By making circumstances and breaking the inactivity of the onlooker, Russell ingests the custom of recognition workmanship into Corner Computer Desk. This individual subsequent and recovery of a past custom is vital as a demonstration of reflection.
His gathered, modified and own are being gone up against as tastefully versatile, specifically interrelated material for memory and projection. The conceivable appears to be genuine and reality exists, yet it has numerous countenances, as Hanna Arendt refers to from Franz Kafka. By challenging the division between the domain of memory and the domain of experience, he entertains the concept of the mortality of a work of art stood up to with the force of a momentary appearance, which is, by being confined in time, considerably more extreme.