Kris Coombs-Roberts – guitar, backing vocals
Gavin Burrough – guitar, backing vocals (previously, bass guitar)
Ryan Richards – drums, unclean vocals
Richard Boucher – bass guitar
Funeral For A Friend Bio:
Funeral for a Friend's energized blend of emo, metal, and post-hardcore is created by vocalist Matt Davies, guitarists Kris Roberts and Darran Smith, bassist Gareth Davies, and drummer Randy Richards. The Welsh quintet first appeared in 2002 with a series of EPs and singles, including Between Order and Model, Four Ways to Scream Your Name, and Juneau. Such releases helped land the group on the cover of Kerrang! magazine, a recognition of the band's growing hype that, in turn, earned a record deal with Warner Music. Funeral for a Friend's debut full-length, Casually Dressed & Deep in Conversation, was then issued in October 2003. It was not given a concurrent U.S. release; instead, the seven-track mini-CD Seven Ways to Scream Your Name (collecting non-album tracks from the earlier EPs) appeared domestically via the New Jersey indie label Ferret. Meanwhile, Funeral for a Friend embarked on a series of high-profile touring engagements, including a series of European dates opening for Iron Maiden.
Touring continued through summer 2004, and the Spilling Blood in 8mm DVD appeared in September with live footage, videos, and a band documentary. Funeral for a Friend returned in June 2005 with Hours, their second full-length; more touring followed, including the band's first stint on the Warped Tour. The guys also picked up that year's Kerrang! award for Best British Band. Back at home by the end of 2005, Matt Davies utilized some downtime from touring to work on material for his first side project, the alt-country-inspired the Secret Show, whose debut album was released in February 2007. Three months later, Funeral for a Friend issued their next album, Tales Don't Tell Themselves, subsequently jumping on the road for headlining dates in the U.K. and U.S. before spending summer on the Warped Tour. Memory and Humanity followed shortly thereafter, arriving during the final quarter of 2008 and featuring the band's familiar mix of emo-influenced songcraft and anthemic rock uplift.