Epitaph has announced their upcoming releases for Record Store Day, which takes place on April 13th. The label will be releasing Bad Religion – My Sanity 7″, The Menzingers – No Penance b/w Cemetery’s Garden 7, Thrice – Palms – Deeper Wells, and Justin Courtney Pierre – Open Mic At The Lo-Fi: Vol. 1.
Search Results for "The Menzingers"
Monday, February 18, 2019 at 5:41 AM (PST) by Mike Scott
The two discuss Fest, touring Australia, contraband, discovering punk, and more. Have a listen over on the podcast website.
The Menzingers just released their new song “The Freaks”. The song features some powerfull melodies and excellent songwriting. For the accompanying music video the band teamed up with director Adam Peditto. The video features a Halloween party, which has a beautiful melancholly feel to it, something we see quite a lot in Peditto’s work.
Check out the video and their tour dates below.
Tuesday, June 5, 2018 at 12:55 PM (PST) by The Torchbearer
You can check out all the dates and locations below.
The Menzingers latest album After the Party was released in 2017 through Epitaph Records.
British singer/songwriter Frank Turner will be touring the United States in support of his latest album Be More Kind. He’ll be touring with his backing band The Sleeping Souls and supporting him on the tour will be Lucero and The Menzingers. Check out the dates and locations below.
Be More Kind was released May 4 via Xtra Mile Recordings.
Tuesday, February 13, 2018 at 11:34 AM (PST) by Goldfinger
Europeans rejoice Brakrock Ecofest has announced the second wave of bands. With Groezrock taking a small hiatus this year Brakrock is more than picking up the slack. Joining the already robust lineup will be The Vandals, The Menzingers, Union 13, TSOL and many more.
Brakrock takes place on the 3rd and 4th of August 2018 in the beautiful town of Duffel. Head over here to the festival website for a an overview of the full line-up.
Wednesday, December 27, 2017 at 3:42 PM (PST) by Carson Winter
For us list-making, taste-making, coffee-drinking, taco-devouring, unpaid-punk-curators— end of year lists are a time to shine. We spend a lot of time listening to the hottest, freshest tracks and occasionally liking some of them too. 2017 was no exception, and for me actually, I thought it was one of the better years in recent punk history. Old bands I loved released new material, I found new bands I’d never heard, bands I thought I didn’t like released music that I did. It was a varied, interesting, and eclectic year for punk rock. And at the same time: almost too varied, interesting, and eclectic. Unfortunately, being spoiled for choice goes hand in hand with writing articles that shouldn’t take that long to write. Oh well, as said by a million tattoos and a guy named Vonnegut, “So it goes.”
Without further ado, here are my top ten picks for the best punk of 2017.
Tuesday, December 26, 2017 at 12:18 PM (PST) by Bizarro Dustin
2017 was not a great year for me. Between looming mental health issues, broken hearts (both breaking someone else’s and having mine torn), and a handful of failed attempts at restarting my life, I don’t even have to mention the state of the world to get into how bleak things were… I even stopped regularly contributing to Dying Scene this year! But I still got invited to share my 10 favorite records and since music is one of the things that helped me get through this year, here I am.
In years past I’ve gone all out when sharing my favorite albums: bringing attention to those that might not have gotten as much notice as the heavy hitting names in the scene, or giving each album a number one spot in their own category. This year I’m keeping it simple: my 10 favorite albums by artists that we cover at Dying Scene. You can check it out below.
Wednesday, October 11, 2017 at 10:00 AM (PST) by Meredith Goldberg
The weekend of September 15-17 saw the annual return of Riot Fest. Riot Fest 2017 was held for the 12th consecutive year in Chicago and for the third consecutive year in Douglas Park. Once again, Riot Fest saw an eclectic crowd turn out, including multiple generations of families. You can check out our coverage of day one here and our shots from day two here, but we, like Riot Fest organizers this year, certainly saved the best for last.
While last year’s Riot Fest included a Danzig-led Misfits reunion that was noteworthy in its own right, this year’s headline reunion band felt somewhat bigger and more important in a lot of ways. There’s a giant faction of the punk rock scene that’s effectively been the House That Jawbreaker built, and that was certainly reflected in this particular day’s lineup. There’s a direct sonic and stylistic connection from newly-reformed trio, playing only their third show in over two decades, to bands like Hot Water Music to more recent torch-bearers like The Flatliners and The Menzingers. All of the above were on display on a hot and sweaty third-and-final day of Riot Fest 2017, marking a notable past, present and future that seemed to find each generation drawing inspiration from the others.
But wait, there was plenty of other punk rock history to go around! GWAR have kept on keeping on following the death of frontmonster Dave Brockie a few years ago, and have been Riot Fest regulars for years. The Mighty Mighty Bosstones made another stop on their Let’s Face It 20-year celebration shows that’ll wind down with this year’s Hometown Throwdown around Christmastime. Pennywise, who will be celebrating their thirtieth birthday as a band next year, played one of the weekend’s best-received sets. Check out our full photo rundown below!
Monday, October 9, 2017 at 12:30 PM (PST) by Lauren Mills
Our friends at Punks in Vegas have put together a charity compilation for the UMC Foundation. They are Las Vegas’ only Level 1 trauma center and they don’t turn anybody away. The compilation features tracks by The Menzingers, Mercy Music, Direct Hit and more.
You can listen to and download Vegas Strong: A Benefit from Punks in Vegas below.
Monday, September 25, 2017 at 4:06 PM (PST) by Mike Scott
The Menzingers are the latest guests on the Mike Herrera Hour podcast. The MxPx man chats to Tom May and Joe Godino from the band on episode 220 of the show.
Thursday, August 31, 2017 at 12:00 PM (PST) by jaystone
As has become an trend among long-running bands who’ve developed a particular affinity for their respective hometowns, groundbreaking New Jersey punks band The Bouncing Souls threw the latest installment in their “Stoked For The Summer” concert events last Friday at the Stone Pony in Asbury Park, and it may well have been the best of the bunch.
“Stoked For The Summer” technically takes place at the Stone Pony’s Summer Stage, the asphalt lot immediately adjacent to the legendary venue that turns into a 3000-capacity outdoor beachfront venue once the weather turns warm enough to allow. If there’s an idyllic setting for an outdoor summer punk rock throwdown, it may well be this one. But I digress.
For late August, the weather could not have been better; a warm-but-not-hot, sunny-but-not-overpowering. Timeshares kicked off the festivities in the late-afternoon with the venue still filling in with revelers who were able to pull themselves away from the picturesque setting of the beachfront boardwalk just steps away. The three-piece NY band (playing as a four-piece with the addition of Max Stern on guitar) kicked things off in good form, their uptempo half-hour set going over quite well with the Souls’ hometown crowd. Of particular note: the played played a couple of songs from their still-unannounced but nevertheless upcoming full-length that, if these tracks are any indication, promises to be a banger later this year.
Boston’s Mickey Rickshaw followed and kept the energy level high. We’ve seen the eight-piece Celtic punk swashbuckling crew on some of the smaller stages in the greater Boston area in the past, so it was fun to not only see them take over a massive outdoor stage, but to win over a sold-out crowd of out-of-towners in the process. If you haven’t jumped on their latest, vastly under-rated album yet (last year’s Behind The Eight Ball), you really should stop wasting your time. Check out video of the band’s Stoked For The Summer performance of the track “Not My Problem Now” here.
The Menzingers, who have pretty much retaken their claim as the “it” band of our scene again with the release of this year’s stellar full-length After The Party, occupied the third slot on the bill, taking the stage in the very early evening. the four-piece from just down the I-95 corridor in Philadelphia could very well have headlined and sold out the venue on their own, lending credence to the strength of the event’s lineup. Their eagerly-anticipated twelve-song set kicked off with After The Party‘s opening track, “Telling Lies,” and had the crowd well whipped-up from the opening notes, inspiring the first member of what would turn out to be an at-times seemingly endless parade of crowd surfers. The bulk of the remainder of the set was a veritable sing-along, and included such crowd favorites as “I Don’t Wanna Be An Asshole Anymore,” “The Obituaries,” the Stone Pony-referencing “Your Wild Years” and set closer “Lookers.”
Lucero occupied the bill’s penultimate spot, hitting the stage as the last remaining vestiges of daylight were taking their leave. As has been the custom in recent years, the band split their set in half, leading off with a handful of acoustic tracks before kicking things up a notch as the set went on. “Texas & Tennessee,” which we’ve established on these pages in previous show reviews is one of the two or three saddest songs in a catalog chock full of sad songs, may be a curious choice for a song to kick off a set for an out of town band opening for a legendary punk rock act in their hometown, but this is Lucero we’re talking about — one of the hardest working, genre-eschewing bands in the game with a penchant for keeping things, shall we say, interesting — so of course the song turned into a singalong. The set was a little bit close-to-the-vest in some regards; fans hoping for either obscure, rarely-played older tracks or hints as to what is to come on their upcoming full-length would have to wait. Still, Ben Nichols and company were in fine form, with lead guitarist Brian Venable adopting a Willie Nelson sort of visual vibe and bassist John Stubblefield adopting a sort of stone-cold, baddest mofo in the venue sort of visual vibe (seriously, check those shoes in the picture below – and he didn’t even get “seasick”). We’ve yet to see keyboardist/accordion player Rick Steff play a set that he didn’t seemingly enjoy the hell out of, and drummer Roy Berry somehow keeping the whole impromptu set anchored and heading in the same direction. Particular highlights included “Chain Link Fence,” “Tears Don’t Matter Much,” and Nichols’ a capella lullaby rendition of the title track from his Last Pale Light In The West solo EP.
A show that included only Timeshares, Mickey Rickshaw, The Menzingers and Lucero would have been quite a party in and of itself, but this was unmistakably, without question, The Bouncing Souls’ night. Hometown shows for legendary, beloved bands have a bit of a homecoming, high school reunion type of vibe to them, and even though yours truly traveled down from Boston (sadly not with Mickey or the Rickshaws) for the occasion, there was still very much the overwhelming sense that we were among friends and family (and not just because my wife and our daughter came along for the festivities). The band took to the stage surrounded by their own literal families en masse, teasing the first few notes of “Ole” before diving headlong into crowd-favorite “Hopeless Romantic.” From their followed nearly two dozen of the band’s most beloved tracks: “The Gold Song,” “That Song,” “East Coast! Fuck You!,” the ode to their long-time manager/den mother Katie Hiltz “Kate Is Great,” “Satellite,” “Manthem,” “Anchors Aweigh,” and on and on into the evening. They also played a rousing cover of the Avail classic “Simple Song,” an ode to their Chunksaah label brother Tim Barry whose own newest album is due out on that very label next week.
When Dying Scene caught the Souls in Boston in their opening slot at Frank turner’s show at the Agganis Arena, we noted how the band sounded tight but the sound seemed to get swallowed up in the cavernous environs. Yet on this late summer night, the high energy performance from the band and the crowd alike was more than enough to fill a setting that was bound in only by the horizon line. The obvious mutual reverence that the four-piece — founding trio Greg Attonito (vocals), Bryan Kienlen (bass) and Pete Steinkopf (guitar) now being anchored by Hot Water Music’s George Rebelo who seems like he’s been with them on drums forever now — have for each other and for their fans meant the gave the entire evening a positive, celebratory vibe that had people watching and dancing along from nearby rooftop and patio bars for blocks in either directions. A happy and well-deserved celebration of one of our scene’s — and New Jersey’s — beloved bands of brothers. Check out our full photo gallery below!
Wednesday, August 30, 2017 at 6:27 AM (PST) by Kelly McPunxy
The Chance Theater in Poughkeepsie NY is a beautiful old theater from the 1920’s with old plaster moldings on the ceiling and art deco Egyptian friezes that stare down at you from high above the stage. It’s probably the largest venue of its kind between New York City and Albany, and over the years I have seen so many great bands there to include but not limited to Social Distortion, The Mighty Mighty Bosstones, The Bouncing Souls and dozens of others. In my opinion The Chance does not book enough good or interesting shows as they tend to opt toward Cover and “Tribute” bands and old dinosaurs who are well past their prime attracting show goers who often are also well past their prime.
But this weekend the Mid-Hudson area of NY was treated to a near perfect lineup of young up and coming bands by The Chance that was in general not just a breath of fresh air for the venue but for me as an avid show goer in general, because it seems that even at the hottest live music venues in the northeast rarely do you find a perfect lineup where you don’t have to suffer through a talentless filler band or two to enjoy some top notch entertainment.
This night was as close to magic to me as if I had put together a dream team of bands I’d like to have in some sort of fantasy pick your favorites game, but I never would have put all of this together simply because I don’t know if I would have thought to build a show this way so let me thank whoever it was that made this happen.
The show opened with Kyle Trocolla of Two Fisted Law doing his acoustic stuff from his solo album The Stranger . Kyle stood alone on the large stage of The Chance and hammered out about ten songs or so telling stories of life, love and life on the road that brought a tear to my eye and a lump to my throat, and had the entire crowd cheering and screaming in praise of his set which is quite an achievement when you have 3 bands to go before the headliner everyone came to see… If you’re not already familiar with Kyle and you like Tim Barry and Chuck Regan check him out I believe he is every bit as good as those two are and you will be sure to feel the same.
Next up were new comers to the scene; The Split Seconds from Washington DC. Unfortunately for them being the first electric act on stage the sound guys had to work out the kinks and some feedback issues during their first three songs, but once that was cleared up all I have to say is wow. The Split Seconds brought the energy and brought the fun to this show, my friends and I were all blown away with their tightness and their songs, this band has a solid old school punk sound and feel that is hard for me to put my finger on exactly, so maybe we’ll just take a blender and mix up some of what you like from the late 70’s scenes in New York and London and drop a heavy dose of California 90’s pop punk with a dash or two of classic DC Dischord Records and there you have a recipe for success. This band is one to watch out for and I am so glad I caught this set.
After being so very satisfied by The Split Seconds I was equally satisfied by another new act for me Laura Stevenson. Laura Stevenson of Bomb The Music Industry also does solo work, and on this night played with a full band. I am sorry to say although I am familiar with Laura I don’t know her music and have never seen her live so here I will officially slap myself on the wrist and now announce myself as a convert to the Laura Stevenson cause, she along with her band were great, absolutely great, a little less singer songwriter than the preconceived notions I had in my head, and I would say her style was more of a power pop than an indie or punky sound but who cares what we call it, their performance was stellar and I hope they return to the Hudson Valley soon.
Now without further ado the band we all came to see The Menzingers took the stage, with wild chants and screams from the crowd they just laid into song after song both old and new, getting the crowd more worked up with each song and sing along chorus they played, the pit was packed with fans pumping their fists and singing so loud they often drown out the sound system itself, the positivity and love between the band and the fans was palpable…I have seen The Menzingers three times now, the first two as support for larger touring bands so this was the first time I had seen them headline a show of this size in a room this size and they proved to all in attendance that yes The Menzingers have arrived, and are a headlining act to be recognized. With a combination of fierceness and grace they ended their set and thanked the fans, the venue, and the opening acts before leaving the stage only to return with a couple more songs to appease the crowd chanting for more more more.
This was, if not the perfect show, as close to perfect as it gets, each and every band fit the bill perfectly and each and every band delivered stellar performances, I would return to see this same show for multiple dates if it were possible. Thank you Kyle Trocolla, thank you The Split Seconds, Laura Stevenson, and Thank you The Menzingers for a night I will remember and sing the praises of for weeks, month’s maybe years to come.
Monday, August 14, 2017 at 11:29 AM (PST) by rick delaney
Epitaph band The Menzingers have announced their intentions to tour the UK in 2018. They’ll be joined on the road by PUP and Cayetana, hitting up six dates across England, Ireland and Scotland. You can take a look at the run below.
The Menzingers latest release was After Party which came out earlier this year.