Search Results for "Frank Turner"

Jimmy Eat World announce UK tour dates

The Arizona pop punk legends of Jimmy Eat World have announced they will play two headline shows as part of their 2019 UK tour. In addition to previously announced shows as special guests to Frank Turner and the Sleeping Souls, Jimmy Eat World will also headline Nottingham Rock City on Wednesday 23rd January and Newcastle O2 Academy on Wednesday 30th January.

Tickets for both show are available to pre order now and on general sale on Friday 26th October at 10.00 for Nottingham Rock City here and Newcastle O2 Academy here.

All tour dates and locations can be seen below.



DS Photo Gallery: Frank Turner and the Sleeping Souls with Bad Cop/Bad Cop and Sam Coffey and the Iron Lungs, Hampton Beach, NH

So a funny thing happened last Friday night, and I know that’s a peculiar way to start a story that’s supposed to be a show review, but, well, here we are. The latter stages of Frank Turner‘s Herculean tour in support of his latest album, Be More Kind found their way to a Friday night stop at the Hampton Beach Casino Ballroom in Hampton Beach, New Hampshire. Though it had been a few years since I’d been in the area, I’m a native of New Hampshire, and as is requisite when you’re a Granite Stater, I’ve spent many, many hours eating Blink’s Fry Doe and perusing the airbrush t-shirt shops up and down the strip at Hampton Beach. I’ve taken in a handful of shows at the Casino Ballroom in years past, though the last of those was a Sevendust/Drowning Pool/Stereomud show as a recent college graduate a week prior to 9/11, which is a statement that provides a lot more context than you might realize.

A lot, obviously, has changed since then. I’ve lived in Massachusetts for a decade-and-a-half with my wife of fifteen years (the night of this show marked our anniversary) and, more recently, with our just-about eleven-year-old daughter. The three of us headed to the Seacoast on this particular evening, and immediately upon reaching the top of the stairs inside the venue, the feeling of deja vu made its first appearance. This wasn’t a nu-metal show, and I wasn’t 21, and I was with my wife and my kid and yet, immediately everything started to feel familiar. Due to a bit of a snafu at the ticket window (also not the first time) the show had already started — Sam Coffey and the Iron Lungs were 3/4 of the way through their first song — so I got into normal position in the photo pit and went to work  and it kinda went away for a bit. I’d never experienced the Canadian sextet in person before, and they were a lot of fun. The spandex-and-sequin adorned Coffey led his denim-vested band of misfits through a high energy set that owed more than a little bit to T. Rex and would have been right at home on an arena stage several times the size at the 2000-capacity Casino Ballroom.

Bad Cop/Bad Cop were next up as the tour’s direct support, and as I’ve said many times on these pages, they’re one of my favorite bands for myriad reasons. When the California-based quartet put out their sophomore album, Warriors, in June of last year, it presented as one of the first albums to fire a direct shot across the bow of the newly-inaugurated Trump administration. It was powerful, angry, defiant, righteous, raw…everything a classic punk rock album should be. They’ve been boldly and continuously flying the flag since, and this set was no different. Pulling from both of their Fat Wreck studio full-lengths and their Boss Lady EP, the band’s set was not only well received by the Turner diehards in the crowd, it seemed especially fiery given the day’s breaking news surrounding the week-long postponement of Brett Kavanaugh’s confirmation vote in the US Senate in favor of what, it seems, was a sham investigation. It is frustrating that we’re still at a point where the foursome don’t have to look far and wide for new ways to be inspired and fired-up, but damnit we’re lucky to have them.

Frank Turner took the stage for his headline set and, though he was accompanied by his full band, the Sleeping Souls, the lights were low and Turner dove into the first notes of set-opener “Be More Kind” accompanied only by an acoustic guitar. It was a bit of a delicate other side of the coin to the firebrand BC/BC set that preceded it, that was an equally poignant rallying cry amidst these crazy times. The full band kicked into high gear on the set’s next track, “1933,” and I’m paraphrasing a bit, but there’s a line at the beginning of the song’s second verse that makes reference to the idea of surveying the landscape and thinking “we already did this.” As that line bounced around my head for a second while I was switching lenses in the photo pit, the deja vu came roaring back. In the song, that line has a negative connotation, drawing a direct parallel between the events going on in the West now and those that the Greatest Generation witnessed building in the pre-World War II lead-up. As it relates to this story and this show in particular, though, my brain twisted that line to a more positive context.

I’ve been privileged to shoot Turner and his supremely talented crew more than a few times in the last half-decade most recently at a date on the weeklong Boston run that closed out the first US leg of the Be More Kind tour. Though I’d never seen him play some of these specific songs and had certainly never done so at this venue, in this State, with these people, I was overwhelmed with a sense of familiarity that I’d never quite experienced before. Turner and his band have long been quintessential road warriors in every sense of that phrase, rather famously having played well over 2000 shows at this point in their respective careers. The “Frank Turner And The Sleeping Souls” live show is inspiring not just in the message of the lyrics — if you’ve never heard “Be More Kind” or “Recovery” or “Get Better” or even “Four Little Words,” you can probably paint an accurate picture of their content based on title alone — but in how honest the unit are as performers. Each of the band’s five core members (yes, though the pictures don’t prove it, they were all present, but the lighting sucked worse than my self-taught photography skills) are the musical equivalent of the athlete who “leaves it all on the field every night.” The bulk of the night’s set – seven of a total of 23 songs – was culled from the band’s most recent release, but in typical Turner fashion, he dug WAY into the vault for a solo acoustic rendition of “Wisdom Teeth” and even FURTHER into the archives for a rather poignant take on “Nashville, Tennessee.” Though he’s from across the pond — “Olde Hampshire,” to be exact — Turner has become one of the most dependable and familiar lynchpins of the US music community, trying desperately to inspire the world around him to wake up and fight to keep this country from falling off an all-too-familiar cliff. If only we’d be able to stop having this same conversation again and again.

Anyway, head below to check out our full photo stream from the evening!



DS Photo Galley: Frank Turner and the Sleeping Souls with Dave Hause and the Mermaid, Boston, MA

Frank Turner has had a bit of a mutual love affair with the greater Boston area over the last handful of years. While his first show inside the city limits didn’t occur until February 2010 – roughly six years after his first-ever show as a solo performer and three years after his first US show which happened in San Antonio of all places – the years since have found the Wessex boy turning Boston into his North American home, with area’s bars and clubs and storage lockups serving as a virtual basecamp for his touring operation on this side of the Atlantic. There’s been obvious support from the likes of local heroes Dropkick Murphys over the years – including lengthy tours both Stateside and abroad – but Turner and his band, the Sleeping Souls, have also garnered a fair amount of radio play from the city’s holdover alternative and independent stations and won over crowds the old fashioned way: by playing their asses off.

Traditionally speaking, Boston, you see, prefers its musicians and its athletes to share a few overlapping characteristics. If you’re viewed a tough, scrappy, hard-worker who may not necessarily have been born with the most virtuosic capabilities but through blood, sweat and tears have carved out a spot for yourself, you’ll do alright here. (Not having an abundance of melanin helps as well, but that’s a conversation for another time and platform.) And so it was a little confusing to see only a couple of Boston dates on the initial list of North American dates in support of Turner’s new album, Be More Kind. Both dates were at Royale, a thousand-ish capacity club that is a great venue, however it’s much smaller than venues like House of Blues and, of course, the Agganis Areana that Turner has headlined in past runs through the city. And while Lucero and The Menzingers were listed as openers for the bulk of the month-long tour, neither were slated to appear in Boston. Hi-jinks, it seemed, were afoot. Within a few days, however, a bigger picture appeared. Tickets to the first two sold out in mere moments, and were quickly joined by two more shows, which also sold out quickly, and finally by two more shows, all without openers announced, meaning that Frank Turner and the Sleeping Souls would be headlining the same venue six times in a week. All of a sudden, we had ourselves a big deal on our hands.

Dying Scene have had the privilege of covering a bunch of Frank Turner shows over the years, and night four of this six-night run (which turned into a seven-night run as Turner played a benefit show for the Claddagh Fund at one of Dropkick Murphys’ founder Ken Casey’s new dining establishments on July 3rd) marked yours truly’s seventh time shooting Turner locally at venues ranging from a record store to a college hockey arena to a giant outdoor festival, and while it’s generally hyperbole state that a show was the best of a particular bunch, I’ll be damned if this one wasn’t right up there. The varied setlist covered all seven of Turner’s full-length studio albums (pretty sure I’d never heard “Journey Of The Magi” off 2009’s Poetry Of The Deed live before) as well as the 2010 Rock & Roll EP (definitely sure I’d never heard “Pass It Along” live before). Turner is able to change at a moments notice from being the solo, folk-punk troubadour persona that has long been his bread and butter, to the consummate showman, singing and dancing in non-stop, high-energy fashion, including a lap around the entire venue balcony during the show-closing “Four Simple Words.” Hell, he even got opener Dave Hause to play along, as the latter crowd-surfed his way around the venue as though it were a punk rock baseball diamond during fan favorite “If Ever I Stray” (see the last photo above for proof).

Oh and as was mentioned briefly above, Dave Hause and his band, The Mermaid, were added as opener to this show after the sell-out had been announced (other shows featured support spots from some combination of Speedy Ortiz, The Homeless Gospel Choir, Jeff Rosenstock, Restorations, Tim Barry, Hotelier, War On Women, Kevin Devine and Trapper Schoepp, making each of the six shows a truly unique experience). Hause and his brother/musical counterpart Tim were in town for a stripped down show at Boston’s new City Winery establishment during the altter stages of their tour with Northcote earlier this month. While we enjoyed the hell out of that experience, the elder Hause is masterful at commanding an audience and a full band at a sweaty punk rock show, and this particular band has turned itself into quite a force that’s able to seemingly effortlessly pull off the myriad sounds that have been woven into the Dave Hause solo catalog – yes, that’s Kayleigh Goldsworthy on melodica above – particularly on its latest entry, last year’s Bury Me In Philly. It was a disorientingly early set – Royale turns into a dance club at 10pm, prompting a hard 9:30 curfew, but the dynamic Hause fired the crowd up the way few others can. (Plus, his merch girl was pretty cute!)

Head below to see our full photo gallery from the evening.



Frank Turner announces tour of the United States


British singer/songwriter Frank Turner will be touring the United States in support of his latest album Be More Kind. He’ll be touring with his backing band The Sleeping Souls and supporting him on the tour will be Lucero and The Menzingers.  Check out the dates and locations below.

Be More Kind was released May 4 via Xtra Mile Recordings.



Music Video: Frank Turner – “Little Changes”

Folk veteran Frank Turner recently released a new music video for his song, “Little Changes.” The track is one off of his most recent album, Be More Kind, which was released on May 4th, 2018.

You can check the video out below.



Frank Turner releases video for “Blackout”

Frank Turner is to release his new album “Be More Kind” on May 4th via Xtra Mile RecordingsPre-orders are up now. Following the recent video he released for the title track of the record, he has released a video for another song from it, “Blackout”.

You can watch it below.



Frank Turner streams the title track from upcoming album “Be More Kind”

Frank Turner is streaming the title track from his upcoming album “Be More Kind”. The full length is out May 4th via Xtra Mile RecordingsPre-orders are up now. 

The song follows recent single, “1933“. You can have a listen to it below.



Frank Turner and The Sleeping Souls announce Australia and New Zealand tour

Singer songwriter Frank Turner (and his band The Sleeping Souls) have just announced that they’ll be hitting the road down under in Australia and New Zealand in November and December of 2018. Pre sale tickets start today, and official sales open on Friday, February 2nd. You can pick up a pair of tickets here.

Check out the dates below!



Frank Turner releases video for new track “1933”, details album and tour

Frank Turner has released an animated video for “1933”, taken from his upcoming album “Be More Kind”. The full length is out May 4th via Xtra Mile Recordings. Pre-orders are up now. “1933” follows on from the first advance track from the album, “There She Is“.

The video, album tracklist info and details of a lengthy North American tour, are below.



“Punks in Pubs” Podcast Episode 4 featuring Frank Turner

Liam Bird’s new must hear podcast “Punks in Pubs” is streaming episode 4, which features none other than Frank Turner. Liam and Frank discuss their mutual love of NoFX, Black Flag and Meatloaf. Yes, Meatloaf (I am assuming it’s the singer, but I would be intrigued if it was the food).

You can check out the podcast below or catch up with episodes you may have missed here.



DS Exclusive: 2017 – The Year In Pictures (Jay Stone)

I’m not entirely sure how it’s been a full calendar year since I last put one of these compilation posts together, but here we are. I remember pulling last year’s year-end photo gallery together and thinking “damn…that was a busy year.” Fast forward 365 days, and somehow 2017 was actually busier, featuring nearly three dozen shows in five different states and countless memories that have left me not only crossing items off my bucket list but pinching myself as to how surreal this little hobby has become. I shot shows that varied in scale from catching one of my favorite songwriters (Bryan McPherson) at a little bar (The Thirsty Turtle) in the town I grew up in (Nashua, NH) to catching probably the area’s biggest punk band of the last two decades (Dropkick Murphys) at a 7000 seat hockey arena. I shot two separate Warped Tour stops, one of which (Mansfield, MA) took place in a driving rainstorm that parted for just enough time to allow personal favorites Bad Cop/Bad Cop to play a kick-ass set.

I finally shot longtime faves like The Menzingers and Hot Water Music and The Adolescents and Smoking Popes and Bouncing Souls each for the first time, then shot the Souls twice more. I got to see some old pals like Dave Hause and Jared Hart test the waters in some new projects, and some bands I’ve been friendly with for years, like The Interrupters and Bundles and most importantly my dudes in Rebuilder play on bigger and more prominent stages (that are still somehow smaller than they deserve to be playing). I shot one of my favorite all-time bands (Lucero) on a boat on a picture perfect night in Boston Harbor. But more than anything, I got to share an awful lot of awesome experiences with an awful lot of awesome people, some of whom I’m lucky enough to call friends. I still make a lot of this photography stuff up as I go along, but I try to capture the moments that make performances, no matter how big or small, unique and special – eyes, hands, faces, fists, smiles, scowls, exhaustion, celebration, chaos.

Mike McColgan, Street Dogs

What follows below are some of my favorite moments of the year that I was lucky enough to capture in a way that I’m proud of. If you were at some of these events, hopefully this helps you relive some special moments; if you weren’t able to get out to a show, hopefully we helped bring the experience to you. I’ve got some cool stuff cooked up for 2018; thanks for coming along for the ride!

 



Music Video: Frank Turner – “I Am Disappeared”

Folk-punk hero Frank Turner has released a brand new music video for his 2011 hit, “I Am Disappeared.” Originally off of his 2011 record, England Keep My Bones, the song has since been re-worked with pianos and a new vocal delivery as part of Turner’s latest release, Songbook.

As Turner puts it, “‘I Am Disappeared’ remains one of the songs in my catalogue I’m most proud of. Somehow the song is still slightly elusive to me, it’s meaning changes in time, and I’m always finding new ways through it.”

The video, mainly comprised of footage from Turner’s 2000th (and coincidentally his biggest US show to date), was shot in Boston earlier this year. You can check it out here.

Songbook was released on November 23rd and serves as a follow up to 2015’s Positive Songs For Negative People, both released on Xtra Mile Recordings / Interscope Records.



Frank Turner announces new album “Songbook”, premieres new song “There She Is”

Folk-punk hero Frank Turner has announced he is releasing a new album titled “Songbook” on November 24th. It seems the album will be a slight retrospective release featuring reworked classics and one new track titled “There She Is” which you can check out below.

Speaking on the release, Turner states:

“I wanted to release a document of what I’ve done so far, including my favourite recorded songs, 10 new alternative versions of older songs, and one new track. It’s a moment of reflection and celebration of my work as a songwriter to date.”

This will be Turner’s first new album since 2015’s Positive Songs For Negative People released on Xtra Mile Recordings / Interscope Records.



Frank Turner releasing new album in 2018

When responding to criticism of his posh “Campfire Punkrock” event, Frank Turner confirmed he will be releasing a new album in 2018. Turner stated that this is “just one small event among everything else I’ll be doing next year – releasing a new record, with the usual run of tours, festivals and benefit shows that comes with that.”

So if paying thousands of dollars to eat hors d’oeuvres and have campfire singalongs isn’t your thing, at least you have a new Frank Turner album to look forward to next year.

Stay tuned for more details on the follow-up to 2015’s Positive Songs For Negative People.



DS Exclusive: Frank Turner plays his biggest North American show to date, w/Arkells, The Bouncing Souls (Boston, MA)

Frank Turner wound down the North American touring run in support of his 2015 full-length, Positive Songs For Negative People, in a big, big way; by headlining the Agganis Arena in his adopted American hometown of Boston, Massachusetts. Turner has played the greater Boston area an awful lot over the last decade, and this particular night, Turners 2031st show as a solo artist, marked his biggest headlining show in the Western Hemisphere to date. It doesn’t exactly reek of journalistic credibility to insert yourself and your outlet into a story, but, well, this is 2017 America. Here at Dying Scene, we’ve covered Frank Turner perhaps more extensively than most other artists over the last half-dozen years, and in some ways Dying Scene’s increase in readership has mirrored Turner’s own increase in listenership on this side of “the pond.” It’s not a 1-to-1 causal relationship, mind you, just a reflection on our similar paths; we’ve caught up with him at record store performances and small club shows and large club shows to opening for bands like Dropkick Murphys and manning afternoon sets at larger festivals. So it was with great pleasure (and perhaps more than a little pride) that we got the chance to take in the events of the evening as Turner and his high-powered backing band, The Sleeping Souls, did their best to blow the roof off the not-quite-capacity 7200-seat arena located on the campus of Boston University.

Okay, back to the regularly scheduled, full-journalistic-integrity portion of the recap. Turner took the stage promptly at 9:20pm accompanied by only an acoustic guitar and started in alone on the first few verses of his newest track, “The Sand In The Gears,” before being joined by the remainder of the Sleeping Souls (Ben Lloyd on guitar, Nigel Powell on drums, Tarrant Anderson on bass and Felix Hagan, filling in for new father Matt Nasir on keys/mandolin/tambourine/etc) for the song’s group singalong outro. From there, as you might imagine the bulk of the set’s remaining twenty songs drew from Turner’s three most recent — and most popular — albums; Positive Songs…, 2013’s Tape Deck Heart, and of course, 2011’s breakthrough, England Keep My Bones, though even half-dozen older tracks turned in to rousing, full-audience singalongs as well. Frank Turner fans are notably passionate and rowdy, and the increased scope of the venue didn’t seem to invite very many casual fans; yours truly did several laps around the floor and the seating areas and found nary an ass in their proverbial seat for the bulk of the evening.

No doubt because of his increased popularity in Europe, but Turner didn’t seem overwhelmed by the size of the venue; appreciative and in awe, maybe, but not overwhelmed. While Turner’s roots remain very firmly planted in his love of punk and hardcore and metal, the energy that Turner and his band have always played with are perfectly suited to play to the very back of even the largest venue, performing as though it’s their duty to keep even those in the cheap seats out of their…well…seats. Before the night was over, the set would feature a full-venue “wall of hugs” (think a metal show’s ‘wall of death,’ only with much less death), opener Will Varley circling the venue and selfie-ing with the people in the top of the back row before taking a celebratory Jameson shot with Turner, and the frontman himself crowd-surfing for the bulk of show-closer “Four Simple Words.” As Turner himself pointed out, some of these efforts might seem like (and were, in fact) typical arena rock frontman hijinks, but they have an effect of engaging everybody in the process. Rock shows are, by definition, communal, celebratory events, and Turner and his mates have perfected the art of taking their responsibility to the audience seriously while conversely not taking themselves too seriously at all.

New Jersey punk veterans The Bouncing Souls served as direct support for this particular night, their only night on the Frank Turner tour, and their first Boston show since the release of their 2016 full-length, Simplicity. The Souls have conquered stages across the globe for more than a quarter-century, so they certainly seemed right at home on the Agganis’ large stage. The band ripped through eighteen songs in their forty-ish minute set, kicking things off with “That Song,” from 2001’s How I Spent My Summer Vacation. From a strictly sonic perspective, straight-forward one-guitar punk rock doesn’t necessarily translate well to a large hockey arena, as the sound tends to come across as loud and muddy. That seemed to be the case for the first half of the Souls’ set on this night, although things certainly improved from there. And the four-piece certainly had more than their fair share of amped up fans in attendance, with traditional favorites like “Sing Along Forever,” “Anchors Aweigh,” “Lean On, Sheena” and, of course, “True Believers,” inspiring gang chantalongs from all points (the latter featuring an unannounced, stealth-style on stage appearance from Boston punk legend Mike McColgan on guest vocals).

Arkells had been touring alongside Turner on the bulk of this run, and while they weren’t direct support on this particular evening, they certainly could have been. The Hamilton, Ontario-based five-piece hit the ground running from the first notes of set-opener “A Little Rain (A Song For Pete).” This is the first time that Arkells have graced the pages of Dying Scene, and their power-pop sound is outside the traditional scope of Dying Scene’s coverage spectrum, but their high energy, politically-charged set filled with positivity and unity was perfect for the evening’s overall theme. Arkells frontman Max Kerman rivals Turner’s own energy, and he had propelled himself onto the railing and into the crowd before the first chorus of the set’s aforementioned first song. If you’re a fan of Turner’s brand of arena folk-rock (and we are) and have a penchant for modern rock radio bands like Twenty One Pilots and Catfish and the Bottlemen, give them a Google.

With apologies to show-opener and frequent Turner tour mate Will Varley, the scope of the setting and the check-in procedure contained therein meant that yours truly missed the photo op portion of his set, though the latter half of his set that we did catch (especially “Talking Cat Blues”) were especially well-received be the vocal crowd. We’ll catch you next time, Will; promise.

Check out our full photo gallery below.