with a reissue of their classic 1996 comp Go Ahead Punk… Make My Day. The compilation features AFI, The Vandals, Guttermouth, The Offspring and Jughead’s Revenge. 5,000 copies were made, and this is its first release on wax. There are still plenty of these out there. You can even get it on Discogs at a very reasonable price.


Now, here’s something that’s sure to ruffle some feathers: Walmart’s Exclusive pressings of Green Day‘s Dookie, American Idiot, and International Superhits. “Green Day? Walmart? That’s not punk!” No fucking shit, but who really cares? Sure the Waltons are one of the most despised families in America and they don’t need any more of your money, but look at the pretty colors! Help fund Billie Joe’s move to the UK, I’m sure he could really use the money.


The Bouncing Souls‘ self-titled record turns 25 this year, so they’re celebrating with four colorful polyvinyl chloride discs. Links to get all the different variants can be found here. East coast! Fuck you!


More reissues! Keith Morris’ OFF! is offering up new pressings of their back catalog, including the stellar First Four EPs, which is now available as a 12″ LP for the first time. These records kick ass. Buy, buy, buy.


Hey, here’s some new music! Screeching Weasel has a new record coming out on July 15th. It’s called The Awful Disclosures of Screeching Weasel. The LP is pricey at $30, but the two songs Mr. Weasel has put up for streaming have been good (stream below), and I enjoyed their last album a lot. Americans can pre-order here, and Europeans can get it here.


Skate punk veterans Cigar have stepped out of a time machine from 1999 to release their sophomore album. The Visitor is due out on September 9th through Fat Wreck Chords. Colored variants are long sold out, but I urge all self respecting skate punk fans to grab it on black wax here in America, here in Europe, and here in Australia. Listen to the debut single while you order!


1-2-3-4 Go! Records has spent the last year reissuing the entire Pinhead Gunpowder discography. The latest installment includes the Shoot the Moon LP (my personal favorite) and 8 Chords, 328 Words 7″. Everything in this series has been Grade A quality, and these reissues are a lot more affordable than original pressings of these records. You can get your hands on these here.


Pop-punk tastemakers Eccentric Pop Records have a bunch of new stuff up on their webstore. For the ridiculously low price of $16 (seriously Travis, how can you sell shit this cheap?!), you can get your hands on Dan Vapid and the Cheats‘ new LP Escape Velocity (listen below), and a new prepress of Horror Section’s long out of print self-titled record. Support a great label and add some awesome records to your collection!


Here’s a highly recommended pickup for those who worship at the altar of Joey Ramone. The Budweisers are a fantastic pop-punk band from Spain, and their new record Look Out Below is great! Plenty of fan service here for everyone who longs for the days when Lookout! Records ruled the pop-punk universe. Monster Zero has it up for pre-order now.


Target joins the “big box store reissuing classic punk albums” party with an exclusive 40th anniversary pressing of The Clash‘s Combat Rock on red vinyl. I grabbed this from my local Target a few weeks ago, and it sounds fantastic. I even signed up for the Red Card and saved 5% – what a deal! I love this record. “Rock the Casbah” is one of mankind’s greatest achievements. There’s a UK pressing on green vinyl as well – you can get that one here.


And I think that oughta do it! There’s undoubtedly a lot of stuff I missed, but hey, shit happens. The world keeps spinning, and we live to see another day. Like I said earlier, these recaps of new colorful plastic discs to waste your money on should be a weekly thing, but I could use a little help. Is there a new record you think should be highlighted in next week’s Record Radar? Suggestions are welcome – send us a message on Facebook or Instagram and we’ll look into it!

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