DS Book Club: “More Punk than the Public Library: The Adventures of a Little Free Punk Rock Bookstore” by J. Hunter Bennett

During the COVID-19 pandemic, different people had different ways to deal with the increased amount of time they had on their hands. Throw a rock and you could find someone in the arts figuring out what their new project would be. For author J. Hunter Bennett, it became a way to clean out some old […]

During the COVID-19 pandemic, different people had different ways to deal with the increased amount of time they had on their hands. Throw a rock and you could find someone in the arts figuring out what their new project would be. For author J. Hunter Bennett, it became a way to clean out some old books. I would be pressed to think that he knew this endeavor would lead to his latest book, More Punk than the Public Library: The Adventures of a Little Free Punk Rock Bookstore. Here, Bennett describes his accidental building of a punk‑literary micro‑community, and captures its evolution.

Setting up a little library outside his house on a busy corner in his Chevy Chase, DC neighborhood, Bennett started the Nevada Avenue Outdoor Free Bookshop (NAOFB). It was here Bennett decided to unload some of his punk rock and crime books to anyone who walked by. He accompanied this with a monthly newsletter he printed himself and left copies inside. What started as a way to cope with the horrors of the pandemic and the government’s handling of it turned into a staple of Bennett’s neighborhood. It eventually grew into an underground punk zine. This book is a reprinting of the issues, formatted and collected for your convenience. Each chapter goes over each issue or communique, as our editor proprietor gives us a little context before presenting each issue.

Sections like “Hardcore Reading With…” are interviews with various members of the Washington D.C. Hardcore scene as they talk about the books they like and make recommendations. “Fell in Love with a Book” is a column where a guest writer comes in and gives a review of a book that means a lot to them. As issues go on, more columns and sections are added. At one point, his page count gets to about twenty pages. Bennett ends up with a pretty stacked lineup of people to contribute, with interviews from members of bands like Embrace, Velocity Girl, and Dag Nasty. He also gets some cool essays about his personal life, recruiting his sister and mom each for a book review.

While More Punk Than the Public Library… does mostly follow a wash, rinse, repeat format, it’s extremely entertaining. Each chapter is uniform to the context and then a reprinting of the corresponding month’s issue, but the contents of each book will win you over. Despite starting as a personal project, the NAOFB sort of ballooned in the best way possible. What became a way to kill time during one of the darkest times in modern history is now this book. Each issue of Bennett’s zine may tell small stories and anecdotes about the contributors, but this book is a fantastic way to show how a community can come together and be built over something as small as a little library with secondhand books on a street corner.

More Punk than the Public Library: The Adventures of a Little Free Punk Rock Bookstore was published and is available through Microcosm Publishing.

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Dying Scene Photos and Show Notes: Tomahawk, Melvins, and Ni Maîtres at 9:30 Club in Washington, DC (07/26/2026).

On 26 July 2026, DC’s legendary 9:30 Club was packed as Tomahawk took the stage for a sold-out stop on their “A Huge Waste of Your Time and Money” tour, celebrating their 25th anniversary as a band, with support from Melvins and Ni Maîtres, Anticipation was high as fans lined up hours before doors opened, eager to witness the Tomahawk’s long-awaited return and an unforgettable night […]

On 26 July 2026, DC’s legendary 9:30 Club was packed as Tomahawk took the stage for a sold-out stop on their “A Huge Waste of Your Time and Money” tour, celebrating their 25th anniversary as a band, with support from Melvins and Ni Maîtres, Anticipation was high as fans lined up hours before doors opened, eager to witness the Tomahawk’s long-awaited return and an unforgettable night of explosive performances. This was Tomahawk’s sixth show of their 22-date tour and amongst their first live performances in 13 years.

At approximately 7:10 PM, Melvins tour manager, Gareth Turner, took the stage as Ni Maîtres and opened the show with a roughly 15-minute set of dark, experimental, electronic noise with his programmed drums, synth, and theremin. Many in the crowd saw Turner wearing his black Rudimentary Peni t-shirt and Stooges ballcap as he was moving around the venue and setting up the stage. To obscure his identity, Turner donned a white mask, but it wasn’t enough to fool the crowd as they quickly figured out who he was. He wrapped up his set around 7:25 PM and set the tone for a wild night of sonically eclectic rock and roll.

Melvins took the stage around 8:00 PM wearing their signature psychedelic eyeball motif uniforms – King Buzzo (vocals/guitar) with this wizard-like, eyeball tunic, Dale Crover and Coady Willis (drums) with their eyeball t-shirts, and Steven McDonald (bass) with his white eyeball suit. The band plowed through an hour of their signature blend of sludge and high-octane rock and roll. As their conductor, Buzzo set the tone and leaned into the heavy, rocking out near his amp and lunging forward to the audience. The powerhouse drum duo of Crover and Willis delivered an earthmoving percussive assault with well-choreographed playing. McDonald owned the stage rocking, running, and rampaging from one end to the other. Longtime friend, band member, and collaborator Trevor Dunn (bassist for Tomahawk) joined Melvins playing second bass on Night Goat to close out their set around 09:00 PM.

Melvins Setlist

  • Working The Ditch
  • Never Say You’re Sorry
  • Sway (The Rolling Stones cover)
  • Evil New War God
  • Civilized Worm
  • It’s Shoved
  • A History of Bad Men
  • The Bit
  • Blood Witch
  • Hag Me
  • Honey Bucket
  • Night Goat (with Trevor Dunn)

At around 09:30 PM, Tomahawk took the stage and began their nearly 90-minute set. Mike Patton (Faith No More, Mr. Bungle) on vocals, keys, programming, Duane Denison (The Jesus Lizard) on guitar, John Stanier (Helmet, Battles) on drums, and Trevor Dunn (Mr. Bungle, Fantômas, John Zorn) on bass delivered their blend of rock, punk, metal, country, and noise to a crowd eager to hear this band perform for the first time in DC since 2013. From the first note, the crowd was hooked, with Patton screaming, singing, and tearing around the stage. Denison, Stanier, and Dunn kept it funky, loud, and unpredictable, jumping from crushing riffs to weird noise. The band ended their set around 11:00 PM, giving their fans a healthy dose of their unique brand of rock. After 13 years away, Tomahawk’s return to DC was loud and long overdue.

Tomahawk’s Setlist

  • Flashback
  • SHHH!
  • Predators and Scavengers
  • Business Casual
  • Doomsday Fatigue
  • Capt Midnight
  • Rape This Day
  • Eureka
  • Birdsong
  • Howlie
  • Recoil
  • South Paw
  • I.O.U.
  • Fatback
  • Point and Click
  • Just One More (George Jones cover)

Encore

  • White Hats / Black Hats
  • God Hates a Coward
  • Stalkin’ (Duane Eddy cover)
  • Sidewinder
  • Totem

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Navel Gazing for August 16, 2026

Welcome to Navel Gazing, the Punknews.org commenter community's weekly symposium, therapy session, and back-alley knife-fight. Chime in below with your latest playlists, record store finds, online time wasters, and site feedback.

Celebrating 25 Years of Lars Frederiksen & the Bastards with Deluxe Vinyl & More!

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<h2><span style="color: #000000;"><strong>LARS FREDERIKSEN </strong><strong style="font-size: 2.4rem;">AND THE BASTARDS</strong></span></h2><h2 class="m_-4417606094111612656mcePastedContent"><strong>25th ANNIVERSARY EDITION</strong></h2><h3 class="m_-4417606094111612656mcePastedContent"><strong>CELEBRATING 25 YEARS OF THE RANCID SINGER & GUITARIST’S SOLO DEBUT WITH DELUXE VINYL</strong></h3></div></div></div></div></div></section></div>…

DIIV drink from ‘The Fountain’ of fun, pop, and The New Alternative

<p>Back sometime in the halcyon ’80, great American poet David Scott Mustaine offered up some prophetic lyrical wisdom in “If there’s a new way / I’ll be the first in line / But it better work this time.” Four decades later, that sentiment burns through our screen-bled retinas as DIIV return with not only a proper SOTY contender in “The Fountain,” but the attached promise accompanying forthcoming album ZIRP!: “This is The New Alternative: A New Genre For the 21st […]</p>
<p>The post <a href="https://vanyaland.com/2026/08/14/diiv-drink-from-the-fountain-of-fun-pop-and-the-new-alternative/">DIIV drink from ‘The Fountain’ of fun, pop, and The New Alternative</a> appeared first on <a href="https://vanyaland.com">Vanyaland</a>.</p>

Four Records Episode 26: Round Eye's Chachy Englund!!

<p>Welcome to Four Records! Each episode, we feature one guest as they discuss the four records that helped shape them at four different times in their life. This week, our guest is Chachy Englund from the band Round Eye. Round Eye recently released a single with a super cool video made in using Taishan shadow puppets. </p>
<p>Chachy Englund’s Four Records:</p>
<p>0-10: Good Morning Vietnam Soundtrack</p>
<p>Teenage: Green Goblin Project – Earth Must Be Destroyed</p>
<p>Twenties: Minutemen – What Makes Man Start Fires?</p>
<p>Recent Record: The Instigation – No Way Out E.P.</p>
<p><a href='https://bothlaugh.podbean.com/'>Listen on Podbean</a></p>
<p><a href='https://youtu.be/2Qg0UnXx1cA'>Listen on YouTube</a></p>
<p><a href='https://open.spotify.com/show/1a6z5Y4CCTbXL0BDlB7SaQ?si=Ml-9MMIbQoe5tA-zxJQgqw'>Listen on Spotify</a></p>
<p><a href='https://podcasts.apple.com/us/podcast/dying-scene-radio-presents-four-records-with-karina/id1841124985'>LIsten on Apple Podcasts</a></p>
<p><a href='https://music.amazon.com/podcasts/0765e779-6415-4348-9916-32745bba9a60/dying-scene-radio-presents-four-records-with-karina-and-forrest?ref=dm_sh_FWzWs5iETKhBTrkAlqYCu7mSX'>Listen on Amazon Music</a></p>
<p><a href='https://www.iheart.com/podcast/269-dying-scene-radio-presents-295601782/'>Listen on iHeartRadio</a></p>
<p> </p>
<p>Follow us on <a href='https://www.instagram.com/fourrecordspodcast?igsh=MzRlODBiNWFlZA=='>Instagram</a></p>
<p> </p>
<p>Email: <a href='mailto:fourrecordspodcast@gmail.com'>fourrecordspodcast@gmail.com</a></p>
<p><a href='http://www.dyingscene.com'>www.DyingScene.com</a></p>
<p>Opening song: <a href='https://radskulls.com/'>Rad Skulls</a> – Loud as Shit</p>
<p>Closing song: Lucas Perea – Underneath Ashes</p>

Dying Scene Radio Presents: Four Records – Episode 26: Chachy Englund (Round Eye)

Welcome to Four Records! Each episode, we feature one guest as they discuss the four records that helped shape them at four different times in their life. This week, our guest is Chachy Englund from the band, Round Eye. Round Eye recently released a single with a super cool video made in using Taishan shadow […]

Welcome to Four Records! Each episode, we feature one guest as they discuss the four records that helped shape them at four different times in their life. This week, our guest is Chachy Englund from the band, Round Eye. Round Eye recently released a single with a super cool video made in using Taishan shadow puppets.


Chachy Englund’s Four Records:

0-10: Good Morning Vietnam Soundtrack

Teenage: Green Goblin Project – Earth Must Be Destroyed

Twenties: Minutemen – What Makes Man Start Fires?

Recent Record: The Instigation – No Way Out E.P.


Listen on Podbean

Listen on YouTube

Listen on Spotify

LIsten on Apple Podcasts

Listen on Amazon Music

Listen on iHeartRadio

Follow us on Instagram

Email: fourrecordspodcast@gmail.com

www.DyingScene.com

Opening song: Rad Skulls – Loud as Shit

Closing song: Lucas Perea – Underneath Ashes

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Weezer have made some sort of a movie

Recently, Weezer's Brian bell was at the debut of Green day's new movie Nimrods. While he was on the red carpet, he was asked by radio station LA 98.7 if Weezer might make a movie, too. Bell offered a bit of a surprise answer: ""We already have. Although I'm not supposed to talk about it. But yes, it's in the can. It's gonna be incredible. You'll see it in 2027." He did not offer details beyond that snippit. We'll keep you updated.

‘The End of Oak Street’ Review: Weirdly cold-blooded

<p>If nothing else, David Robert Mitchell’s The End of Oak Street proves that Warner Brothers will — and have, now — spend at least $80 million on a movie in which feathered dinosaurs “do it like they do on the Discovery Channel.” Yes, Mitchell spent nearly a decade in Director Jail following the drama surrounding criminally underrated Under the Silver Lake to make a “Dark Amblin” picture in which big-ass lizards fuck. There’s something deeply endearing about that, in a […]</p>
<p>The post <a href="https://vanyaland.com/2026/08/14/the-end-of-oak-street-review-weirdly-cold-blooded/">‘The End of Oak Street’ Review: Weirdly cold-blooded</a> appeared first on <a href="https://vanyaland.com">Vanyaland</a>.</p>