“Instigator,” Kevins last album (his 9th), came out in 2016.
Search Results for "Emo"
Thursday, July 27, 2017 at 5:13 PM (PST) by gunnar
Thursday, July 27, 2017 at 7:36 AM (PST) by NobodyLikesGreg
London (UK) based sad ensemble Myelin is streaming a brand new single. ‘Horror’ is the second track taken from the band’s debut ep “Reservoirs”, out August 4th via German quality label Uncle M (The Smith Street Band, Anti-Flag, Boysetsfire).
You can check out ‘Horror’ right here.
Sunday, July 23, 2017 at 3:32 PM (PST) by Johnny X
The Movielife and The Early November have just announced their upcoming fall co-headlining tour. Taking in 20 evenings across the U.S. and Canada, the tour features The Movielife performing songs off its first album in 14 years, Cities In Search Of A Heart (out on Rise Records on Friday, September 22) as well as fan favorites, and The Early November performing its 2003 debut album, The Room’s Too Cold, in its entirety.
Kicking off on Monday, September 18 at The Paradise Rock Club in Boston, MA, the tour will visit cities including Philadelphia, PA on Tuesday, September 19, Brooklyn, NY on Friday, September 22, Chicago, IL on Tuesday, September 26, Austin, TX on Sunday, October 1, West Hollywood, CA on Wednesday, October 4, Berkeley, CA on Saturday, October 7, and Sneaky Dee’s in Toronto, ON on Saturday, October 14. Heart Attack Man (Triple Crown Records) will be opening dates on the first half of the tour and Racquet Club (Rise Records) will be opening on dates on the second half. A full listing of all the dates on this tour can be found below.
Cities In Search Of A Heart—The Movielife’s first offering since 2003’s seminal Forty Hour Train Back To Penn—marks the band’s triumphant return to form, and is an album that shows how much the group’s songwriters—vocalist Vinnie Caruana and guitarist Brandon Reilly—have grown, offering up their most inspired and energized songwriting to date. Whether you’ve loved The Movielife since they were a scrappy Long Island hardcore band in the early 2000s or you’re a recent initiate, it’s difficult not to get caught up in the kinetic energy and lyrical honesty that permeates every note of Cities In Search Of A Heart.
Wednesday, July 19, 2017 at 4:14 PM (PST) by steve_kingston
The band’s are currently touring together, playing shows for a month straight.
Monday, July 17, 2017 at 9:30 AM (PST) by rick delaney
You can listen to Too Much TV below. It’s the first new music from Intervention since their 2016 five-track, Lucid.
Thursday, July 13, 2017 at 8:26 PM (PST) by liathdavis
Chicago emo punks American Football have just released a new video for their track, “Home Is Where The Haunt Is.”
The song comes off of their 2016 self titled EP release which was their first release since their self titled album in 1999.
Check out the video below.
Tuesday, July 11, 2017 at 2:40 PM (PST) by The Torchbearer
You can check out all the dates and locations below.
Friday, July 7, 2017 at 4:21 PM (PST) by Screeching Bottlerocket
Wednesday, July 5, 2017 at 2:17 PM (PST) by NobodyLikesGreg
Brooklyn based emo rockers Able Baker Fox just dropped a huge new track. ‘Purple Mountains’ is taken from the band’s upcoming sophomore album ‘Visions’, out August 25th via No Sleep Records (US) and Arctic Rodeo Recordings (EU).
Head down below to give ‘Purple Mountains’ a spin.
Wednesday, July 5, 2017 at 10:30 AM (PST) by Shane Dover
“twilight” is taken from the band’s upcoming EP release Cut, which is set to be released on August 16 via cosmicnote. Cut follows the band’s last release, their first album Cold. You can find a stream of Cold below the video.
Thursday, June 29, 2017 at 2:20 PM (PST) by NobodyLikesGreg
Star-studded pop punk act Mush, featuring members of La Dispute, Dowsing, Pet Symmetry and Annabel, has premiered its very first EP ever. ‘Protect Your Brand’ came out yesterday via Skeletal Lightning and is up for listening below.
If you like what you hear you can pick up a copy on tape here. The physical release even comes with a card game designed by the band itself. How rad is that?
Wednesday, June 28, 2017 at 10:40 AM (PST) by Shane Dover
Hal Wilkerson//Sluggin’ was released on June 19, and follows the band’s last release, an EP titled Wake Up Kid which was released in June, 2016.
Tuesday, June 27, 2017 at 12:54 PM (PST) by The Torchbearer
Montclair, NJ based emo act Pinegrove have announced some tour dates for this fall with support from Florist & Lomelda.
You can check out all the dates and locations below.
Pinegrove released their latest album Cardinal in 2016 on Run For Cover Records.
Monday, June 26, 2017 at 1:24 PM (PST) by Mike Scott
The Movielife have debuted their first new material in the best part of a decade and a half today. The band’s new track, “Mercy Is Asleep At The Wheel”, is streaming via the band’s new label Rise Records.
The song is the first output since 2003, when the band’s last album, “Forty Hour Train Back To Penn”, was released. It will be on upcoming album “Cities In Search Of A Heart”. You listen to it below.
My first big assignment, AFI (The Blood Album), and I have to admit I’m a little overwhelmed. I started out with the usual research. I mean AFI formed in effing 1991! That’s 26 years of music for those too lazy to do the math. They have fans that live and die with every record, who have followed them since the beginning! Initially, I planned to do my research and try to play myself off as someone deeply versed in AFI’s music and history. But the fans, they’re rabid. They’ll see right through that. So I thought back to when I first heard AFI. And it was pretty far back; that Ice Cream Truck video (“Third Season”). I remember at the time thinking about buying their records, it was just the type of music I dug. Right there with NOFX and Bad Religion. Cali punk with quite a bit of Misfits thrown into the mix, most obviously in Davey Havok’s singing style.
Somehow I never bought that record and never became one of those rabid fans. I tried to catch up. Somewhere around 2000 I downloaded Black Sails in the Sunset and The Art of Drowning. They just didn’t stick. Now I’m a sucker for a pop song, and given that I’d always wanted to get into AFI, Sing the Sorrow definitely made it into my rotation and from then on, I followed them. I listened to their records. I marveled at Davey Havok’s fashion sense and commitment to his aesthetic. He definitely carried the torch with Marilyn Manson to pass on to Chris Motionless. I always respected that. And you can’t deny the hits: “Girl’s Not Grey,” and “Silver and Cold.” I love those tunes. “Miss Murder”? I don’t turn it off when it comes on the radio. The first time I caught them live was at Lollapalooza in 2010, and they brought it. I have to admit I’ve always rooted for them. Some of those rabid fans might have given up, called them sellouts for moving away from So-Cal punk to a more 80s new wave goth sound, but whenever a punk band breaks it big, it resonates with me and I say, “Yeah. That’s right. This is good stuff and people should latch onto it.”
Sorry, this prelude is getting long-winded. You might think I’m stalling. I’m not. It’s just that this is AFI! It’s fucking important to a lot of people. I can’t move on without mentioning Burials. When I heard “17 Crimes,” I immediately bought the album. The one thing you have to say is that AFI has evolved, but they have settled into their skins. If you held on for the ride, you have to be stoked as they are churning out some consistently great records.
AFI (The Blood Album) is no exception. If you are one of those rabid fans, I’m preaching to the choir, you’ve already bought the album. Hopefully on vinyl, of which they released four color variants: one for each blood type (A, B, AB, and O). Ok. Now for the rest of you. If you bailed on AFI because they became the standard-bearer for 80s goth synth-pop, you should probably take a pass on this album as this genre has become the band’s adopted sweetspot, and the sound resonates through about 75% of The Blood Album. Jade Puget manned the boards for this record and he does an amazing job. I’m guessing that he took some things away from working with Gil Norton (producer of Burials) because he has the 80s postpunk sound nailed down. Now don’t get me wrong. AFI can still rock, and for the most part they are a punk band as evidenced by track 9; but it seems these days that they’re more comfortable channeling Bauhaus and Joy Division with haunting synthesizers and disembodied vocals. After many listenings, I have found that each side of this record has a very distinct feel. On Side A (songs 1-7), AFI engages their darker, more somber arrangements, while Side B hearkens back to the old days with more rollicking punk jams.
“Dark Snow” opens the record, straddling the line between rock and synth-pop quite admirably and prepares the listener for what’s to come. “Still a Stranger” resonates with me as it bears the hallmark of Jade Puget’s handywork at the boards, the acoustic guitar, an interesting backbone; they abandoned synth-pop on this one for a more straight-up emo vibe. “Aurelia” and “Hidden Knives” continue with the usual AFI, dark imagery and catchy hooks. The sing along chorus of “Get Hurt” is mesmerizing…. “I can’t let you see / I can’t let you see me sleeping.” WHY NOT!?! Because you’re a damn vampire that turns into a bat!? “Above the Bridge” steps in for a Cure-like turn, then we get “So Beneath You” for the requisite AFI atheistic themes.
“Snow Cats,” the first single off the record, begins my side B. On “Dumb Kids” Davey somehow channels Leonard Graves Phillips from The Dickies as vocal inspiration, I’d put this one up with any purely punk song in the AFI oeuvre (Give me a whole record of this AFI!!) “Feed From the Floor” reminds me of everything appealing about the dark side of new wave: Bauhaus, The Cure, Echo and the Bunnymen, amazing homage to that genre; and somehow they’ve lifted the guitar effect from Icicle Works! The album closes strong with the second single, “White Offerings,” and [another fave] “The Wind that Carries Me Away” (trust me, it will get stuck in your head).
The Quick and Dirty: When I sit down to review an album for Dying Scene, I basically force-feed myself the record until I come up with some opinions on the songs and the album itself. I have to say, having AFI (The Blood Album) on heavy rotation for a couple of weeks has been an absolute joy. At the very least it’s an extremely listenable record: great songs from front to back. It leans heavily toward the 80s Goth/postpunk sound for the most part, but there are some nuggets that hearken back to AFI’s punk rock roots. Another concept that keeps popping up in my mind as I listen to AFI (The Blood Album): that I really want to see these songs live. It’s not often that you go see a band that’s been around 26 years and you think “play the new stuff.”