DS Show Review & Gallery: The Arrivals; The Brokedowns; C.O.M.A Collective; and Time Thieves NYE Show (Chicago, 12.31.2022)

The Arrivals and The Brokedowns helped a jampacked Reggie’s Rock Club crowd close out 2022 and ring in the new year. They were supported by Time Thieves, and a collective of musicians calling themselves C.O.M.A. for this specific event. There was sparkling wine, goofy New Year’s swag on fans, terrific performances, and a bit of […]

The Arrivals and The Brokedowns helped a jampacked Reggie’s Rock Club crowd close out 2022 and ring in the new year. They were supported by Time Thieves, and a collective of musicians calling themselves C.O.M.A. for this specific event. There was sparkling wine, goofy New Year’s swag on fans, terrific performances, and a bit of Auld Lang Syne.


The Arrivals is a pretty good band name to have as a headliner for welcoming the arrival of the New Year. Of course, the Chicago quartet, comprised of “Little Dave” Merriman, Isaac Thotz, Patrick Costello, and Ronni Dicola is not good in name only. In fact, they are pretty damn good and have been for a long time.

Merriman and his wife Lyndsey Anne Wollenberg-Merriman welcomed their first child, a daughter named Josephine, earlier in the year so 2022 was already one for his memory books. He told me post-show:

It was the best one [year] yet

The Arrivals helped add another entry in the memory books for those in attendance as well. Merriman described the event:

The show was a hell of a lot of fun and all the bands were great.”

Leading the crowd with Auld Lang Syne as the clock struck midnight, the band then launched into a set including, “Two Years,” “I’m Sorry For Saying I’m Sorry,” “The Ballad Of Lon Stokes,” “Elise,” and “Last Lullaby.”


Chicago’s The Brokedowns finished their set shortly before the midnight hour, meaning they were the last band to play Reggie’s in 2022. So it was especially important that the band members Jon Balun, Kris Megyery, Eric Grossmann, and Mustafa Daka make it an unforgettable performance. They Brokedowns delivered with a frenzied set which included “Wizard Symptoms,” “I’m A Ritual,” “Life Is A Breeze,” “Pardon The Light,” and “Born On The Bayou Too.”

Mustafa Daka reflected on the show, not quite a fortnight later, and the meaning it held for him:

The NYE show was very special to me because we all loved The Arrivals for more than 20 years and have lots of great memories touring with them and watching them play amazing sets night after night, especially at Fest! And all the bands were amazing and we’re all friends and friendly, it was a blast! To start the early hours of 2023 playing a show like that and with all the people there, I’m hoping for a year of fun and creativity! And travel!”


C.O.M.A. (Christy, Orion, Monica, and Austin) is actually a collective of two solo singers, Monica LaPlante, and Christy Costello, and their bandmates in Extraterrestrials, Orion Treon and Austin Cecil. All three acts are from Minneapolis and play in each other’s bands.

For their set, the musicians rotated the three identities, and in the combinations, performed “VCR Guy” (Extraterrestrials), “Compression” (Monica LaPlante), “Uranium Baby” (Christy Costello), among others. It was a unique and fun way to introduce themselves to Chicago.


Time Thieves is from Chicago and is comprised of Jonathan Pool, Tim Reynolds, Annie Saunders, and Mike Oberlin. The band played a more than solid set which included “Road,” “Night,” Message,” “Flicker Of Light,” and a lovely cover of the INXS classic “Don’t Change.” It was an enjoyable start to a night meant to mark the end of the year.


Check out more photos from the celebration!


Post a Comment

Your email address will not be published. Required fields are marked *

DS Exclusive: Frank Casillas on The Hardyville Stranglers, leaving Voodoo Glow Skulls behind, Arizona, and Bicycles.

Frank Casillas founded Voodoo Glow Skulls with his brothers, Eddie and Jorge Casillas, along with Jerry O’Neill. He left the band in June 2017, making the announcement during a VGS performance at Long Beach, CA venue, Alex’s Bar. DS: Before we get to your new project, let’s go back to where you left off with […]

Frank Casillas founded Voodoo Glow Skulls with his brothers, Eddie and Jorge Casillas, along with Jerry O’Neill. He left the band in June 2017, making the announcement during a VGS performance at Long Beach, CA venue, Alex’s Bar.


DS: Before we get to your new project, let’s go back to where you left off with the Voodoo Glows Skulls. After so many years leading that band, how did the decision to leave come about at that moment in time?

FC: Well, I didn’t really plan a time and place to leave the band. It just kind of happened at a time when we were doing some weekend gigs here and there along the west coast, close to home, and some incidents that had occurred from within the band (ongoing arguments within the three brothers, differences between other band members, etc.) during this time just prompted me to just quit on the spot.

DS: How long did it take to make the decision to leave? Was there anything in particular prompting it?

FC: I had actually been thinking about leaving the band for at least five years prior to me actually doing it. For me personally, I was just burned out on the whole thing. We weren’t really being productive with writing new material, and it seemed like it was taking forever to record a new album. I didn’t really like the direction of the new material either. It just seemed like we were getting further away from the VGS style and sound that we were known for. Since we started the band, I was pretty much the main guy handling just about everything in the band business wise since day one, even when we had high profile management and everything. There’s always got be at least one person speaking for the band and making decisions on behalf of the band, and that was me for the longest time. Not only that, but I wore many hats besides just being the front man. I drove and maintained the vehicles, I was the tour manager, I organized and ordered the merch on top of also being a performer in the band. I also had a family with children, and I sacrificed a lot just to keep the band going when other guys in the band didn’t really care about anything else but playing and getting paid. We were constantly on the road being ran by a booking agent and it just became very routine. After a while, it just sucked everything out of me. Especially the creativity, and productivity aspect. I just wasn’t into it anymore and I felt like the band wasn’t really being productive and progressive like we used to be. I didn’t exactly leave on the proper terms and that struck a nerve with the remaining members in the band and some fans. But then again, I have never really heard of anyone giving a two weeks’ notice when they leave a band. My gut instinct just said it was time to leave and focus on me personally.


DS: Was there ever a time, either in the immediate aftermath of leaving the band or in the years since where you have had regrets about that decision or doubts that it was the best thing for you?

FC: “I helped start this band with my two younger brothers, and a neighborhood friend who was pretty much considered a brother. It obviously wasn’t an easy decision to leave after 27+ years. We accomplished a lot for just being a high school backyard party band that happened to tap into the youth of that era and play music that suburban kids could relate to. It was something that came natural to us, and we were just a product of our environment. It was hard for sure, and yes, for the longest time there were some mixed feelings of regret and guilt for just leaving like I did. But I also had my mindset of just moving on with my personal life and pursuing just me for the sake of the long-term, personal satisfaction, and personal well-being.


Photos bv Stoned Spider Photography

DS: Is there anything you miss about being on the road with the VGS / with your brothers specifically or just being on the road and in a band?

FC: I miss the fans! I don’t really miss the travel aspect, or anything related to that. When you’re young, that shit is cool! But as you get older, it gets harder to accept some of the accommodations that are handed to you on tour. Of course, I miss my brothers. But at the same time, I can’t help but feel some sort of betrayal by them. I fully understand that I didn’t exactly leave on the best of terms. But I wasn’t okay mentally and physically and instead of being concerned about me possibly not being okay, they pretty much slandered me on the band’s social media and made me look an unstable person to our fans. I think that I deserved better than that regardless of the situation. I had done so much for our career, and I feel like my efforts and sacrifices as not only the front man, but a managing member went totally unappreciated and disrespected after all these years.


DS: How aware were you of the reactions from the fans of the band?

FC: The fans have always been great to me. Of course, I got some mixed reactions after leaving. Especially after I was blasted on the band’s social media for quitting. But I still get fans asking me to return. I get feedback from fans telling me that that it’s just not the same anymore without me, etc. There are also a lot of ex-fans who wrote me off. But that is to be expected, I guess.


DS: You spoke of great legacy when you announced you quit the band, how would you describe that legacy?

FC: We started off as just kids learning how to play instruments along with our vinyl records. We managed to tap into suburban kids and relate to their lifestyle through music that was pretty much inspired by our environment. This came at a time when we didn’t exactly have social media or the internet at our fingertips to help get exposure. It was all done organically and by word of mouth for the most part. Not only that, but we managed to transcend underlying racial boundaries and write bilingual ska/punk songs that Mexican, Chicano, and Anglo-American kids could relate to equally. We managed to do that for at least a couple of decades strong. If anything, I’m proud and happy that the band is still going strong without me. They have managed to reinvent themselves with a new front man and continue with their own version of VGS. It’s a different band for sure now.


Frank Casillas by Photo by Dana Krashin

DS: Please tell us about Tiki Bandits. What was it like to go from VGS to the TB? What were some of the most interesting differences you found, and any similarities?

FC: Tiki Bandits were never really a serious project for me. I started TB with some local friends in Arizona while I was still very active with VGS. It was just a side project for me, playing “punked up” cover versions of 50’s & 60’s tunes and an opportunity for me to stay somewhat creative and keep my musical chops up. I never really compared the band to VGS, as it was strictly just another musical outlet for me to just have fun and play gigs with no strings attached to a record label, a booking agent, or the industry in general. Sadly, we no longer exist as of 2021.

DS: Please tell us a bit about the origin of The Hardyville Stranglers.

FC: The Hardyville Stranglers are my newest and current band that came together in 2022 between myself and some local friends who share musical interests in Punk Rock music. Nick Fielding, our bass player has a strong punk rock musical history and played in the band Narcoleptic Youth for 6 years before moving out to the desert like me. The guitar players Steve Blanks and Bobby Narmaki have musical roots in the So Cal punk scene and have also played in several local bands. Jose Ibarra, our drummer has played in some local area bands and was also my drummer for Tiki Bandits. Somehow, we all ended up meeting and coming together musically out here in our area where we all reside. We all live in the Bullhead City area, and Hardyville is what Bullhead used to be called back in the old Wild west days. That’s how we came up with the name of the band.

DS: How much, if any, of your work in this band has been affected or influenced by the decades with the VGS?

FC: I don’t really think about that to be honest. My experience obviously helps with logistical things like organizing stuff for the band. But we don’t really consider ourselves a real working band or anything. We’re just having fun making music without any boundaries. It’s a breath of fresh air being able to play music just for fun and without any expectations from anyone. It’s reminiscent of when I first started playing with VGS, and that makes it fun and exciting for me again.


DS: Are there any songs on this record you personally connect with.  “Nobody Likes” for instance, is a song I think we all can relate to at different points of our lives.  Even if our self-perception may not be accurate.

FC: “Nobody Likes” is just a song poking fun at how it’s so easy for people to just complain about anything nowadays on platforms like YELP or leave negative reviews, and just be a Karen or whatever. No real strong meaning behind it. Just a stupid observation, I guess. Lol

DS: How did some of the other songs on the EP come to fruition?

FC: Nick our bass player had some songs in his back pocket that he wrote years ago, and we brought them to life. That motivated us to start figuring out our own sound and go from there, to write a few of our own tunes collectively as a band.

DS: What was the inspiration for this album?

FC: Just a group of four guys getting together on Sunday evenings to play music and see what comes out of it. That’s really all it is!

DS:  What are you looking forward to with this new group record.

FC: We really don’t have any set goals or anything. We can’t really tour extensively or anything because guys have jobs and families to feed. We are doing this just for fun and if we happen to gain some sort of popularity or success with it, I don’t think anyone in the band will be upset.

DS: What has the early reception to the record and the Hardyville Stranglers been?

FC: The reception has been great so far. We all commonly agree that punk rock has gotten soft nowadays. Punk used to be aggressive, anti-establishment a rough around the edges. Now it just seems polished, sensitive, and woke. So that pretty much influences us to just write stuff off the top of our heads and not really care about how it’s going to be received. So far, I think that it’s been working in our favor. We have gotten some good reviews claiming that we are a breath of fresh air for the punk scene.


DS: What is in the immediate or long-time future for The Hardyville Stranglers as far as you know right now?

FC: We are just playing locally right now with no real expectations or plans. Luckily with social media and the internet we can share our music to a much broader audience without having to go on tour or anything else. However, we are not opposed to doing a weekend here and there or traveling if the opportunity is there and most importantly, worthwhile for us.

DS: How has age and family/having children affected your approach to performing and all the related elements of being in a band.

FC: It gets harder as you get older. I don’t see how some of these guys are still out there doing this fulltime well into their 50’s and 60’s. I had small children and a family for a majority of my career in VGS and that made it extra hard to be gone all the time on tour. That was the hardest thing to deal with.

My kids are grown now, and I went through a divorce. I am just recently married again, and I have two step daughters that I am helping raise. I couldn’t see myself being able to leave on tour nowadays. Not only because of my new family, but my business as well.

DS: The final lyrics to “Disappear” are “Don’t Give A Fuck If I Live Or Die, I’ll Drop a Gear and Say Goodbye.” Again a sentiment it seems many people have had at some point in their lives. How do you relate to this sentiment, and does it bring you back to any specific moments or feelings in your life?

FC: I am and have always been a motorcyclist and enthusiast. I currently own three motorcycles and I live in a place where outlaw bikers are for real and part of the history here.  That song is a biker song mainly, but it is also highly relatable to other non-bikers, I guess. I never really thought it that way to be honest.


DS: Why Arizona? Specifically, Bullhead? What went into the decision to leave CA for AZ?

FC: I left my hometown of Riverside, California for Bullhead City, Arizona in 2000 mainly so my kids could grow up in a safer and less influenced environment. I felt like California was just getting overpopulated, dangerous and super expensive. Pretty much how it is today! In my eyes, Bullhead City is paradise and still far enough, yet still within arm’s reach of my roots in California. We have the desert, mountains, the Colorado River running through town, and you just have more access for outdoor, recreational opportunities here in general.

DS: What are the differences you have experienced between the two states and the similarities. Same goes for Riverside v Bullhead?

FC: There is quite a bit of similarities between the two here. Most residents here have roots in California and have just ended up here to live by default. I have felt more sense of freedom living in Arizona and it seems like there are far less restraints living in Mohave County. The cost of living here is generally less and you don’t have as many outside influences living in the desert. Even though, things are rapidly changing because of the sudden high influx of people leaving California and moving here. It still has that small town and tight knit community vibe.

DS: You operate a bicycle shop – Rad Stop. Why bicycles?

FC: I grew up on my bicycle and they have always been a passion of mine.

DS: Please tell us about the business? Is there a story behind the founding of the business?

FC: I  got my 4-year-old son involved in BMX racing as alternative to organized team sports. He took a liking to it immediately, he became very good at it, and when the local BMX track here in town opened, we had already been racing for a few years in nearby Lake Havasu. Parents at the newly opened track saw that my son was already advanced in the sport, and they started approaching me about helping them get their kid set up with the proper bicycle and equipment. After a few years of doing that, I realized that there was a need for a credible and reliable bicycle shop in the area. The rest is history, and I have been the longest and only operating shop here in my immediate area and within a 60-mile range for over a decade.

DS: Have there been fans of yours not aware that you run this business, come to the shop as customers and what has the reaction been if that has happened?

FC: Yes, it happens almost daily, and I have even had fans come through on vacation just to stop by, say hello, take photos and get an autograph.

DS: How often do you get out on a bicycle, and when did you learn? Do you remember your first bicycle and what kind was it? Banana seat, as was mine?

FC : I honestly do not ride a bicycle very much at all anymore for leisure or recreation. However, I test ride customer bicycles daily after repairing them. But I spend so much time working on them, that it’s the last thing I want to do on my limited spare time. My first real bicycle was a Schwinn Stingray with a banana seat and a stick shifter that I got at the age of 10.

DS: What went into opening this shop up and running it?

FC:  I opened my shop on a shoestring budget of one thousand dollars and a plan to set myself up with a backup plan to have something to fall back on after my musical career. I took on a job as a bicycle assembly technician for Kmart during some downtime with VGS and gained most of the knowledge from that, and a friend that was already in the business. I was running my shop via satellite while still actively touring with VGS and relying on others to help. It just never really got off the ground until I decided to leave the band in 2017 and pursue it fulltime by myself.

DS: Is there anything running a business has in common with leading a band.

FC: Yes, you must have leadership, management, and communicative skills to run any business. Being the leader and main negotiator for the band most certainly taught me how to be self-employed and take risks involved with being successful.

DS: You also ride motorcycles?

FC: Oh god yes!

DS: What is your main ride currently?

FC: I currently own 3 motorcycles. I had 5 up until just recently. But my favorite is my 2000 Kawasaki Ninja ZX750R sport bike.

DS: How often are you able to ride and do you take longer trips on it?

FC: I ride at least a few times a week, weather permitting. Which is pretty much year-round here where I live.

DS: Ride solo? How often in a group?

FC: I do ride solo occasionally, and that seems to be the most therapeutical. But I prefer to ride with a buddy for safety reasons, and no more than 2-3 people because group rides can be dangerous in my opinion.


DS: Please tell us anything you want to about family life and what you like to do when away from both music and the shop.

FC: Life is uneventful and slower paced nowadays. My bicycle business is a labor of love and a passion. I get pure enjoyment seeing people react when I can get their bicycles looking nice a working properly once again. As I mentioned before, I am recently remarried, and I am thoroughly enjoying being a family man again. I look forward to Sundays when we get together at my shop to rehearse and create new music with my friends in this new band.

DS: Does your son Cid play music or shown interest in performing?

FC: My son is a very talented independent hip hop artist. He’s a finance manager for FORD and that consumes most of his life and cannot pursue his music full time. But look him up! I have been to a couple of his local shows. El Cid or NTFB, on Spotify

DS: Cid is an advanced BMX rider. Were you a BMX rider at any point in your life?

FC: I grew up riding my BMX bike in the late 70’s and early 80’s when the sport was just getting started. I was fortunate to grow up in the same neighborhood and go to school with a lot of the early pros who went on to become legendary in the sport. My son is a natural and still races at the age of 24. He is a mentor at the local track and in my eyes a local BMX legend.

DS: Thank you.

FC: Thank you.


Hardyville Stranglers performance photos by Stoned Spider Photography LV. Other Frank Casillas performance photo by Dana Krashin as indicated. All other photos courtesy of Frank Casillas.

Post a Comment

Your email address will not be published. Required fields are marked *

DS Show Review & Gallery: Voice of Addiction, Torch The Hive, and The Last Great Riot (Chicago – 12/18/2022)

Voice of Addiction, Torch The Hive, and The Last Great Riot took over Reggie’s Music Joint on Saturday, December 18, 2022. Whilst the stage was small, none of the trio of performances could be described as the same. Ian Tomele, founder, bass player, and vocalist for Voice of Addiction, could be known as “The Shoeless […]

Voice of Addiction, Torch The Hive, and The Last Great Riot took over Reggie’s Music Joint on Saturday, December 18, 2022. Whilst the stage was small, none of the trio of performances could be described as the same.


Ian Tomele, founder, bass player, and vocalist for Voice of Addiction, could be known as “The Shoeless Singer.” He’s been performing sans footwear since he was a teenager. The 6’2″ self-described “slouch” told me,

I hurt myself a lot especially when performing haha so I think it started as a way to feel the stage and my surroundings better (so I would stop hitting my head!)

This show was the band’s last set in what has been its comeback year. Tomele explained,

“We had not played since we were on a month-long southern tour in early 2020 when the pandemic hit. It was super surreal pulling into Chicago from tour as the sun was rising and the mayor was giving the stay-at-home order over the radio. Since we were already together we felt it was safe to still get together for rehearsals and started working on the new album Divided States. To coincide with this release we started playing a couple shows this summer as well as a Northeast run in August. Mainly to test the waters and see what was possible for future shows and tours.” [The band’s second show of the year was at the Dying Scene Chicago Resurrection Party. Tomele thankfully helped with the logistics of the event).

Tomele’s bandmates Tyler Miller on guitar and brand new drummer Kevin Amaro, closed out the year with zest. Amaro’s drum kit continuously lit up in a variety of colors adding a festive touch to the stage. The rip-roaring set included, “Unity,” “Modern Day,” “Shinigami,” “Rustbelt,” and “Wrecking Ball.” That last song also bears the name of Tomele’s booking and promotion company, Wrecking Ball Productions.

As 2022 closed out, Tomele was optimistic about the band’s plans for 2023. He told me,

In my opinion winter is for writing. I have a handful of new songs to show the guys including one I wrote with the new drummer Kevin. We are back at Reggie’s on January 12th. And then we get back at it in March and April with our southern tour. Spreading the new full length all over the damn place!

Looking forward to it!


I’ve covered Torch the Hive twice this year and it has been 2 for 2 in terms of fun. The highly energetic trio makes quick work of engaging the crowd. This night was one of a flurry of shows the band played as the year wound down. It blasted through its set which included “Copaganda,” “F.E.A.,” “Deku,” “Burn Me Out,” “Shame On You,” and “Molotov Trail.” Mike Fruel, on vocals and guitar, Tyler Sanders on bass, and vocals, and drummer Sergio Apanco put on a provocative show in both song and movement. Fruel played his guitar above his head, behind his back, sitting on the floor, lying on the floor, and of course in traditional stance. Sanders was such a whirlwind on stage, with frenzied head shaking. So frenzied that his mop of red hair and beard (which perfectly complemented his bass) caused him to appear in flames on top. Apanco looked ready to explode from behind his drum kit.

Post-show Mike Fruel reflected on the year that was and the year to come:

This was a good year for us, we’ve played sold out shows at SubT and Reggie’s and made a ton of new friends in the DIY scene. We also released one new single this year ‘Seeds,’ and plan to release a bunch more music in 2023. Next year we’ll be on the road hitting the south reaching New Orleans and the west coast late next year.

Hopefully the band members can catch their breath at the start of the new year so they can keep that excitement strong over the course of 2023.


The Last Great Riot, comprised of vocalist/guitarist John A. Beavers, bassist Mario Mazzone, and drummer Scott Durand, closed out the evening by pumping it up. As in Elvis; the capper of its potent set was “Pump It Up by Elvis Costello & The Attractions. The rest of its set was dedicated to original tunes by the band including two new ones, “Immortal 30” and “Fluid Ounces,” in addition to “Happy When (Bad) People Die, and “Neighborhood Legend” from 2021’s Tomorrow’s Gonna Be Rough.

Beavers looked back on the year just concluded and revealed some of the band’s plans for 2023,

As far as ’22, we just played shows. Finally hit Milwaukee for a show, a few at Burlington and Reggie’s and some other spots. For ’23 we’re starting the year on a “new baby break,” so nothing book[ed] so far. Just finishing up mixes at Squeezebox Recording Studio on two singles, be releasing this late winter or spring.”

Best of luck guys!


Please see below for photos from the show. Have a happy and safe new year everyone and thank you for joining us on the ride that was 2022!


Post a Comment

Your email address will not be published. Required fields are marked *

DS Show Review & Gallery: The Riverboat Gamblers, The Mizzerables, The Figbeats, Wrong Life and Publicity Stunt celebrate The Kinks (Chicago: 12/17/2022)

Before this show started, Dr. Daryl Wilson of The Bollweevils aka The Punk Rock Doc, introduced me to Mike Wiebe of The Riverboat Gamblers as “the best front man in punk.” Coming from Wilson, a magnetic front man himself, this is high praise. The Riverboat Gamblers headlined a Reggie’s Rock Club, with support from The […]

Before this show started, Dr. Daryl Wilson of The Bollweevils aka The Punk Rock Doc, introduced me to Mike Wiebe of The Riverboat Gamblers as “the best front man in punk.” Coming from Wilson, a magnetic front man himself, this is high praise. The Riverboat Gamblers headlined a Reggie’s Rock Club, with support from The Mizzerables, Wrong Life, The Figbeats, and Publicity Stunt on December 17, 2022, and proved, again, Wilson knows of which he speaks.

The evening was more than just a regular Saturday night show. It was also a Zuma livestreamed celebration of the release of Starstruck: A Tribute to the Kinks. The album, from Wicked Opossum Records, showcases bands covering some of the Kinks’ most important and popular songs. This includes the five bands on this night’s bill. As the Kinks at Nassau Coliseum (during its “Come Dancing” hit song era in the 1980’s) was my first rock concert, this was especially nostalgic for me.


Mike Wiebe is, indeed, a dynamic frontman. The Riverboat Gamblers, comprised of Wiebe, Fadi El-Assad, Ian MacDougall, Rob Marchant, and Sam Keir, put on an electrifying performance. Wiebe was non-stop from the first note, climbing down from the stage, climbing up a side bench-like area to the side of the floor, Crowd surfing, and crouching down with fans only to have them all jump up in unison. On stage, he repeatedly jumped around and tossed the microphone in the air and twirling the cord like a lasso. He did not always catch the mic but that did not put a hitch in his step or cause a missed note. The rest of the group kept the music pulsating just as vigorously as their bandmate’s movements. The set list included: “Let’s Eat,” “Don’t Bury Me…I’m Still Not Dead,” “The Curse Of The Ivory Coast,” “Blue Ghosts,” “DissDissDissKissKissKiss,” and “A Choppy Yet Sincere Apology.” The band’s cover of “Father Christmas” was appropriately timed, even if the lyrics evoke a mood the polar (pun sort of intended, sort of not) opposite to the mood expressed by Paul McCartney’s “Wonderful Christmastime. This is NOT a bad thing.


The Mizzerables released their record Whatever…This Sucks and then the pandemic hit. And things definitely did suck for a while for obvious reasons. It also prevented the band from touring in support of the record. Finally Joe Mizzi, Korey Brisendine, and Dave Vazzano are able to take to the stages to perform the infectious gem of a title tune and others off of Whatever…This Sucks and their other releases.

Mizzi and Vazzano were amped up at this show and Dan “Dan Precision” Wleklinksi (88 Fingers Louie) filled in last minute for Brisendine who, unfortunately, had fallen ill. The trio performed quite energetically, as they punched through a set including the aforementioned title tune, “Better Off Dead,” “FKI,” “Crabby Crab,” “Still Kickin’ ‘Round,” and a cover of Green Day’s “Basket Case.” The band also led a rousing edition of its contribution to the Kinks’ tribute album, “Lola.” If Mizzery (there are so many possible word plays on Joe Mizzi’s surname) loves company, surely The Mizzerables were as smitten with the crowd as the crowd was with them.


The Figbeats, a garage punk band out of Valparaiso, IN, are comprised of Brad Skafish, Felix Baeza, Jim Senderhauf, and Adam Hazlett. The group’s fizzy performance was quite welcome as it ripped through “Ultraviolet,” “Your Ghost,” “Bootstrap Paradox,” “Radio Killed Radio,” and “Phillip’s Lament.” Covering “Apeman” for the tribute album, The Figbeats dialed up the verve for a fun take on a classic.


Scotland’s Fraser Murderburger, formerly of The Murderburgers, now plays under the name Wrong Life. His intense, hard-driving vocals and guitar playing, backed by strong musicians (including Noelle Stolp of Tightwire) resulted in a powerful set that included “Talking/Talking,” “Digging,” “19 11 19,” and “New Sun,” all from Early Workings From An Idea (2022). Wrong Life’s contribution to The Kinks tribute album is “Strangers,” which was performed very solidly this night. Wrong Life might be in the early stages but is working from a great idea. Even greater ones no doubt on the horizon.


Publicity Stunt, another group on the bill hailing from the Hoosier state, is also where you will find Mike Paniccia, the founder and sole employee of Wicked Opossum Records, on drums. Starstruck: A Tribute to The Kinks is the first release from the new label and Paniccia is responsible for putting this show together. If this particular evening was a bellwether, the label has a promising and exciting future. Paniccia, and fellow Publicity Stunt members Adam Lingenfelter (vocals/guitar), Josh Claussen (guitar/vocals), and Dru Sheffer (bass) performed, with gusto, a set which included, “First Crush,” “Things To Think About,” “Tail Whip,” “Half-Way Written,” and “Pineapple Dandy.” Publicity Stunt’s entry on the tribute album was “Love Me Till The Sun Shines.”


Just over a week post-show, Mike Paniccia and I discussed the tribute record. He told me that,

Starstruck is the first release. The Kinks were a big influence growing up and I knew a tribute compilation of a “bands’ band” was the type of thing I wanted to put out first — to get the interest of other musicians and show them what I can do.

His take on how the event went off?

Everyone seemed to have a great time, which is what it’s all about.”

Just as the Punk Rock Doc was spot on the money about Mike Wiebe, so too was Paniccia re: this show.


See more photos below!


Post a Comment

Your email address will not be published. Required fields are marked *

DS Show Review & Gallery: Cro-Mags, Insult To Injury, Si Dios Quiere, and Crime Spree in Chicago (12.14.2022)

Harley Flanagan hit the stage at Reggies Rock Club, fronting New York hardcore legends Cro-Mags for a raucous and rainy Wednesday night. Cro-Mags was born in New York City’s Lower East Side during the Big Apple’s grimy 80’s heyday. Four decades later, founder and only remaining original band member, Harley Flanagan continues to grind out […]

Harley Flanagan hit the stage at Reggies Rock Club, fronting New York hardcore legends Cro-Mags for a raucous and rainy Wednesday night.


Cro-Mags was born in New York City’s Lower East Side during the Big Apple’s grimy 80’s heyday. Four decades later, founder and only remaining original band member, Harley Flanagan continues to grind out exhausting performances. Flanagan, compact and muscular, snarled and smiled and told of being one of so many who have dealt with post-traumatic stress disorder. Even as he repeatedly bumped fists with fans, he warned crowd members against grabbing at the microphone to sing. He was the one performing after all. Cro-Mags current lineup along with Flanagan, is composed of drummer Garry “G-Man” Sullivan, who has been with the band on and off since 1999, and two newer members Hector Guzman on lead guitar and Dom DiBenedetto (formerly of Boston hardcore group Slapshot) on Rhythm Guitar. This stop was just one in a grueling 2022 tour year. There were the same number of shows this past spring and summer as the years Flanagan has been alive, 55. December alone has the band performing 13 shows.

Nonetheless, band members appeared inexhaustible as they pummeled through the set list, which included “From The Grave,” “Down But Not Out,” “Street Justice,” “Life Of My Own,” “Hard Times,” and “Apocalypse Now.”


Si Dios Quiere is a newer Chicago hardcore band, having been founded in 2020. They also introduced a new vocalist, Ozzy, recently. The band is comprised also of brothers Roberto Velazquez and Ricardo Velazquez, and Louie Flores. The intense set included “Sacrificio,” “Desperate Measures,” “Sufriemento/End of Compromise,” “Sin Justicia,” and “Roll The Dice.” Si Dios Quiere is an exciting new voice in the Windy City hardcore community.


Insult To Injury was founded thirty years ago in Chicago, IL. On this night, it demonstrated it was still able to pound it out on stage. The band, led by vocalist Tim Kucharski, gave a hard-driving performance that kept the crowd moving.


Crime Spree, yet another member of the Windy City hardcore scene, was primarily active between 2014 and 2017. It reunited at the start of 2022 for two memorial performances for a late friend, and four additional shows. Getting this show started, Crime Spree played, what vocalist Jimmymack Jacquez described as, “most likely the last gig for a very long time.

Jacquez, along with Jim Slattery, Calvin Mathis, and Fabian Arroyo, hammered through “Let’s Drink,” “South Side,” “Sick Fucks,” “Sock Full Of Quarters,” and “Violence Is The Only Answer.” Crime Spree might be over for now or for good, but at least a few members are still active in other bands. Cool.


Please see more photos below!

Post a Comment

Your email address will not be published. Required fields are marked *

DS Show Review & Gallery: The Queers, Don’t Panic, Capgun Heroes, and Goodbye Sunshine in Chicago (12.07.2022)

The Queers returned to Chicago, headlining at Reggie’s Rock Club on December 7, 2022. Playing in support were Don’t Panic, Capgun Heroes, and Goodbye Sunshine. The midweek show was a high octane show from start to finish. The Queers is celebrating its 40th Anniversary. Joe Queer is the only founding member active in the group, […]

The Queers returned to Chicago, headlining at Reggie’s Rock Club on December 7, 2022. Playing in support were Don’t Panic, Capgun Heroes, and Goodbye Sunshine. The midweek show was a high octane show from start to finish.


The Queers is celebrating its 40th Anniversary. Joe Queer is the only founding member active in the group, but its spirit remains alive. Queer bounded around the stage, matching his younger bandmates’ energy as they zoomed through their set, including Ursula Finally Has Tits,” “Fuck the World,” and “This Place Sucks.” The Queers also performed covers of Screeching Weasel’s “Like a Parasite,” and Ramones‘ “The KKK Took My Baby Away.” The 17+ show crowd tore up the circle pit and one even did literal backflips in tune to the music coming from the stage. The sheer number of The Queers logos on the younger fans’ clothes and even inked in their skin demonstrated that four decades on, the band, and its music, still strike a chord with many fans, old and new.


Don’t Panic, out of Stroudsberg, PA, brought a high level of enthusiasm to its time on stage. Lyrics such as, “Pretending to be someone else or lying to hide the fact she was afraid,” from “Ramona,” and the title/lyrics of their latest single, “Friends Make Better Enemies” delivered in an upbeat manner can be intoxicating. Certainly, sometimes more so than laments and wistful memories encased in equally mournful music. Don’t Panic remained consistent as the band members Ted Felicetti, AJ Larsen, Keith Slader, and Anthony Paesano continued through a setlist that also included “Watership Down,” “Woe I,” and “Fall of ’99.” The band connected with the audience and at one point took a group photo with the crowd. It’s apparently a regular part of its performances. Rather than seeming derivative, there was warmth to it not often enough associated with a punk rock show.


Since its founding in 2018, Chicago’s own Capgun Heroes has steadily been building a devoted fan base. The songs are short bursts of utterly infectious music and lyrics. “Judy” is a call back to the protagonist of the Ramones classic “Judy Is A Punk.” In this case, the assertion being that Judy is no longer a punk, nor does she even like Ramones. Indeed, Capgun Heroes makes no secret of its affection for the legends out of Forest Hills, Queens. Along with the aforementioned tune, Joe Capgun, Matt Cappy, Nick Nativo, Jimmy C, Scotty Lars, and Andy Hero zipped through Back it Up,” “Lobotomy,” “Nuthouse,” “Wanna Go,” and “Operation Chaos,” among others. Name-checking bands and places from its hometown, the band got the heads of those in attendance bopping and their toes tapping. Every once in a while I caught myself joining in, even as I tried to document the set. It made for a few shots a bit too blurry for use, but I had a blast.


Goodbye Sunshine, is newer Chicago band whose debut EP, Keep Failing, You’re Doing Great! was produced and engineered by Joe Queer, who also contributed guest vocals. The band, comprised of August Fllr, Shane Shultz, Ryan Scaccia, and Brad St. Leger, did a fine job of starting out the night with a solid performance. The tight set included, among others, the entire five-song EP. Those five being, “Hide and Seek,” “Plugger,” “She Doesn’t Care Anymore,” “What You Don’t Know,” and “Outlaws In Charleston, Illinois.” If this night is any indication, they won’t start failing anytime soon.


Please see below for more photos from the show!


Post a Comment

Your email address will not be published. Required fields are marked *

DS Show Review & Gallery: 8th Annual War on X-Mas. The Falcon, The Dopamines, Tightwire and others. (Chicago 12.02 – 12.03. 2022)

The War on X-Mas continues. No, not the fictional War on Christmas some people peddle as a political weapon. Here we refer to the 8th Annual War on X-Mas weekend stand, held at Reggies Rock Club this year and featuring The Falcon, The Dopamines, Tightwire; and Won’t Stay Dead on night two. The second night […]

The War on X-Mas continues. No, not the fictional War on Christmas some people peddle as a political weapon. Here we refer to the 8th Annual War on X-Mas weekend stand, held at Reggies Rock Club this year and featuring The Falcon, The Dopamines, Tightwire; and Won’t Stay Dead on night two. The second night was a plugged-in evening with full bands but night one showcased singers performing alone with their acoustic guitars and a microphone.

Night One

As Sincere Engineer, Deanna Belos typically has a full band with her on stage. On a very chilly Friday night, Belos delivered a set full of warmth and humor. She set the tempo for the low-key enjoyable evening with a setlist including “Bottle Lightening Twice,” Shattering,” “Out of Reach,” “Overbite, and Trust Me.”


English singer-songwriter Sam Russo recently participated in our World Cup coverage and on this weekend, his own national football club was still in the hunt. As I write this, it still is. But his own performance was just as is strong, albeit on a smaller stage, as those of his fellow countrymen. Running through “Runaways,” “Letting Go,” “Small Town Shoes,” “Young Heroes,” Sometimes,” Russo most surely earned new fans. Oh and playing “Merry Christmas, Baby, I’m Sorry,” was a nice nod to the holiday known for its nog.


Josh Caterer performed a setlist mostly comprised of songs by his band The Smoking Popes. He started with “Simmer Down,” then followed it with “Let’s Hear It For Love,” “Rubella,” “Paul,” and “First Time.” Caterer ended his set with a cover of the Nick Lowe penned, made famous by Elvis Costello classic, “(What’s So Funny ‘Bout) Peace, Love and Understanding.” He was joined by what seemed to be most of those in attendance. If it wasn’t quite Christmas caroling, it was close enough for this holiday season evening. It was also lovely.


Brendan Kelly, unlike years of X-Mas past, wasn’t fronting The Lawrence Arms. However, his X-Mas present to the crowd was a set full of the aforementioned group’s songs, including “The Devil’s Takin’ Names,” “Demons,” and “Quincentuple Your Money.” Kelly added “Suffer The Children Come Unto Me,” from another of his groups, Brendan Kelly and The Wandering Birds. In a tip of the hat to one of the night’s earlier performers, Kelly performed “Young Heroes,” by Sam Russo. Neil Hennessy, Kelly’s bandmate in The Lawrence Arms and in The Falcon, as well as a member of The Smoking Popes, joined Kelly onstage for “Old Mexico Way.”


Night Two

Won’t Stay Dead might seem well-suited for Halloween shows, with its spooky aura and members dressed in all black, in what might be called “punk rock semi-formal.” Not to mention the fact that the band page describes the group as “Grungy horror pop punk from Chicago.” However, the band composed of Saffron Lair, Violet Staley, Tyler Palermo, and Will Lange, fit in perfectly as the Saturday night kick-off band. After all, it was the War on X-Mas. They band was as sharp as a “Rivers Edge,” which was also the first tune they played. This was followed up in quick succession by the rest of the set, including “Wicked Plans,” “Hack To The Bone,” “Somebody Put A Cross On My Head (And It Burned)” and “Sink Your Teeth.” Won’t Stay Dead closed out its spirited set with “Damaged Brain.”


Tightwire from Minneapolis, MN delivered a fierce set including “Party,” “Six Feet Deep,” ”Body Language,” “Spell on Me,” and “Pentagram Tattoo,” “Bitter Pill.” Group members Tane Graves, Paul Mullaney, Noelle Stolpe, and Parker Thompson brought the energy and the fun as they tore the stage up. The crowd was there for it.


The Dopamines, from the Queen City aka Cincinnati, OH, had the weekend’s penultimate time slot. The band, comprised of Jon Lewis, Jon Weiner, Josh Goldman, and Michael Dickson, roared through its set, injecting the atmosphere with a heavy dose of adrenaline. Included in said set were “You’d Make A Good Horsecop,” “Straight Papers,” “Cincinnati Harmony,” and “Heads Up Dusters,” as well as “The King of Swilling Powers Part I, II, III,” “Ire,” and “Dan Teets Runs a Marathon.” Frenzied done right.


The Falcon closed out the weekend with a forceful set and a dash of cheeky humor. band members Brendan Kelly and Neil Hennessy were, on this night, joined by Joe Principe (Rise Against) and Kody Templeman (The Lillingtons). All four were sporting matching black t-shirts with The Lawrence Arms logo, except in this case, the logo was covered over by the iconic red “NO” symbol. A wink and a nod to the fact that The Lawrence Arms was unable to make this year’s show. The setlist included a collection of some of the most unique and colorful song titles you’re bound to come across over a stretch of time. The Falcon performed, among others, “The Celebutard Chronicles,” ”Huffing The Proverbial Line Off The Proverbial Dong Or The Blood and the Frog,” ”Hasselhoff Cheeseburger,” “The Fighter, The Rube, The Asshole,” ”Feed The Monkey, Drown The Worm Or Goin’ Home,” “Building The Perfect Asshole Parade Or Scratching Off The Fleas.” The Falcon surpassed the already-high expectations. So did the weekend as a whole. Looking forward to next year’s event already. Maybe The Lawrence Arms will be on the bill?


See below for more images!


Post a Comment

Your email address will not be published. Required fields are marked *

DS Exclusive: (World) Cup The Punx! Volume 2 w/members of Flatfoot 56 and The Real McKenzies and Good Friend and more!

We’ve made it to the knockout round of the 2022 World Cup! So far, there’s been jubilation and disappointment in supporters of various Clubs and a few surprises. Among the highlights: USA followed up draws against the two UK teams, Wales and England, with a win against Iran. Saudi Arabia shockingly beat Argentina; before its […]

We’ve made it to the knockout round of the 2022 World Cup! So far, there’s been jubilation and disappointment in supporters of various Clubs and a few surprises. Among the highlights: USA followed up draws against the two UK teams, Wales and England, with a win against Iran. Saudi Arabia shockingly beat Argentina; before its elimination by the USA, Iran stunned Wales with an extra-time win. THAT goal by Brazil’s Richarlison de Andrade! There were acts of courage by fans and team members; and broken promises by the host nation. Legendary United States Supreme Court Justice Louis D. Brandeis (1856-1941) introduced the oft-quoted idea that sunlight is the best disinfectant to counteract negative governance. Hopefully, in the case of the tournament, the eyes of the world that are focused sharply on both the host country and the governing body overseeing the World Cup act as that disinfectant. Punk rock has a long legacy of acting in that same manner whether or not the musicians know of Louis D Brandeis’ and/or his famous words.

Here we present more diehard soccer/futbol fans. Most indicate that they are watching the World Cup with that awareness. One musician understandably chose to boycott. Yet all discuss their love of the beautiful game. Remember, you can read Part One of “(World) Cup The Punx” here and you can check out our World Cup playlist, chock full of all your favorite futbol-related punk anthems, right here!


Part 2 of our World Cup special, as with Part 1, starts with a musician hailing from Northern Ireland. Adam Carroll aka Mad Adam, vocalist and bass player with the band Good Friend, reveals his take on the tournament and which clubs he regularly supports.

DS: What are you most looking forward to in the World Cup?

AC: “I’m looking forward to how The World Cup brings people together. Football is on the tip of everyone’s tongue and even people who usually don’t relate to the sport are supporting a team passionately. And there is always drama!

Carroll adds:

“That’s what sports supposed to be about, right?”

DS: Which team(s) are you rooting for? Which teams do you think are going to be there at the end fighting for the trophy?

AC: “As there is no R.O.[Republic of] Ireland or N. Ireland and our usual back up of Iceland also didn’t make it this time round, I’m rooting for Argentina. An England v Argentina final and [Lionel] Messi wins the game with a hand of God. That’s how I think it’s all gonna happen.

DS: Do you have a favorite team(s)/player(s) in the English Premier League, Major League Soccer or any other leagues around the world?

AC: “I support Liverpool (Premier League) and Coleraine FC (Hometown team).

DS: How did you become a fan of the team if not from that area?

AC: “My older brothers support Manchester United, Chelsea and Newcastle United and rather than swear allegiance to one I wanted a team of my own. I loved how Liverpool played. They were fast and frantic and anything could happen in front of the Kop.

DS: Did you ever play football/soccer yourself?

AC: “I did, I was a right winger and played for a few local teams. I once had an unsuccessful trial for Leeds.


Kyle Bawinkel, bass player for Flatfoot 56, has worn his Chicago Fire scarf around the world. It’s kept him warm from Murmansk, Russia (Arctic Circle) 2013, (photo on right) and back home on the sidelines of the team’s pitch (photo on the left, below, with Part 1 participant, Mike Park of The Crombies.)

DS: What are you most looking forward to in the World Cup?

KB: “It’s hard to not get excited over the first Poland vs Mexico match. growing up in predominant Polish and Mexican neighborhoods. it’s going to be an all out brawl.” [The match ended in a 0-0 draw.]

DS: Which team(s) are you rooting for and which teams do you think are going to be there at the end fighting for the trophy and will win that trophy?

KB: “I’m excited to watch this young USA team and think it’s time for Brazil to hoist.

DS: Do you have a favorite team(s)/player(s)in the English Premiere League, United States Major League Soccer or any other leagues around the world?

KB: “I’ve always been a Bundesliga watcher so I followed Breman and St Pauli but favorite player has been Schweinsteiger, so I guess you can say the Chicago Fire was watched a lot as well.”

DS: How did you become a fan of the team if not from the area?

KB: “I watched the Chicago Fire growing up because they played down the street and watched a lot of Bundesliga on tour. Our driver was a huge Breman fan so I started following them. My first love of Bundesliga though is St Pauli. I’ve played many of their supporters’ events over the years and obviously what they stand for is 100%.

DS: Did you ever play football/soccer yourself?

 KB: “I only played pickup games growing up. I was never in an organized league.

DS: Favorite Football related punk songs?

KB: “How can it not be Hardcore HooliganThe Business?


Henrike Baliú (Blind Pigs; Armada) will be experiencing the World Cup with his children. The musician is from Brazil, where the National Team has won the World Cup 5 times. That makes the South American nation the winningest in the tournament’s history. Will 2022 earn the Brazilians their 6th title? Baliú shares his thought on that and more with us.

DS: What are you most looking forward to in the World Cup?

HB: “Well, I’m looking forward to Brazil bringing home the World Cup trophy. Not because I care, ‘cause I don’t, but I’d like to see my three sons have this experience. I’ve had it in 1994 and 2002 when football (not soccer, that’s how Yanks call it) was still a big part of my life.

DS: Which team(s) are you rooting for? Which teams do you think are going to be there at the end fighting for the trophy?

HB: “Brazil, obviously, even though our national team’s shirt has been stolen by neo-fascists here as their uniform. So, I’ll be rooting but you won’t see me wearing the jersey.

DS: Do you have a favorite team(s)/player(s) in the English Premier League, Major League Soccer or any other leagues around the world?      

HB: “I was born in Rio de Janeiro, Brazil. My dad is Flamengo. It’s like a religion that your dad passes on to you.” [The photo to the left is of a young Baliú, in 1982, sporting a Flamengo shirt for his Angell School portrait in Ann Arbor, MI.]

DS: Favorite Football related punk songs? 

HB: “1982” by my band, Armada. It’s about the classic match between Brazil and Italy in 1982 in the World Cup in Spain. I watched it on TV. I was 8. Brazil lost and I couldn’t stop crying. It traumatized me so much that I wrote a song about it decades later.”


Aspy Luison of The Real McKenzies is a diehard supporter and player of futbol but not of this year’s World Cup. Whilst some of us believe eyes focused on the tournament hopefully will lead to change, Luison has a different point of view. He, understandably, believes boycotting the game is the way to avoid rewarding those who deserve anything but.

DS: What are you most looking forward to in the World Cup?

AL: “I don’t expect anything at all. I’m not going to watch it and I hope that all of us who love the real football, football with values, please do the same and turn off the fucking TV.

I am not going to support a World Cup that the corrupt and mafia-like FIFA gets richer with their shit modern football. Qatar is a country where human rights are violated, it oppresses the rights of migrant workers, women, people from the LGBTQIA+ collective, in addition to preventing freedom of expression.

DS: Do you have a favorite team(s)/player(s) in the English Premier League, Major League Soccer or any other leagues around the world?

My team is Deportivo de A Coruña, but I sympathize with all the anti-fascist and anti-racist teams like Celta Vigo, Athletic Bilbao, St.Pauli Hamburg, Celtic Glasgow

 DS: Did you ever play football/soccer yourself?

AL: “I have been playing football all my life, until I was 16 years old I was a defender (centre-back) and then for due to team needs I have changed to goalkeeper until I was 28 years old.

Now I am coach of the women’s team of my town of 4ª division.

DS: Favorite Football related punk songs?

AL: “Right now the only songs that come to mind are: The Adicts You’ll never Walk Alone‘ [and] Los Fastidios – ‘Antifa Hooligans‘”


John Payne from Heart and Lung is hoping one of the best players in the history of the sport never wins a World Cup.

DS: What are you most looking forward to in the World Cup?

JP: “I cannot wait for the moment that Messi fails to win in his last Cup ever.” [Lionel Messi’s Argentina lost to Saudi Arabia but it did beat Mexico.]

DS: Which team(s) are you rooting for? Which teams do you think are going to be there are the end fighting for the trophy?

JP: “Viva Mexico! They’re at the top of my bracket, but I think Germany, Brazil, and Uruguay are gonna stick around for a while.  Then again, I’m nearly always wrong.

DS: Do you have a favorite team(s)/player(s) in the English Premier League, Major League Soccer or any other leagues around the world?

JP: “I wake up super early on the weekends to root for Tottenham, mostly because of Son Heung-min.  Kulusevski is fast becoming a favorite, though.

DS: How did you become a fan of the team if not from that area?

JP: “My buddy lived in London for a bit, and when he got back he asked if I wanted to get up early to watch matches with him.  I said no.  He told me I could get drunk at the bar at seven am.  I said yes.

DS: Did you ever play football/soccer yourself?

JP: “I was on the purple team in fourth grade.  My parents neglected to tell me about the traveling team in fifth grade because they didn’t wanna drive me anywhere in the morning.

DS: Favorite Football related punk songs?

JP: “The Real McKenzies ‘Raise the Banner’ is a fun one!


Post a Comment

Your email address will not be published. Required fields are marked *

DS Show Review & Gallery: Smoking Popes and Off With Their Heads, Limbeck, and The Color Fred (Chicago, 11/12/2022)

Smoking Popes and Off With Their Heads drew a sizable and enthusiastic hometown area crowd at The Bottom Lounge for the Midwest Simmerfest on November 12, 2022. It was a weekend jam-packed with shows and mini-fests at nearly every, if not every, punk rock venue in the city of Chicago and probably quite a few […]

Smoking Popes and Off With Their Heads drew a sizable and enthusiastic hometown area crowd at The Bottom Lounge for the Midwest Simmerfest on November 12, 2022. It was a weekend jam-packed with shows and mini-fests at nearly every, if not every, punk rock venue in the city of Chicago and probably quite a few in the suburbs.


Smoking Popes, comprised of the brothers Caterer: Josh, Matt and Eli, along with Mike Felumlee, headlined the show with a reliably robust performance. The band jammed through a set list that included, “Simmer Down,” “Midnight Moon,” “No More Smiles,” “Rubella,” “Megan,” “Need You Around,” and “I Know You Love Me.” Picking a show for this Saturday night entertainment might have understandably been hard for more than a few in the local punk community. However, it appeared those at the Bottom Lounge were quite satisfied with their choice.


Off With Their Heads, made up of Ryan Young, Kevin Rotter, and Kyle Manning, played with intensity during the night’s penultimate set. The trio tore through an angsty set list leaving some in the crowd looking emotionally exhausted, in the very best way.


Limbeck is a group out of Laguna Niguel, CA. The band – Robb MacLean, Patrick Carrie, Justin Entsminger, and Jon Phillip – gave a boisterous performance as it ran through a set list including, “Honk + Wave,” “Home (Is Where the Van Is),” “Kooks,” “Everyone’s in the Parking Lot,” and “In Ohio on Some Steps.” This crowd gave the guys from the Golden State a very warm welcome.


The Color Fred, made up of Fred Mascherino, Stephen Angello, Keith Gibbons, and Monte Holt kicked off the festivities. The West Chester, PA, group elicited smiles from the crowd as its members marveled with delight at the fog machine. I don’t know if fog machines have been a regular part of their shows or not but I would hazard a guess they might be in the future. And though the band members were, at times, obscured by the fog, the music easily cut through to the attendees’ ears during a very fun set.


More photos below!

Post a Comment

Your email address will not be published. Required fields are marked *

DS Show Review & Gallery: The Slackers, The Crombies, & The Operator in Chicago (11/11/2022)

The Slackers returned to Reggie’s to headline a bill which included their local friends in The Crombies, plus The Operator, and Highball Holiday. The Slackers, Chicago favorites from New York City, once again treated their fans to a rousing performance. Vic Ruggiero, Glen Pine, Jay Nugent, Dave Hillyard, Ara Babajian, and Marcus Geard tore through […]

The Slackers returned to Reggie’s to headline a bill which included their local friends in The Crombies, plus The Operator, and Highball Holiday.


The Slackers, Chicago favorites from New York City, once again treated their fans to a rousing performance. Vic Ruggiero, Glen Pine, Jay Nugent, Dave Hillyard, Ara Babajian, and Marcus Geard tore through a setlist including “Fried Chicken/Mary, Mary,” “And I Wonder,” “Don’t Let The Sunlight Fool Ya,” “I Still Love You,” and “Wasted Days.” Per usual, The Slackers brought to the Windy City a lively and fun experience.


When The Slackers hit Chicago, many fans may guess correctly that The Crombies will be on the same bill. The two groups have a tight bond in more than one way. Three members of The Crombies (Mike Park, Dave Simon, and Karl Gustafson) are also past or present members of Deal’s Gone Bad. Some of their DGB bandmates and some of The Slackers members have formed Deal’s Gone Slack. It’s an indirect secondary connection but still should not be dismissed outright.

As for the Chicago’s very popular rocksteady outfit, the above mentioned members, along with bandmates Karl Gustafson, Matt Meuzelaar, and Kevin Lustrup blasted through their set which included “Hooligans,” “Staring At Rude Boys,” “Plastic Gangsters,” and “Levi Stubbs’ Tears.” The Crombies also performed its great cover of a song from my favorite band, The Clash: “English Civil War.” Each member has a very distinct onstage presence but it all adds to a cohesive unit. When you go to a show with The Crombies on the bill you are pretty much guaranteed a good time.


The Operators, a ska unit out Indianapolis, Indiana, came big, loud and rowdy. I loved it and so did the crowd. The group kicked the crowd into bouts of frenzied skanking. The Operators members – Brandon Sanders, Gregg Manfredi, Drew Darby, Heath Schlatter, Brittany Brummfield, Cristian Requilme, Sarah Harwood, Dave Grove, jammed through “Better Off Alone,” “Convicted Man,” “Catfished,” “Ease Your Mind,” and “Cards On The Table.” The latter two are Mr. Kingpin songs.

They were also joined on stage by Jon E. Bravo aka Mr. Kingpin, for “Lightening In A Bottle.” The Operators hit the bullseye with this set.


Highball Holiday switched on the show with a boisterous set. Shahanna McKinney Baldon led the bad through a solid set including “Siblings,” “Speedway,” “Why?,” “Skinhead Girls,” and “Welfare.”

Highball Holiday ended the set with a booming rendition of “Ignorance,” The band showed why they’re Milwaukee ska legends. It is wonderful to see a band enjoying themselves onstage as appeared to be the case here.


See below for more photos. Thanks!

Post a Comment

Your email address will not be published. Required fields are marked *