Search Results for "NOFX"

Punk In Drublic Craft Beer and Music Festival Announces More US Dates

Last month, Punk In Drublic Craft Beer and Music Festival made it’s triumphant return to the US with a show in Portland, Oregon. Well, they must’ve heard the public outcry for more because the  added some additional stops for you whiners! The two latest stops on the 2nd Annual Festival are in Pittsburgh with Leftover Crack,  Anti-Flag, The Vandals and The Bombpops and Denver at the world famous Red Rocks Amphitheater with Teenage Bottlerocket, The Bouncing Souls and Bad Cop/Bad Cop! The website also lists two more mysterious TBA dates/stops so be sure to keep an eye out for more details on those! For more information on the existing shows or to purchase tickets, head over to the Festival website. See you in the pit!



It’s official, NOFX are recording a new album

Thanks to a post on Fat Mike’s Instagram account, we now have definitive proof that NOFX are officially in the studio. We’ll keep you posted when the official release details surface.

NOFX last released Ribbed – Live in a Dive in 2018 via Fat Wreck Chords. Their last studio output was First Ditch Effort in 2016.



MxPx cover NOFX song ‘Franco Un-American’

Mike Herrera has being having fun releasing covers this year, either with MxPx or as a solo project. The most recent one came out this week and is an updated version of the NOFX 2003 song ‘Franco Un-American’. The lyrics have been updated and reflect the world in 2019.

Have a listen below.



Slam Dunk (North) 2019 – Live Review

This year’s Slam Dunk festival took place at two locations, the northern event in the beautiful Temple Newsham Park on the outskirts of Leeds, the southern date at the similarly picturesque Hatfield House Park near London.  What the aristocratic owners of these large country estates would make of the Slam Dunk attendees descending on their properties, I’d love to know!  Being punkers of a certain age, my wife and I had to plan our attendance with military precision – depositing our three kids with their grandparents, stocking up on supplies for a couple of nights of freedom from behaving like responsible adults and heading north with the Friday afternoon motorway traffic.  We spent the night before Slam Dunk North in nearby Sheffield with friends before heading to the show bright and early on the Saturday.  After negotiating our way through housing and industrial areas we arrived at the festival along with a few thousand other music fans.  With the smell of cheap cider in the air and the lunchtime sun shining, we made our way in and headed to the far side of the site to Fat Mike’s Punk In Drublic stage.  The line up had spent the last few weeks winding its way through Germany, Spain and France with the two Slam Dunk dates in the UK capping off this run through Europe.

We got to the stage just in time to catch the end of openers, The Bombpops, set.  They ripped through I Can’t and Jerk from 2017’s Fear of Missing Out, ending on Dear Beer from last year’s EP.  The band were super tight and I was disappointed not to have caught the whole set, hopefully they’ll be back this side of the Atlantic soon.

Next up were Anti-Flag, a band I’ve lost touch with over the past decade having previously enjoyed their output.  They launched into Die For Your Government, much to the appreciation of the assembled crowd and played a solid set spanning their twenty years plus of releasing music.  Despite it being around 1pm they managed to incite a giant circle pit during Broken Bones, after reminding us “Brothers and sisters, if someone falls down, we pick them back up”.  We were then treated to a couple of their poppier songs (Turncoat and This Is The End) before Fuck Police Brutality, a song written twenty two years ago that is as relevant now as it ever has been.  The set was rounded out with Cities Burn, American Attraction, Press Corpse and finally, singalong favourite Brandenburg Gate.  Having not really checked in with the band for a while I had been slightly ambivalent about checking them out however their performance, positivity and set list were all top notch.

Santa Barbara sextet, the Mad Caddies, then took the stage to share some reggae/ska punk love with the masses.  Despite lead singer Chuck not getting any sound out of his monitor for the early part of their set, the boys were sounding great.  The crowd was skanking and grooving along from the opening trumpet refrain of The Dirge to the last notes of oompah thrasher All American BadAss.  Personal highlights for me were Road Rash, Weird Beard and the cover of Propagandhi’s Nation States from last summer’s Punk Rocksteady album.

Keeping the ska punk vibe going, The Interrupters followed next.  My main exposure to the Bivona brothers and Aimee Interrupter is from my wife and nine-year-old daughter playing them in the car and around the house.  I’ve always appreciated their Hellcat inflected tunes and was looking forward to seeing them in person.  Friend Like Me got the crowd moving nicely and they went on to play Take Back The Power, On A Turntable, She’s Kerosene and She Got Arrested amongst others.  It could have just been me but it did feel like the energy in the crowd dropped a few songs into the set but this was by no means a reflection of the effort being given by the band.  They finished with This Is My Family adding a slightly prolonged singalong finale to the song which I could have done without but, overall, I was pleased to have caught The Interrupters live.

I first saw Lagwagon in 1998, headlining a show which also had NUFAN, Strung Out and Swingin Utters on the line up, a few months before Let’s Talk About Feelings came out.  I have a lot of time for this band and I waited patiently to see them for the fourth (fifth?) time while my compadres foolishly opted to hit the bar and food stalls.  Their set list focussed mainly on their mid to late nineties albums with Violins, Sleep, Razor Burn from Hoss; Alien 8 and Making Friends from Double Plaidinum and Change Despair, May 16 and After You My Friend from ‘Feelings.  Cog In The Machine got an airing from 2014’s Hang, I had been hoping for a few more from this album but they had played a lot of those songs when they played London last year so I wasn’t too disappointed.  With close to thirty years under their belts, it’s no surprise Lagwagon are consistently excellent live, with plenty of choreographed shredding and general tom foolery thrown in for good measure.  The rain started to fall as the set drew to a close, so after four and half hours at the Punk in Drublic stage I took a wander to find food, toilets and buy a long overdue round at the beer tent.

Millencolin played next however I opted to visit the Dickies stage to check out Saves The Day, a band my wife and I saw on our first sort of date in 2002.  I lost touch with the band’s music after Stay What You Are and was gambling on them playing songs from their first few records to make it worth my while straying from the Punk in Drublic stage.  They kicked off with At Your Funeral and Chris Conely’s vocal was instantly joined by the (slightly aging) crowd, transporting me back to when I was a wide eyed 20-year-old.  From there they played a string of songs from post SWYA albums and with a heavy heart I bid them farewell in order to line up more drinks and get a decent vantage point for Less Than Jake.

The rain had been falling steadily by the time Gainesville’s favourite sons bounced onto the stage.  They treated the decidedly damp crowd to all the classics (Jonny Quest, All My Best Friends Are Metalheads, History Of A Boring Town, Nervous In The Alley, Gainesville Rock City etc) along with a couple of newer tunes.  At one point the, slightly terrifying, LTJ mascot came on stage with a toilet paper gun and papered the front few rows which is not something I’ve experienced at a show before but it was pretty amusing.  Less Than Jake are one of those bands that you can never see too many times and seeing some of their newer songs played in and amongst their older stuff gave a slightly different perspective on them, which was great.

The penultimate act was Bad Religion, whose seventeenth studio album, Age Of Unreason, dropped a month ago.  We were treated to four songs from their latest offering (Lose Your Head, Chaos From Within, Do The Paranoid Style & My Sanity).  The rest of the set was a tour de force, stretching back to the very beginning (Fuck Armageddon…This Is Hell from 1982’s How Could Hell Be Any Worse?) with good representation from their entire catalogue.  Crowd pleasers like 21st Century Digital Boy, Sorrow, Stranger Than Fiction and Fuck You all kept the crowd moving as the rain continued to fall.  These guys continue to put out great music and impress live and it was heartening to see punks of all ages rocking out to these legends.

I sacrificed the end of Bad Religion’s set to catch a few songs from The Menzingers back on the Dickies stage.  An ill-advised, uphill sprint across the festival site left me lightheaded as I arrived halfway through Mid-Western States.  I just about caught my breath as they started Casey and I stuck around long enough to hear The Freaks and Lookers before heading back to the Punk In Drublic stage for headliners, NOFX.  I’ve been a fan of The Menzingers since 2010’s Chamberlain Waits and have seen them a few times playing club shows and they are always a good time live.

So back to the Punk In Drublic stage for NOFX and the rain finally stopped.  The guys came on stage and proceeded to spend what felt like five minutes chatting shit to each other and the crowd.  Just as the fans started to get restless, they let rip with Seeing Double At The Triple Rock and Six Years On Dope.  They played a set punctuated with long periods of conversation and shit-housery which at times elicited shouts of “Get on with it” from the crowd, but most should know by now that this is standard practise for Mike et al.  To be honest, I was thankful for the chance to catch my breath a lot of the time!  We were treated to Linoleum, Don’t Call Me White, The Brews and Perfect Government from the album from whence the stage took its name, along with Bob (from White Trash..), Kill All The White Man (from the Longest Line EP), Eat The Meek and Murder The Government (from So Long…).  I was really pleased they played I’m So Sorry Tony because Mr Sly should be honoured at every opportunity and they closed the set playing a cover of We’re Only Gonna Die by Bad Religion which was excellent.  NOFX have been through a lot of shit in their personal lives over the years but it’s nice to see them on stage, annoying each other, supporting each other and still fighting the good fight.

Previous Slam Dunk line-ups have always had a few bands that piqued my interested but the inclusion of the Punk In Drublic tour made it a no brainer, here’s hoping it become a permanent fixture moving forwards.

Photo Credits

The Bombpops – Jen Razavi

Aimee Interruptor, Joey Cape, Roger Lima, Greg Graffin – FuckinClairPhotos

NOFX – Jade Greenbrooke



Punk In Drublic Craft Beer and Music Festival announces Portland Date

Fat Mike’s Punk In Drublic Festival recently announced it’s first 2019 US date will take place in Portland, OR on July 12th at Portland Meadows.

The festival will feature NOFX playing The Decline in its entirety with Baz’s Philharmonic Orchestra, as well as Bad Religion, MXPX, Anti-Flag, The Last Gang, and Mean Jeans.

You can get all the details here



Slam Dunk 2019 Reveals Clash-Proof Stages

In a first for the UK punk / emo / metalcore all-dayer, Slam Dunk 2019 has announced that some stages will alternate their programming, becoming clash-proof. This year, neither the Jagermeister Stage or Impericon stage will clash, making sure fans of hardcore and metalcore will be able to catch both stage lineups throughout the day. In addition, The Dickies Stage and The Marshall Stage will not clash with each other either.

This means fans of the heavier end of the spectrum will be able to catch Atreyu, Glassjaw, Silverstein, Gallows, The Bronx and Cancer Bats, amongst others, without fear of missing out.  Similarly, fans of the more emo and indie spirited acts can see the likes of The Menzingers, Touche Amore, The Get Up Kids, Saves The Day, Plain White T’s, Real Friends, Seaway, Trophy Eyes and more without needing to choose between stages.

The one day event, with dates in the North and South of England, is rounded out with Fat Mike’s Punk in Drublic stage (NOFX, Bad Religion, Less Than Jake, Millencolin, Lag Wagon and more), Monster Energy stage (All Time Low, New Found Glory, Neck Deep, Boston Manor and more) along with 3 other stages showcasing up and coming and and acoustic artists.



NOFX stream demo song “Scarlett O’Heroin”

NOFX are streaming a newly released demo song “Scarlett O’Heroin,” which comes from the Punk In Drublic Europe festival exclusive Fat Music Music For Wrecked People: Punk In Drublic 2019 compilation.

You can give the song a listen below.

NOFX last released Ribbed – Live in a Dive in 2018 via Fat Wreck Chords.  Their last studio output was First Ditch Effort in 2016.



Punk In Drublic Craft Beer & Music Festival announces Canadian dates

The first Canadian dates for Fat Mike’s Punk In Drublic Festival have been announced – Saturday, July 6 in Edmonton, AB and Saturday, July 13 in Vancouver, BC. The craft beer and music festival features NOFX, Bad Religion, Less Than Jake, Anti-Flag, The Real Mackenzies, Chixdiggit!, and The Last Gang – plus a variety of other bands, depending on the city.

Tickets go on sale Friday, May 10th. Get more info and snag your passes on the festival’s official website.



Stream Cokie the Clown’s (Fat Mike of NOFX) “You’re Welcome”

Cokie the Clown’s  “solo” album, You’re Welcome, has just been released on Fat Wreck Chords. For those who don’t know, Cokie is the alter-ego of Fat Mike from NOFX.

You can check out a stream of all ten songs below. Warning: There’s no skate punk on this release and it’s rather depressing… but it’s interesting as hell if you’ve at all followed the antics of the famous frontman over the last couple decades.



Cokie The Clown (NOFX’s Fat Mike) announces debut album and releases new song

Cokie The Clown, the alter ego of NOFX’s Fat Mike, will release his debut album “You’re Welcome” through Fat Wreck on April 26th. The album is an exploration of “his deepest regrets, fears, and experiences” consisting of ten tracks with Travis Barker on drums and Danny Lohner (Nine Inch Nails, A Perfect Circle) behind the desk.

The first track to be released from the album is “Punk Rock Saved My Life”, which is streaming now and can be checked out using the player below. Get the full low down on the release over at the Fat Wreck website.



NOFX announce their 2019 7″ of the Month Club

NOFX have announced that they are undertaking the second installment of their 7” of the Month Club. Details of releases are yet to surface, but pre-orders are up now.

Have a watch of Fat Mike discussing the plans below.



Introducing: Camp Anarchy, the outdoors-loving punk’s dream festival, hosting The Offspring, Rancid, NOFX and more

And now, for the announcement that, probably mostly I, but also you all have been waiting for! Camp Anarchy has announced that they’ll be playing host to The Offspring, Rancid, and NOFX and more. The three day festival will take place just outside of Columbus, OH at Legend Valley. Dodgeball, S’mores, craft beers (and yes, they do offer drinking passes so let’s get it on!) and other fun and games over all three days will be offered with day and weekend passes for admission (camping admission separate).

Make sure to check out all the deets here!



Punk in Drublic Festival coming to Europe!

NOFX are bringing their Punk In Drublic festival to Europe in May 2019. Marketed as a ‘music and craft beer festival’, Punk In Drublic began in 2017 on the West Coast of the US. NOFX and Bad Religion will headline a very strong lineup this time around, other acts include Millencolin, Anti Flag, The Interrupters, Lagwagon and Less Than Jake.

This is particularly good news for anyone in the UK planning to attend Slam Dunk Festival. Punk In Drublic will have its own stage at both the Hatfield and Leeds dates. Slam Dunk 2019 already has one of the best lineups of its thirteen year history.

The announcement was made on the NOFX FB page. Check out the dates and locations in the poster above.



Fat Mike (NOFX) Launches Men’s Lingerie Line “Fatale”

One of punk rock’s most recognisable faces has announced the launch of his own fashion line. Fat Mike’s “Fatale” clothing range features dresses, knickers, stockings, and garter belts all apparently aimed at men. The NOFX vocalist and bass player has teamed up with LA-based designer Jessica Louise to make the collection a reality.

Appropriately, Fatale’s slogan on their website is: “Wear what the fuck you want!” Judging by Fat Mike’s hands-on approach to modelling the collection, it’s a maxim that he himself chooses to live by!

 

 



Dying Scene Radio – Episode 11 – Band Spotlight: Lost In Society

The boys over at Dying Scene Radio are back with a special Halloween episode (….a week after Halloween) to tickle and titillate those pretty lil ears of yours! In this installment, Bob meets up with NJ punks down in Fullerton to talk about the current trends in album recording, down tuning and other awesome stuff that AP has no clue about. As always, the guys are also bringing you all of the news you were probably too lazy to read and play spooky, Halloween themed tunes from emerging artists that you were probably too lazy to discover! They did all the work for you! So, crank up the volume grab some of that leftover Halloween candy and stream Episode 11 of Dying Scene Radio, below!