DS Show Review & Gallery: Ween at The Salt Shed. Chicago (09.09.2023)

Ween hit the outdoor stage at the Salt Shed in Chicago, IL on Saturday, September 9, 2023. The show was sold out and at nearly 3 hours long, even sans supporting bands; a pretty good bang for the buck. That the night was gorgeous, with late summer slightly overcast skies setting the temps perfectly between […]

Ween hit the outdoor stage at the Salt Shed in Chicago, IL on Saturday, September 9, 2023. The show was sold out and at nearly 3 hours long, even sans supporting bands; a pretty good bang for the buck. That the night was gorgeous, with late summer slightly overcast skies setting the temps perfectly between just a tinge cool and hoodie weather was a lovely bonus. The only water in site was that of the Chicago River to the side of the venue and the free water station on the Salt Shed’s midway.

The outdoor stage at The Salt Shed is situated so that in the backdrop Willis Tower looms large. Scan a bit to the left and 875 N. Michigan as the building at that address is presently called. Of course, to those who love the two iconic buildings, they are better known, respectively, as the Sears Tower, and the John Hancock Center. Having worked in the latter for almost 5 years, I am among those who stubbornly continue call it by its original name. The buildings will likely remain beloved whatever the name. They just stand on their own no matter what some corporation decides to deem them.

Fortunately, fans of Ween have not had to deal with similar names changes. And as with the two architectural landmarks, Ween has kept unique its contributions to musical landscape for decades. With a voice distinctly its own the band has a devoted, a benevolant, cult-like following. There was little doubt the love ran deep for this group. Ween, with its scheduled set time of 2 hours and 45 minutes, obviously reiterates that love.

Ween fans were so excited for the show to begin that once the doors opened 2 hours earlier many of them had to be told by venue security to slow down or walk as so many of them were seen racing to secure a spot as close to the stage as possible.


Ween kicked off its set with “Nan” from its debut album GodWeenSatan: The Oneness. It then immediately rolled right into the immensely popular ode to heartbreak, “Take Me Away,” off 1994’s White Pepper Album.


“Gabrielle,” “Object,” “Even If You Don’t,” and “The Golden Eel,” followed.


The band kept the crowd pumped as it jammed through most followers’ favorites.

The moment in the set in which the band takes requests was especially lovely for newlywed couple, pressed up against the barricade. The bride waved a sign requesting the band perform “Oh My Dear (I’m Falling in Love).” Ween presented the couple with a sweet rendition of it as a sort of wedding gift.

Tell me where you come from, was it heaven above?
Oh my dear, I must be falling in love
Can you climb the sunny peaks of a fortress in mud?
Oh my dear, I must be falling in love
Did I tell you I want more than what you’re really made of?
Oh my dear, I must be falling in
Love


The band’s present line-up consists of founders Gene and Dean Ween (Aaron Freeman and Mickey Melchiondo, respectively) both on vocals and guitars, plus drummer Claude Coleman Jr, multi-instrumentalist David Dreiwitz on bass here, and Keyboards player Glen McClelland. Together they kept the excitement going on as the gloaming changed to night.


Ween’s set also included, among others, “Light Me Up,” “Tried and True,” “Chocolate Town,” “Buckingham Green,” “The Mollusk,” and “Ocean Man.”

One of the highlights of the night was the live debut of “I Fell In Love Today,” from its 1995 album Shinola, Vol 1. It was a pleasant surprise and evidence that a band, decades on, can still provide a few to even its most devoted fans.


Please see more photos from the show. Thanks and Cheers!

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Dying Scene Photo Gallery: Pixies, Modest Mouse, and Cat Power – Salt Shed, Chicago, Illinois. (08/31/2023).

The Salt Shed welcomes Pixies, Modest Mouse, and Cat Power to Chicago on the final leg of their 2023 North American Summer Tour. The iconic Pixies played two nights in a row at the Salt Shed. Their set list celebrated songs from throughout their historic career. Pixies didn’t miss a beat giving their fans the […]

The Salt Shed welcomes Pixies, Modest Mouse, and Cat Power to Chicago on the final leg of their 2023 North American Summer Tour.


The iconic Pixies played two nights in a row at the Salt Shed. Their set list celebrated songs from throughout their historic career. Pixies didn’t miss a beat giving their fans the post-punk indie rock show they deserved. The crowd was only disappointed when the band left the stage. Find them on stage near you here.


Modest Mouse brought their unique take on indie rock to this amazing tour and the fans could not get enough. Be sure to check them out here.


The amazing Cat Power opened the show and set the tone for the night. Check her out here.

Pixies photo gallery below.

Modest Mouse photo gallery below.

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DS Show Review & Gallery: The Hold Steady, The Mountain Goats, and Dillinger Four. Chicago (07.01.2023)

Chicago’s newest large music venue hosted two nights of The Hold Steady, The Mountain Goats, and Dillinger Four. I was there to document the second night for Dying Scene’s first show at The Salt Shed. The Salt Shed is so named because the venue was built out of the Morton Salt Warehouse Complex. The Chicago […]

Chicago’s newest large music venue hosted two nights of The Hold Steady, The Mountain Goats, and Dillinger Four. I was there to document the second night for Dying Scene’s first show at The Salt Shed.


The Salt Shed is so named because the venue was built out of the Morton Salt Warehouse Complex. The Chicago Landmark was first opened nearly a century ago with the transformation into a music venue first open to the public in late 2022. The cavernous ceilings and fairly open-looking stage let you know immediately this is going to be a different kind of place to catch a show. It’s a cool-looking place for concerts. It sounded pretty good in there as well.

There is also an amphitheater on the grounds of the complex and a midway in which to hang out before the shows. It promises to be a great venue for shows. From my first experience at The Salt Shed, they may very well fulfill that promise.


The Hold Steady is celebrating its 20th Anniversary on this tour. The band presently comprised of Craig Finn, Tad Kubler, Steve Selvidge, Galen Polivka, Bobby Drake, and Franz Nicolay, also had another reason to celebrate. Kubler and Selvidge are “birthday twins.” That is they were both born on same day, month and year. At a Chicago Cubs game the night before this show, on the jumbotron, was a happy birthday shoutout to Kubler and Selvidge on their actual birthday. Dying Scene would like to extend a belated happy birthday wish as well.


Now, onto the show itself. This was the second of two nights for this bill with The Hold Steady headliners. The band may be two decades old, but they have retained the energy and enthusiasm of the early years. The set list included “Stuck Between Stations.” The song’s credited writers are by Craig Finn, Fran Nicolay and Tad Kubler. The references to Sal Paradise, the protagonist of the classic Jack Kerouac novel, “On The Road,” and to the late confessional poet, John Berryman, were a reminder that there were at least two published authors on this bill. Those being Franz Nicolay, and The Mountain Goats’ John Darnielle.

The tune itself is a meditation on depression, written in the midst of a tough time for Finn.

There are nights when I think Sal Paradise was right
Boys and girls in America have such a sad time together
Sucking off each other at the demonstrations
Making sure their makeup’s straight
Crushing one another with colossal expectations
Dependent, undisciplined, and sleeping late
.”

The band also cruised through the set with “Sequestered in Memphis,” “Sideways Skull,” “Sixers,” “Chips Ahoy,” and “Your Little Hoodrat Friend,” among many others. The Hold Steady held the crowd steadily, in its grasp, from start to finish. Finn’s arms outstretched much of the time, matched in attitude by all of his bandmates, The Hold Steady thrilled the crowd. Will the band return to Chicago one day on its 40th Anniversary tour? We can hope, but if they do, it won’t be on any half-hearted nostalgia tour. No, I expect it will be just as exciting for the crowd and hopefully for the musicians as well. I hope to be there to document it once more.

Nearer in the future for The Hold Steady is the July 25th scheduled release of the oral and pictorial history of the band signed by the members, “The Gospel of the Hold Steady.” The limited edition pre-order package also includes a signed photo-journal chapbook by Tad Kubler, “TJK ON THS.”


It’s not often you see a band playing its arguably biggest hit right after taking the stage. That’s exactly what happened with The Mountain Goats. To the jubilant shock of myself, fellow photographers and fans, when the introductory notes of “This Year,” began. There was a virtual eruption of joy and being that it is one of my very favorite songs of all time, I was ecstatic as well. I discovered the 2005 tune late in its history, as many did, via its role as the ending credits song for the wonderful 2018 Oscar-nominated documentary, Minding The Gap. I was also glad to be able to watch it during the large venue photo pit standard operating procedure of first three songs, no flash and out. The proximity to the stage allowed me to work diligently and also soak in the song. Though every lyric in the song is incredible, the crowd hit its peak sing-along volume during the chorus of “I’m going to make it through this year if it kills me,” the hopeful lyric of “There will be feasting and dancing in Jerusalem next year.” That lyric is a reference to the phrase “Next Year in Jerusalem,” which is spoken at the end of every Passover Seder.


While “This Year,” may be the most well-known tune to the public at large, even becoming the subject of a darkly humorous pandemic era The Hard Times article, it is one amongst many beloved The Mountain Goats songs. The band — John Darnielle, Matt Douglas, Jon Wurster, and Peter Hughes, blasted through a great set, which also included, “Cadaver Sniffing Dog,” the bitter and very popular, “No Children,” “Up The Wolves,” “Rain in Soho,” and “Andrew Eldritch Is Moving Back to Leeds.”

There were two exceptional standouts in an altogether amazing set. One was a very poignant solo by Darnielle, “You Were Cool.” Speaking to a friend treated poorly by others, Darnielle sang,

You deserved better than you got
Someone’s got to say it sometime because it’s true
People should have told you you were awesome
Instead of taking advantage of you
I hope you love your life now, like I love mine
I hope the painful memories only flex their power over you a little of the time
.”

The other standout was “Palmcorder Yajna” on which The Hold Steady singer Craig Finn joined in, sharing vocals with Darnielle.

There are still numerous chances to experience The Mountain Goats as they are on tour through August and then resume again in October. Get on it!


Dillinger Four, out of Minneapolis, MN, provided a jaunty start to the evening. The band, comprised of Patrick Costello, Erik Funk, Bill Morrisette, and Lane Pederson, blasted through a tight set which included the exquisitely titled songs, “Let Them Eat Thomas Paine,” “Super Powers Enable Me to Blend in with Machinery,” “Maximum Piss & Vinegar,” and “A Floater Left With Pleasure in the Executive Washroom.” That latter song bemoans the crushing torment of working an increasingly less fulfilling, both emotionally and financially, job,

This isn’t you
It’s just what you do
Don’t mistake the irony of calling it a “living”
If you feel like no one
If you feel like nothing
You’ve only been taking what they’re giving
.”

Dillinger Four also performed, among others, “Mosh For Jesus,” “D4 = Putting the “F” Back in “Art”.’ And while I’m sure the F does not stand for fun in that last song title, nonetheless, fun is precisely what Dillinger Four put into this show.

Dillinger Four will be busy this fall, as they play 1234 Fest in Denver and Philadelphia in September, and at Fest 21 in Gainesville, FL. in October. I’m guessing “Gainesville” be on the set list in “Gator Nation,” as it was on Saturday’s setlist.


Please check out more photos from the show. Thanks and Cheers!


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DS Photo Gallery: Viagra Boys w/The Steens – The Salt Shed, Chicago IL (2/24/23) 

The Viagra Boys rocked and sold out Chicago’s newest indoor/outdoor music venue, The Salt Shed, as part of their 2023 US tour. The facility once housed- you guessed it- salt for the Morton Salt company. The factory operations stopped in 2015 and eventually work began to transform it into an iconic music venue and community […]

The Viagra Boys rocked and sold out Chicago’s newest indoor/outdoor music venue, The Salt Shed, as part of their 2023 US tour.


The facility once housed- you guessed it- salt for the Morton Salt company. The factory operations stopped in 2015 and eventually work began to transform it into an iconic music venue and community space, first opening their doors in 2022. The Salt Shed already has a stacked line up this year so far (Iggy Pop? Bikini Kill? Hell yeah!) and what better way to experience my first time at the iconic Salt Shed than with another truly iconic band, The Viagra Boys.


The Chicago stop of their tour featured Orange County fuzz-garage rockers The Steens. They released their debut album Life One in October 2022. This is definitely a band to keep an eye on!


Viagra Boys, a gritty, satirical post-punk band from Sweden just released a deluxe version of their 2022 album Cave World featuring four new songs: “It Ain’t Enough,” “Stretch My Arms,” “Milk Farm,” and “Only Friend.” To support the latest album they’ve been touring the US with their “Shrimp City Beach 1993 Reunion Tour.”


This show will certainly be hard to top. Shrimp costumes? Someone from the crowd handing Sebastian Murphy a bong? You’re going to have to check out the full gallery below to see what you missed!


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