New York punk three-piece THICK released a brand new video on January 18th for their tune “Girlie” and it’s the group’s first new track since October of 2016. “Girlie” is a kick-ass song that uses some pretty intense vocal harmonies to sell the chorus and it translated into an even more kick-ass video complete with lighthearted shenanigans, headbanging and a group of incorrigible ladies reaping havoc all over New York City.
Danielle Kolker of Brooklyn based folk-punk band Out of System Transfer had to turn down a gig with her other project, Funk Rust Brass Band, on Oct. 31 to tend to a religious obligation. That spiritual commitment was World/Inferno Friendship Society’s annual Halloween rowdy down Hallowmas at The Warsaw. As much as Kolker was half joking with her bandmates about why she had to miss the show, calling what transpired in Greenpoint, Brooklyn on All Hallow’s Eve a religious experience isn’t that far from the truth.
The chief pontificator of The Great Pumpkin Jack Terricloth lead his congregation of crusties, misfits, punks, and weirdos on a nearly two-hour long vision quest of intrigue and drama culminating in a rousing rendition of the old World/Inferno hymn “Pumpkin Time.” Terricloth is a cult unto himself and with his absurdly talented brood behind him, it’s hard not fall hook, line, and sinker for his silver-tongued sermons revolving around the aforementioned gourde, the history of WIFS, and the finer points of mischief-making.
It goes without saying that Halloween is a big night in New York City and even with the likes of Gwar and the Parliament Funkadelic putting on competing shows within the borders of the Big Apple WIFS loyal Infernites still made their way to the National Polish Home in Northwest Brooklyn to worship at the altar of the Great Pumpkin. For those who were counted, they were given a real treat of a show for the 20th annual Hallowmas.
On this special evening World/Inferno decided not to open with their usual score “Tattoos Fade” and went instead with “Ich Erinnere Mich An Die Weimarer Republik” and allowed the crowd to sing out the masterful lyrics “I’m a fag, I’m a Jew, how do you do? That’s Mr. Anarchist to you,” but really the whole evening was just one big singalong. The band went through tunes like “Politics of Passing Out,” “The Brother of the Mayor of Bridgewater,” “And Embarked on a Life of Poverty,” “American Mercurial” “Addicted to Bad Ideas,” “Your Younger Man,” and slew of others while the crowd sloshed along dancing, singing, and drinking. WIFS even had their opening act the Lowdown Brass Band jump on stage to add a few extra horns to certain numbers including the opener and “Pumpkin Time.”
With all the costume-clad dancers and the overall design of The Warsaw the whole event kind of felt like a school dance … if your school hired a band fronted by the twisted love child of Frank Sinatra and Elvira who was possibly baptized by satan. But that’s the real fun of Hallowmas, it’s a night to leave the pretension at home and just jump in the Moshpit dressed as Bill S. Preston Esquire and Ted Theodore Logan.
After 20-years of being one of New York City’s best kept Halloween secrets World/Inferno says they are ready for 20 more. Hell, when the fans who are now half the age of the band still come out in droves for the chance to party it up with the Pumpkin King it’s easy to see why Hallowmas is still one of the best punk events in NYC and by far the best yearly punk shows still kicking in the Volcano.
The Lowdown Brass Band and Of Death opened the evening. Lowdown captured the crowd with their marching band style tunes and high energy. While the crusties got to moshing to Of Deaths almost alt-country affectations.
Here’s hoping Travis James and the Acrimonious Assembly of Arsonists can open Hallowmas 21 and hats off to Terricloth and the gang for giving all the miscreants something to do on Halloween until the bars close and the real fun can begin.
Brooklyn, New York’s The Mad Doctors have got to be the hardest working band in the big apple. It seems like they just can’t go a week without a gig, a release, or getting up and out of NYC for tour dates all over the North East and beyond.
Just yesterday Seth Applebaum, Josh Park, and Greg Hanson released another new single with “Yuengling Malmsteen,” which is their beer soaked side of a split 7” with fellow Brooklynites Heavy Traffic. The new tune came on Aug. 11 along with an announcement of the opening of vinyl pre-orders which will be available Sept. 22.
“Yuengling Malmsteen” is the right sort of track to hit the booze hard to, and then to hit someone else. It’s the sort of song that you can envision a liquor fueled barroom brawl between gargantuan bikers and dangerous punks going down in your local dive. Give it a listen below.
Watching Leftover Crack frontman Scott Sturgeon perform in 2017 is somewhat akin to watching the film Logan. He’s getting old and a little beat up, but he’s still every bit as feisty as he was at 21. We even get to see him do battle with X-24 in the form of all the Crack Rock Steady imitators out there copping Stza’s swag — and just like in Logan, the original wins out.
At the ripe old age of 41, Stza finds a way to put on electric shows night after night and from nation to nation. I’m 29, and I don’t think I’d be able to play a show in Dublin, Ireland on Saturday night, then fly straight back to New York City for a 5 p.m. Sunday timeslot in Tompkins Square Park before taking the stage at 10 p.m. in Greenpoint.
But Stza does and he does it well; he brings the explosive performance of a much younger man and mixes it with skills acquired as a frontman over the past twenty years, making for one of the most engaging lead singers in punk. This was my first time seeing Leftover Crack, so I’d never seen Stza play without a guitar before, and the freedom of not having an instrument slung on his back all night really showed in his movement and stage presence.
I, unfortunately, missed the Tompkins set because I had to be at my day job, but when I informed one of the contractors at work, he snuck off across the East River to catch the show. He reappeared with photos and fresh bruises from the mosh pit.
In October 2016, Choking Victim played the Warsaw on the 30th and World/Inferno Friendship Society played their annual Hallowmas the following night. In August 2017, World/Inferno led the charge, playing Brooklyn Bazaar on the 5th while Stza rolled out his other mob, Leftover Crack, to close out the weekend on the 6th. Once again, Robert and Andrew over at Scenic Presents managed to attain a festival vibe without crazy high ticket prices (or even a festival).
Stza also let fly that Leftover Crack is working on new material. He said it might take them the better part of a decade to release it, but that it is on the way.
The World/Inferno Friendship Society is more like a punk circus than it is a band, and Jack Terricloth has been the unquestioned ringleader for more than twenty years. It’s hard to believe that a sound so bizarre has endured for more than two decades, especially among the New York punk scene which has very little tolerance for nuance. But WIFS has carved out their niche in the Big Apple with a mix of otherworldly talent and theatrical pageantry unmatched by any of their contemporaries.
The group has truly graduated some greats, like Brian Viglione of the Dresden Dolls, Yula Beeri, and Franz Nicolay (to name just a few). But no matter who they have to replace, they continue to bring the same level of tenacity, talent, and showmanship, due in large part to their diabolical leader Mr. Terricloth.
WIFS has an imminent big-time show at one of Brooklyn’s up-and-coming punk venues, Brooklyn Bazaar, and they are working tirelessly on their new record. But preparatory to unleashing their 13-piece carnival of horrors onto New York, Jack Terricloth sat down with Dying Scene to talk about the new record, how he hopes to one day reunite with Sly Stone, and meeting the members of Leftover Crack through their mutual drug dealer.