Videos: Comeback Kid: “Yesterday’s Gone” (ft. Brendan Garrone of Incendiary)

Comeback Kid have released a video for their new song “Yesterday’s Gone” which features Brendan Garrone of Incendiary. The video was co-directed by Alex McFarland and Jordy Clarke. The song is off the band’s upcoming album Chosen Hell which will be out on November 6 via Dine Alone Records and SharpTone Records. Comeback Kid released their EP Trouble in 2024. Check out the video below.

Fontaines D.C. bring our anticipation to the tips of our ‘Tongue’

<p>There’s just not a whole lot to be excited about these days, but there is a new Fontaines D.C. record fast on the way to help soundtrack our collective malaise. The Dublin dynamo drop fifth studio album Dopamine Chamber in a fortnight’s time, produced by James Ford and out October 16 via XL Recordings (for those of us here in the States), and this week serve up a visceral new single in “Tongue.” The lads have given no real insight into the […]</p>
<p>The post <a href="https://vanyaland.com/2026/10/01/fontaines-d-c-bring-our-anticipation-to-the-tip-of-our-tongue/">Fontaines D.C. bring our anticipation to the tips of our ‘Tongue’</a> appeared first on <a href="https://vanyaland.com">Vanyaland</a>.</p>

Tegan and Sara release new track

Tegan and Sara have released a new track. "Our Year" is a stand alone single right now, though the sisters have stated that they are working on a new album. The track features Lights and felix Cartal. You can hear it below.

Spike and the Gimme Gimmes release "Kokomo"

Spike and the Gimme Gimmes have released a new track. It's a cover. The band takes on the Beach Boys' "Kokomo." It has an interesting intro. That's off Shit the Bed out October 23rd via Fat Wreck Chords. you can hear it below.

DS Record Review: Blitzkid Return From The Grave To Bring You “Modern Hel!”

It’s that time of year again, fiends! The air is beginning to cool as a stiff breeze through the blinds sets the flame on your pumpkin spice candle aflicker, leaving dancing shadows on the wall. Summer’s tacky patriotism is replaced by the familiar charm of ghosts, goblins and creepy crawlies in every department store and […]

It’s that time of year again, fiends! The air is beginning to cool as a stiff breeze through the blinds sets the flame on your pumpkin spice candle aflicker, leaving dancing shadows on the wall. Summer’s tacky patriotism is replaced by the familiar charm of ghosts, goblins and creepy crawlies in every department store and mall. That’s right! It’s spooky season, and the reigning princes of horror punk have a treat for us all! Blitzkid is back with their first full length studio album in over 15 years, and it’s a doozy!

Much like Michael Meyers on halloween, Modern Hel is Blitzkid returning home. This record brings out the best in a band that made their name writing nostalgic horror film inspired anthems since 1997! Since their hiatus in 2012, founders Argyle Goolsby and TB Monstrosity have clearly kept up their chops, as their voices have never sounded better and the interplay of their classic albums like 2003’s Trace Of A Stranger and fan favorite Five Cellars Below (2006) is back in full force, while the addition of drummer Ryan Manning brings new life and boundless energy to the whole affair. 

This time around the boys from Bluefield sink their fangs into such classic films as Cujo, Toxic Avenger, Children Of The Corn, and The People Under The Stairs among others, all with a sense of reverence and a playful toothy grin. The melodies are infectious, the beats are relentless, and sonically this record could stand toe to toe with any modern punk classic. It’s clean, but dynamic, punchy but not overblown and mixed beautifully to showcase each members’ talents. Plainly put, this record rips! 

Standout tracks abound, but I’ll try to highlight some of my favorites. The album opener “The Thirteenth Guest” is an upbeat thrasher which perfectly sets up the rest of the record as a thrill ride you won’t want to get off. The acoustic accompanied vocal bridge adds a haunting twist to an otherwise raging tune. Singles “Warning Shadows” and “Beast or Man?” show off the respective talents of the two vocalists in the band perfectly. The former is a straight ahead spooky rocker belted by Goolsby with raw intensity. The latter finds Monstrosity at the helm, crooning the woeful and melancholic tale of John Merrick, better known as the elephant man. In an album full of memorable choruses, this one stands out as one of Monstrosity’s best. If these tunes don’t beckon you across the threshold to behold the madness of Modern Hel, I don’t know what will. 

“Behind The Rows” shows off Goolsby’s songwriting chops with one of my favorite choruses of the record. Maybe it’s my love for the 1984 cheese fest Children Of The Corn, but the gentle refrain of “Malachi will follow you…” and the violent mob invoking group chant of “walk with me behind the rows” just tickles my fancy. Meanwhile, “The Unhallowed Art” gets into the finer points of reanimation and features an excellent vocal performance and a tasty little guitar lead that is sure to get yer toes tapping (rigor mortis permitting.)

As per usual with this bunch, the packaging on the album is stunning and features art from a classic film, this time inspired by Fritz Lang’s 1927 sci-fi masterpiece Metropolis. They even pressed a special double 10” version housed in a film can! Ya just can’t beat these ghouls when it comes to eye-catching and one of kind merchandising. If you love The Misfits, The Damned, or fellow modern horror rockers Calabrese then you need to grab yourself a copy of Modern Hel. It’s guaranteed to hit your sweet spot like a candy apple (just watch out for those razor blades, kiddos!) Order your copy today from A Corpse With No Name Productions!

Catch the band on tour at the dates listed below!

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‘Digger’ Review: At least ‘Cocktail’ looked like fun

<p>There’s only so much one can say about Alejandro Gonzalez Iñárritu’s Digger without dipping into spoiler territory. Warner Bros. has asked those of us writing about it to avoid revealing plot points in our reviews beyond what’s necessary, and I’m honor-bound to respect that here. One doesn’t need a spoiler warning to say that it’ll be “divisive” or “weird” or that “Tom Cruise gives a very different performance than you’re used to!” Nor does one need to break into the […]</p>
<p>The post <a href="https://vanyaland.com/2026/10/01/digger-review-at-least-cocktail-looked-like-fun/">‘Digger’ Review: At least ‘Cocktail’ looked like fun</a> appeared first on <a href="https://vanyaland.com">Vanyaland</a>.</p>

Motorhead to re-release 'Orgasmatron'

Motorhead are going to re-release one of their heaviest albums. 1986's Orgasmatron is getting a deluxe 3xLP / 2xCD treatment. The set includes a brand new remix of the album by Cameron Webb. It also includes the original album as well as outtakes and BBC sessions. That's out via BMG in November. You can see the track list below.

Just the Best Party (Ex-World/Inferno) release new album

Just the Best Party is the band composed of former members of World/Inferno Friendship Society. Most of the members come from the band's Just the Best Party / Red Eyes Soul era. They have released a new album. It's called After this Abyss and it's self-released. You can hear it below.

Watch the new video by The Carringtons!

Today, we are thrilled to bring you the new video by Quebec City-based garage punks The Carringtons! The song is called “EMPTINESS” and is off their upcoming album The Reunion. The video was filmed and edited by Alexandre Gloutnez-Charron. Speaking to Punknews about the song, lead vocalist and guitarist Ben Fortier said, ”’EMPTINESS’ is the third song on our new record, The Reunion. I remember playing and singing the second verse pretty early in the writing process: “There’s nothing out there for me, except a coffin full of hollow bones.” It's about feeling completely empty, like there's nothing left inside of you. Then I came up with the chorus: “I would like to start a revolution, but I lost my mind somewhere.” Then repeat. Pretty simple. Effective. Two minutes. That's all you need. The entire album was recorded and mixed in Montreal by Adrian Popovich (Tricky Woo, American Lips). Our good friend Hugo Mudie (The Sainte Catherines) also helped with a few arrangements and ideas. For this song, we wanted the drums to sound as close to a drum machine as possible: tight, punchy, dry, and repetitive. I think Dave Chamberland, our drummer, absolutely nailed it. He had to adapt his playing since he normally plays with a lot of feel and hits incredibly hard. The bass line is super tight too, and we added a few last-minute layers, including the synth part. And when the guitars kick in, they hit like an arctic gust straight to the chest.  With a chorus that sticks to your ribs after a single listen, it naturally became the focus track of the album.”Speaking about the track and the video, bassist and videographer Alex Charron said, ”When we started brainstorming the music video for ‘EMPTINESS’, Joey Savard, our lead guitarist & graphic designer, was clear from the start: the visuals had to fit perfectly within the world of the album. Since we mainly work in DIY mode, we were able to focus all our energy where it really mattered: location scouting, atmosphere, and cinematography. The result wouldn't have been the same without Alexandre Richard's exceptional work on colour grading. I called him in a bit of a panic when I realized I couldn't get the look I had in mind…and he absolutely delivered. Once on location, the concept was intentionally simple. No big setups, no huge crew. We shot the entire video in just 2 hours and 30 minutes, without breaking the budget. Ultimately, this video proves that a strong idea, a confident art direction, and good cinematography can rival much more expensive productions. Because in the end…who's really listening, huh?””EMPTINESS” will be available digitally everywhere tomorrow and The Reunion will be out on October 2. Watch the video below!