DS Interview: My dinner with Boybrain

I was recently able to sit down with Chicago-based punk band Boybrain, who happen to be tied for the number one spot on my favorite local bands list. The band has a new single, “Ratmouth,” coming out this October; watch for it on your favorite streaming services. You can see them perform at Hands Off […]

I was recently able to sit down with Chicago-based punk band Boybrain, who happen to be tied for the number one spot on my favorite local bands list. The band has a new single, “Ratmouth,” coming out this October; watch for it on your favorite streaming services. You can see them perform at Hands Off Our Fest (H.O.O.F.) October 19th in Blue Island. Find me and say hi, I’ll be at there without a doubt.

I discovered Boybrain early during the 2020 Covid-19 lockdown, when live music was nowhere to be found and live streams had to fill the void. I caught a broadcast from Liar’s Club that included previously recorded performances. There was a lot of great stuff in the stream, but the one that left the biggest impression on me was “Owl” by Boybrain. Flash-forward to venues opening up and shows happening again. On July 17th 2021 I was able to see live music for the first time in over a year, and boy howdy, I was on my way to Blood People, Aweful, and mother fuckin’ Boybrain at Liar’s Club! The show was nothing short of amazing. If I wasn’t already hooked on Boybrain when I got there, I sure as hell was by the time I left. 

Over the next 3 years I saw just about every local performance Boybrain played. Multiple times at both Liar’s and the Bottle, once at Cobra Lounge and even once at Green Mill. I don’t know how I got so lucky, but on my birthday in 2022 Boybrian shared a bill with my good friends Aweful and my other favorite local band, Djunah! It was the best birthday present I could have asked for.

Boybrain consists of Patti on guitar and vocals. Hailing from Florida, she moved here for film school and thankfully decided to stay here and make music. Jon, who recently joined the band on bass duty, comes to Chicago from Detroit by way of Memphis. Inga, ripper of lead guitar, and Colin, smasher of drums, are both Chicago natives.

As we were about to begin the interview they joked about how fun it must be for me to interview a bunch of awkward introverts. On the contrary, their demeanor put my own awkward introverted anxiety to rest and the interview was a ton of fun. We sat down to food-up at Feed while we conducted the interview before walking over to their rehearsal space to take photos. Boybrain has been eating at Feed for a while now, religiously going there on Mondays when they practice. Taking a deep inhale of the atmosphere in Feed, Colin remarked,

“I like a layer of fry oil in the air.”

The band rehearses in the annex of Superior Street Studios where they are part of an excellent community. They currently share their room with Stick Fight. They used to share with Wizzo as well, who have since moved into a room next door. Their friends Something is Waiting practice in the room across from theirs. While the other tenants in the annex are great, the vending situation leaves much to be desired.

“The vending machines in the big space are awesome, but ours is a pop machine that doesn’t even work. They don’t care about us. Second class”

Even though I’ve never seen them put on a bad show, Boybrain is not immune to pre-show jitters. As a ritual Patti, who is usually not a drinker, always downs one shot of whiskey to calm her nerves. I’d wager it’s more a placebo than anything else, but since learning this I have had the privilege to take the pre-show shot with her multiple times now.

Shortly after this interview was conducted, Boybrain debuted a new song titled Nailbox at their home away from home, Liar’s Club. When asked, Inga described the song as “Another Opus” to which Patti added,

“It’s Another Exquisite corpse that is just parts smushed together.”

The song was written about a former member of Mr. Bungle, who had recently been arrested on suspicion of murdering his girlfriend. This was unsettling news for Patti, Mr. Bungle being her favorite band. The story went off the rails into a conversation about Nu Metal. How it was influenced by Bungle and Faith No More, and the role the soundtrack for Judgment Night played in its inception. Jon had this to say on the subject,

“I love Pantera, I just hate when other people try to sound like them.”

We discussed the pros and cons of the band’s recent show at Empty Bottle. One con was they had to headline the show, which they don’t like to do ever. Inga explained they like to open shows and leave the stage. Colin added, “Without vomiting.” Yup, there’s a story to go with that!

It was Colin’s first show at the Empty Bottle. He didn’t get much sleep the night before and he neglected to eat before the show. After loading in and doing a sound check, he was able to stop back at home, so he took an hour nap and ate a lot of spaghetti. Like three bowls of spaghetti. When it was time to play, the corner of the stage where the drums are was blistering hot as always. By the end of their set, Colin knew he was definitely going to throw up, but he thought he could make it to the end of the song. He did in fact, make it to the end of the song, and was just barely able to make it out to the alley to vomit. And get locked out. And vomit more, and more, while the rest of the band searched for him inside the venue. Inga recalled finally going out to the alley and wondering who had spilled all this spaghetti, to which Colin responded,

“You couldn’t tell it was used?”

We went on to discuss other music-related mishaps. Patti recalled almost passing out from the heat at a show in Arkansas. She briefly lost consciousness but somehow her body continued to play while a lesser mortal would have collapsed to the floor. Inga wasn’t as lucky, recalling a time she fell face-first on the stage after a drunk asshole in the audience grabbed her foot in the middle of their set. 

We spent some time talking about previous bands everyone had been in, which led to the realization of how glad they are that none of them drink at band practice. Drinking at practice is a great way to waste 6 hours accomplishing nothing. Listening back to recordings the next day you thought would be awesome only to find out it’s terrible and you played like shit.

“In your 20s it’s what you do, because you’re just fitting music into your drugs and alcohol schedule and hanging out. Now we actually just care about the music.”

Having met the band so many times at this point, I felt embarrassed I hadn’t asked where their name came from before now. I guess I didn’t need to feel that bad though, because Colin chimed in that he had never asked either. Patti explained there are two reasons for the name. The first is that Patti calls Inga a boybrain, because Inga has a boybrain. The second being an article Patti read, possibly by Stephen King, (we don’t fully remember who wrote it). The author discussed the adrenaline and psychology of what happens when you watch horror movies, and explained that it is more of a male brain thing. Being both female and a tremendous horror fan herself (the whole band loves horror), she thought:

“That was like, so fucking stupid.”

Having always gotten a degree of a horror vibe from Boybrain’s music, I asked Patti if that was indeed an influence on her song’s subjects and lyrics. Inga pointed out they’ve come mostly from true crime. Patti explains she’s not really motivated by things like love and heartbreak, she’s more interested in writing about anger and things that are fucked up, like killing. She pulls a lot from movies and documentaries and such, which are usually about men behaving badly. However none of Patti’s lyrics are completely literal, she writes them through her own lens turning them somewhat autobiographical. Florida is another subject that frequently pops up in her songs. Collin adds, “Plenty of true crime happens in Florida.” Patti continues, “It is a scary place. Yeah, born and raised there, so it’s terrifying. It’s horrible there so there’s a lot to pull from.

Dying Scene will be covering Boybrain and other artists at Hands Off Our Festival (HOOF) this October. Here are some questions we asked the band about the fest.

What are you looking forward to the most at HOOF this year?

“We’re looking forward to dressing up for Halloween, baby! Playing a show dressed up in crazy as fuck costumes is so fun. We’re horror nerds so we take dress-up time very seriously [clown emoji, tongue-out winking emoji]. We’re also looking forward to playing with a bunch of bands that we’ve never played with before… like Sweetie and Carnivore Mommy! “

What does HOOF mean to you?

“HOOF is a rad festival that centers around women and queers….. without the typical sausage fest vibes that surround a lot of venues, bands and festivals (we see you Riot Fest). It also reminds us of riot grrrl era shit…and we’re here for that.”

Why should people go? 

“People should go to support women who play the fuck outta some music.”

There you have it. Once again, remember to listen to their new single, Ratmouth, which will be on streaming services this October! Don’t miss them at Hands Off Our Fest (HOOF) October 19th!!!

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DS Show Review and Gallery: Motoblot 2023 Sunday with Aweful, Sabbatha, The Surfrajettes, Tiger Sex, and The Delta Bombers Chicago (06.25.2023)

Motoblot, the annual motorcycle-focused street festival in Chicago, continued its blast of rockabilly, punk, and rock ‘n’ roll on Saturday, June 25th. The festival featured seven bands that delivered the rock on an excellent outdoor stage next to Cobra Lounge. The crowd was treated to a mix of local and international acts that kept them […]

Motoblot, the annual motorcycle-focused street festival in Chicago, continued its blast of rockabilly, punk, and rock ‘n’ roll on Saturday, June 25th. The festival featured seven bands that delivered the rock on an excellent outdoor stage next to Cobra Lounge. The crowd was treated to a mix of local and international acts that kept them entertained and energized throughout the day. The first band to kick off the event was The Bama Lamas. Unfortunately I was unable to arrive early enough to cover them this time. However, I’ve written about them in the past and they are a fantastic act. I definitely did myself a disservice in my tardiness.

Up second was Aweful, a gritty post-punk trio from Chicago. I’ve had the pleasure of seeing them play at least 10 times now. Traci Trouble, Lucy Dekay, and Izzy Price all performed on point as I’ve come to expect. Aweful delivered a raw and powerful set that showcased their catchy hooks, snarling vocals, and punk attitude. They played all the old favorites as well as new tracks that will appear on their upcoming record. Their set was spiced up but not upstaged by the lineup of motorcycles in front of the stage, revving their engines to take a lap in the spirit of the festival. It was no surprise Aweful once again displayed that they are anything but awful (that was terrible, I apologize) and that they are one of the most exciting bands in Chicago right now.

Next up was Sabbatha, an all-female tribute band for Black Sabbath, Ozzy Osbourne, and Dio. The band hails from Chicago as well and consists of four talented ladies who share a love for heavy metal legends. Sabbatha rocked the crowd with their faithful renditions of classics like “Bark at the Moon”, “Paranoid”, “Crazy Train”, and “Holy Diver”. It’s always interesting to hear familiar songs with a different voice, and their voice worked extremely well with their setlist. Justice was done to every song they played. Sabbatha impressed the audience with their skills and passion, and made everyone feel like they were witnessing the real deal.

The fourth band to take the stage was The Surfrajettes, a four-piece instrumental combo from Toronto, ON, Canada. The band charmed the crowd with their clever breed of reverb-drenched surf music. They also sported sky-high beehives, go-go boots, and eyeliner, completing a fitting, unified look and vibe. The Surfrajettes played songs from their debut LP Roller Fink, as well as some covers of surf classics. I admit I did not know the names of the covers, but the melodies were instantly recognizable. The band had the audience dancing and grooving to their fun, catchy tunes.

Up fifth was Tiger Sex, a wild and raucous punk rock band formed in Las Vegas but hailing from Cincinnati, OH. With Kelly’s voice leading the charge, Tiger Sex assaults their listeners with Kei on guitar and Troy on drums. The band unleashed their fierce and frenetic set that included songs like “I’m Not Your Baby”, “Bad Boy”, and “Tiger Walk”. Per usual, they had some antics on stage, such as Kelly bringing an audience member up to do their interpretation of the tiger walk dance. Later she brought Tracie from Aweful up to help her use a dirty old traffic cone off the street as a beer bong. Tiger Sex coated the stage with intense energy, giving everyone a wild ride. Not to be confined to the stage, Kelly brought the mic into the crowd showering the audience members with all of her intensity.

The second to last band of the fest was The Delta Bombers, a Las Vegas quartet that has been tearing up stages since 2008. The band pulled no punches with their high-octane blend of rockabilly, blues, and garage rock. They delivered a memorable selection of songs from their catalog spanning 14 years of recordings. The crowd devoured their energetic and charismatic showmanship, as the band radiated their vibrant breed of sonic power. All and all The Delta Bombers proved once again that they are one of the best rockabilly bands around

It is with further shame that this photographer was unable to stay for Supersuckers, but I have it on good authority they provided a commanding end to a fantastic lineup of bands. Day two of Motoblot 2023 was a spectacular day of music that showcased the diversity and quality of the bands that played. The festival was a celebration of the culture and lifestyle of riders, drivers, and spectators alike. It was another year to remember for everyone who attended.

Check out some photos from the day below. And Check out MerGold‘s coverage of day one here!

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DS Photo Gallery & Show Review: Black Flag / The Evictions / Shitizen (Avondale Music Hall / LiveWire Lounge) – Chicago, IL 04/14/2023

Black Flag is the most influential and iconic band I have shot to date. They proved they’ve still got it with a stunning show at Avondale Music Hall in Chicago on April 14th. The legendary quartet played the seminal 1984 album My War in its entirety, followed by a second set sampling the rest of […]

Black Flag is the most influential and iconic band I have shot to date. They proved they’ve still got it with a stunning show at Avondale Music Hall in Chicago on April 14th. The legendary quartet played the seminal 1984 album My War in its entirety, followed by a second set sampling the rest of their catalog. There were no openers for Black Flag, but The Evictions and Shitizen rocked LiveWire Lounge for the official after-party. The result was a night of raw, intense and uncompromising music that left the audience breathless and exhilarated.

The first set was a masterclass in punk nostalgia, as Black Flag unleashed the fury and power of My War, one of the most noteworthy albums in their extensive catalog. From the opening riff of “My War” to the closing feedback of “Three Nights,” the band delivered a flawless performance that captured the anger, frustration and alienation of the original record. The songs were played with precision and passion, as vocalist Mike Vallely spat out the lyrics with his trademark ferocity. Guitarist Greg Ginn picked and strummed his way through the complex and dissonant riffs, while bassist Harley Duggan and drummer Charles Wiley provided a solid and dynamic rhythm section. The second set was a treat for the fans, as Black Flag played some of their most popular and classic songs from their earlier and later albums. The band showed their versatility and range, as they switched from fast and furious punk rockers like “Six Pack” and “TV Party” to slower and heavier sludge metal tracks like “Slip It In.” The crowd went wild with every song, singing along, and starting more than one circle pit. The band seemed to feed off the energy of the audience, as they played with more intensity and enthusiasm. The highlight of the set was a blistering rendition of “Rise Above” which ended with a massive chorus that shook the walls of the venue. They gave the fans a night to remember, and a reminder of why they are legends in the scene. The remaining dates for this tour are on BlackFlag.com.

The Evictions are a Chicago-based fuzz punk band that have been making waves in the local scene with their catchy and energetic songs. They got a chance to showcase their talent and charisma at the Black Flag after-party show at LiveWire Lounge, and they did not disappoint. The band played a non-stop set of high-octane tunes that had the crowd moving and grooving. The band’s sound was loud and powerful, with a solid and driving bass, high-tempo drums, fast, biting guitar work, and confident gruff vocals. The band’s songs were catchy and memorable, with hooks and choruses that stuck in your head. Their performance was tight and polished, but also spontaneous and fun. The stage presence was strong as members slang their bodies around the stage. The band was clearly enjoying themselves, and their enthusiasm was contagious. The crowd at LiveWire Lounge was a mix of Black Flag patrons and dire hard Evictions fans, and all seemed impressed by their performance. The crowd responded well to the band’s songs, slamming, clapping, and shouting for more. The band won over many new fans that night, and left a lasting impression on everyone present at the show. The Evictions showed that they are a force to be reckoned with in the punk rock scene, and that they have what it takes to rock any stage. They deserve attention and recognition, check them out, you won’t regret it.

Shitizen had a tough act to follow, as The Evictions set a high bar for energy and intensity opening up the show. But the band rose to the challenge and proved why they are one of the most exciting bands in the Chicago scene right now, delivering a blistering set of thrashy old-school tunes that kept the crowd moshing and singing along. The band’s sound is a mix of classic hardcore influences, with a touch of metal and crust. The bass was deep yet articulate, letting it stand out in the mix. The drums were swift and furious, pounding out relentless beats that drove the songs forward. The guitar was dirty and cutting, shredding riffs and solos that added some melody to the chaos. And of course, there was Claudia, the band’s unforgettable frontwoman, who stole the show with her aggressive snarling vocals and wild stage presence. She was a force of nature, spitting out lyrics, angry toward individuals, herself, and society as a whole. You could see the madness in her eyes and hear the angst in her voice as she unleashed her fury on the mic. She constantly interacted with the crowd, jumping off the stage, getting in people’s faces, and continuing to sing while slamming in the pit. The crowd loved every minute of it, especially the band’s loyal fans who were up front screaming along. There were a lot of new faces who came from the Black Flag show, curious to see what Shitizen was all about. They were not disappointed, as Shitizen put on a show to be remembered. They showed that they’re a band to watch out for in the punk scene, with their powerful sound, passionate message and energetic performance. They also showed that they can hold their own with any band, even legends like Black Flag

If you missed this show, you missed one of the best nights of punk rock in Chicago all year. Check out the full gallery below!


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DS Photo Gallery & Show Review: Djunah / Huntsmen (Empty Bottle – Chicago, IL 3/24/2023)

Djunah’s record release show for Femina Furens happened on March 23rd at the Empty Bottle, in Chicago IL. I wasn’t at the release for their previous album, but I’ve seen videos of it on YouTube so I knew this release was going to be a special show. I expected good things from Huntsmen since Djunah […]

Djunah’s record release show for Femina Furens happened on March 23rd at the Empty Bottle, in Chicago IL. I wasn’t at the release for their previous album, but I’ve seen videos of it on YouTube so I knew this release was going to be a special show. I expected good things from Huntsmen since Djunah hand picked them to open. I was pumped for this show and my enthusiasm was not misplaced.

I had zero familiarity with Huntsmen prior to this show, other than hearing they were a doom band. When I think of Chicago doom, my mind immediately goes to slow sludgy metal with low guttural screaming. As such, I was expecting something in that vein, but I was pleasantly surprised by how wrong I was. As they prepared to start their set, the band positioned their own lights around the stage, all projecting a warm orange glow. The fog machine saturated the stage, setting somewhat of a somber mood. The start of their music further added to the atmosphere. The beginning of the set, as well as many other songs started clean and melodic. I was taken aback when they busted out three-part vocal harmonies. They were often led by Aimee’s angelic voice, supported by Marc on bass and Chris on guitar, who took the lead for other songs. The music didn’t stay this soft and gentle however; it wasn’t long before the guitars became aggressive and distorted, the bass gritty and driving, with drums heavy and pounding. These parts of the songs still weren’t slow and sludgy like I expected. They weren’t punk rock fast, but held a solid driving mid-tempo, a good speed to keep you paying attention. It felt to me like a modern take on the pioneering metal bands of the 70s that doom couldn’t exist without. The melodic, harmonic vocals continued on top of these parts creating wonderful contrast. At strategic points in the songs, much to my enjoyment, Ray on drums adds some well-fitting screaming vocals underneath the tapestry of vocal harmonies. Turns out Kirill on guitar was the only member to not contribute on vocals, but his energy on guitar more than made up for it. Huntsmen really surprised and delighted me with their unique and creative style of doom rock. I thoroughly enjoyed their performance and am already digging into their recording catalog. Even if you don’t think doom is your thing, you owe it to yourself to give them a listen.

I make it no secret that Djunah is one of my absolute favorite bands from Chicago. If you haven’t seen them before they’re a two-piece band with an amazingly full sound. Donna Diane plays guitar and sings, while also playing bass lines on synth with her foot. Jared Hemming’s drum work is original and interesting, it complements Donna’s playing perfectly without overshadowing it. This was the record release show for their new album, Femina Furens. The new songs have a more complex flavor compared to their previous album. Where the songs on Ex Voto drew me in instantly, Femina Furens needs to be heard a few times to fully digest and appreciate the songs. It’s an incredible album and well worth the time investment. The show started off with an excellent foreboding tone. Donna came on stage wearing a hooded gown, holding a sword. Yes, a real goddamn sword. She looked like a warrior ready for battle. After brandishing the sword above her shoulders, she rested it with an Epiphone Les Paul on a guitar stand. That’ll come back into play later. The last few times I’ve seen Djunah they mostly played the new songs. This show they played a balanced mix of new and old, hearing the old songs live again was like running into an old friend. Throughout the set Donna’s guitar was loud and raw, with excellent use of multiple distortions to craft fantastic tones and textures. I am in love with the sound of her deep, thick, distorted synth bass. It’s something you have to experience live, you will feel the sound pressure vibrate your insides in the most pleasing way. Jared’s drumming was on point as always, technical and complex, matching Donna’s riffs and rhythms perfectly. Donna’s powerful singing was passionate and expressive, and the screaming. Her screaming is just pure concentrated catharsis. For the most part, Donna uses her Gibson SG for the Ex Voto songs, and her Kurt Ballou guitar for the Femina Furens songs. But for the last song of the night, she picked up the aforementioned Epiphone. At the end of the song, while the synth bass rang out indefinitely, Donna scraped and slashed the strings creating a cacophony of noise and feedback. The guitar screamed out as it was punished for its sins, strings were sacrificed then Donna kneeled over it and stabbed from above. She left the guitar there, feeding back like a death rattle, as she walked off stage, sword above her shoulders just as she came out. Djunah record release shows are truly something to behold. As of this writing, you can still catch the second leg of their 2023 North America tour.

This show was freaking fantastic. Huntsmen converted me into a fan and Djunah had already hooked me. Catch them live any opportunity you get. More photos below:


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DS Photo Gallery & Show Review: Nora Marks, Robot Heart Throb & James the Boneless (Liar’s Club – Chicago, IL 1/28/2023)

Shooting the show at Liar’s Club on January 28th posed another first for me in my Dying Scene adventure. I had no prior familiarity with any of the bands this time. The night was going to be a total surprise, what was I getting myself into? Why was James boneless? Who was throbbing the robot’s […]

Shooting the show at Liar’s Club on January 28th posed another first for me in my Dying Scene adventure. I had no prior familiarity with any of the bands this time. The night was going to be a total surprise, what was I getting myself into? Why was James boneless? Who was throbbing the robot’s heart? What was Nora marked with? Or did Nora do the marking? And what would I do if all the bands sucked? Well, thankfully I didn’t have to answer that last one because none of the bands sucked. It was a fun show I was lucky to cover.

First up, to start the night off right, was James the Boneless! There’s quite a backstory for James here. He went through a prolonged period of IV drug abuse, partially disintegrating his freaking bones. Yes his bones, yikes! Thankfully James cleaned up, but that accomplishment brought about another challenge. How could James get back into playing guitar? Well, it would appear he strapped on his sweet Dean Cadillac guitar and taught himself to play it sort of like a slide guitar, baring all the strings. He grips them from the top side of the neck with his forefinger. Although it gives him a way to play, his condition still brings notable pain to the performance, but James pushes through and puts on a great show. The band plays a breed of bluesy soul music with driving rock parts mixed in. The large lineup of the band generated a full and diverse sound. Besides the band’s usual bass, drum, and sax  accompaniment, a synth, trumpet, and additional saxophone were added to the mix for the evening. James said he brought the extra musicians out because it was their debut show at his favorite Chicago venue. Beyond filling the stage with a full sound, I quite appreciated the contrast between the relaxed parts of songs and how they transitioned into energetic rock hooks.You can catch Jame’s the Boneless at  Beer Can’d Fest on April 29th, at the Reopening of the Exit Fest (TBA), and at One City Tap on May 19th.

James was followed by the talented Robot Heart Throb. Described as genre fluid, Robot Heart Throb brought gentle R&B style passages that could morph all the way into heavy rock parts with some hip hop influence sprinkled throughout. At least that’s what I picked up. It was eclectic to say the least and I’m sure there were more influences at play. I’m hard pressed to think of any bands with a similar sonic footprint, making them a truly unique act to witness. The majority of their set consisted of drums, bass, keyboard, and lead vocals. However, the band’s fluidity also spread to their multi-instrumentalist approach to songs. Over the course of the night, the keyboardist took over the bass while the bassist picked up a guitar. On another song the keyboardist sang lead vocals, allowing the frontman to show off his own guitar chops. Besides playing guitar, he brought a saxophone to the mix, and even flute on one song! How often do you see a flute on stage somewhere like Liar’s Club? I’m saying not often, prove me wrong. The mix of arrangements brought all kinds of different vibes to their set. Be sure to check out Robot Heart Throb at their Schubas debut, an EP release show, on April 7th.

Nora Marks closed out the evening, bringing a more traditional lineup and a sound more akin to what I’m used to on stage at Lair’s. They have a fairly standard four piece rock lineup, with 2 guitars, bass, and drums. Their vocal parts fill out nicely with rhythm guitar belting out the lead vocals, backed up by both the lead guitar player and the bass player. Their lineup presented solid, solid rock grooves to the stage. I would say their sound was somewhat laid back but came with plenty of driving parts too. All in all the songs had a feel good vibe you don’t always get these days. The drummer and bass player laid a tight foundation holding everything together. The lead guitar player churned out chimey melodies with her Telecaster that complemented the crunchy power chords of the rhythm player’s Firefly single-cut nicely. Things didn’t stay too mellow though. Towards the end of the set the lead vocalist left his guitar behind and took his microphone for a field trip into the audience. He let loose a great amount of energy and got the crowd even more worked up. It was a powerful end to the evening for sure.Nora Marks will be playing in Chicago on April 2nd as part of the Mic1park Midwest Magic Tour, don’t miss it!

Once more, this was a fun show, a pleasure to hear and a pleasure to shoot! Great performances all around by very talented musicians! Big thanks to Meredith for inviting me to shoot the show. The bands may have all been surprises to me,but it was no surprise to enjoy another excellent show at Liar’s. See the full gallery below!

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DS Photo Gallery & Show Review: Aweful / Alternative Radio / The Side-Bets (Liar’s Club – Chicago, IL 1/21/2023

There were good times to be had at Liar’s Club in Chicago on Saturday January 21st. Traci Trouble of Aweful put together a fantastic lineup for the night: a trio of power trios! Three bands with three members each. Let’s dig in! It’s a bit of a surprise I haven’t seen the SIde-Bets before. Local […]

There were good times to be had at Liar’s Club in Chicago on Saturday January 21st. Traci Trouble of Aweful put together a fantastic lineup for the night: a trio of power trios! Three bands with three members each. Let’s dig in!

It’s a bit of a surprise I haven’t seen the SIde-Bets before. Local to my Chicago scene, they’re self-described as loud, rowdy, and minimal garage rock, and my description of them would be no different. These boys started the night off right. Dougie Ramone laid out some catchy bass lines that meshed great with Joe’s tight and punchy drum beats. Brendan topped off their sonic footprint with a great driving, crunch guitar sound and grungy solos. Led by Dougie’s snarling vocals, what more could you ask for? If that sounds like your bag, check them out immediately. Side-note for the Side-Bets, they were the only band where none of the members fell down, or laid down on stage for the night.

Alternative Radio filled out the middle of the evening’s entertainment. Hailing from Milwaukee, this was their first time playing in Chicago. If I had to describe them I’d say mix a fair amount of 70’s rock ‘n roll with some 80’s punk edge. The first thing that went in my notes about them was their drummer performing lead vocals on all the songs; you don’t see that every day. The second were his stylish red leather pants. Yes. This dude played drums in tight leather pants. I can’t imagine how sweaty and uncomfortable that must have been but it didn’t slow him down at all. Their bass player had some very fashionable shoes on that may have been his downfall, literally, as he tripped over a cable and fell on his ass. To his accord, he didn’t miss a beat. He did start a trend though, as it wasn’t long before their guitar player was down on the stage too, kicking his feet in the air while rocking his guitar parts. Alternative Radio put on a damn good show, give Milwaukee some love.

Aweful ranks way high amongst my favorite currently-active Chicago bands. I’ve seen and photographed them numerous times before, and boy howdy was I excited to do it again. They just keep getting better and every new song is better than the last, it’s been awesome following them. They came out of the gate strong with the song, “Bubble,” which is an older song but will be coming out on their new album soon. Rocking hard, Bubble brought everything I’ve come to love and expect from Aweful. The stage was full of energy and movement as the girls romped around with a whole lot of head-banging and hair flips. The first thing to draw me in was Traci’s unmistakeable thick-ass bass tone. It filled the whole room with her earworm bass melodies, sure to be stuck in your head. And when she kicks on the distortion it absolutely crushes. I never cease to be impressed with Izzy’s phenomenal drumming, he makes a very minimal drum set sound like a much larger kit, not a lot of people can do that. After the show I was talking to him about his excellent drumming facial expressions and he let me in on the secret. It’s all a reaction to, or an effort to prevent, the stinging of sweat in his eyes. Drummers take note for your own photo charisma. Lucy’s power chords and guitar licks tore up her signature sparkly leopard print SG. Her distinct phaser effect always brings a great atmosphere to the set. The interplay between Traci’s dark vocals with Lucy’s backup singing brought great dimension, making the songs even more memorable. At the culmination of their closing song, Time, Traci and Lucy followed the trend started by Alternative Radio, rocking out laying down on the stage floor. I have to say, besides being awesome musicians the whole band is so friendly and welcoming. I really love them ❤ And you should show them some love at all of their shows.

I’ve never had a bad time at Liar’s Club, but this show knocked everything up a notch. Check out the photos below!

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DS Photo Gallery & Show Review: KT’s Kids 19 – Nefarious Fat Cats / Bama Lamas / Eve’s Parlor Burlesque / Sweet Figurines (Liar’s Club – Chicago, IL 12/17/2022)

This was a super exciting event for me to shoot. I’ve tuned into the live stream in previous years, but this was my first time at the star-studded event in person. If you’re not familiar with the KT’s Kids, it’s an annual fundraiser held at Liar’s Club, running for its 19th year this installment. Christmas […]

This was a super exciting event for me to shoot. I’ve tuned into the live stream in previous years, but this was my first time at the star-studded event in person. If you’re not familiar with the KT’s Kids, it’s an annual fundraiser held at Liar’s Club, running for its 19th year this installment. Christmas may have passed this year, but KT’s Kids is a 501c3 Non-Profit, so it’s never a bad time to make a tax deductible donation. Also, as of this writing, the livestream is still available to stream on Zuma Live.

Herb Rosen and Mike O’Connell were the lovely hosts for the evening. They arrived in style to kick everything off, wearing matching red blazers fully bedazzled with sequins. Once they finished telling us what to expect for the evening, Sweet Figurines got things rocking. The whole band also looked quite fashionable, but I have to give a call out to the bass player. His shiny blue blazer, combined with his gold bowtie and matching gold bass guitar drew attention in a very good way. Keeping with the festive theme, the band came out of the gate with an excellent rendition of “Father Christmas” by the Kinks. The rest of the set, bursting with a great old-school rock sound, did not disappoint. This was my first time seeing Sweet Figurines and hopefully not the last.

Angela Eve’s Parlor Burlesque was up next, but before the risque review started, KT herself came on stage to give a brief history of the event. 19 years ago KT was pulling double duty, working at Schwab Rehabilitation Hospital and bartending at Liar’s. When Herb and Mike heard how little the kids at the hospital had, and how their basic needs were not being met, they wanted to help. That started everything, and every year for 19 years they have been able to raise more and more, and reach more kids every year.

Mike announced it was indeed time for sexy time now, and the fabulous Angela Eve hyped up the crowd and introduced the dancers. Last year Angela was sadly absent from the show thanks to Covid, as well as being 5 months pregnant. This year she was back in full force with little baby Nonda joining her on stage. Adorable. Kevlar B Lightning started the show right, tastefully removing her festive red garbs to the Peppermint Twist to reveal some tasty peppermint pasties. Jezzibel was up to perform next, who Angela described as a “pincushion of sorts.” She did not fail to live up to that description. Upping the ante of a traditional burlesque act, various sharp instruments went into and through her face! After a quick break for Angela to give one lucky attendee the gift of spankings, Queerella Fistalot graced the stage. Queerella wasted no time disrobing to make sparks fly. I’m being quite literal, the ol’ angle grinder came out to play and Queerella showered the stage in tiny glowing embers of hot metal.

The stage got quite crowded for the next act, The Bama Lamas! Self-described as down and dirty, hip-shakin’ old school rock and roll / R&B. Performing good and greasy the way it was meant to be played. With everyone adoring Friar’s hats, The Bamas managed to fit a drummer, a bass player, a sax player, a singer, not one but two guitarists, and a full 88-key digital piano with the accompanying keyboardist on to Liar’s Club’s tiny, tiny stage. Everyone in the band was having a great time and clearly the audience was too, reinforced by some very happy patrons getting their dance on. All in all a great throwback to an exceptionally fun era of music. Definitely recommend.

More burlesque was up next and who doesn’t like that? The first performer of round two was Miss Spitfire. Angela described her as bendy and she wasn’t kidding. Dawning a red onesie for the occasion, Spitfire’s Acroartist background was evident in some truly impressive contorted choreography, yeow. After a quick changeover, out came Miss Millie May! She may have been dressed like an ice queen but that didn’t stop her act from heating up the room. There was a brief intermission for more spankings before Lady India came out and owned the stage. India was oozing confidence as she danced her clothes off, and then the angle grinder came back out. Once more the stage was showered in an incandescent rain of shrapnel. Finally, Angela Eve herself closed out the burlesque portion of the evening. After many twirls and kicks, and littering the stage with articles of clothing, the house lights dimmed. Angela then showed off the most electric tassel spinning of the night. That’s right, fully illuminated Christmas light tassels. I can’t figure out where she could have hid a battery for them, so I’m going to assume they were charged by the pure power of sexiness.

And then it was time for The Nefarious Fat Cats to close out the music for the evening. Scott Lucas and Ryan Harding of Local H made up the initial lineup along with Herb Rosen. If you only know Herb as the owner of Liar’s Club, he is also known for playing in the Beer Nuts. Scott Lucas’s goatee made me wonder if we were seeing our Scott, or an evil doppelganger. If it was Evil Scott, all I can say is he was just as talented as the real deal. The Fat Cats came out of the gate strong with a cover of “TV Eye” by The Stooges. They continued on with that lineup for the first 4 songs, finishing up with “Surrender” by Cheap Trick. At first lineup change, Herb switched to lead vocals and turned bass duty over to Joe Principe of Rise Against. This lineup wasted no time before serenading us with “The Kids are United” by Sham 69. Next Joe Haggerty of Pegboy relieved Ryan on drum duty, allowing Ryan to pick up his Telecaster for a few songs. Herb took the bass back and the group proceeded to rock my ass off with their cover of “Bloodstains” by Agent Orange. For the next song another legend came on stage. To play “Suspect Device” by Stiff Little Fingers they brought out none other than Jake Burns of Stiff Little Fingers, taking over vocals and replacing Ryan on guitar. Mike O’Connell came back on stage to sing “New Rose” by the Damned. Sean Hulet of Masonic Wave, took over bass guitar next, for the band to play “Tush” by ZZ Top. Joe Principe picked up the bass again to play “Tin Soldiers” and “Alternative Ulster,” also by Stiff Little Fingers. The show was coming to an end, but there was still one more lineup change. Ryan rejoined on drums, Sean on Bass, Scott still on guitar, and for the first time that evening, Herbert Plant! Herb definitely didn’t have a beer bottle in his pants (I’m lying, he absolutely did) while the 4 piece played a couple Zepplin tunes for the evening’s finale. With that, live music was over for the night and it was time for me to drink.


Check out more pictures from the evening’s exciting festivities below!

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DS Photo Gallery: My First Night Shooting for DS – Bollweevils / Djunah (Chicago – 11/12/22)

I got a surprise message from MerGold on November 12th. She asked if I was going to the Bollweevils show that night. I dig and respect the heck out of The Bollweevils, but Djunah is one of my absolute favorite local bands still playing, and that’s where I was planning to be that night. Then […]

I got a surprise message from MerGold on November 12th. She asked if I was going to the Bollweevils show that night. I dig and respect the heck out of The Bollweevils, but Djunah is one of my absolute favorite local bands still playing, and that’s where I was planning to be that night. Then she told me they needed someone to shoot said Bollweevils show. I did not expect that. I sometimes take concert photos as a hobby, but I’ve never shot a band as big as The Bollweevils. I’ve never had any of my photos published anywhere, so I was floored by the offer, in a good way. But, I still really wanted to see Djunah too! Fortunately, I got lucky on timing and I was able to make it to both shows! 🤘


My first stop of the night was The Bollweevils, at Cobra Lounge. There was a great crowd and great energy in the room as they took stage. Speaking of energy, their set opened with a lot of it! After the first song it became apparent that Daryl’s tall stature and Cobra’s low ceiling were not an ideal match. As recommended by the crowd, Daryl did not hesitate to continue the show in front of the stage on the floor. This created a new problem, that Daryl no longer had a set list. His need to know what song was coming next quickly became the running gag of the evening. Every song sounded fantastic, a good time was had by all!

Next I made a mad dash over to the Archer Ballroom, and thankfully I got there in time to see Djunah. 🙌 The venue is pretty cool, but boy was it cold. Donna had her coat draped over her while tuning her guitar and I don’t blame her! Their set impressed as always. Halfway through the first song Donna’s hat fell over her eyes, but she managed rock around on stage and keep playing the bass notes with her foot while blind. The rest of their set went off without a hitch. The majority of it was new material for their upcoming album. I have been listening to their last release, Ex Voto, non-stop and I can not wait to hear the new album. All of the new songs absolutely ripped live.

It’s always a good night when you can catch two different shows in one night. All the bands were on point, and it’s such an honor to be shooting for Dying Scene. I can’t wait to do it again!

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