Tag «World/Inferno»

World/Inferno Gets Caliente At El Cortez In Bushwick, Brooklyn

All Photos by JeffSchaerMoses.com
Jack Terricloth of the World/Inferno Friendship Society at El Cortez Tuesday night.

Scenic Presents could hardly contain themselves when they announced they would have a mysterious headliner at Bushwick’s El Cortez Tuesday night and when news broke it would be the World/ Inferno Friendship Society word spread quickly. WIFS at El Cortez was a hot ticket that became a hot and sticky event as about 100 people crammed into the tiny Safari Room.

It was a packed room for the Brooklyn based 7-piece and they delivered by playing the hits with passion and vigor. WIFS was fresh from a show in Teaneck, New Jersey at Debonair Music Hall and after a show over the bridge, it showed they were happy to be back in New York City for the evening.

There were a few new faces playing with WIFS at El Cortez.

Songs mostly from Red Eyed Soul and This Packed Funeral dominated the setlist and World/Inferno’s stalwart leader Jack Terricloth kept the energy high in the room from beginning to end. It was a sweaty mess by midset with the entire crowd moshing along and Jack spraying the crowd with his own perspiration.

It was reallyinterestig seeing them in such an intimate environment in their home city seeing as they regularly play venue’s two and three times the size of the narrow hallway of a space at El Cortez. It must have been pretty interesting for Terricloth as well as he proclaimed loudly as soon as he hit the stage, “what the hell are we doing at El Cortez. But reguardless of venue size WIFS gave the crowd an unrelenting set worthy of Madison Square Garden.

Brooklyn punks Cop/Out who will be touring the West Coast in support of Leftover Crack next month went on right before WIFS and they are just about the clostest thing to a super group that the Brooklyn punk scene can produce. All 4 members play in other successful bands and all 4 members help produce New Yorks best punk festival every year, Punk Island.

Cop/Out is still in their infancy and they are already rocking rooms all over the city with a major tour on the horizon. They are definitely worth keeping an eye on. Pop-punkers Fat Heaven and two piece guitar and sax duo Flesh rounded out the evening.

Kate Hoos and Joey Steel of Cop/Out

 

 

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Show Review: Hallowmas 20 With World/Inferno Friendship Society

All photos by Jeff Schaer-Moses Photography
World/Inferno Friendship Society truly puts on one of the best Halloween spectacles in the world.

Danielle Kolker of Brooklyn based folk-punk band Out of System Transfer had to turn down a gig with her other project, Funk Rust Brass Band, on Oct. 31 to tend to a religious obligation. That spiritual commitment was World/Inferno Friendship Society’s annual Halloween rowdy down Hallowmas at The Warsaw. As much as Kolker was half joking with her bandmates about why she had to miss the show, calling what transpired in Greenpoint, Brooklyn on All Hallow’s Eve a religious experience isn’t that far from the truth.

The chief pontificator of The Great Pumpkin Jack Terricloth lead his congregation of crusties, misfits, punks, and weirdos on a nearly two-hour long vision quest of intrigue and drama culminating in a rousing rendition of the old World/Inferno hymn “Pumpkin Time.” Terricloth is a cult unto himself and with his absurdly talented brood behind him, it’s hard not fall hook, line, and sinker for his silver-tongued sermons revolving around the aforementioned gourde, the history of WIFS, and the finer points of mischief-making.

It goes without saying that Halloween is a big night in New York City and even with the likes of Gwar and the Parliament Funkadelic putting on competing shows within the borders of the Big Apple WIFS loyal Infernites still made their way to the National Polish Home in Northwest Brooklyn to worship at the altar of the Great Pumpkin. For those who were counted, they were given a real treat of a show for the 20th annual Hallowmas.

It was definitely an intimate affair for World/Inferno and all the Infernites.

On this special evening World/Inferno decided not to open with their usual score “Tattoos Fade” and went instead with “Ich Erinnere Mich An Die Weimarer Republik” and allowed the crowd to sing out the masterful lyrics “I’m a fag, I’m a Jew, how do you do? That’s Mr. Anarchist to you,” but really the whole evening was just one big singalong. The band went through tunes like “Politics of Passing Out,” “The Brother of the Mayor of Bridgewater,” “And Embarked on a Life of Poverty,” “American Mercurial” “Addicted to Bad Ideas,” “Your Younger Man,” and slew of others while the crowd sloshed along dancing, singing, and drinking. WIFS even had their opening act the Lowdown Brass Band jump on stage to add a few extra horns to certain numbers including the opener and “Pumpkin Time.”

With all the costume-clad dancers and the overall design of The Warsaw the whole event kind of felt like a school dance … if your school hired a band fronted by the twisted love child of Frank Sinatra and Elvira who was possibly baptized by satan. But that’s the real fun of Hallowmas, it’s a night to leave the pretension at home and just jump in the Moshpit dressed as Bill S. Preston Esquire and Ted Theodore Logan.

There was no way Bill and Ted were going to miss this rock show.

After 20-years of being one of New York City’s best kept Halloween secrets World/Inferno says they are ready for 20 more. Hell, when the fans who are now half the age of the band still come out in droves for the chance to party it up with the Pumpkin King it’s easy to see why Hallowmas is still one of the best punk events in NYC and by far the best yearly punk shows still kicking in the Volcano.

The Lowdown Brass Band really takes their name to heart as they decided to get down low onto the venue’s floor to entertain the hordes.

The Lowdown Brass Band and Of Death opened the evening. Lowdown captured the crowd with their marching band style tunes and high energy. While the crusties got to moshing to Of Deaths almost alt-country affectations.

Here’s hoping Travis James and the Acrimonious Assembly of Arsonists can open Hallowmas 21 and hats off to Terricloth and the gang for giving all the miscreants something to do on Halloween until the bars close and the real fun can begin.

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Theatrics and Poise: World/Inferno Friendship Society bring the house down at Brooklyn Bazaar

Photos by Jeff Schaer-Moses Photography
Jack Terricloth serenading one lucky fan at Brooklyn Bazaar.

The World/Inferno Friendship Society have really only been playing New York three or four times a year as of late, which makes every one of their hometown performances a must see. Their music is complex and beautiful, their sound is raw and powerful, and they bring a level of showmanship and theatricality to the stage that no other punk band on the planet does.

For their last hometown performance before their annual Hallowmas, Mr. Terricloth and his cohort invited Philly ska/punks Teenage Halloween up to the Big Apple to open the evening in Brooklyn Bazaar’s ballroom. They played well and announced that they would be dropping a new record soon on Philadelphia-based Fistolo Records.

Next on the bill was Slackers frontman Vic Ruggiero, who may just be the single most New York human being on the planet (under the age of 60 at least). Vic’s solo sets are like watching New York blues history unfold right before your eyes, and it’s really a thing of beauty. He’s an engaging storyteller, a tremendous guitarist, and a genuine guy.

Vic Ruggiero of The Slackers doing his solo thing.

It’s hard to fill up a stage like Brooklyn Bazaar’s as a solo act, but Vic actually made the room feel full with his electric guitar, a kick drum, a tambourine, and his chest-mounted harmonica. He played his solo stuff, took requests, and even workshopped a new song entitled “Garlic is the Sun” for his hometown crowd. Not all the requests were honored, however, as Vic pointed out to one fan that “if you wanna hear dat one, you’ll need to come to a Slackers show” in his droll New York accent.

As great as Vic was, the crowd was there for one reason and one reason only: to fuck shit up with World/Inferno. The room went bonkers with the first notes of “Tattoos Fade,” and Mr. Terricloth raised a full bottle of Coppola wine to toast the WIFS faithful. The crowd roared along to every lyric of World/Inferno’s opening score, and the ever friendly World/Inferno moshpit sprang into existence. There are punks to help you up in every pit, but something about the WIFS pit is just far more inviting than any other band’s.

Mr. Terricloth raising a toast to his World/Inferno faithful.

In a pre-show interview, Mr. Terricloth had said that Saturday night’s show would be “off the hook,” and he delivered on his word with a big-time performance. The group, which sometimes swells to more than thirteen members, was a lean eight-piece in Greenpoint, but they still packed a mighty punch when performing hits off of Red Eyed Soul like “The Velocity of Love,” “Your Younger Man,” and “Let’s Steal Everything,” among a slew of others.

They went through damn near half their catalogue in a performance that ran nearly two hours, and they did it all with panache. When they left the stage for their admittedly planned encore, the giant who was standing next to me in a denim vest (complete with Choking Victim patch on the back left and Grateful Dead patch on the front right pocket) lept onto the stage and led the crowd in a rousing chant of “tonight we’re gonna fuck shit up” until the band came back.

Ms. Malak

The encore opened with “Politics of Passing Out,” which required Mr. Terricloth to play a little acoustic guitar — in this case, one that he acquired from his old friend Sly Stone back when he was Sly’s driver — and closed with a tune I just don’t know the name of that was selected by WIFS bass player Ms. Malak.

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