Search Results for "DS Exclusive"

Made in NYC… and TX: An Interview with The Casualties new frontman David Tejas

B & W Photos courtesy of Adan Cedillo / Flier by Kaia Bellanca Beggs

David Tejas is the new lead singer of The Casualties now for two years running. He’s been on tour alongside the The Casualties for fifteen years with his other band Krum Bums, and his newer project Starving Wolves. Huzzah for the new guy! Read that story below.



DS Exclusive: System Restore (Melodic Punk) Premiere Video For New Single, “CTL+ALT+DEL”

Trick or treat, punx! System Restore has entrusted Dying Scene to premiere their new music video for the song “CTR+ALT+DEL.” The track recalls hardcore favorites like Pennywise and A Wilhelm Scream. However, it comes from the Wyoming scene that brought us Teenage Bottlerocket and The Lillingtons.

“CTR+ALT+DEL” comes out today on the River Monster Records Monster Compster, Vol. 3 compilation, which is available here. System Restore previously released the Suburban Drones EP in 2018. It was recorded at the Blasting Room and was recently re-pressed on vinyl.

You can watch the video for “CTR+ALT+DEL” below.



Video Premiere: Rational Anthem stream “Through Being Punk”

Florida to Iowa punks Rational Anthem are streaming their latest music video in support of their record, It’s Only Permanent, out November 1 on A-F Records. The new single is called “Through Being Punk” and it’s for anyone who’s ever thought about packing up their bags and moving far off to some remote region where even dyingscene.com can’t get a hold of you.

“The title of this song pretty much sums it up.” Bassist/vocalist Chris Hembrough has to say about the new single. “One of the things I’ve grown super tired of in regards to punk rock is the marriage between the music and how celebrated it is to be depressed and apathetic. I thought that was cool for a long time. It showed people you were punk. I came to realize it doesn’t have to be that way.”

He leaves us with an enlightened perspective to ponder while a guy in an Undertaker shirt superstitiously taps the various paintings of his favorite venue’s art collection. “I want to be happy, healthy, and take good care of myself. I want people around me to do well and do great things. A lot of the punk scene sells you on this dumb notion that staying angsty and sad is all just a part of it. Fuck that. As far as that stuff goes, I’m through being punk, but playing and celebrating punk music will always be a passion of mine. Put on a Tony Robbins tape and join a jazzercise class. Being happy is cool.” Sounds good. Stream “Through Being Punk” below



DS Exclusive: Love Like Fiction Stream Debut EP, “Summer Daze”, with Track-by-Track Breakdown

Ahoy, pop punk lovers! Dying Scene is back atcha’ with new music that amounts to a clever misdirection maybe, but never a waste of time. Love Like Fiction are streaming their debut EP, Summer Daze, for fans of unique lyricism and skillful harmonious melodies. Pop punk and emo fans are sure to love this new six-track EP. Love Like Fiction draws some pretty definite inspiration from bands like New Fond Glory, but with perhaps a Boy’s Night Out approach. They’ve shared the stage with such notable acts including Sum 41 and SWMRS. The new self-released EP is available now on all major streaming services.

Below they’ve included a track by track breakdown for each song on the EP. Enjoy!



DS Exclusive: ATFN premiere new lyric video, “Divine Contraption”

South African progressive melodic punk hybrid, ATFN (All This For Nothing) is back after a twelve year hiatus to release a new 6-track EP titled Reverence. The EP is dedicated to singer/guitarist Paul Gioia’s former girlfriend, one Marne Esson, who he says, “sadly lost the battle against a darkened mind” in March 2018. That tragic incident was the catalyst for ATFN’s resurgence. “When Paul suffered the loss of his girlfriend Marne Esson in March 2018, drummer Francois Lessing reached out to him and suggested that they reform the band to begin to work on
music as a means of healing through familiar, positive musical connections.” (EPK)

Reverence releases on December 6 with pre-orders available here. All proceeds from album sales will go towards Sparrow’s Rescue Center, described as “a place of refuge and healing for people and animals,” set up in loving remembrance by Marne’s mother.

Today, ATFN is premiering the lyric video for “Divine Contraption”, which is the first single off their upcoming EP. Gioia describes it as “a testimony of love, hope and remembrance to a soul who only enriched our lives and will hopefully inspire those suffering with depression to seek help in family, friends or professionals.” Lessing adds, “This track to me is the first in the current ‘band energy’. It is definitely up a notch in pretty much every department. There was a definiteness of intention, that seems to have engulfed the whole band when we started to work on it.” Stream All This For Nothing’s “Divine Contraption” lyric video below.



DS Exclusive: South Class Veterans (ffo: Cock Sparrer, The Old Firm Casuals) premiere “Lies” Music Video

New Jersey street punk/oi band South Class Veterans are premiering their new music video, “Lies”, today on Dying Scene. The song will be featured on the band’s upcoming onslaught of a debut full-length album, Hell to Pay. That is due out October 25 on Demons Run Amok Entertainment. Pre-orders on black or brown vinyl are available here.

“Lies” is all about the nationalistic Leave it to Beaver mindscape, and myth of the american dream. It features a classically-styled street punk intro before chants of “LIES! LIES! LIES!” launch the viewer into an alternate account of the working class. The video is set primarily in a basement where “We’re scratching from the bottom for the rest of our lives.” I caught up with Bosco Baracus, the band’s lead singer to answer a few questions about the music video, the upcoming release, and skinhead culture in America. Stream the premiere for “Lies” and read those responses below.



DS Exclusive: Backdrop Falls (ffo: Alkaline Trio) premiere new music video, “My Own Remains”

Who doesn’t love punk rock from the Southern Hemisphere? The Brazilian pop-punk unit, Backdrop Falls, has an unnerving new music video out set to the single, “My Own Remains”. “My Own Remains” appears on their fresh cut album There’s No Such Place as Home, already streaming on major digital platforms, courtesy of Electric Funeral Records based out of South America. Digipaks and cassettes will become available for worldwide release this week through ten – that’s right, TEN – distributors (Count them!). That’s: Electric Funeral Records (Brazil), Geenger Records (Croatia), Duff Records (Italy), 20 Chords Records (Spain), Infected Records (Portugal), Bomber Music (UK), Razor Records (Argentina), Audioslam (Chile), Mevzu Records (Turkey) and Dinamite Records (USA).

The video takes an unsettling look at the claustrophobic and transmorphic daze of early-twentiesdom, where we all bury off our past selves and settle with the ground in our own remains. Stream “My Own Remains” below



Riot Fest 2019 Day 3: Bikini Kill, Teenage Bottlerocket and…The Village People Close Out The Weekend With Help From Others

Words by: Fredric Hall
Photos and additional words by: Meredith Goldberg

For the third and final day of 2019’s Riot Fest festivities, punk sets were, again, on the small side. Still what’s there ain’t too shabby. Against Me! Had an awesome set, playing both “Reinventing Axl Rose” and “Transgender Dysphoria Blues” start-to-finish, while singer Laura Jane Grace was belting out every song with her unique voice that forces you to pay attention. A particular high point was “Osama bin Laden as the Crucified Christ” with its driving, distorted bass line and disturbing lyrics. At one point, someone in the crowd held up a sign saying “You Are My Hero”, a good indicator of the effect the band had on the crowd.

Against Me!

 

Dave Hause & The Mermaid

Frankie Iero and the Future Violents

 

Sincere Engineer

Perhaps the most curious event to take place at Riot Fest’s 15th Anniversary staging in Chicago was a Wall of Death during The Village People’s performance of their most famous tune, “YMCA.” The song has long been a staple at basketball games of all levels and in all communities despite its lyrical content often understood to refer to the YMCA as a gay hook up spot in the 1970’s. Yet on Day 3,  fans young, old and looking to represent virtually every demographic at Riot Fest joined in forming the 4 letters in the title. And per an organized Facebook event, many took part in a Wall of Death in the center of crowd. For the uninitiated, a Wall of Death is basically a move within a circle pit where a large group of people back off and then at the same moment run toward each other. The event even took the life of a photographer’s sunglasses (though not the DS photog’s sunglasses, whew).

The Village People

 

The Village People fans spell out Y.M.C.A.

Patti Smith had her brand of a slow burning performance later on. Now I know the organizers don’t pick out acts all willy-nilly and Patti Smith is a legend in the genre. However, I’m sure there is a good size of the attendees who have no idea who is she and her contributions to the punk genre. And I guess Smith knew this because she really brought it on stage. While not “punk” in regards to modern tastes, there was a energy about it that exuded a punk attitude, even with covers like Jimi Hendrix’s “Are You Experience”(with some “Third Stone of the Sun” thrown towards the end) and Midnight Oil’s “Beds are Burning”. She did close the set with “Gloria” which really brought the crowd to its knees.

 

Bikini Kill

Finally, we got Riot grrrl pioneers Bikini Kill, the headliners for the final evening of the festival. Though Kathleen Hanna sang most of the set, she did occasionally switch over to bass, while the rest of the band traded instruments for certain songs. Seriously, they did so many times I couldn’t keep up. Declaring “We’re a feminist band. And we’re headlining a festival” they blazed through songs like “Reject All-American” with the abrasiveness and in-you-face attitude that put them on the map for almost thirty years.

Bikini Kill

If you’ve made it this far, so you might have the impression Riot Fest is straying from it’s punk roots. Well, here’s the thing: I get that festivals like Riot Fest have to carter towards different demographics to stay afloat. To me, this year was more of a history lesson. Teenage punks with Op Ivy back patches on their vests now got to hear Patti Smith and Bikini Kill. They also got to see Slayer which is always a treat (and also played right after Rise Against). So, this is a chance to see all kinds of genres. Limiting yourself to one thing is narrow-minded and stupid. In the end we all need to go beyond our boundaries and explore what’s out there.

Ween

 

Teenage Bottlerocket

 

Please check out the rest of our images from the final day of Riot Fest 2019 below:



Riot Fest 2019 Day 2: Rise Against, Avail, Turnstile and Anthrax Bring the Hard to the Park; The Struts Evoke the Glam Rock 1970’s and The HU Combines New with Very Old

Words: Fredric Hall
Photos and Additional Words: Meredith Goldberg

Day two of Riot Fest 2019, the 15th Anniversary event, saw a bit of a change up. This was a bit slim on the punk side as the metal took over. Still, they were some standouts. You have Avail doing their “Over the James” album set. Honestly, there really is not that much to talk about. Singer Tim Barry mentioned it was his daughter’s birthday which got a collective “awww” from the already captivated crowd.

Avail

 

Avail

 

Anthrax

Anthrax started a few minutes early with a riff from Pantera’s “Cowboys From Hell”, which totally caught me off guard. From there they went into their setlist which was voted by fans via their website. With the band donning Bulls jerseys they tore through all the hits, including “Caught in a Mosh”, “I am the Law” and their cover of “Got the Time”. No “Among the Living” though. Sorry. The did, however, end the set with “Indians” which really got the crowd in uproar. Granted, this isn’t really “punk” but, like I said it was slim pickings that day.

Turnstile

 

Turnstile

Turnstile provided for an especially high energy set under the bright middle afternoon sun. Numerous band members kept busy going airborne and hopping back and forth from stage to speakers. You got the feeling the band members would have like to be performing in the crowd and would be if not for the wide barricaded area/photo pit. Turnstile in a non-barricade venue must surely be mandatory to experience for anyone calling themselves fans of the group.

The Struts

Derby U.K.’s The Struts, with lead singer Luke Spiller, channeling the spirit of Freddie Mercury, took over the Rise Stage. A welcome dose of variety to complement the otherwise predominantly hard-core punk and metal heavy day. Spiller, in a red glittery outfit and thick black eyeliner; and bassist Jed Elliot clad in black leather pants and his leather shirt unbuttoned half way down his evoked 1970’s glam rock.

The Struts

 

The HU

For many Riot Fest attendees, The HU afforded them possibly their first introduction to what the band calls Hunnu Rock. The HU, from Ulaanbaatar, Mongolia, combine Mongolian throat singing with traditional instruments such as “The morin khuur (Mongolian: морин хуур), also known as the horsehead fiddle, is a traditional Mongolian bowed stringed instrument. It is one of the most important musical instruments of the Mongol people, and is considered a symbol of the Mongolian nation.” [https://en.wikipedia.org/wiki/Morin_khuur].

The HU

Senses Fail

Rise Against

Rise Against

The day ends with Rise Against headlining the evening. Singer Tim McIlarth mentioned he is from Douglas Park (where Riot Fest is held) which obviously get applause from the crowd before going into the hit “Savior” followed by “Prayer of the Refugee.”

Please check out our gallery of additional day 2 photos below!



DS Exclusive: Riot Fest Kicks off 15th Anniversary Celebration with Jawbreaker, Rancid, Cock Sparrer (among others)

Words: Fredric Hall
Pics and additional words: Meredith Goldberg

Riot Fest’s 15th Anniversary event once again took place in Chicago’s Douglas Park, Sept 13th – 15th. A bit of morning rain on day one threatened to muddy the grounds and make for a messy fest. However, by the time the gates opened to attendees, the rain had subsided just a few random, very small soft spots in the ground and small patches of mud could be spotted throughout the park.

Violent Femmes

Anti-Flag

I don’t know what was going on at the Radicals Stage, but there were sound issue throughout the day. When Anti-Flag showed up, you could barely here Chris Parker’s bass and vocals. Despite this, the band blazed through their set, causing a nasty(in a good way) circle pit in process. Hell, as people were jumping up and down during “This is The End” a T-Rex showed up in the pit with spikes in its head, as you do. The band had the crowd by the throat, as most threw up the bird as “Police Brutality” blared out the speakers. With a brief intermission from a spokesperson from Amnesty International — the short of it is “Fuck Racism” — the band followed with “Press Corpse” who they dedicated to JBTV host Jerry Bryant who is currently battling cancer. And now the finale: the set ended with Parker and drummer Pat Thetic bringing their gear into the crowd and playing a few bars, closing out a raucous set.

Cock Sparrer

Before Cock Sparrer‘s came onstage, the already packed crowd was singing the chorus to “Take Em All”, so they were ready to get shit going. For the entire set, singer Colin McFaull had a bottle of Jack Daniels on stage, taking a occasional swig. They played all the hits: “Take Em All” of course, “A.U.” which really got the pumping and “Watch Your Back”. Though for the last one, McFaull missed his cue to go into the chorus, but it’s OK, he was probably tipsy from the Jack.

Pennywise

Like Anti-Flag earlier, Pennywise‘s set also had its fair share of audio problems. Mostly, Jim Lindberg’s vocals being barely audible during songs but fine by itself. They were the most interactive with the crowd of all the bands, with Jim asking the crowd what did they want them to cover and ending it saying, “We don’t know the songs by those bands”. But they did cover-or try to cover-a Sublime followed by a non-fucked up cover of “Minor Threat” by, um, Minor Threat. The whole cover song debacle ended with a sped up version of AC/DC’s “TNT” before going into their original song “Society”.

Rancid

Since they were playing at the same time, I had to leave the Descendents‘ set for Rancid‘s, but the few minutes I was there showed they still had it. Being Riot Fest regulars, they knew how to work a crowd. Not hard since most of their catalog is fast as hell, and starting the set with “Suburban Home” and “Everything Sucks” didn’t hurt either. Rancid’s set was equally energetic, with Tim Armstrong’s neckbeard and Lars Frederiksen’s skinhead look, they blazed through “Roots Radicals” and “Maxwell Murder,” which I didn’t think they’ll do.

Please check out our gallery of additional day 1 photos below:



DS Exclusive: Jumpstarted Plowhards (Mike Watt, Todd Congelliere and friends) stream debut album, “Round One”

Earlier this week, it was our esteemed privilege to bring you a lengthy interview with the legendary Mike Watt. Read it here if you missed it. Among the many things we covered was his brand new “proj,” Jumpstarted Plowhards. It’s a collaboration between Watt and Todd Congelliere (F.Y.P., Toys That Kill), and features a different drummer on each track. Among the guests are George Hurley (The Minutemen), Patty Schemel (Hole, etc), Jerry Trebotic, Raul Morales and more.

Today, we’re beyond stoked to bring you the debut of the Round One, the debut album from Jumpstarted Plowhards. It’s due out on Recess Records next Friday (October 4th); pre-order here…but check it out in all its esteemed goodness down below!



DS Exclusive: Mike Watt talks Jumpstarted Plowhards, D. Boon, songwriting on the bass, Eddie Vedder, and so much more

Up until the dawn of the digital music revolution within the last couple of decades, generations of kids found out about new music in three real main ways: by stumbling into music videos on the actual television, by scouring the new releases put out by known and trusted record labels (see: Epitaph, Fat Wreck, Blue Note, Apple Records, etc), and by finding out who your favorite artists liked and respected and toured with and diving headlong into that rabbit hole. I was twelve years old when first saw Pearl Jam’s video for “Even Flow” and was so captivated by it that…well…that I’ve continued to buy into whatever they’ve been selling for more than a quarter-century since. Because they’ve been more than vocal about their influences over the years, this meant exploring the catalogs of artists as varied as The Who and Daniel Johnston and Bad Religion and Cypress Hill and Fugazi and Nusrat Fateh Ali Khan and, thanks to the 1995 release Ball-Hog or Tugboat?, Mike Watt.

Ball-Hog or Tugboat? marked the first “solo” release for the founding bassist from both Minutemen and fIREHOSE, the latter of whom I only knew from having seen a poster for what would become their final full-length, Mr. Machinery Operator, hanging in the front window at Strawberries Music & Video at the Nashua Mall and not realizing that fIREHOSE and FireHouse were two different bands. Ball-Hog featured Watt supported by a diverse cast of characters that obviously included Eddie Vedder but also Dave Grohl and Pat Smear and Krist Novoselic and J Mascis and Frank Black and the Kirkwood brothers from Meat Puppets and Henry Rollins and Mark Lanegan and Flea and Kathleen Hanna and most of Sonic Youth and a bunch of others. It was ground-breaking and genre-bending and was really a perfect look into the future of what was to come for Watt’s career going forward.

If you haven’t been able to keep track of the sheer number of projects – or proj’s, as Watt refers to him in his trademark San Pedro patois – that Watt has been involved with in the years since, that’s no slight on you; it’s overwhelming. There’s Dos, a duo that featured Watt and ex-Blag Flag bassist (and eventually Watt’s ex-wife) Kira Roessler. There’s Unknown Instructors, which had Watt and his Minutemen/fIREHOSE drummer George Hurley joined by Joe Baiza, Jack Brewer and Dan McGuire. There was Big Walnuts Yonder, and Il Sogno del Marinaio, and The Hand To Man Band, and a bunch of years with The Stooges, and another proj with Novoselic and friends called Anywhere. There was obviously The Secondmen, followed obviously by the Missingmen. And honestly, there were a bunch more that I’m not going to pretend to have committed to memory right now.

Next up out of the chute from the iconic Watt is a proj known as Jumpstarted Plowhards. It’s a unique endeavor that found Watt team up with Todd Congelliere (Toys That Kill, FYP, founder of Recess Records). Watt wrote a handful of tracks on bass and sent a fifteen-song CD-R to “Todd Cong,” who not only wrote guitar lines and lyrics, but recruited a different drummer to play on every track. The first eight of those tracks now appear as a release called Round One that’s due out October 4th on Recess Records. Joining Watt and Congelliere are Hurley, Jimmy Felix from Toys That Kill, Patty Schemel of Hole fame, Brian Brunuk from Fartbarf, Trevor Rounseville from Clown Sounds, Jerry Trebotic from Watt’s Secondmen band, Raul Morales from Watt’s Missingmen project, and Neighborhood Brats‘ Nick Aguilar, who’s not only joining Watt on drums for his solo tour that kicked off last week, but who is also the son of a high school classmate of all three Minutemen (Watt, Hurley and, of course, the  inimitable D. Boon).

You can pre-order Round One right here, though jump on it because some options are already gone. But you can also head below to read our Q&A with the iconic Watt. It’s one of the more enjoyable conversations I’ve ever conducted for this here website, due entirely to Watt’s jovial nature and his willingness to talk about all portions of the long, strange trip its been since he and D. Boon met as thirteen-year-olds, picked up a couple of cheap guitars, and started jamming out to Creedence Clearwater Revival songs before even knowing how to tune their instruments. Also, head here to see where you can catch Watt’s current Missingmen incarnation out on the road, including an October 11th date here in the Boston area; it’s Watt’s sixty-seventh tour of more than a month! Thanks for being you, Watt!

Photo credit: Steve Linsley.



DS Exclusive: Sicko (Red Scare pop-punk) premiere lyric video for “The Sprinkler”

Do you guys remember Sicko, the pop-punk band from Seattle who had their heyday in the mid 90s? You might if you’re over 35 and the rest of you should get familiar by checking out their back catalog available digitally through Red Scare.

Anyway, for the pre-initiated, you’ll be pleased to know that Red Scare just released an anthology/”best-of” album “In The Alternate Timeline” containing 19 remastered songs, hand-picked by the band, and I couldn’t be more pleased to bring you a lyric video from one of said tunes. Being “old” and into punk for 25 odd years I can proudly say I owned every Sicko record when I was but a youngster. Join me in my fandom by scoping the lyric video for “The Sprinkler” along with some of the band’s rare(!) upcoming gig dates below.

Oh, and here’s a cool little story about the footage from the band themselves:

Once, on a warm spring evening long ago, 3 pop punkers drove their beloved touring van onto the island of Manhattan, through the streets of Greenwich Village, and played a show at a club called Coney Island High (15 St. Mark’s Place?). We had a lot of fun playing to an at-the-time rare enthusiastic audience. Was that Alan Rappaport from Popkid Records swinging from the overhead pipes while we played? Watch the video and you be the judge. That was quite a display of youthful energy and abandon, looking back on it now. The truth is New York scared us: the size of it, the all-hours press of people, the lack of identifiable traffic lanes, movies like Escape from New York… it was all too much for 3 tense provincials just stepping out into the world. In the event, New York held surprises for us and our misconceptions: an 11pm parking ticket, cafes full of happy chatting people at 2am, and some of the friendliest, kindest, warmest punk rockers we would meet in a 10,000 mile tour across America. We’re looking forward to seeing a few of you again, old friends. Come down to Gold Sounds in Brooklyn, hear the sounds of your youth (ours too!), share your old stories and do-you-remember-when with us a bit. This time we’re leaving the van at home! Love, Sicko.



Avoid One Thing’s Joe Gittleman Breaks Down “Right Here Where You Left Me” Track By Track

It’s Friday the 13th, which means that it’s the official release date for the brand new Avoid One Thing album! The album is called Right Here Where You Left Me, and marks the group’s first full-length since 2004’s Chopstick Bridge, and finds the core trio of Joe Gittleman, Amy Griffin and John Lynch joined by a crew of guests that includes original Avoid One Thing guitarist Paul Delano (Mung, Darkbuster), Tim Brennan (Dropkick Murphys), Dave Minehan (The Replacements, The Neighborhoods) and the one-and-only Ted Hutt.

You can pick up a copy of Right Here Where You Left Me wherever you buy music – like here – and you can also head below to catch a track-by-track rundown of the album from the one-and-only Gittleman himself!



DS Exclusive: Suck Brick Kid (Orlando pop punk) – “Get Even” from upcoming album “Salt To Taste”

Happy Friday, boys and girls!

Dying Scene are fired up to bring you the lead single from the debut full-length from Orlando, Florida’s Suck Brick Kid! The track is called “Get Even,” and it appears on the pop-punk sextet’s upcoming album Salt To Taste, which is due out October 25th on Smartpunk Records.

Here’s what the band’s frontman Grant Tchekmeian has to say about the track:

“The song is about wasting your life (or a chunk of it) on a significant other. Anyone who has dealt with a cheating ex that lies constantly can relate with the range of emotions that flood in. I wanted to put myself in a friend’s shoes and write about how they felt while dealing with that shit.”

Check out the video for “Get Even” below. Pre-order Salt To Taste here while you’re at it!