Search Results for "Hellcat Records"

Stream The Interrupters acoustic version of “Gave You Everything”

The Interrupters recently recorded an acoustic version of “Gave You Everything” and made a stylized lyric video to go along with it. You can check out the video below to enjoy the softer side of the ska-punk band. (Yes, it’s really good, by the way.)



New Video: The Interrupters – “Gave You Everything”

Get fired up, kids. The Interrupters dropped a brand new video for your pre-Valentine’s Day viewing enjoyment. It’s for the track “Gave You Everything,” which is my personal favorite track from their latest album, Fight The Good Fight. Check it out below!

Fight The Good Fight, the band’s third full-length, came out last June on Hellcat Records.



Tim Armstrong forms “fictional” side project punk band Landfill Crew, stream first single

It’s getting harder and harder to keep up with Rancid member side projects, particularly Tim Armstrong’s. The latest is Landfill Crew, a fictional animated punk rock band set in the 1980’s. Describing it Tim writes:

I play one of the characters named Bagga and my friend Tippa Lee plays the character Hux. Tippa Lee is one of my favorite Jamaican vocalists that has been recording reggae music in Kingston since the early 80s. J Bonner animated the videos and helped develop the characters. Hope you guys enjoy this 4 song EP as much as we do.”

The aforementioned self-titled EP is being split released via Hellcat Records and Pirates Press and you can stream the title track below.



Punk Rock Bowling announces daily lineups / Club shows

Punk Rock Bowling just published their weekend itinerary. Each day is spread evenly with legendary punk acts and fast, loud newcomers sure to keep you up all night until you’re begging for sweet continental relief. Who’s up for mimosas? Ticket sales here and club show fliers below.



Rat Boy (ffo: Transplants) stream new music video, “Don’t Hesitate”

Punk Rappers, Rat Boy, have released a music video for their new single “Don’t Hesitate” off the upcoming album, Internationally Unknown, which was produced by Tim Armstrong and drops January 25 on Hellcat Records. Check out that video below.



Punk Rock Bowling 2019 Lineup Announced (Rancid, Descendents and a Crap-Ton More)

We’re six months out from the 2019 installment of Punk Rock Bowling, so you know what that means…it’s lineup announcement time!

As you can see from the epic poster above, the festival, now in its 21st year, takes place in Las Vegas next Memorial Day weekend (May 24 – 27th). The lineup is as strong as ever, with headline performances from Rancid, Descendents and The Specials and it seems to me that it’s a deeper lineup this year with a heavier nod toward the classics than the early announcements of the last couple of years. There also don’t seem to be many – if any – repeats from last year at first glance, meaning it’ll be a totally new experience with a seemingly endless run of bands young and old, big and small (shoutout to my pals in Street Dogs and Louise Distras for getting the call to go back and for local buds Radiator Rattlers for getting their first crack at the PRB goodness). Head here for full ticket info, and start saving your pennies!



The Interrupters (ska) full acoustic performance

The Interrupters recently performed an impressive acoustic set (including a cover of ‘Be My Baby’) for ALT 98.7 FM.

Check out the entire show below.

The Interrupters released their third studio album “Fight the Good Fight” on June 29th via Hellcat Records.



Rat Boy (hip-hop-punk-rock) streams “Chip On My Shoulder” off upcoming album “Internationally Unknown”

If you missed the news earlier this week, Essex based punk hip hop act Rat Boy announced that he’ll be releasing his new album “Internationally Unknown” on Tim Armstrong’s Hellcat Records. Armstrong is co-producing the album with Rat Boy and here’s what Mr. Boy had to say about the collaboration:

“I wanted to do this completely differently because ‘SCUM’ took so long, and I was learning the whole way through making it,” says RAT BOY. “I wanted to make something more personal and raw, which reflected me more. I was trying to find that sweet spot between hip-hop and punk, and Tim really understands that stuff. I’ve never really spoken to anyone else who love hip-hop and punk like I do.”

You can stream “Chip On My Shoulder,” a new track from the forthcoming album below.



Rat Boy signs to Hellcat Records, announces new album “Internationally Unknown”, premieres music video for title track

Essex based punk hip hop act Rat Boy has announced a signing to Hellcat Records. Along with this news is also a brand new album with Tim Armstrong himself called Internationally Unknown. The record is set for official release on January 25th, but they have released a video for the title track. You can check it out below.

On the topic of the album, Rat Boy himself says:

“I wanted to do this completely differently because ‘SCUM’ took so long, and I was learning the whole way through making it,” says RAT BOY. “I wanted to make something more personal and raw, which reflected me more. I was trying to find that sweet spot between hip-hop and punk, and Tim really understands that stuff. I’ve never really spoken to anyone else who love hip-hop and punk like I do.”

Stay tuned for more details on this collaborative album.

Internationally Unknown will be Rat Boy’s sophomore record, following SCUM. 



DS Photo Gallery: Scallywag Festival 2018 – Denver

Festival Season is starting to slow down as Winter approaches, but there’s still quite a few lingering around for the next few weeks before it goes completely silent! Scallywag Fest, although a newcomer to the arena, is one of the better festival! Not only do you get some incredible music like Mad Caddies, The Interrupters, Bad Religion and Rancid, you also get to enjoy a few hours of free craft beer tasting! Free beer and punk rock? sign us up! We sent senior staffer, Anarchopunk out the opening day  in his new hometown of Denver and he actually stayed sober enough to get some pretty rad shots! If you’re in the path of this one (check out the complete list of dates and stops here), we’d highly recommend getting your lazy ass off of the couch and going. Enjoy the full photo gallery of the opening day, below!



DS Exclusive: Warped Tour Bids Adieu To Hartford For The Last Time (The Interrupters, This Wild Life, Falling In Reverse and more)

Yes, this is yet another Warped Tour story written by a white guy in his mid-thirties. Relax; I’ll spare you the twenty-five-hundred word rumination on the demise of the Warped Tour as it enters the home stretch of its twenty-fourth — and final — jaunt around North America. It’s not the same as it used to be and I’ve long been wildly out of touch with most of what’s popular there and, ultimately, none of that matters. Yours truly’s first excursion to Warped Tour took place a three-hour drive from my house at the Three County Fairgrounds in Northampton, MA, in 1997; a show that featured Mighty Mighty Bosstones and Pennywise and Blink-182 and Suicide Machines and Limp Bizkit and a sunburn the likes of which I’m still recovering from. I’ve made a total of eight trips to various different renditions of the Kevin Lyman-helmed annual punk rock summer camp over the years, and there’s no denying that the sheer scale and the popular music trends of the day have morphed a few times. And you can certainly make the argument that the corporate sponsorship bleedover has long since become “too much,” though I’d also present the case that a touring festival of this magnitude wouldn’t have lasted nearly a quarter-century without it.

What hasn’t changed since those early days, however, are the consumers that compose the core that turns out year-after-year; Warped Tour remains a rallying place for the misfits and weirdos and the punks and the metal kids and the hardcore kids to immerse themselves in a total sensory overload of punishing heat and loud music and art and food and more. Warped Tour could run for a hundred more years (much to Lyman’s chagrin) and that part would remain constant.

The touring lineup for Warped’s final run left more than a little to be desired in “the comment sections” of the internet, but you’d never know it from the gigantic crowd that showed up last Sunday in Hartford. The amphitheater portion of the Meadows Music Theatre – er, Dodge Music Theatre or Comcast Theatre or Xfinity Theatre or whatever we’re calling it nowadays – was packed to the gills all day, taking in main stage split in two to accommodate the Journeys Left Foot and Right Foot stages. It was far and away the most crowded I’ve seen in the four Warped Tour’s I’ve ventured to Hartford for. Truthfully, I was primarily there for The Interrupters. Fresh off the release of their third – and best – album, Fight The Good Fight (Hellcat Records), the quartet (with Reel Big Fish’s Billy Kottage filling in on keys and horns) are, without question, the most “old school Warped Tour” band of the newer school generation. A couple years back, they drew a decent crowd on the indoor stage at the 2016 Warped Tour; this year they had a huge, vocal fanbase out in full force and even whipped up a circle pit or two. Maybe the kids are alright after all.

We took in a handful of other events at the daylong festival. 3OH!3 played the Journeys Left Foot Stage just before The Interrupters, though we missed the “photo pit” portion of their frantic thirty-minute set. Epitaph Records’ duo This Wild Life manned the Right Foot stage immediately thereafter, and were a refreshing uptempo acoustic emo change of pace. Falling In Reverse played directly after The Interrupters and…well…made yours truly feel even older than he felt last time he saw Ronnie Radke and crew at Warped a few years ago. Also…there was a pretty sketchy wrestling ring set up on the midway of the festival grounds with several three-way matches (including the one pictured above with a guy in what we think is a crawfish jumpsuit) providing a different sort of entertainment for those who didn’t mind baking in the sun and basking in the glow of the Fried Dough food truck.

For our full photo gallery featuring primarily Interrupters shots, head below!



DS Exclusive: Fighting The Good Fight with Kevin and Aimee of The Interrupters

Let’s say, hypothetically, that you were a band that had achieved some modicum of success in a relatively brief period of time. For argument’s sake, our definition of “success” here includes the following parameters: signed to one of the most successful independent labels in the music game; put out not one or two but three albums on that label, all of whom were produced by one of the bigger and most recognizable personalities in the the punk music scene; headlined a couple of your own successful cross-country club tours; played the main stage at a handful of wildly successful punk rock festivals; toured several continents with one of the last quarter-century’s largest rock bands on the planet; got added to regular rotation at your hometown (Los Angeles) rock radio station which, in spite of prevailing trends, remains a taste-making force in the game. Oh, and let’s also say that all of these accomplishments – and more – happened within your first half-dozen years as a band. It would be natural, maybe even expected, if some of that love and those accomplishments went to your head, and you maybe started to take some things for granted, right?

Not if you’re The Interrupters.

We caught up with Aimee and Kevin from the band over the phone the Friday before last, which happened to coincide with the release date for their third – and best – studio album, Fight The Good Fight (Hellcat/Epitaph). Amidst the hustle and bustle that an album release date can entail, and after exchanging our usual pleasantries, we got interrupted (pun largely intended) by the duo receiving an incoming call that they couldn’t ignore, as it was from none other than Tim Armstrong. Armstrong is not just one of the godfather’s of the last three decades of punk rock, he’s been a constant big brotherly presence in The Interrupters’ career, signing them to his Hellcat label imprint right out of the gate, producing and appearing on all three of their albums to date, imparting his unique wisdom on the quartet along the way. For more than just the obvious reasons, The Interrupters are a band that considers itself and its crew a family, and Armstrong is as big a part of that family as anybody. And so the sheepish excitement in Kevin Bivona’s voice when we returned to our call and explained why they had to break standard informal phone-interview protocol and put me on hold was not only palpable, it was downright refreshing.

It would certainly not be the last time that our conversation would trend into events that were notably surreal. Any fan of the Interrupters knows that they spent a great deal of time touring Australia, Europe and South America as direct support for Green Day over the last year. It found the band not only getting to play their upbeat blend of punk and third-wave ska to a large number of new ears, it also created a situation where a different high-profile Armstrong, Green Day’s inimitable Billie Joe, ended up with writing credits on a song (“Broken World”) on the newest Interrupters album. Here’s how Kevin Bivona explains it: “We were in Santiago, Chile, and we played a show, and there were a couple of hours before we had to go to the airport, so we were hanging out with Green Day and their families. It was an amazing experience. And (Billie Joe) goes “hey, I have an idea for a song that I think could be a really cool Interrupters song.” And he grabbed a guitar, and he kinda pulled Aimee and I aside and he played it for us, and he said “I don’t know, I think this would just be a kind of cool thing for you.” And he played it for us and we said “Yes! We love it!” Upon returning to the States, the band got to work on filling out the remainder of the song, and doing so in a manner that would do right by the Green Day frontman.  “I wanted him to be proud, because he thought enough of us to give us this riff that he could have obviously turned into an amazing song for any one of his bands. We sent the song back to him right when we were done with it, and he texted us back that night and he was so excited about it and happy to be a part of it. It’s so surreal, too, to have a song with a riff written by Billie Joe Armstrong and produced by Tim Armstrong…”

If you’ve had a chance to dig in to Fight The Good Fight yet, you’re probably aware that Billie Joe’s involvement wasn’t the only surreal part of the album-making process. While Tim Armstrong has lent his iconic vocal stylings to a track on each of the first two Interrupters albums, FTGF’s “Got Each Other” finds each of Rancid’s members chipping in, an idea that came from Armstrong himself. “Matt and Lars are in the Bay Area, and Branden lives in Utah,” explains Bivona. “When it came time to get the actual recording done, we were kind of down to the wire, so we actually had Jesse and Justin get in our tour van, drive up to San Francisco, and set up a mobile studio to record Matt and Lars’ verses and run them back down. Simultaneously, I’m on the phone with Branden in Utah, and he has a studio in his house…He sang on the choruses with us, and he sent it to us to mix that night. It was really down to the wire.”

The result of the last-minute collaboration is textbook Interrupters: an infectiously danceable, high energy rallying cry preaching the timeless notions of friendship and unity. “I cried my eyes out when I heard all of Rancid singing with us on that song,” says Aimee. “The first time I ever heard Rancid in my life, when I was in high school, I cried when I heard “…And Out Come The Wolves.” I felt like I wasn’t alone in the world, and that other people understood me. We brought that message on “Got Each Other,” and to hear all of Rancid sing that message not just to me but through my speakers with me…”We don’t have much, but we’ve got each other”…I was so happy and so grateful, and I can’t really describe how full circle and surreal that moment was.

While many of the tracks on Fight The Good Fight deal with themes that we’ve come to know and love from The Interrupters circa 2018, we also find the band digging a little deeper, turning their mirror inward in ways that were missing on the first two albums. Tracks like “Gave You Everything,” “Room With A View,” and “So Wrong” resonate as the band’s most personal – and arguably most compelling – tracks to date. Says Aimee: “I feel like when you write a song that moves you and touches you, and you’re going through an authentic experience and writing your truth, a lot of times for me that’s therapy. I’m writing to get things out and I need to process this stuff and this anxiety that’s happening in my heart and my mind. When I process that and put that into lyrics, if that helps me and gets me through it, then hopefully that can help somebody else. That’s what this is all about…loving people and helping people and connecting with people through your music.”

The band’s quest to bring their music and their positive energy to as many people as possible has generated numerous unforgettable experiences. As they get set to head out on the last leg of the final installment of the Warped Tour this coming weekend, they’re sure to add a few more to the list. “Just when we think we’ve checked everything off the bucket list, some new opportunity presents itself and we are blown away with gratitude,” says Bivona, the sincerity palpable in his voice. “Even doing the Amoeba Records in-store performance a couple nights ago was surreal. Getting added to our local radio station, KROQ, which is what we all grew up listening to, is surreal. There’s never going to be a time where there isn’t an amazing opportunity that we will be thrilled with.

Head below to check out our full Q&A with Kevin and Aimee, and stay tuned for upcoming tour announcements in the very near future!



The Interrupters stream new album “Fight The Good Fight

LA ska punks The Interrupters are now streaming their new album “Fight The Good Fight” on Hellcat Records. The entire album is recorded mostly to tape in order to capture the energy of their live shows.

According to guitarist Kevin in regards to their approach on recording the album, “There’s a certain feeling you get from that process that you can’t really get digitally. There’s no overthinking anything—everyone’s got to be fully present and committed. It was definitely high-pressure, but also really fun.”

The Interrupters last released Say It Out Loud  in June of 2015.

Check out the new album below.



The Interrupters release video for “Title Holder”

Los Angeles ska-punk band The Interrupters will release their third studio album “Fight the Good Fight” on June 29th via Hellcat Records. Ahead of the release, the band have released a lyric video for “Title Holder” from the album. The video was directed by Tim Armstrong, who also produced the record.

You can have a watch below.



The Interrupters announce new album “Fight The Good Fight”, stream first single “She’s Kerosene”

Los Angeles ska-punk band The Interrupters will release their third studio album Fight the Good Fight on June 29th via Hellcat RecordsFight the Good Fight was produced by longtime collaborator, Rancid frontman, and Grammy Award-winning producer Tim Armstrong with the band at Ship-Rec Recorders in Los Angeles. The album was mixed by Grammy-award winning mixer Tom Lord-Alge (Blink-182, Fall Out Boy, Weezer). Pre-orders for Fight the Good Fight are available here.

The first single shared is “She’s Kerosene” is streaming below. In the track, frontwoman Aimee reflects on breaking free from narcissistic abuse (“I really hope when people listen to that song, it helps them feel empowered to leave a toxic relationship,” Aimee says).