Dan Webb and the Spiders last released Live at MIT! today. Ah hell, stream that below too.
Search Results for "Dan Webb and the Spiders"
Tuesday, June 4, 2019 at 2:00 PM (PST) by The Torchbearer
Monday, September 3, 2018 at 10:00 AM (PST) by jaystone
One of my personal favorite local bands, Dan Webb and the Spiders, is releasing a new compilation this week!
It’s entitled Now It Can Be Told – Volume Two, and is an obvious follow-up to their similarly-named 2014 compilation. This particular release features seventeen tracks — eight previously unreleased — all recorded between 2015 and 2017 by what was the band’s tightest lineup to date (Webb on vocals and guitar, Chris Amaral on guitar, Stephen Benson on drums and Sean McAllister on bass). The release is due out tomorrow (September 4th) on Gunner Records USA, and you can pre-order yours right here.
While you’re at it, check out the band’s video for the Now It Can Be Told – Volume Two track “Klausi” below!
Tuesday, February 27, 2018 at 9:46 PM (PST) by jaystone
While those of us that make up your friendly neighborhood Dying Scene photography staff enjoy shooting punk rock shows of all shapes and sizes, there’s just something special about a bill at a small, cash-only club that’s stacked with kick ass local bands. Such was the case the weekend before last when one of our favorites, Bundles, celebrated the release of their debut full-length, Deaf Dogs. The album was released by Gunner Records earlier this month, just in time for the trio’s recent tour of Europe, and they threw themselves a barn-burner of a homecoming shindig at O’Brien’s in Boston’s legendary Allston neighborhood.
Kicking things off was Michael Kane & The Morning Afters. The foursome are based in Worcester, MA, which is roughly an hour from the city, but have long been staples of the local music scene in various capacities. When we last caught up with the foursome, they were on the big stage kicking off the third and final night of Street Dogs‘ annual Wreck The Halls festivities. While they might have axed the Bruce Springsteen cover from their set on this particular night, their unique blend of punk-infused rock-and-roll (think The Replacements) set the bar pretty high for what was to follow for the remainder of the evening. The infectious “Old Men Die In New Suits” from their 2017 Laughing At The Shape I’m In remains one of the catchier singalongs in the recent chapters of the local punk scene.
Birdwatching were up next, and are rather quickly becoming one of the most must-see bands in or around Boston. The threesome play a high-energy indie rock style that’s equal parts earnest and vulnerable. They dub themselves “nervous underdog pop,” and that seems to be pretty accurate, although perhaps not quite as accurate as how my ten-year-old sums up the sound of Birdwatching’s latest EP, Night Physics – “these guys are really good. They’re interesting, because they’re loud, but they’re not like RAH-RAH-RAH-RAH loud like a lot of other rock bands.”
Dan Webb and the Spiders were up third, and if you’ve been paying attention, you’re no doubt aware that the foursome have long been one of our favorite local acts. DWatS and Bundles put out a split 12-inch on Gunner Records a couple years ago and shared a bill at that album’s record release show at this very same venue, and so it made perfect sense to have the two team up on this night as well given how complimentary the bands sounds are. IT can be a bit tough to encapsulate the Spiders’ garage rock-based sound, as they can pull off gritty aggression and almost Beatlesian melodies interchangeably. I keep saying they’re one of the most underappreciated bands in the area, and I’m nowhere near alone in that mindset.
Which, of course, brings us to the guests of honor, the trio known as Bundles. Much like Michael Kane & the Morning Afters, we last caught Bundles on the big stage across town at Sinclair where they were kicking off the recent Hot Water Music show. Don’t get us wrong; we love watching local buds get cool opportunities like that, especially when their set goes over well, and we’ll always continue to root for more and more of those experiences. But seeing bands like Bundles damn near melt on stage at venues like Obie’s will forever be one of the more comforting things in a local scene that, like so many others, is becoming increasingly gentrified. We’ve seen Bundles and their finely-tuned quads a bunch over the years, and this is probably the most involved and vocal we’ve seen a crowd at a Bundles show, with nearly non-stop vocal involvement from audience members from start to finish, in spite of how very recently released the stellar Deaf Dogs was. Yet another notch on the bedpost in support of Boston being one of the best places for local independent music.
Thursday, February 9, 2017 at 2:02 PM (PST) by jaystone
It’s awfully tough to keep any sort of independent music scene alive in a city like Boston, Massachusetts, circa any time in the 21st century. Continually-expanding gentrification and (sometimes comically bad) law enforcement crackdowns on house shows and DIY spaces have combined to help make it difficult for a really thriving scene to truly take root. Difficult…but not impossible. Enter a space like O’Brien’s bar in the city’s bustling, not 1000% overpriced Allston neighborhood. The cash-only hundred-ish capacity spot is no frills without being truly a dive, and its poorly-lit back-corner stage has been the site of more than its fair share of local and national barn-burning acts over the last handful of years, thanks in no small part to local promoter Ryan “The Terrible” Agate.
Bands like Rebuilder and Dan Webb & The Spiders have each pounded the sweaty confines of O’Brien’s a fair amount of late, and combined to both headline and local-open (in that order) a pretty kick-ass show last weekend. It was a busy night for the local punk community; AFI were headlining a mile or so down the street from O’Brien’s, and Boston-based street punk OC45 were playing an album release show down the road in Jamaica Plain. Yet the crowd was near-capacity as Rebuilder took the stage late into the evening. The five-piece (yes, they have a keyboard player, Patrick Hanlin, and yes he was on stage this night; his lack of appearance in the photo galley below is merely a reflection of the cramped stage and the photographer’s lack of photography skills) just finished tracking a new EP (more on that later) at Jason Maas’s Getaway Recording studio in nearby Haverhill, Massachusetts, and took the occasion to rip through the half-dozen songs in their entirety. Most of the songs were largely unknown to most show-goers, but that didn’t stop the crowd from being surprisingly vocal and ambitiously rowdy.
Dan Webb & The Spiders, in this writer’s humble opinion, are one of better — and more overlooked — bands in the local scene. As I’ve told you a bunch on the pages here at Dying Scene, Webb and the boys play a tight, aggressive style of garage punk rock that is catchy and compelling from the word “go.” The Razorcake review of their recent split release with fellow Massachusetts rockers leads with a comment that “DWATS should be huge,” and yours truly couldn’t say it better himself. There set on this night was punchy and no-nonsense, stylistically different but otherwise a kindred spirit bookend to the aforementioned headliners.
New Jersey’s City Limits and Philly’s In The Pines made the trek up from points south to serve as the delicious, mid-Atlantic filling an otherwise Boston-based sandwich. In The Pines, if you’re not familiar, are a coleslaw-obsessed four-piece who’ve got a new EP, “Sides,” out tomorrow (February 10th) on Black Numbers. They’re a textbook Black Numbers band; raw, intense angular post-punk goodness. City Limits, meanwhile, are a another four-piece band who play a melodic punk style that’s been compared accurately to Off With Their Heads, Dear Landlord and, of course, The Lawrence Arms. Neither of the latter are Boston bands, obviously, but as newer bands, they both represent the sort of musical spark plug that their (and other) local scenes need to keep pushing the needle forward.
Check out our full photo gallery below!
Saturday, October 29, 2016 at 10:18 PM (PST) by jaystone
A couple of yours truly’s favorite hometown bands recently teamed up to throw a record release party in honor of their new split 12-inch, and the result was one of the most enjoyable show-going experiences of the year in the local music scene.
The two bands of honor in this case were Dan Webb and the Spiders and Bundles. Their split, which you can still stream here, marks the first release on the American imprint (run by Webb himself) of German-based Gunner Records. The evening’s festivities took place at O’Brien’s Pub in Boston’s Allston neighborhood, a no-frills bar in one of the few no-frills neighborhoods left in an increasingly gentrifying city. O’Brien’s has long provided a dark, sweaty bastion for up-and-coming local and smaller national touring bands (shoutout to the great and terrible Ryan Agate), making it the perfect backdrop for the occasion.
The first band out of the chute on this particular evening was Birdwatching. For the uninitiated (as I was until showtime), Birdwatching are a local three-piece who, despite being a newcomer to the scene in ever sense, seem to have perfected the sort of lo-fi, odd-time signatured indie punk sound that’s been building over the last couple years. They’ve got an album release show of their own in a couple weeks that Bundles will actually be opening, a clear sign that Birdwatching aren’t going to be “up-and-coming” for very long.
While they very easily could have been headlining this particular show, Dan Webb + The Spiders actually played second out of the four bands on the bill. As I’ve told you before, they’re a four-piece that grew out of a one-man project, and they grab you by the scruff of the neck and forces you to pay attention, with a sound that owes more than a little bit of inspiration to the heyday of punk-infused ’90′s garage rock. On the split that this show was celebrating, tracks like “”No Excuse” pay sonic homage to Brit-pop bands, while the band bring more of an uptempo banger vibe to “Odd Combinations” and a throwback Lemonheads vibe on “Running Around” and “Inside the Cage,” though only the former and latter tracks made it into the setlist on this occasion.
Germany’s No Weather Talks played third, and marked a pleasant surprise if ever there was one. I’d admittedly not heard them…or heard of them…prior to this occasion, but they made quick fans out of myself and many others in the crowd by midway through their first song. Playing entirely on gear borrowed from Webb and his cronies, the Hamburg-based five pieced play a surprisingly tight set of tunes that are sort of a modern rock take on a classic skate-punk sound. The only band listed on their Facebook page as an influence is Samiam, and I would go so far as to say that a No Weather Talks – Samiam comparison is entirely accurate, if Samiam were fronted by a dynamic female vocalist, in this case the captivating Faye Herr.
What can I say about Bundles that I haven’t said before? Hmmm…well…let’s see. The band consists of three dudes with questionable tastes in guitar tuners and facial hair and even more questionable penchants for quad-revealing short shorts. I kid. Not really. Well…kinda. Anyway, Bundles have become one of my favorite local live bands in relatively short order. While they band joked that they had no business closing a show after sets by the three bands that came before them, that speaks more to the strength of the bill than it does to their own prowess, as evidence by the way they plowed through their set in prototypical punk rock fashion. While the sound is still an intense version of post-hardcore, what has changed a little as the band has grown over the last year or so is the more toned-down points in some of the newer tracks (like “Welcome To The Rusty Nail” from the aforementioned split), proving that 1000mph isn’t always a necessity to get the point across.
Check out our full photo gallery from the evening below.
Monday, October 17, 2016 at 12:00 PM (PST) by jaystone
Dying Scene is beyond stoked to bring you the premier of the upcoming 12-inch split from two of Boston’s sincerely raddest bands, Bundles and Dan Webb and the Spiders. On a totally personal level, I had the unique privilege of catching both of these bands live in support roles before I was familiar with their recorded music, and was legitimately blown away by both, so allow me to introduce you if you’re not familiar.
Bundles are a three-piece post-hardcore (I guess…) band who, as I wrote about when I first saw them, played with such earnestness and voracity that they had plowed full throttle through their setlist and damn near ran out of songs before they ran out of time. They were one of the first new bands in seemingly forever that made me stop and actively pay closer attention than normal because I hadn’t quite seen or heard something like them in a good long while.
Speaking of which… Dan Webb and the Spiders are a four-piece that grew out of a one-man project. I was admittedly a little behind the eight-ball on these guys, as there’s long been a lot of local buzz surrounding them from people in the know. They’re another one of those bands that grabs you by the scruff of the neck and forces you to pay attention, with a sound that owes more than a little bit of inspiration to the heyday of punk-infused ’90’s garage rock.
The 12-inch split is due out tomorrow (October 18th) on Gunner Records, and marks that label’s first-ever dedicated USA-based release. Stream the album in full below, and follow the link here to pre-order physical or digital copies! If you’re in the Boston area, come hang out at O’Brien’s in Allston tomorrow night for the record release show!
Monday, November 30, 2015 at 9:32 AM (PST) by Hopeless Romantic
Crossbone Fest has just announced 16 of the bands playing the 2016 edition, including headliners The Copyrights . The announcement includes German garage/punk rock act No Fun, Boston’s Dan Webb and the Spiders, and Chicago’s Sass Dragons. You can check up the full lineup (that has been announced thusfar) below.
The DIY punk festival will be taking place March 18-19 2016 at JH The Basement in Houthalen, Belgium.
Wednesday, June 11, 2014 at 8:35 PM (PST) by danwebbats
Boston’s Dan Webb and the Spiders have released 2 new albums via their own label, Safe Responsible Records. The first is called Now It Can be Told and is a compilation of all the bonus tracks and 7″s they’ve released since their last proper full length, 2011’s Much Obliged, plus some new tracks. The second is called Eine Kleine Akustischmuzik, and it features acoustic re-workings of previously released material as well as some new songs.
Dan Webb and the Spiders released Now It Can Be Told on April 14, 2014, and Eine Kleine Akustischmuzik on April 15, 2014.
Monday, March 4, 2013 at 12:22 PM (PST) by Bizarro Dustin
Dan Webb and the Spiders are a punk band from Massachusetts that evolved out of a one man band. Irish Handcuffs are a punk band from Germany that formed out of a love for Jawbreaker and (presumably) Smoke or Fire. Despite hailing from different continents, the two bands have teamed up together to display their song-writing talents in the form of a split EP. The result is a four track rush of snotty, yet melodious, punk rock.
Dan Webb and the Spiders start the split with “Quiet Houses”, showing that the band hasn’t lost its touch when it comes to their brand of garage-y punk rock. Webb’s vocals are slightly reminiscent of a young Lars Frederiksen, but don’t let that comparison pigeon-hole the band in any way as a Rancid-wannabe. “Quiet Houses” is full of aggressive musicianship, and a chorus that begs to be shouted along with. The lead guitar screeches through the song’s final moments, but it never sounds jarring. “Last Straw”, the Spiders’ other contribution to the split, is a bit of a catchier number, with less in-your-face instrumentals, and more reserved vocals. Webb’s vocals adopt more of a Shevchuk scratch to them, and it suits the song’s melodic approach, not unlike how the actual Shevchuk’s vocals suited LaGrecia. Much like its companion, “Last Straw” is full of vocal harmonies and is sure to be a fun sing-along.
Irish Handcuffs don’t miss a beat to keep the energy flow up high. The young band contributes two gruff, yet melodic punk rock tunes that pick up right where they left off with 2012’s stubbs. EP. “Derail” is upbeat, and the guitar work sounds almost like it could have been a song that got lost during the stubbs. sessions. As catchy as the chorus is though, it’s “Sunday’s Ghosts” where Irish Handcuffs really shine, with the four piece outfit really bringing their A-game to the three and a half minute track. The instruments conjure up a dark and gloomy atmosphere, and the raw emotion in the vocals delivers the band’s best studio performance to date. It’s almost bizarre to think that this is only Irish Handcuffs’ second studio release, as it plays as if the band has been around for a few years.
The best kinds of splits are the ones that showcase the talents of all the bands involved without one stealing the thunder away from the other; everyone gives it their all to show what they’re made of but holding back just enough so that the listener wants more. Dan Webb and the Spiders and Irish Handcuffs have accomplished exactly that with this split all too well, to the point that it might make you think that four songs just isn’t enough. This split acts as a very promising teaser for future releases, and cements both Dan Webb and the Spiders and Irish Handcuffs as forces to be reckoned with in the melodic punk scene.