DS Show Review & Gallery: From Parts Unknown, Death and Memphis, and Voice of Addiction. Chicago, IL (07.11.2023)

From Parts Unknown, out of the Lone Star State, did a Liar’s Club stop, providing the band members a fun chance to hang out with their good friends in Voice of Addiction. VOA and Death and Memphis have played in front of DS photographers repeatedly recently and we dig being there for the rollicking good […]

From Parts Unknown, out of the Lone Star State, did a Liar’s Club stop, providing the band members a fun chance to hang out with their good friends in Voice of Addiction. VOA and Death and Memphis have played in front of DS photographers repeatedly recently and we dig being there for the rollicking good times both of those bands serve up. It was a good evening onstage, as well as on the stoop outside 1665 West Fullerton Ave, well-known for being the place of some pretty great conversations and hangs.


From Parts Unknown is actually from a well-known part of the United States, Dallas, TX. The band brought its own flavor of Texas punk to Chicago. But the group is unlikely to include Greg Abbott, Rick Perry [current and former Governors of Texas respectively] or Ted Cruz [United States Senator from Texas) amongst its fan base. Flying a rainbow flag attached to his bass guitar, Derrick Soto caught some big air himself numerous times, as said flag rippled out to full display.

Soto told me:

I do have one [“Defend Trans Kids” t-shirt]. Wasn’t wearing it that night. I usually just sport the flag on my bass in solidarity.


Lead singer and guitar player Ben McCracken pulled no punches when he confirmed to me,

Yeah Teddy and Ricky are not fans of us. Or especially Greg fucking Abbott. We are proudly Woke Texans even if that sounds oxymoronic.”

McCracken continues,

We very much believe in and support trans rights. Our new song, “Take It Out” is about taking bigoted jokes out of the norm and letting people identify however they want to. To stop being ignorant with gender and doxing certain groups.”


From Parts Unknown relays its message through driving music perfectly complementing its powerful lyrics.

In addition to the aforementioned “Take It Out,” the included, “Barrymore,” “13 Years Ago,” “Lebowski,” “Blood and Teeth,” Bill Braski Is Not One Of Us, and “Teddy Ruxpin,” among others.

There’s a well-known saying that everything is bigger in Texas. That can surely be said of From Parts Unknown. The trio – McCracken, Soto, and drummer Jimmy Sefcik – blasted over the crowd, with sound, high jumps and hair…a lot of hair. Makes sense since Texas is also known for big hair, right? Seriously though, From Parts Unknown is on a steady road to being well-known. Or even more well-known. Per McCracken,

As far as news goes, our album is being remastered by Scott Halquist [Ten Foot Pole] and should be available on green vinyl around November this year. We have two music videos in the works to make when we get home over the next month/two.

So make sure you catch these Texas tornadoes at your earliest chance. Unless you are a fan of Teddy, Ricky, or Greg that is.


Death and Memphis has been on a tear this year. I covered one of its shows in April, and this present post is one of two shot by a DS staffer in the last few weeks. Considering how good the music is and the energetic and appealing stage presence of all four band members, it’s hard to resist covering Death and Memphis shows. This spirited performance, by four genuinely decent humans and talented veteran musicians, was no exception.

The next opportunity to check out Death and Memphis will be on July 29 at guitar player Steev Custer’s Birthday Bash. It takes place at Custer’s Fine Tunes Center For The Arts. Come hang out and wish Steev a happy one!


Another one of our regulars of late is Chicago’s Voice of Addiction. Once again giving a solid and tight performance, the trio did not disappoint. VOA was not originally on the bill but grabbed the opportunity to hang with, and help out, good friends VOA members donated their takes to their good friends in From Parts Unknown, to help them on the road. This was not a show about money for Ian Tomele, Tyler Miller, and Kevin Amaro.

McCracken explained how he and Tomele became friends,

So, Ian and I became friends prob about 7ish years ago when VOA was in town and needed a crash spot, and myself being someone who puts bands up, got asked by I can’t remember but am sure was a credible friend to help them. Years later we stayed in touch and he let my now wife and me stay during Riot Fest, maybe 2017? 

This night was about friendship and having a good time. VOA nailed it, and one of the reasons we love covering the trio.


The three terrific bands made it totally worth going out on so early in the week. McCracken summed up the evening,

As far as our show at Liars, it was fun like always. Gary [Kessler, the beloved bar manager, shoe connoisseur, and winner of the Chicago Reader “Best of Chicago” category, “Best Music Venue Bartender” these past two years] is a trip and amazing. It’s always a stop that makes me want to party. The show was solid lineup wise, and for a Tuesday not too bad a turnout.

Please check out more photos from the show. Thanks and cheers!


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DS Show Review & Gallery: Voice of Addiction, Billy Batts & The Made Men, and Wrex rock out at an abnormally fun house show. Chicago (06.16.2023)

There is something especially fun about a DIY show. Abnormal House, in the Bridgeport neighborhood of the Second City hosted a Friday night version which was no exception. Chicago vets Voice of Addiction were joined by the young gents of Billy Batts & The Made Men out of Atlanta. Wrex, also from Chicago, kicked off […]

There is something especially fun about a DIY show. Abnormal House, in the Bridgeport neighborhood of the Second City hosted a Friday night version which was no exception. Chicago vets Voice of Addiction were joined by the young gents of Billy Batts & The Made Men out of Atlanta. Wrex, also from Chicago, kicked off the party. I’m going to let the images do most of the work for this show.


Voice of Addiction once again were the speed demons of the bill, zooming through a tight set in even tighter confines. It got so wild in the tiny performance area, at one point Leea Tomele stretched her arms out as far as possible and set her legs hard in place on the concrete floor to act as a one-person barricade against the much larger attendees thrashing about. A few others joined in holding the line so Tomele’s husband, VOA founding bass player Ian Tomele, and his bandmates, guitarist Tyler Miller, and drummer Kevin Amaro could continue playing. Yeah, it got a bit nuts. But that energy is what draws people to these more informal events (note: all safety precautions were in place).


I have regularly covered the terrific annual Blue Island event, Beer Can’d Fest. However, the Rise Against Residency at Metro kept me away from the Southside soiree. Many of my friends who were on Blue Island excitedly told me of this young band in the lineup. Looking at their photos from the event I saw a group of teens and just out of teens, one posing in a Pegboy shirt and became curious. Luckily, the band, Billy Batts & The Made Men out of Atlanta, GA made a quick return to Chicago.

I do not want to say too much about the band here as I will be writing more about it later. With the band’s name a wink and a nod to one my favorite films, Goodfellas, and the members’ collective deep-cut knowledge of Chicago punk rock history and an infectious curiosity, Brody Wilson, 21, this time in a Naked Raygun t-shirt, on vocals and guitar, his brother Andy Wilson, 16 on drums and Slade Shirah, 20, filling in on bass, were a charming centerpiece to the show as they absolutely transformed a garage band style venue into almost literally shaking shack. They might be considered kids, but these Made Men play with composure and talent befitting more experienced musicians. Jason Wilson, father of the Wilson brothers, was on site as tour manager and merch guy. His pride shone through, along with his easy, affectionate manner, as he let the young men take it all in.


When I first started taking photos of Wrex I wasn’t sure exactly how many people were in the band. Again, the space was tiny, and hanging from the rafter were glittery strands of plastic and an incredibly wide variety of signs, dolls, and other assorted Tchotchkes from creepy to cute. A few songs in I realized there was a keyboard player tucked up high against a wall and another singer I thought was a crowd member. But when you can sit on the floor and capture all band members, once you have spotted them, you know this is likely to be a rowdy fun time. And indeed it was.


DIY Shows, House Shows or the like are not for everyone. Had it not been for my camera, I might have felt far more claustrophobic. But they feel far more organic and relaxed than large events. They provide an opportunity for newer and/or lesser-known bands to take the spotlight and it’s not unusual to find bigger bands at these shows. Being a house shows makes me feel like I am inside one of the iconic late 1970’s, early 1980’s images many of us are pretty familiar with by this point. Crawl inside more images from this night. Thanks & Cheers!


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DS Show Review & Gallery: Voice of Addiction, Torch The Hive, and The Last Great Riot (Chicago – 12/18/2022)

Voice of Addiction, Torch The Hive, and The Last Great Riot took over Reggie’s Music Joint on Saturday, December 18, 2022. Whilst the stage was small, none of the trio of performances could be described as the same. Ian Tomele, founder, bass player, and vocalist for Voice of Addiction, could be known as “The Shoeless […]

Voice of Addiction, Torch The Hive, and The Last Great Riot took over Reggie’s Music Joint on Saturday, December 18, 2022. Whilst the stage was small, none of the trio of performances could be described as the same.


Ian Tomele, founder, bass player, and vocalist for Voice of Addiction, could be known as “The Shoeless Singer.” He’s been performing sans footwear since he was a teenager. The 6’2″ self-described “slouch” told me,

I hurt myself a lot especially when performing haha so I think it started as a way to feel the stage and my surroundings better (so I would stop hitting my head!)

This show was the band’s last set in what has been its comeback year. Tomele explained,

“We had not played since we were on a month-long southern tour in early 2020 when the pandemic hit. It was super surreal pulling into Chicago from tour as the sun was rising and the mayor was giving the stay-at-home order over the radio. Since we were already together we felt it was safe to still get together for rehearsals and started working on the new album Divided States. To coincide with this release we started playing a couple shows this summer as well as a Northeast run in August. Mainly to test the waters and see what was possible for future shows and tours.” [The band’s second show of the year was at the Dying Scene Chicago Resurrection Party. Tomele thankfully helped with the logistics of the event).

Tomele’s bandmates Tyler Miller on guitar and brand new drummer Kevin Amaro, closed out the year with zest. Amaro’s drum kit continuously lit up in a variety of colors adding a festive touch to the stage. The rip-roaring set included, “Unity,” “Modern Day,” “Shinigami,” “Rustbelt,” and “Wrecking Ball.” That last song also bears the name of Tomele’s booking and promotion company, Wrecking Ball Productions.

As 2022 closed out, Tomele was optimistic about the band’s plans for 2023. He told me,

In my opinion winter is for writing. I have a handful of new songs to show the guys including one I wrote with the new drummer Kevin. We are back at Reggie’s on January 12th. And then we get back at it in March and April with our southern tour. Spreading the new full length all over the damn place!

Looking forward to it!


I’ve covered Torch the Hive twice this year and it has been 2 for 2 in terms of fun. The highly energetic trio makes quick work of engaging the crowd. This night was one of a flurry of shows the band played as the year wound down. It blasted through its set which included “Copaganda,” “F.E.A.,” “Deku,” “Burn Me Out,” “Shame On You,” and “Molotov Trail.” Mike Fruel, on vocals and guitar, Tyler Sanders on bass, and vocals, and drummer Sergio Apanco put on a provocative show in both song and movement. Fruel played his guitar above his head, behind his back, sitting on the floor, lying on the floor, and of course in traditional stance. Sanders was such a whirlwind on stage, with frenzied head shaking. So frenzied that his mop of red hair and beard (which perfectly complemented his bass) caused him to appear in flames on top. Apanco looked ready to explode from behind his drum kit.

Post-show Mike Fruel reflected on the year that was and the year to come:

This was a good year for us, we’ve played sold out shows at SubT and Reggie’s and made a ton of new friends in the DIY scene. We also released one new single this year ‘Seeds,’ and plan to release a bunch more music in 2023. Next year we’ll be on the road hitting the south reaching New Orleans and the west coast late next year.

Hopefully the band members can catch their breath at the start of the new year so they can keep that excitement strong over the course of 2023.


The Last Great Riot, comprised of vocalist/guitarist John A. Beavers, bassist Mario Mazzone, and drummer Scott Durand, closed out the evening by pumping it up. As in Elvis; the capper of its potent set was “Pump It Up by Elvis Costello & The Attractions. The rest of its set was dedicated to original tunes by the band including two new ones, “Immortal 30” and “Fluid Ounces,” in addition to “Happy When (Bad) People Die, and “Neighborhood Legend” from 2021’s Tomorrow’s Gonna Be Rough.

Beavers looked back on the year just concluded and revealed some of the band’s plans for 2023,

As far as ’22, we just played shows. Finally hit Milwaukee for a show, a few at Burlington and Reggie’s and some other spots. For ’23 we’re starting the year on a “new baby break,” so nothing book[ed] so far. Just finishing up mixes at Squeezebox Recording Studio on two singles, be releasing this late winter or spring.”

Best of luck guys!


Please see below for photos from the show. Have a happy and safe new year everyone and thank you for joining us on the ride that was 2022!


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DS Exclusive: Voice of Addiction – “Divided States”

Just in time for today’s volatile political climate, Chicago’s Voice of Addiction has returned with a brand new thirteen track LP (their ninth studio release) which is due out August 5th. But don’t fret, comrades, you don’t have to wait to hear it because you’re no normal person! You’re a glorious, loyal, worthy reader of […]

Just in time for today’s volatile political climate, Chicago’s Voice of Addiction has returned with a brand new thirteen track LP (their ninth studio release) which is due out August 5th. But don’t fret, comrades, you don’t have to wait to hear it because you’re no normal person! You’re a glorious, loyal, worthy reader of Dying Scene and with that honor comes some privileges. This is one of them. So, give it a few spins and tell all of your friends about it, then go preorder the album at Bandcamp. Also, the lads are hitting the road in support of the album, so if you’re in/near one of the cities they’re coming to (dates/stops below), go say ‘thank you’ to them in person for giving us such a wonderful gift!

Upcoming Tour Dates
7/22 – Milwaukee, WI @ Quarters
7/23 – Oshkosh, WI @ Reptile Palace
8/5 – Detroit, MI @ New Dodge Lounge
8/6 – Grand Rapids, MI @ Pyramid Scheme
8/18 – Youngstown OH @ Westside Bowl
8/19 – Rochester, NY @ Photo City Music Hall
8/20 – Holyoke, MA @ Apeland
8/21 – Boston, MA @ Midway Cafe
8/22 – Providence, RI @ Alchemy
8/23 – New York City, NY @ Heaven Can Wait
8/24 Brooklyn, NY @ Kingsland
8/25 – Philadelphia, PA @ The Fire
8/26 – Pittsburgh, PA @ 222 Ormsby
8/27 – Cincinnati, OH @ Mockbee

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Dying Scene Resurrection Show – Chicago

Photos and Story by Meredith Goldberg One of the final installments of the Dying Scene’s “Resurrection” shows took place on Saturday, June 18, at Liar’s Club, in Chicago, IL. Herb Rosen, Liar’s Club owner and a founding member of Chicago legends Rights of the Accused, offered up the venue for the party. He included the […]

Photos and Story by Meredith Goldberg

One of the final installments of the Dying Scene’s “Resurrection” shows took place on Saturday, June 18, at Liar’s Club, in Chicago, IL. Herb Rosen, Liar’s Club owner and a founding member of Chicago legends Rights of the Accused, offered up the venue for the party. He included the whole door and a percentage of the bar, even some gift certificates. Bar manager, Gary Kessler, and his crew helped ensure attendees had a good time between sets.

To kick things off, a raffle was held with Liar’s Club denizens and others offering up gift certificates and services from their businesses, which included Twisted Scissors, Citizen Skate Shop, Joker’s Cajun Smokehouse and a two hour photo session with yours truly. The bands on the bill donated merchandise along with their sets. A few others brought miscellaneous items for the raffle. Said raffle ended up very successful as to funds raised. However, partygoers seemed much more interested in donating via raffle along with the nominal cover charge.  It took a while to get the prizes doled out due to winning actually being beside the point to those who participated. In fact, it seemed that many people took this break between the third and four to sit on, and by, the iconic front stoop right outside Liar’s Club.

Four very popular punk bands from Chicago immediately jumped on opportunity to help a publication that has covered them. One band did have to drop out due to unforeseen circumstances.  Good thing a visit to one of the top skate parks in the city happened because this is how B.R.O.K.E. caught our eyes. Barely had the offer of the set been uttered before the members said yes.

Chicago’s veteran blue collar stalwarts Squared Off, led by its founder Jo “Hoser” Villa, kicked off the night with a hard charging set of both older and more recent tunes. The band ended their time on stage with a raucous cover of Stiff Little Fingers’ Suspect Device.


Voice of Addiction was up next. Ian Tomele, founding member of VoA, also helped with some of the logistics of the night, with his experience organizing and promoting shows being of great help.  The VoA trio was very enthusiastically welcomed back to their first set at Liar’s since 2019. The band spoke of its new record, news which was excitedly received.

Aweful was the penultimate set of the evening and the trio was on fire per usual. Drummer Izzy Price added a dollop of sweetness to the sassiness by asking the crowd and his bandmates, guitarist Lucy DeKay (also of Mystery Actions), and Traci Trouble, lead vocals/bass, to join him in wishing his girlfriend Erin a very Happy Birthday. All obliged the shiny purple hot pants wearing drummer.

B.R.O.K.E. ripped through its set. One that was full of humorous and catchy tunes. A song with a reference to disgraced actor Armie Hammer wanting to eat people elicited laughs. This type of very dark, verging on gallows, ripped from the headlines, humor is embedded in the band. 

Liar’s Club stands up for so many in its community. On this night it stood up for those who cover the tight-knit punk rock community in Chicago. In doing this, it lent a hand for Dying Scene to cover punk rock communities from massive to miniscule, in Chicago and across the United States.

Check out more photos in the gallery below!

*If you’re interested in donating to our cause but couldn’t make it out to one of our shows, you can send your extra dollars and cents to paypal.me/dyingscene!


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