Check out the new EP below.
Search Results for "Hot Water Music"
Saturday, May 25, 2019 at 9:36 AM (PST) by Rachael Clifford
Saturday, May 11, 2019 at 12:00 PM (PST) by AnarchoPunk
The boys are back with Episode 15 of Dying Scene Radiooooo! In this installment, AP snags a whopper of an interview with legendary Simi Valley thrashers Strung Out down at Sabroso Craft Beer and Taco Fest as it rolled its way through Denver. If you’re excited about the seminal punk band’s upcoming album, you’re really going to want to give this one a listen as Jason and Chris spill the frijoles on the name of the upcoming LP! EXCLUSIVE NEWS! LOOK AT US! As always the lads are also gonna be spinnin’ a ton of music from new and emerging artists that you were probably too lazy to discover and giving their shitty opinions on some of the most noteworthy scene news from the last few weeks that you were probably too lazy to read. Check it all out below!
Tuesday, November 20, 2018 at 2:30 PM (PST) by The Torchbearer
Florida gravelcore band Hot Water Music have announced a tour in which they will be playing their classic albums Caution and No Division in their entirety.
You can check out all dates and locations below.
Hot Water Music last released Light It Up in 2017 via Rise Records.
Wednesday, October 3, 2018 at 11:29 AM (PST) by KCRaniero
Florida gravelcore band Hot Water Music have released a B-side track called “I Will Be” via Rise Records. The band last released Light It Up in 2017, also via Rise Records. You can listen to this wonderfully gritty song below.
Saturday, September 29, 2018 at 9:35 AM (PST) by jaystone
Rise and shine, boys and girls. In case you missed it, Hot Water Music released a new (well, previously unreleased) track yesterday. It’s called “I Will Be,” and it was taken from the recording sessions for their last studio album, last year’s Light It Up. It’s a pretty solid banger with some pretty deep-feeling emotions on the lyrical side…so, pretty much classic Hot Water Music! Check it out at all the usual places (iTunes, Spotify, etc). or head below!
Light It Up came out last September on Rise Records.
Friday, March 2, 2018 at 3:39 PM (PST) by jaystone
Hey! So it’s Friday afternoon, and if you live in the Northeast, hopefully you’re not underwater or without power. Regardless of where you live, hopefully you check this post out. That’s because the full lineup of Punk Rock Bowling club shows has been announced, and not only is the whole roster awesome, but tickets go on sale tomorrow!
There are a total of 17 shows spread across a variety of venues over the four day festival. There are almost too many awesome acts to mention without leaving anybody out, but featured performers include Lagwagon, Joey Cape (solo), Tim Barry, Laura Jane Grace, Darius Koski, Fishbone, 7 Seconds, The Aggrolites, Hot Water Music, Strike Anywhere, Agnostic Front, Dillinger Four, and so many more. Advance tickets go on sale tomorrow (Saturday, March 3rd) at Noon Pacific (3pm Eastern), and general public tickets go on sale at 4pm Pacific (7pm Eastern). Click here for all your ticket info!
Thursday, February 22, 2018 at 8:34 PM (PST) by jaystone
“Bury Your Idols,” as you should damn-well know by know, is from Hot Water’s latest album, Light It Up, which was released last year on Rise Records. The band have a handful of tour dates in such exotic locations as Australia, the UK, Germany, and Florida over the next couple months; check out the full rundown at the link above. To the best of our knowledge, they’ve still got Chris Cresswell from the mighty Flatliners pitching in to help fill Chris Wollard’s duties while he’s getting himself right, but we’ll let you know if that changes. (We love and miss Wollard, but catching them with Cresswell was pretty damn cool in its own right – here’s our review of the Boston gig from late last year.)
Thursday, November 30, 2017 at 9:09 PM (PST) by liathdavis
Punk veterans and staples, NOFX have just announced two more shows before their date at Download Festival 2018, so all you Aussie punk fans can rejoice for more punk, and more fun. They will be playing with Hot Water Music, Bad Cop/Bad Cop, and Dad Religion.
Check out the flyer below, and make sure to pick up your tickets before they’re all sold out!
Monday, November 27, 2017 at 11:00 AM (PST) by jaystone
Even by the standards of a band that has defined its near quarter-century career by charting its own course and never seeming to duplicate itself, it’s safe to mark Hot Water Music‘s 2017 as one of the band’s most atypical calendar years yet. The pioneering post-hardcore outfit wrote, recorded and released Light It Up, their eighth studio album, back on September 15th. The album is stellar, prompting even old school fans to note that it’s the band’s most inspired and cohesive project in recent memory. They also played a high-profile gig at Riot Fest in Chicago, a place that has shown enough love to the band over the years that its been something of an adopted second home (their live 2012 triple LP was recorded in the Windy City).
That said, the road has been a little bumpier of late. The iconic quartet’s lineup of Chuck Ragan and Chris Wollard on vocals and guitars, Jason Black on bass and George Rebelo on drums has remained constant — albeit interrupted by the occasional hiatus — since their beginning. Recently, however, they’ve had to play down a man; beginning at Fest last month in their hometown of Gainesville, Wollard has had to take a step back from performing live in order to take care of some self-reported anxiety and stress-related issues. Given the amount of moving parts (day jobs and spouses and babies and pets and so on) that need to line up for Hot Water Music to play live these days, the other three members — with Wollard’s blessing and encouragement — chose to fulfill their long-scheduled tour obligations, including a recent three-day run through Boston, New York City, and Philadelphia, and an upcoming date in Brazil.
And they are doing it with a little help from a few friends; The Flatliners’ Chris Cresswell filled in for Wollard at Fest on fairly short notice and played the three Northeast US shows, while Less Than Jake’s Chris DeMakes, a fellow Gainesvillian and longtime friend of the band, will cover the Brazil show (with any luck, Wollard will be back in fighting shape by the time the band’s January dates in California come around). Not only was Dying Scene on hand to shoot the band’s recent Boston date, but we were lucky enough to sit down with Jason Black back stage just moments before the show got under way. We talked about the lead up to recording Light It Up, looked back at some of the changes over the band’s two-plus decades in the business, and about adding the decade-and-a-half younger Cresswell to the mix; we also got cut off near the end by Ragan and Cresswell joining the conversation, the latter accompanied by a Les Paul and seeking clarification as to his part on the new Wollard-fronted Hot Water Music track “Vultures.” Head below to read our full interview!
Tuesday, November 21, 2017 at 9:28 AM (PST) by jaystone
Hot Water Music made their long-awaited return to the Boston area last Friday night, playing to a packed house at the Sinclair in Cambridge that sold out long before the show actually took place. Touring in support of their most recent studio album, Light It Up (released September 15th via Rise Records), the genre-defining four-piece were playing down a man, with Chris Wollard sitting out this run of shows to focus on taking care of anxiety and stress-related issues. However, just like they did at Fest last month, they called on the help of a pretty well-respected friend to fill Wollard’s shoes. That, of course, was none other than Flatliners frontman Chris Cresswell.
If Cresswell had the pre-game jutters that might be expected when filling in on the sold-out first night of a run with a highly influential band fifteen years his senior, he didn’t show them. The show’s twenty-one song setlist did steer more heavily toward the Chuck Ragan sung end of the catalog, and Ragan took over lead vocal duties on the new track, “Vultures,” but Cresswell did Wollard justice on such staples as “A Flight and A Crash,” “Paper Thin,” and, of course, “Trusty Chords.” Ragan, who sounded as solid and high-energy as he ever has, seemed on more than one occasion to look on in proud admiration at his new stage-left counterpart. For their part they rhythm section core of Jason Black (bass) and George Rebelo (drums) were a lock-tight gas pedal, which, while they’ve been playing together for the better part of a quarter-century, is not necessarily an easy task given that it was the first night of a brief three-day tour for a band that doesn’t live on the road nearly the way they did earlier in their respective careers. Rebelo’s recent turn behind the drumkit with Bouncing Souls has provided his playing with a little bit of an added, uptempo spark, which seems to play right into the nimble-fingered Black’s wheelhouse. It may not have been the traditional Hot Water Music lineup that has been so long-revered in this scene, but goddamn it still felt pretty special.
Big Jesus provided direct support on all three shows on this run. Trying to narrow down the sound of Big Jesus to one definable genre is a bit on the difficult side, but they’ve got a sludgy, swampy metal guitar attack that’s offset by bassist/vocalist Spencer Ussery’s airy, melodic vocals that have drawn comparisons to Smashing Pumpkins but are really more like Silversun Pickups-meets-Clutch. They were apparently “discovered” and subsequently managed by the Madden brothers, though you’d honestly never guess that from their sound or their look.
Local three-piece Bundles, who’ve become increasingly beloved around these parts, were added to the bill to kick off the show only about a week or so ago, after it was announced that Strike Anywhere wouldn’t be on this particular date. We’ve caught the trio on longer bills at various smaller bars in Boston, so to get the chance to see them on the larger stage (editor’s note: we’re pretty sure O’Brien’s in Allston would fit on the stage at Sinclair, but we digress) was a bit of a proud moment that the band seemed to revel in. There’s is an updated, stripped down version of the sound pioneered by bands like Hot Water Music twenty-five years ago, but with lyrics that draw as much inspiration from classic literature as they do from personal pain and struggle. Fun opportunity for the band and it was awesome to see them as being up to the task.
Check out our full photo gallery below, and stay tuned for our sit-down with Hot Water Music’s Jason Black in the next few days!
Tuesday, November 7, 2017 at 9:25 PM (PST) by gunnar
It’s not often I hear news about Hot Water Music that makes me sad, but this does. Chris Wollard is taking a break from the band for his own health. His statement is long and heartfelt, and you can read it in its entirety below.
Hot Water Music will continue their tour with The Flatliners‘ Chris Cresswell filling in for Wollard in Boston, Brooklyn and Philly from November 17-19 and Chris DeMakes of Less Than Jake handling Wollard duties in Brazil on December 2nd. The band are touring in support of their latest full-length, “Light It Up” which is their first album in 5 years. It was released on September 15th via Rise Records.
Wednesday, November 1, 2017 at 3:08 PM (PST) by steve_kingston
Nov 17th – Boston, MA – The Sinclair
Nov 18th – Brooklyn, NY – Warsaw
Nov 19th – Philadelphia, PA – Union Transfer
You can get tickets here but you had better be quick as the Boston show has already sold out!
Monday, September 18, 2017 at 3:06 PM (PST) by Carson Winter
Before Hot Water Music was a band I loved, they were a band I wanted to love. From the outside looking in, there’s an undeniable something about the band’s output that makes you wish you were a part of it. Maybe it’s the minor cult of personality surrounding Chuck Ragan– Hemingway-styled man’s man and gravel-throated troubadour. It could be the name too, Hot Water Music— a name shared with a short story collection by Charles Bukowski. Then, of course, there’s the music itself. At once groove-based, experimental, airy, and tightly interlocked– then also, inherently singable, loud and anthemic. With so many ideas making up the core of Hot Water Music, it’s easy to forget that the actual core of the band is four people: Chuck, Chris, George, and Jason. And more than anything, how each member irreplaceably contributes is what makes all the difference.
I have fond memories of Fuel for the Hate Game, it was my first Hot Water Music album, and as music cliches go, it’ll probably always be my favorite. I had already heard Fugazi, so I at least had a band to namecheck against its post-hardcore approach to melody and rhythm. “Turnstile” the most unabashed punk banger on the album, reeled me into the new waters, and soon the rest of the album followed. By the time Exister came out, I felt like a seasoned fan, rolling around in the muck and excitement of a new Hot Water release.
Well, we’ve come to the end of one release cycle and entered a new one. Fittingly, it’s time to write one of my favorite collections of words: Hot Water Music is back. Light It Up wants you to know from the get-go that it is a Hot Water Music album, both a continuation of what they’ve been doing years and a sonic scrapbook. Before you even start spinning, the album artwork hearkens back to the wonderful and abstract cubism of Scott Sinclair’s art. Then, there’s also the fact that this album, for the first time since Fuel for the Hate Game, is totally produced by the band. For better or worse, this release carries with it the same weight as a self-titled album. Hot Water Music wants you to know they’re back, and across Light It Up, they’re exploring everything that makes them unique.
Light It Up is a latter-day Hot Water Music album, so game-changing is out of the question. In this stage of any band’s career, there are few boundaries to adequately explore that don’t feel perfunctory or worse, stale. The best you can hope for from a band with a handful of classic albums is that their new stuff is what they’re excited about playing. And continuing the theme of distilling the essence of Hot Water Music– the time honored back to roots approach of latter-day album making– they have reintroduced some of the band’s old idiosyncrasies that were sadly missing from Exister. The Chris Wollard led tracks are the most obvious in these regards, as they usually are. “Vultures” verses are shouted, a throwback to the band’s own hardcore influence and “Overload” is carried by the bass fills that have been with the band since the start. On “Show Your Face,” we get to hear a more aggressive Chuck Ragan delivery than usual, with him barking the opening verse. Hearing Chuck tap into his punk side a little more on this album is a real treat, as I thought some of the most off-notes of Exister were when it felt like we got the electric B-sides of a Revival Tour jam. He actually delivers the angriest track this time around– “Sympathizer”– a mid-tempo banger with a nasty minor-key riff that punctuates lines like, “It’s safe to say you burned our bridge!” It’s an easy standout in an album full of quality songs.
“Bury Your Idols” is a Chuck Ragan-belter that begs to be screamed along to in sweaty crowds. This song and others, bring to mind that as Hot Water Music has aged, they have settled comfortably into a punk rock sound that takes as much from early Bad Religion as Fugazi. The hearty and melodic woahs that appear across Light It Up make the case well, and while I could argue it strays the band further from their core (but, I could also point to “Wayfarer” off Caution and wonder what the fuck I’m talking about in the first place), they execute everything with such gusto that it’s hard to say any one element doesn’t belong. Big woahs aren’t what I go to a Hot Water Music album for, but they make for sweaty communion in the live setting. And if anything, that might be what has guided the band from an angular post-hardcore outfit to gritty anthem-writers– it’s hard to project yourself onto twisting rhythms, but traditional songwriting is tried and true and more connective than most of us want to admit. The fact that Hot Water Music hasn’t totally bled out all of their abrasion is a minor miracle. “Light It Up” is literally a marriage between the past and present, one of their fastest tracks in a long time, filled with fast-spitting vocals and yes, a big woah chorus.
The album closes with “Take You Away,” an impassioned track with a killer lead vocal performance from Chuck Ragan and some call and response. And I think, that is essentially why Light It Up works so well. It’s not groundbreaking for Hot Water Music, but it makes good on every disparate element of their music and delivers in the spirit, if not the exact formula– it’s passionate, but also, it has integrity. It comes through in the vocal performances, the emocore-hearkening lead on “Rabbit Key,” the fluid basslines on “Complicated,” and George Rebelo’s glue like drumming that keeps so many strong voices on the same team without losing his own.
Again, I take a deep breath and say my favorite words: Hot Water Music is back. Light It Up is a record of songs that wanted to be written, an album that respects the past without slaving to it. As an entity, Hot Water Music has already made their bones, and with Light It Up, they’re telling the world they plan to keep them.
Wednesday, August 23, 2017 at 3:35 PM (PST) by steve_kingston
Bassist Jason Black had this to say about the lyrical content on the song:
“The basic gist of the lyrics is that, civilized/Western/first world cultures are destroying the planet; even those of us with the best intentions can’t make the difference we’d like, because life and the circumstances surrounding [us] are complicated.”
The song is taken from their upcoming album “Light It Up” which is their first album in 5 years. It due to be released on September 15th via Rise Records.
Monday, July 17, 2017 at 3:06 PM (PST) by Mike Scott
Hot Water Music have released a video for new song “Vultures.” The track is off their upcoming album, “Light It Up,” released on September 15th via Rise Records. The video follow’s May’s “Never Going Back“.
You can watch the video, featuring fan footage that spans the band’s whole career, below.