Dying Scene Record Radar: New punk vinyl releases & reissues (Against Me!, Frenzal Rhomb, NOFX & more)

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, this is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, grab a few beers, and break out those wallets, because it’s time to run through this week’s […]

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, this is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, grab a few beers, and break out those wallets, because it’s time to run through this week’s new releases and reissues. Let’s get into it!

Swedish punk veterans Millencolin have announced a new LP compiling their first two demo tapes from 1993. Due out in early September, Goofy & Melack will be limited to 500 copies on black vinyl, and 240 copies on red vinyl. Preorder through their webstore starts Thursday, August 4th at 10am Eastern.

Anti-Flag just announced their 13th full-length album Lies They Tell Our Children. It’s due out on January 6th, 2023, and you can pre-order it now here. The record will feature guest appearances from members of Rise Against, Bad Religion, and a bunch of other bands. The cover art’s some avant garde bullshit, which is cool if you’re into that kinda thing. Check out the music video for the first single below.

Asbestos Records has repressed the venerable Against Me!‘s 2007 New Wave LP for the first time in six years. This one’s limited to 1,000 copies on split black/yellow vinyl. Head to the label’s webstore to get yours.

Avail frontman Tim Barry has announced a new solo album titled Spring Hill. This is due out on August 12th, and it sounds like the LP will be available to order the on same day. The “red cloud” variant pictured will only be available at a show he’s playing in Richmond, VA on Friday, August 5th (more details on that here).

Fat Wreck Chords has repressed Frenzal Rhomb‘s incredible Smoko at the Pet Food Factory. Fat doesn’t reveal their colored variants usually, but my super official sources tell me this is what this pressing looks like. Grab your copy here.

British melodic punks Darko just announced a new EP titled Sparkle. It’s due out on October 21st, and you can preorder it here. The first single “Cruel to Be” is really good; check out the music video below!

Zia Records has a new exclusive variant of NOFX‘s Punk in Drublic, limited to to 500 copies on “Transparent Beer With Red Splatter” colored vinyl. Get it here.

New band alert! Bracket‘s Angelo Celli has a new project called Guilty Party and their debut 7″ Imposter Syndrome is coming out next month. Check out “Circling the Truth” below, and go here to get your preorder in. If you like Bracket, you will like this.

The Homeless Gospel Choir‘s 2020 album This Land Is Your Landfill just got repressed. There are two new variants, each limited to 250 copies. Go here to grab this one.

Rude Records is having a summer sale! Records, shirts, and more from bands like Less Than Jake, Guttermouth, and a bunch of others are discounted up to 25%. Head over to their webstore to check it out.

Now that all the cool stuff has been covered, here’s what I’ve been listening to… Saving money by not buying every new release has given me a chance to dig out some stuff I haven’t played in a while. First up this week was Much The Same‘s Quitters Never Win, a very underrated skate punk record that turns 20 years old next year. MxPx‘s The Ever Passing Moment from last year’s box set got some playing time, too. I also revisited one of my favorite Murderburgers records The 12 Habits of Highly Defective People, and Civil War Rust‘s fantastic debut LP The Fun & The Lonely.

That’s all, folks! Thanks as always for tuning in to the Dying Scene Record Radar. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, don’t blow too much money on spinny discs. See ya next week!

Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

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Dying Scene Album Review: The Flatliners – “New Ruin”

“Let me start by peeling back my skin…” With those lyrics from “Performative Hours,” the opening track and lead single from their 6th studio album, New Ruin, The Flatliners announced their triumphant and long-awaited return to the game. With vocals hollered in throat-shredding fashion about a sonic car-crash of guitar, bass and drums, the track […]

“Let me start by peeling back my skin…”

With those lyrics from “Performative Hours,” the opening track and lead single from their 6th studio album, New Ruin, The Flatliners announced their triumphant and long-awaited return to the game. With vocals hollered in throat-shredding fashion about a sonic car-crash of guitar, bass and drums, the track serves as a perfect opening salvo for what you, the listener, are about to experience over the next thirty-eight minutes.

It’s been a while since we last heard from Toronto’s finest. Five years, in fact, since the band unleased Inviting Light on the masses. (Here’s our review from back then, although it’s formatted to the old site so it might be a little wonky, and in the migration to the new platform we lost record of who actually wrote it. Super fun feature.) That album was a bit of a departure in both the literal and figurative senses of the word; it was their first album on Rise Records after the triumvirate of Fat Wreck Chords releases that immediately preceded it, and it brought with it a sound that probably qualifies as more mature and well-crafted than some of the band more frenetic earlier work.

On New Ruin, the Flats find themselves back on Fat Wreck for the first time in close to a decade (I know, I didn’t believe it either, but Dead Language came out in September 2013). Rather than pick up where they left off, however, and fall back on an earlier sound and a shallower bag of tricks which would have, frankly, been a mistake, the band continue to move forward in a way that might just be their best effort yet.

What’s immediately noticeable on this album are the riffs. Oh are there riffs. Not to insert myself into this review, but I had a list of things I wanted to do on the evening that I first listened to this album, and decided to forgo all of them in favor of picking up my Les Paul and trying to decipher some of the rock-and-roll goodness contained herein. Frontman Chris Cresswell and lead guitarist Scott Brigham have always kept the created a variety of textures that range from blistering intensity to swirling cacophony, New Ruin finds the duo fine-tuning their craft into a series of one soaring riff after another. Paul Ramirez and Jon Darby continue to serve as the band’s rock-steady anchor on drums and bass respectively, allowing their six-stringed compatriots to sail in some pretty deep waters filled with big, anthemic, earworm-style riffs.

New Ruin does a wonderful job of weaving in a lot of the different things that the Flats have always done best, but does it better. There’s the caustic, piss-and-vinegar of songs like “Performative Hours” and “Oath,” the latter being lead by those aforementioned massive riffs over a punishing drum line. There’s the mid-tempo push-and-pull of chugging rhythm guitar underneath swirling, sometimes droning leads in tracks like “Top Left Door” and “Big Strum” and my personal favorite “It’ll Hurt.” At least I think that’s my personal favorite. That does seem to keep changing after approximately four dozen listens at this point, however. After another brief, swirling guitar intro, “Tunnel Vision” turns into one of the more straight-ahead, four-on-the-floor punk rock burners in the band’s arsenal. And if you’re really into the big, swirling riffs, album closer “Under A Dying Sun” sets the bar high, an epic six-and-a-half minute wave that gradually builds to a false crest at the midway point, only to regather its energy and continue crashing upon the sonic shores in bigger, bolder fashion.

Both musically and lyrically, New Ruin shines as a beacon signaling that yes, you can go home again, but you can do so with the added weight and wisdom that come with years of consciously examining and reexamining yourself and your place in…well, in all of this. “Performative Hours” laments the self-important, ego-stroking facades that we build up on all sorts of social media. Songs like “Rat King” and “Big Strum” follow the collapse of power-hungry talking heads and their minions who lose sight of the proverbial forest through the trees, eventually collapsing under the weight of their own misdeeds. “Oath” finds our narrator trying to overcome the poisonous waters of hate and instead moving toward love and freedom and acceptance. It’s all a reminder that you can keep your tongue or your pen or your axe all sharpened and ready for battle, primed to call society and our leaders and, sometimes, ourselves on an ever-increasing amount of bullshit in the hopes of a brighter, more hopeful future. We haven’t come up with an album review rating scale here at Dying Scene 2.0 yet, but pick whatever sign or symbol or totem you want, and New Ruin gets all of them.

“…to at least let a little bit of soft light in.”

You can still pre-order New Ruin on Bandcamp here and through Fat Wreck here.

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Dying Scene Record Radar: New punk vinyl releases & reissues (No Use For A Name, Gogol Bordello & more)

Good day, fellow humanoid beings! Welcome to another installment in the Dying Scene Record Radar. If you’re new here, thank you for joining us! This column provides a weekly round up of all things punk rock vinyl. We highlight new releases, as well as all the ultra limited reissues that get the collector nerds’ palms […]

Good day, fellow humanoid beings! Welcome to another installment in the Dying Scene Record Radar. If you’re new here, thank you for joining us! This column provides a weekly round up of all things punk rock vinyl. We highlight new releases, as well as all the ultra limited reissues that get the collector nerds’ palms sweaty. Open up your wallets, fire up your Paypal account, and let’s get into it…

Fat Wreck Chords gets us started with an awesome full discography box set for the almighty No Use For A Name. Black Box includes 13 LPs and a bonus 7″, and for $275 this beast can be yours. Lots of pretty colors, lots of great tunes. Grab it here.

Hot Water Music has repressed their latest record Feel the Void. Three new splatter variants (each limited to 250 copies) are now available here. The yellow and red one is my favorite 🙂

SBÄM Records will be releasing California hardcore punks Dead Fucking Last‘s 1997 album Grateful on vinyl for the first time. There are two variants, limited to 200 copies each. Grab it here.

Gogol Bordello has announced a new record! Solidaritine is due out on September 16th. You can listen to two songs from the album below, and pre-order the vinyl here (split blue/yellow), here (solid yellow), or here (yellow w/ blue splatter).

Sound Speed Records has a new release up pre-order. It’s the debut LP from Los Angeles melodic punk band Failing Up. Check the record out below, and buy it on vinyl here.

Hardcore punk supergroup Dead Cross have announced their sophomore album II. For those who are unfamiliar, this band features Mike Patton (Mr. Bungle, Faith No More, etc.) and Slayer’s Dave Lombardo, among others. The record’s first single can be heard below. Links to pre-order all the different vinyl variants can be found here.

The good people at Pirates Press Records are having a summer sale! Tons of great records for very, very cheap. I’m talkin’ dirt cheap. Seriously, head over to their webstore and just look at how cheap this shit is!

Melodic hardcore vets Stretch Arm Strong are reissuing their 1999 LP Rituals of Life. There are a bunch of variants for this one, but Revelation Records seems to be the only place that still has any in stock. Hit up their store to get it on yellow vinyl.

Independent record store chain Zia Records has announced a new exclusive pressing of Millencolin‘s classic Pennybridge Pioneers. It’s limited to 300 copies, so act fast and grab it here.

Modern Baseball‘s 2016 LP Holy Ghost has been repressed. This one’s also limited to 300 copies on “olive green smoke” vinyl. It’s also a Zia Records exclusive, so if you want it, that’s the only place you’re gonna get it!

Now, for the segment where I show you what records I got this week! I’m putting my collection’s expansion on hold for a bit. Rent’s going up fucking 18% and having shelter is slightly more important than collecting colorful music discs. But I did get some stuff I ordered a while ago in the mail, including 1-2-3-4 Go! Records‘ reissue of my favorite Pinhead Gunpowder record Shoot the Moon, and an awesome repress of Satanic Surfers‘ skate punk classic Hero Of Our Time from Chase the Glory Records. Both of these look and sound fantastic, and will be in my regular rotation for a bit.

Time for me to get outta here! I’ve got places to go and people to meet (not really, but you get the point). Anyway, I’m sure there’s some stuff I missed, but hey, nobody’s perfect. As always, I need your help to make these weekly recaps of new colorful plastic discs to waste your money on. So if there’s a new record you think should be highlighted in the column’s next installment, send us a message on Facebook or Instagram, and we’ll look into it. Thanks again for tuning in to the Dying Scene Record Radar. See ya next week!

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Dying Scene Record Radar: New punk vinyl releases & reissues (NOFX, Danzig, Angry Samoans & more)

Hello, friends! Welcome to the latest installment of the Dying Scene Record Radar. If you’re new here, thank you for joining us! This column provides a weekly round up of all things punk rock vinyl. We highlight the new releases, as well as those ultra limited reissues that get the collector nerds’ hearts racing. Open […]

Hello, friends! Welcome to the latest installment of the Dying Scene Record Radar. If you’re new here, thank you for joining us! This column provides a weekly round up of all things punk rock vinyl. We highlight the new releases, as well as those ultra limited reissues that get the collector nerds’ hearts racing. Open up your wallets, fire up your Paypal account, and let’s get into it…

Danzig‘s 6:66 Satan’s Child is getting its first official pressing since 1999. Cleopatra Records is handling this reissue, and there’s a bunch of different variants (some with the uncensored version of the cover art) available on their webstore (sign up for their mailing list and save 10%). Pay up, people! Glenn needs to stock up on kitty litter.

Fat Wreck Chords has announced European festival exclusive variants of some of their classic releases, including Good Riddance‘s For God and Country, No Use For A Name‘s Making Friends, and Swingin’ UttersA Juvenile Product of the Working Class. The only place in the entire world these will be available is the label’s merch booth at SBAM Fest, Brackrock Festival, and Punk Rock Holiday. Think of it like an Easter egg hunt, but much more expensive! Follow Fat on Instagram for more info.

Keeping their recent hot streak alive, Epitaph Records is back at it with even more reissues! Up first is NOFX‘s White Trash, Two Heebs, and a Bean, which turns 30 this year. They’re pressing TEN new variants of the fuckin’ thing. Links to where you can purchase all of these can be found here.

Also from Epitaph: some new pressings of Dropkick MurphysDo Or Die and Blackout, both on white vinyl. These are limited to 500 copies each, and are only available on their European webstore.

And their third and final reissue this week is a 25th Anniversary edition of the Refused album Songs to Fan the Flames of Discontent, featuring bonus tracks and demos. This is available as a clear 2xLP on their webstore. There’s also an Indie Exclusive blue variant; hit up your local record store for that one.

Knock knock! Who’s there? Another god damn reissue, that’s who! This is a really good one though. It’s the Angry Samoans‘ classic Back From Samoa. You can grab this one on green vinyl from Puke ‘N’ Vomit Records, or from Garageland if you like you’d rather have an orange plastic disc.

Surprise! Here’s another new pressing of an old-ass record. The Vandals reissued 1988’s Slipper When Ill (also known as their country album) on red marble vinyl, available through their Bandcamp page. I’m not big on this one personally, but hey, maybe it’s your favorite Vandals record. If that’s the case, I urge you to seek professional help.

Okay, these are the last of the reissues… I promise. Psychobilly icons Reverend Horton Heat are repressing their first three LPs on colored wax. Due out on September 9th, this is the first time these records have been in print since their initial release in the early 90’s. Get ’em here.

Finally, some new music! MU330 frontman Dan Potthast has a new solo record out, and as the title suggests, it’s pretty good! Each LP has a unique outer sleeve, hand made by Dan P himself. You can give the album a listen below, and grab it on vinyl on his Bandcamp.

Next up we have another solo album, this time from former ALL frontman Scott Reynolds. Chihuahua in Buffalo is his first solo acoustic release, and it’s quite enjoyable! This came out on CD/digital last year, but Thousand Islands Records is now releasing it on vinyl. Listen below, and go here to get the wax.

Something To Do Records has announced a new After School Special LP titled Lost Episodes. For those who are unfamiliar, this was Enemy You frontman David Jones’ (RIP) original band. This release will be available to preorder on the label’s webstore starting Friday, July 15th.

And last but not least, Less Than Jake just released a new single titled “Fat Mike’s on Drugs (Again)”. The song is great, and it’s getting a physical release as a flexi disc. Watch the music video below, and preorder the flexi here.

Well, it’s getting late, so I’ll wrap things up. If you’re still reading this for some reason, thank you once again for tuning in to this week’s edition of the Dying Scene Record Radar! Is there a new record you think should be highlighted in next week’s column? Suggestions are always welcome – send us a message on Facebook or Instagram and we’ll look into it!

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