Search Results for "Punk"

DS Exclusive: System Restore (Melodic Punk) Premiere Video For New Single, “CTL+ALT+DEL”

Trick or treat, punx! System Restore has entrusted Dying Scene to premiere their new music video for the song “CTR+ALT+DEL.” The track recalls hardcore favorites like Pennywise and A Wilhelm Scream. However, it comes from the Wyoming scene that brought us Teenage Bottlerocket and The Lillingtons.

“CTR+ALT+DEL” comes out today on the River Monster Records Monster Compster, Vol. 3 compilation, which is available here. System Restore previously released the Suburban Drones EP in 2018. It was recorded at the Blasting Room and was recently re-pressed on vinyl.

You can watch the video for “CTR+ALT+DEL” below.



Anti-Flag Speaks Their Mind At Paste Studios

Political punk legends Anti Flag just days after announcing their upcoming record and tour to bless the studio with some never before heard acoustic versions of their new tunes. Front-men Justin Sane and Chris #2 waxed poetic about their musical influences, social activism, and 85 Bud Lights.

It was one of the most genuine and heartfelt Paste Sessions of the last few months, and I should know because I am at most of them. They broke their songs down to their deepest roots on the acoustic guitars as they will bring their live show back to its roots playing in front of a crowd of no more than 200 on Halloween night at New York Cities Mercury Lounge.



Sum 41 Storms Paste Magazine’s Live Studio

Sum 41 is out with a new record and they took a trip over to Paste Magazine to record a live studio session with Paste’s resident musical madman Brad Wagner. While the group may be known for blazing guitar solos and hard pumping drumlines they brought a far tamer and stripped-down version to the Paste studio that still hit all the same chords.



Album Review: Filthy Hearts “Beyond Repair”

 

If you are a fan of the late 90’s, early 2000’s brand of Midwestern whiskey soaked pop punk like Dillinger Four, Dear Landlord, or Off With Their Heads, Denver’s Filthy Hearts newest album Beyond Repair, out now via Hidden Home Records, will most definitely be in your wheelhouse. It is honest and emotional, a catharsis masked behind gritty guitars and sing-along choruses.

“Every day I’m trying to be better than I used to be” is the very first lyric that greets us in the album opener “Ambulatory” and it sets the tone for the entirety of this album. Aggressively delivered self reflection followed with a catchy chorus of “Ambulatory, sick of being so fucking mean… tired of being bitter about everything” is the exact type of self awareness that makes this album so intriguing. The idea of self improvement while being acutely aware of your faults is an idea that everyone can get behind.

“Drinking Wells (is the Best Revenge)” is the type of desperate poetry that is only found at the bottom of the bottle, a way to find some chemically induced false courage in self confidence. This lack of confidence gets revisited in “Hiding Behind the Volume” which soon becomes real confidence once the “music takes my soul, and I forget about the past… the music makes you smile, and I know it’s not just me, and it’s time to go and have some fun.” Perhaps an indication that confidence may not need to be chemically induced. The idea of doing something you do well, as a means to overcoming the nemesis of overthinking, is a confidence booster, especially when there is the positive reinforcement of a crowd full of people have fun with you.

However Filthy Hearts must believe in delayed gratification because before they fully deliver on the fun time premise, they break your heart with a massive tempo break in “Voted Best City to be Lonely”. An almost acoustic number, that has an electric build and features a bassline that attempts to vibrate the sadness into your soul. The whiskey inspired poetry is moved to the forefront once again as “we both took a bottle of shots, and keep drinking till the dark takes you in. Hearts will remain empty tonight” they lament while the guitars develop an intensity that sucks you into the feeling of despair presented.

Immediately following this sadness is “I’ve Never Skanked a Day in My Life” a fun little blitzkrieg of a song. Encouraging us to clap our hands or stomp our feet and sing along, as a way to have fun and not think about tomorrow. “Get out of your mind and have a good time, It’s the only thing we can do better”

There are a few songs that cover the idea of finding things to do better or at the very least finding a way to escape from the way you think about problems, such as “Desire”, “Dreams of Youth” and the break-necked “Seasons”, but none better than ”Career Day” where they encourage you to run away from the machinations of the daily grind at a thankless job because “There’s a better life out there for you and me, a life off the clock, out of this machine.” The outro of “I want to run away” is delivered with such conviction and despair that it is chill inducing.

The album ends with “And I Don’t Even Have Kids” which evokes thoughts of a small bar packed to capacity with the entire crowd desperately singing along. By far their most political song, it comes across as a punk rock State of the Union, complete with back and forth vocals, driving and pulsating guitar work, sing along “woahs” and a giant middle finger to the “greedy selfish fucks” in our government. It almost seems that amongst the self reflection presented on this album, the environment we live in could be creating the very sense of sadness and despair presented.

On Beyond Repair Filthy Hearts deliver honest barrel-aged punk as they take the classic Midwestern sound and mix in a touch of hardcore and skatepunk. The result is an intrinsic experience best enjoyed sung out loud in a club full of your friends, a beer in one hand and a raised fist in the other. It is most certainly one of the years strongest albums and is most likely going to be on on some year end lists.



The Damned to part with ways with drummer Pinch

The Damned are to part ways with drummer Pinch (Andrew Pinching) after two decades.

The drummer made this statement regarding the decision: “After 20 years with The Damned it’s time for me to move on. Having just fulfilled a dream playing Madison Square Garden, the upcoming London Palladium show seems like an obvious stepping off point for me. I’ve been lucky enough to meet some heroes and play shows with legendary bands and amazing characters. I send my love to my band mates past and present as well as everyone in the Damned organization and wish them all the best for the future. Up the Punks. Pinch”

His last show was last night (October 27th) at the London Palladium.



Social Distortion to enter the studio in January

Southern California punk veterans Social Distortion haven’t released anything new since their most recent full-length record Hard Times and Nursery Rhymes back in 2011. However, that’s about to change as the band will soon begin pre-production of their long-awaited new album and start recording it in January for a 2020 release.

Frontman Mike Ness explains to OC Register:

“We’re scheduled loosely to go into the studio in January. But after this October show, we get back into pre-production and the good news is that in the last 15 years, there’s songs that didn’t get used but feel like they’ve just been written, there’s new songs and I think we came up with 23 songs right now. I have to go through those and pick the best 12 or pick the ones that work best together. The other good news is that we might shock everyone and put two records out in two years. People aren’t going to know how to act.”

The follow-up to Hard Times and Nursery Rhymes will reportedly be released on Epitaph, and will be only the eighth full-length studio album by Social D, who have been celebrating their 40th anniversary as a band.



DS Photo Gallery: Face To Face, Lagwagon and Makewar – Boston, MA

The nine-headed punk rock monster that is the Face To Face and Lagwagon tour made its way to Boston’s legendary Paradise Rock Club over the Columbus Day weekend. Both bands are touring in support of new Fat Wreck Chords releases; Face To Face’s Live In A Dive entry dropped October 18th while Lagwagon’s Railer Rollerbladed into the skate parks on October 4th. As has come up repeatedly in my circle lately, Boston can be notoriously fickle when it comes to showing up for left coast, 90’s-style EpiFat bands in this day an age – one of the downsides of it being a gentrified college town, for sure – but let us make no mistake about it; the punks came out to play on this night.

Newly-minted Fat Wreck signee MakeWar opened off this particular gig, and it marked the trio’s last night on the tour. What a breath of fresh air they are. Just a hair over twenty years ago, I saw Face To Face play a show locally on the ill-fated Ignorance Is Bliss tour and vividly remember being captivated by the sound coming from that tour’s direct support, No Motiv. This kinda reminded me of that. Huge hooks, soaring melodies, and passion and fire in spades. It gives hope that what I guess, at this point, is the next generation is more than capable of carrying the punk rock battle flag well into the future. Stay tuned for their Fat Wreck debut, Get It Together, next month; it’s a killer.

Lagwagon and Face To Face have been trading off headline duties for the duration of this tour and Face To Face drew the honors on this night, so Lagwagon was next out of the chute after MakeWar. The iconic quintet kicked things off with the Railer track “The Suffering” before immediately rewinding the clock about a quarter-century for “Weak.” The twenty-song set was fairly representative of the band’s lengthy catalog, with 1995’s Hoss and the new album seeing the most tracks included. There is of course that neurobiological thing where people always want to hear the music they related to most when they were younger, but I think the new material was pretty well received; “Surviving California” and “Bubble” certainly saw their share of crowd-surfers. I suppose that stands to reason, as Railer is in many ways a throwback album that hearkens back to the skate punk glory days of the mid-90s with a but through the filter of a collecting that’s got the wisdom that comes with not being 25 year old kids anymore. (Side note: 2014’s Hang became one of my favorite albums upon first listen and only say “The Cog In The Machine” included on this setlist but whatever.) God knows the band musically still fire on all cylinders in a live setting.

And then, of course, there’s Face To Face. To SoCal band are the band I’ve seen the most: this marked my 20th F2F show since their spot opening for No Doubt and Weezer twenty-two years ago. Like Lagwagon, their own most recent studio full length, 2016’s Protection, also was credited by many as being a bit of a return to form from a sonic perspective. As such, the set on this night – and this tour, as I understand, featured a couple Protection tracks peppered in amongst the traditional “classics” primarily from Big Choice, Don’t Turn Away and the self-titled album. However, based on what I think can be described as the unexpected success of their 2018 acoustic EP Hold Fast, the band also included a trio of songs in the middle of set that found frontman Trever Keith trading in his Les Paul (itself a return to form from the Gretsch’s he’s been playing the last handful of years) for a Gibson acoustic for reworked versions of “Blind,” “Keep Your Chin Up” and “All For Nothing.” As always, the depths of the band’s musicianship were on full display both in the foreground – the in-your-face lead bass playing of Scott Shiflett – and in the background – the wildly underrated percussive stylings from Danny Thomson. Lead guitar player Dennis Hill has been a bit of a high-energy shot in the arm in recent years, at one point diving atop the crowd while still wielding his Telecaster.

Head below for our full photo gallery.



Manchester Punk Festival announces first set of bands playing in 2020

Manchester Punk Festival will return for it’s sixth year in 2020. The three day event has grown each year in a bid to be the UK’s answer to Fest. The first round of bands announced for 2020 are The Flatliners, Belvedere, Random Hand, Christmas, ONSIND, Warwound, Broadway Calls, Natterers, Molisma, China Shop Bull, Roughneck Riot, Forever Unclean, Daves, Eastfield, PMX, Fresh, Dangers of Love, The Deadites, Misfortune Cookie, The Menstrual Cramps, Oi Polloi, Chewing on Tinfoil, Knife Club Don Blake, Bootscraper, Gibberish, Blind Man Death Stare, The Foamers, Byenary, Me Rex, Chloe Glover, Mollusca and The Lab Rats.

Tickets are already available here.



DS Photo Galley: Mike Watt + The Missingmen with Minibeast at ONCE Ballroom in Somerville, MA

The inimitable Mike Watt brought his Missingmen project through the greater Boston area – Somerville, to be exact – last week on what he’s dubbed the Dick Watt Tour. It’s a little bit of a different lineup than the Missingmen we’ve seen in these here parts in years passed; Watt and his longtime ax-man Tom Watson were joined by the fresh-faced Nick Aguilar behind the drumkit as previous Missingman drummer Raul Morales has retired from the road after starting a family. Aguilar is probably best known on the pages of Dying Scene for his work in Neighborhood Brats, and not only is the son of a fella that Watt and his Minutemen counterparts D. Boon and George Hurley went to high school with, but he’s the precise age that trio was when they started their legendary band. Cool!

The setting on this night was the ONCE Ballroom, a quirky, 300 capacity spot that has the feel of a wedding venue gone sideways; the kind of place that thankfully still exists in the ever-gentrifying greater Boston area. Frankly, in that regard, it’s the perfect venue for a guy such as Watt. If you’ll recall back to our chat on these pages a few weeks ago, the present run constitutes Watt’s sixty-seventh tour, with the caveat that he considers a tour to be anything longer than a month, meaning that he’s seemingly been on the road jamming econo forever. The legendary – a term I don’t use lightly – Watt and his comrades took the stage a few minutes late (local opener Minibeast ran a little over, more on that later) and proceeded to blow through well over two dozen songs over the course of the evening. Sure they played Watt solo material and a handful of requisite Minutemen songs, but they also included covers by such varied – and sometimes obscure – acts like Blue Oyster Cult and Redd Krayola and The Pop Group for good measure. The trio’s unique stage set-up, with Aguilar’s drum kit front-and-center but angled about 45 degrees toward Watt’s stage left, created an interesting stage dynamic, with Watt and Watson trading vocal duties and Watt planting himself almost uncomfortably at Aguilar’s side for chunks of time. Despite the relatively few shows they had under their collective belts and the numerous twists and turns a Mike Watt set can take, this version of the Missingmen sounded tight, largely in sync, and loaded for bear.

As I mentioned above, Minibeast opened the show and I’d never head them before and holy hell I’d been missing out. The Rhode Island-based trio is fronted by Peter Prescott, whom readers of a certain age might recognize from his days in the iconic Boston post-punk band Mission of Burma. Through a combination of vocals and guitar and loops and keyboards and myriad other technological instruments I couldn’t begin to name, Prescott generates an endless array of sounds and textures from his corner of the stage while the duo of Keith Seidel (drums) and Niels LaWhite (bass) combine to form the tightest and goddamned heaviest rhythm section I’ve heard live in quite some time; dynamic, thunderous, rock-steady. Seriously; watch this and see for yourself.

Check out more photos from the dimly lit shindig below. Tough sledding for a rank amateur such as myself, but you get the idea!



ROCKET Release New Single “GIANTS”

 

Channeling their inner Rancid, Los Angeles California’s ROCKET has just released their debut single “GIANTS.” Dubbed one of the “best bands to catch” by CBS Los Angeles ROCKET is firing out of the starting block with a red hot track to introduce themselves to the world.

While the release date for their debut record is still being kept under wraps ROCKET is getting out all over Los Angeles and showing the So-Cal punk scene what they are all about. The band has some big shoes to fill as they attempt to represent Southern Californias punk scene to a greater audience, but with blazing tunes like “GIANTS” it should be no problem.



No charges filed in horrific Vancouver accident (updated with VPD statement)

Just after midnight on Saturday October 12, Off With Their Head’s bassist, Robbie Swartwood was involved in a gruesome accident which resulted in a young woman’s severe obstruction to her face. In a statement from Sergeant Aaron Roed of the Vancouver Police Department, it was confirmed what many social media speculators have already estimated. There is video evidence of Desiree Evancio (24) crossing the street between the band’s van and trailer while at a stop. This went unnoticed by the driver, and she was then dragged for several city blocks once the vehicle resumed motion. While authorities quickly made the scene, early witness reports have described a trail of blood down the street, which made it apparent this was no ordinary accident.

Evancio’s family and friends have rallied to her side, to date raising nearly $200,000 of their million dollar goal to aid in her recovery. (Go Fund Me linked here.) She is expected to be hospitalized for the next year, undergoing various procedures, and her recovery from this, truly, may never end.

Off With Their Heads has since cancelled their tour and refunded all ticket values. Sergeant Roed’s statement is included below



Tsunami Bomb stream another song (“Petaluma”) from upcoming album

Tsunami Bomb release a brand new LP, The Spine That Binds, on November 8th via Alternative Tentacles. Following recent single “The Hathors“, the band are streaming another song, “Petaluma”. 

Have a listen below. Pre-orders are up now.



The Damned streaming new song “Black is the Night”

British punk icons The Damned are streaming their new song “Black is the Night”. By the looks of it, the new song will be a part of an anthology to be released at a later date.

Either way it’s always awesome to get something new form The Damned, so check it out below.

This is the first new music from The Damned since Evil Spirits was released back in 2018.



Make War (folk-punk) streaming first song off upcoming album

Brooklyn’s Make War are streaming the first song “Sails” off of the bands upcoming album Get It Together, due out November 1st on Fat Wreck Chords. I must admit I am not familiar with Make War but the first track off the new album has me wanting to hear more.

Check out the new song below.

Make War last released their Self-Titled album back in 2015. They are currently out on tour with Face to Face and Lagwagon.



Fat Mike, Tommy, Baz and June record acoustic cover of The Muffs classic “Lucky Guy”

NoFX front-man Fat Mike joined forces with Tommy, Baz and June to record a heartfelt tribute to the late Kim Shattuck of The Muffs. The song originally appeared on the self-titled début album for The Muffs back in 1993. Kim Shattuck sadly passed away after a battle with ALS, she was just 56.

Check out the heartfelt tribute below.

Kim’s side project The Coolies released a six song EP back in the summer, all the proceeds from that album are going towards ALS research.