Search Results for "Stomp Records"

The Planet Smashers release video for “Break My Neck (A Love Song)”

Canadian ska veterans The Planet Smashers have released a video for their song “Break My Neck (A Love Song)”. The song comes off the band’s most recent release Too Much Information. The video features a bowling tournament with label-mates Morgan, The Gutter Demons and Lost Love. I won’t spoil the video so you’ll have to watch to find out who’s the “legend of the lanes”. They also have a small run of shows later this summer/fall.

Check out the tournament below.

As mentioned above The Planet Smashers most recent release Too Much Information came out earlier this summer on their longtime home Stomp Records



Jon Christopherson (Raygun Cowboys) shares cover of Misfits classic “Skulls”

Raygun Cowboys‘ singer Jōn Christopherson has released an amazingly stunning video of himself playing The Misfits classic “Skulls”. Played in what appears to be the comfort of a log cabin in the Alberta wilderness, Jōn uses his one-of-a-kind voice to transform the classic into a wonderful sounding maple-coated ode to The Misfits.

You can check out the cover below.

Raygun Cowboys last released The Cowboy Code back in 2017. If you’ve never heard or listened to the Raygun Cowboys do your ears a favor and go check them oot. 



The Penske File get their van and all their gear stolen in Montreal

I really, really, really hate writing stories like this, and I’ve had to way too often.

The Penske File, who are incredibly nice dudes not to mention a juggernaut of a live band and whom we just saw lay waste to the Nick Alexander Stage at Frank Turner‘s Lost Evenings III last Friday, had their van stolen outside a club in Montreal yesterday. To make matters worse, all of the trio’s gear – and we do mean all of it – was inside the van when it was parked outside a club BEFORE the band’s performance at Pouzza Fest. Here’s the rundown of what was inside:

List of stolen stuff
– Gibson SG
– Fender Telecaster
– Fender Jazzbass
– Taylor Acoustic Guitar
– Vox AC30
– Fender guitar amp
– Traynor bass head 
– Custom UDrum Drum Kit
– Cymbals
– Snare
– Drum Hardware
– Guitar cables and pedal boards
– Banner
– 3 passports
– $500 USD cash
– Personal bags
– iPad

This is just about the worst case scenario for any band, let alone a band full of DIY road warriors. If you’re able to help, there’s a GoFundMe with some more information here.

The Penske File’s latest album, Salvation, was released last year on Stomp Records.

(CORRECTION: This story initially indicated that the fellas gear was stolen after their gig. This was incorrect, and the result of yours truly misreading a post on another band’s social media. This means that The Penske File had all their shit stolen BEFORE they played at Pouzza, and had to borrow all their gear and play a set under the weight of the fact that literally all of their shit got stolen. Bravo, fellas. Sorry for the error on the first draft.)



The Planet Smashers release video for “Too Much Information” off of upcoming album

Canadian ska legends The Planet Smashers have released a video for their new song “Too Much Information” which just so happens to be the title track to their new album which is out next week. Stomp Records will be releasing the new album and to celebrate the new music, the boys will be out touring and no doubt guzzling some brews and sharing their maple-flavored ska with our friends to the South.

You can check out the video for “Too Much Information” below.

The Planet Smashers last release was Mixed Messages back in 2014. If you’re a fan of The Toasters or The Specials then The Planet Smashers are for you, eh! 



K-Man & the 45s (ska) streaming “Stand With Youth”

Montreal ska-punks K-Man & The 45s are streaming the title track “Stand With Youth” off of their upcoming album of the same name. The track features the classic ska tones we’ve come to love from the fellas from Quebec. Due out April 19th on Stomp Records, this album promises to be an instant classic for fans of ska.

You can check out the new song below.

This is the first new release from K-Man & The 45s since 2016’s self titled album was released. If you’re a fan of the Planet Smashers or Mustard Plug, these guys have that same upstroke, classic ska sound. 



DS Exclusive: The Toasters and Malafacha at Beat Kitchen (Chicago) Gallery

Legendary ska band The Toasters, with support from Chicago’s Malafacha, hit Beat Kitchen on February 28, 2019. The Toasters, founded in 1981, are one of the first wave of American Ska bands.

At the Beat Kitchen, The Toasters line up include frontman Robert “Bucket” Hingley; Tim Karns on bass; Grillbert Covarrubias on trombone; drummer Boris Maninvelt (Upsessions Holland); Deals Olan on saxophone (Out of Control Army MX); Buford O. Sullivan on trombone (ex-Scofflaws). 

Check out the full review and all the pics below.



Tour Preview: Sammy Kay on his western US run with Seth Anderson

It’s been a little while since New Jersey-based gravelly-souled singer/songwriter Sammy Kay hit the road for a tour of any substantial length; 2017’s opening slot on The Creepshow’s run, to be precise. Kay spent the better part of the last year back in Jersey evaluating next steps. It’s an all-too common theme among artists who’ve made their way in the DIY art community to periodically take stock of how long you want to try to keep the train chugging down the track. “I had to figure me out and make sure I was alright, you know?” Kay explains. “I spent the last year figuring out what I wanted to do, whether it was keep playing and keep going, or I started working with a young man with special needs while I’m home…and you never know when’s the right time to “grow up,” per se.”

Growing up, as it turns out, can wait. Kay recently went into the studio with old pal Pete Steinkopf and laid down a new album that’s slated for release later this year (stay tuned for more on that one in the coming months). “We made this record and it’s like “okay…let’s give this one more shot. One more honest fucking try.” So that’s this year, man. We’re gonna go out a lot, play some new songs.

Right about when this story is slated for publication, Kay will be headed to Vancouver to kick off a three week run with the fine Canadian gentleman Seth Anderson (One Week Records) that’ll take them throughout the western part of the US. It’ll be Kay’s first solo acoustic run since before his last album, 2017’s Untitled, hit the streets. “I hope it’s like riding a bike!” Kay laughs. Three weeks is like my happy tour. You don’t get sick of it. You don’t get too homesick, you’re not away for too long. As a sober dude, I’m always preparing. Every show, I just have to. I’m a little nervous. I haven’t been out by myself in two years. OnceUntitled came out, we kinda just went with the band. The two or three years prior to that I was just chugging along by myself, so I think I’m more nervous to be out there without Mitch and Will and Sean or Brandon or Fernando or any of the guys that were playing, you know? But I also get to play whatever the fuck I want now!

The solo nature of these shows gave Kay a chance to dust off some songs from his catalog that haven’t been given a proper live treatment in the past. “The chords are the same,” he explains, “but some of those songs on Untitled…there’s four or five guitars playing on one part. Like, we never played “Better Days,” because it never sounded great with just two guitars. “I Believe” was just me and a guitar so we never played that. I spent the last week trying to figure out if I could play (2015’s) Fourth Street (Singers) front to back by myself, and I think I’m there. I forgot about songs completely. I guess there’s like 40 songs that have been recorded and released, and then there’s another twenty that either never got released or haven’t been released yet. I’ve been sitting in my kitchen every day just teaching myself songs that had just slipped, you know?”

When it came time to team up with a touring companion for the first run of solo shows he’s done in years, Kay feels he couldn’t have done much better than the great Seth Anderson. “I’m really grateful to spend the first run back out with Seth. I don’t know if you’ve met Seth, but he is like the sweetest person you’d ever meet,” Kay explains. “One of the reasons I genuinely love Seth, and I don’t know if he knows this, but Seth is like a husky. Huskies are always smiling, they’re just handsome puppies. Seth is a handsome puppy that’s always smiling!” 

The duo don’t necessarily have a plan for what order they’ll play in, and their meeting up with a bunch of seriously talented musicians along the way, so every night has the potential to become pretty memorable, and Kay’s excitement about what’s in store over the next three weeks is genuine and palpable. “I’m grateful just to play my guitar,” Kay states. “My new thing about touring is, whether you’re going out by yourself or with a band, you might as well hang out with people who’s songs you want to hear. Like we met up with Ricky and the Western Settings guys two years ago at Pouzza and I listen to them all the time. I’m stoked to play with Ricky, and Brian Wahlstrom. Nick from Stay Wild – who are this really great, positive, political hardcore, kind of like nobody has really done great and well since Strike Anywhere – is doing a bunch of California shows. JD Wright came up on my Instagram feed, and man, I don’t know why that dude’s now a household name. Nowhere Bound in Texas are another killer band I’ve never gotten to see. I’m just trying to play with bands that I like and love and the cooler the lineup, the cooler the memory. It’s a little bit of a pain in the butt, but some of those shows, like Chicago with JD and 6’10”…I ain’t forgetting that one for a while! I just saw Bryan McPherson got added to the Phoenix show. We’re playing Kevin Seconds’s venue in Sacramento. Jesse up in Vancouver and Aaron Rev in Seattle, and then we go to Portland and it’s Sean Taylor from Angry Lisas. It just goes. Every day there’s a cool band that I love or somebody from a band that I’ve been wanting to see but have never been able too.”

This run of shows also includes a handful of stops Kay has not played before, which is somewhat rare given the amount of time he’s spent on the road, adding to the “every day is something different” vibe. “I haven’t played Hesperia (editor’s note: I had never even heard of Hesperia prior to this tour announcement). I haven’t played Bakersfield. I don’t think I’ve played El Paso in four or five years. I don’t think I’ve ever played Oklahoma City. I know that every time we try to play Tulsa, it’s been cancelled! Bakersfield is going to be a cool, proper house show…like the grown up style, not the punk rock style. Reno is going to be a fucking blast; last time I played Reno I won $400 off of $40 on blackjack, and then the stupid bar we were sitting at had the stupid touch screens on the bar…lost it all! Lost every dime!”

Kay and Anderson’s tour run kicks off Tuesday in Vancouver and runs through February 24th in Appleton, Wisconsin. Head below for the full rundown, including where you’ll find them alongside a number of special guests.

Kay’s untitled last album was released back in 2017 on Stomp Records. He’s got a new one on deck that is killer, we promise. Anderson’s One Week Records debut came out back in 2016.



The Penske File announce European tour

Canada’s The Penske File have announced the dates for an upcoming tour of Europe.  They are touring in support of their album Salvation that came out in April via Stomp Records.  The tour kicks off in September and runs through early October.   See the tour dates below.



The Penske File release video for “Last Chance”

Canadian punk rock band The Penske File have released a new video for their song “Last Chance” off their most recent LP Salvation. Watch the video below.

Salvation was released in April via Stomp Records.



The Isotopes release cover of “Centrefield”

Vancouver baseball themed punks The Isotopes have released a cover of John Fogerty’s “Centrefield”. The track is available to buy via the band’s Bandcamp. You can have a listen below.

The band released “1994 World Series Champions” last year through Stomp Records.



The Penske File release video for “Golden Futures” from Bridge City Sessions

Ontario-based punk trio The Penske File recently recorded a session with Bridge City Sessions. The first video from that session has been released. “Golden Futures” comes from their recent Stomp Records release, Salvation, which was put out in April.

Watch the video below.



Lost Love (melodic pop punk) stream new album “Good Luck Rassco”

Montreal pop-punks Lost Love are streaming their upcoming album Good Luck Rassco, which is set to be released May 25th on Stomp Records and Guerrilla Asso.

You can give the album a listen here.

This new album will be the first since 2016’s Comfortable Scars.



Lost Love (melodic pop-punk) announce new album streaming new song “Clay Turris”

Montreal pop-punks Lost Love have announced they have a new record in the works. The new album titled Good Luck Rassco will be released May 25th on Stomp Records and Guerrilla Asso.

The band has released the first track off the new album and you can check it out below.

This new album will be the first since 2016’s Comfortable Scars. If you enjoy some Weezer you’ll enjoy these guys so check them out.



Album Review: The Penske File – “Salvation”

The Penske File don’t play folk punk, so much that they play punk for, well, folks.

You know, the riff-raff, people like you and me who work shitty jobs, earn what they can, and live their life under-the-radar. Blue collar, working class, salt-of-the-earth. Their new album Salvation is a refreshing reminder of what the genre can do with earnest earthiness. This is punk rock, electric and loud, made from a working class perspective that drops the cosplay and goes for the gut. There’s no posturing here, Salvation is authentic folk punk, whatever you want that to mean.

“Kamikaze Kids” opens the album with a catchy guitar line and an even more arresting opening lyric, “It’s nice to be here, and it’s cool to meet you, shaking off the dirt, that’s just something we do.” It underlines the resilience and pride inherent in their perspective while giving the kids something to shout along to. Some might take that as a throwaway compliment, but I think the song’s singability, as well as its accessibility, is actually a virtue destined to be taken for granted. It’s loud and proud and meant for the people, a piece of art composed to glue a group together with words that’ll feel good slipping from their lips. For me, that’s what a lot of this kind of music misses. The Penske File get that the roots of rootsy music is community.

And the songwriting is strong enough to cement a community. Sticky melodies, dramatic drum builds, and  tasty fretwork pop up all across Salvation. The Penske File are a talented band with excellent command over every stage of songwriting, from composition to arrangement to performance. “Lakeshore” shows some country influence, but it comes from an old well, one not often drank from. The big countrified harmonies evoke, but also transcend, Appalachian townships; hidden away from the modern world, not to be lionized, but real all the same. When the Penske File indulge in some of these more obvious folk affectations (the harmonica on “American Basements” deserves mention as well), they risk pushing themselves into a corner—or worse, an inevitable downward spiral that ends in a“Wagon Wheel” cover. Fortunately, the Penske File keep their music rooted in catchy punk rock, and the stylistic additions don’t feel like Salvation playing dress-up, but rather as a gap being bridged between two genres of commoner art.

Fans of the Penske File no doubt already know the band as formidable songwriters in a genre with an eternal hunger for songcraft. Salvation shines a spotlight on the common ground that is music, what we share between urban and rural. For the Penske File, rock ‘n roll is the new folk, and they treat punk rock as a springboard for communion, and from the path of communion, the Penske File bring salvation. 

 

4.5/5

 



The Penske File stream new album “Salvation”

Canadian punks The Penske File are streaming their new album, Salvation, in full. The album is officially out everywhere today via Stomp Records so head on below and stream it till your heart is content.

Salvation serves as a follow-up to 2017s Come What May EP.