Chicago punk legends Rise Against took over Metro Chicago recently, playing three completely unique set lists on three nights. The iconic Chicago venue hosted Rise Against – Alive & Well: The Metro Residency as the concert hall celebrates its 40th anniversary. I had the chance to witness this unique weekend, presented by Q101 FM, all three nights. The first night, with The Bollweevils opening ahead of the band’s new record release, I was there to hang with and support good friends. Admittedly, it felt a little strange, not having my camera gear and not spending time in the photo pit, yet it was a fun time. The crowd, though heavily represented by hometown fans, also saw many traveling from all over the country and even from the United Kingdom. Oh, and a very special event took place under the Metro marquee for two RA fans. More on that in a bit.
Thursday Night
Rise Against opened the weekend on the same day as the first-ever criminal indictment of a former President occurred. There were more than a few “Happy Indictment Day!” exclamations heard both outside and inside the venue. For some, it felt appropriate, on such a precedent-setting day, that the band they were seeing is known for its socially conscious lyrics and offstage activism. Indeed, rather than opening music, the band chose to play an audio clip from one of my longtime top 5 films. It was “Howard Beale”‘s (portrayed by Peter Finch who won a posthumous Oscar for this leading performance) iconic “I am as mad as hell and I’m not going to take this anymore” speech from the classic, multi-Oscar winning film, Network. It was the whole speech, and it was brilliant.
The Rise Against residency was a sort of retrospective. Each night had a totally unique set list sans any repeats over the course of the weekend. Unlike the common practice of a band playing a different one of its albums start to finish each night of a multi-night stand, Rise Against mixed up songs from different records. Surely this was highly appreciated by those who were present for all, or at least more than one, of the nights.
Night one’s set list included, “Tragedy + Time,” “Broken Dreams, Inc.,” “Bridges,” “Paper Wings,” and “Entertainment.” Two notes on this song lineup: this was the live debut performance of “Bridges,” and the first time they have played “Entertainment” live in about a dozen years. As with the other two nights, this was an expectedly strong evening of music. Just as the film “Network” and “Howard Beale”‘s rallying cry are still relevant decades on, so too is Rise Against’s music. I don’t see any of these changing in the near future.
Supporting act on night one, The Bollweevils, jump-started the weekend in a big way. As in a big jump from the Punk Roc Doc, Dr. Daryl Wilson. Wilson has been catching major air since the formation of the band decades ago. His bandmates, guitarist Ken Weevil, a middle school teacher/former middle school principal, and “the double Petes”, bassist Peter Mittler, back from Florida for this performance, and drummer Pete Mumford, on the backbeat, delivered a boisterous performance. The set included “Predisposition,” “Fencesitter,” “Peggy Sue,” “Bottomless Pit,” and “Cutting Solution.” The band’s new album, Essential off of Red Scare Industries, is set to be released on May 5, 2023. It features backing vocals by “the 5th Bollweevil,” Joe Mizzi of The Mizzerables, who also provides live bass duties when Mittler is not available. The release takes place just weeks before the band heads to Pouzza Fest. 2023 is shaping up to be a great year for The Bollweevils. I’m all here for it.
Friday Night
Night two also started with an audio clip, from the HBO, Aaron Sorkin created series, “The Newsroom.” In this case the oft shared scene whereas series lead Jeff Daniels, as news anchor “Will McAvoy” responds to a college student’s question of what makes the US the greatest country in the world.
Tim McIlrath, Joe Principe, Brandon Barnes, and Zach Blair throw emotional punches with their songs, and this was on full display throughout the Metro residency. While too often political punk bands can seem didactic, Rise Against never does. Instead, fans are fully engaged to the message of the lyrics, and how said message is being delivered intoxicatingly via the music.
As with the first night, RA performed some songs which have not been played live in years or never played live prior to this. Included in the former category were “My Life Inside Your Heart,” and “Torches.” It had been roughly 18 and 8 years respectively since the songs were last performed live. “About Damn Time,” and “Whereabouts Unknown,” were live debuts. The set also included “Black Masks & Gasoline,” “Survivor Guilt,” “The Great Die-Off,” and “State of the Union.”
The Smoking Popes opened night 2 with a bouncy and satisfying set. The first tune of the night was the one often, but not always played first, “Simmer Down.” It was followed by tunes including “Let’s Hear It For Love,” “Rubella,” “Megan,” and “Amanda My Love.” The Smoking Popes, consisting o the brothers Caterer (Josh Caterer, Eli Dixon Caterer, and Matt Caterer), and Mike Felumlee, per usual, were the charismatic and unusually fun punk band its fans love so much. This is at least my second time in the last 6 months or so documenting the band for Dying Scene. Hopefully it won’t the last before 2024.
Saturday Night
Admittedly, if Rise Against played an audio clip before its Saturday night set, I did not catch it. However, the band continued another pattern established during the first two nights with a set list including the live debuts of “The Black Market,” “Sudden Urge,” “Endgame,” “Lanterns,” and “Escape Artists.” Rise Against also performed “Anywhere But Here” for the first time since 2006, “Rumors of My Demise Have Been Greatly Exaggerated” for the first time since 2007, and “From Heads Unworthy,” for the first time since 2011. If the crowd’s electric reaction to these songs is any indication, perhaps the bands will consider making some, if not all, at least semi-regulars on its future set lists. RA rounded out the setlist with “Chamber The Cartridge,” “Heaven Knows,” and “Drones.” This might have been an exhausting weekend for the crowd, the band, and all others involved, yet it was also an immensely fun one.
Kali Masi was the youngest of the bands playing on this bill, with its debut album released in 2017. Yet the members of this dynamic band performed with confident abandon. Sam Porter on guitar and lead vocals, drummer John Garrison, bass player/vocals Adam Romero, and Tim Roark is on guitar/vocals tore through their set, which included “Paint me Jade,” ”Sputter,” “Some Friends,” “Trophy Deer,” “Recurring (I),” and “The Stray.”
The band will soonish be returning to the Wrigleyville area of Clark St. when they play at the Metro’s neighbor, GMan Tavern in June. I’d advise you to be there if you can. As good as Kali Masi are presently, there is ample evidence that they will only get better and better.
Now to that special moment. Rise Against super fans Nick Novak and his long-time girlfriend, Lisa Bulwan, had plans to attend the Saturday night show. What Lisa did not know was that Nick had a ring on him and was planning to propose before doors opened. Full disclosure part 1: Nick hired me to take photos of the event without giving away the surprise. Careful planning allowed that to happen and Lisa, of course, said yes. Fans lined up the block exploded into cheers. Full Disclosure part 2: I clued those fans on to what was about to happen. Hey, for this one moment I was there, not as a photojournalist, but as a hired photographer. Letting others know what was about to go down was part of doing the job well! Congratulations Nick and Lisa, from all of us at Dying Scene!
Please see below for more photos!
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