Search Results for: the meffs

Search Archives Only

DS Record Radar: This Week In Punk Vinyl (One Square Mile, Sum 41, Steve Rawles (Belvedere), Pansy Division & More!)

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold […]

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is the weekly* column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

Check out the video edition of this week’s Record Radar, presented by our friends at Punk Rock Radar:

SoCal punk band One Square Mile’s new 12” EP Source of Suffering is out now on Sound Speed Records. It was produced by Cameron Webb, whose work you’re familiar with on releases from NOFX, Pennywise, Alkaline Trio, and the awesome new Chaser record Small Victories! Sound Speed Records has three color variants up on their store – solid yellow /100 (proceeds from this one are going to the Surfrider Foundation), translucent w/ yellow / brown /100, and translucent brown w/ gold flakes /50. Catch ‘em all!

A new variant of the new Sum 41 album Heaven :x: Hell has popped up and this one’s different. It’s on solid blue colored vinyl (limited to 500 copies) and the only way you can get it is with autographs. You can get a copy signed by the band with a black marker for $89.99, and for some inexplicable reason they also have copies signed with a SILVER market that are an astounding $139.99! Holy fuck! Why does the marker used make it worth $50 more? No fucking clue brother. These are available exclusively from Premiere Collectibles.

Staying in Canada, we got Steve Rawles from the almighty Belvedere (and This is a Standoff – both of which are better Canadian punk bands than Sum 41 I might add) whose 2011 solo album Bonus Room is being released on vinyl for the first time. Our friends at Thousand Islands Records are releasing this on translucent blue colored vinyl, limited to 250 copies. Grab your copy here – they’ve got test pressings available as well for just 10 bucks more than a regular copy. Take notes Premiere Collectibles! Or don’t, you’re probably making a fuckload off dumb fucks paying $50 extra for silver markers.

Also while you’re visiting Thousand Islands’ storefront, add this new pressing of German melodic punk band Melonball’s debut album Breathe to your cart. This pink & black half & half is the third pressing of this wonderful record. Get it here.

Fat Wreck imprint label Bottles to the Ground record artists The Meffs’ debut album What a Life is due out on September 13th. It was produced by Frank (I believe that’s short for Franklin) Turner, who has been quoted as saying “It’s a fucking beast. I’m as proud of it as I’m allowed to be” so that’s cool. Franklin sings on one of the songs on the album as well so that’s also cool. You can get it here on black vinyl, or two mystery color variants – one of which is exclusive to a bundle with a slipmat.

New from our friends at Mom’s Basement Records: Canadian pop-punk band The Follow Ups‘ brand new record Know Who Your Friends Aren’t! This one’s available on two bad ass color variants (limited to 100 copies) each, as well as black wax (limited to 100 copies as well) from Mom’s Basement Records (USA) and Faster And Louder Records (Canada). Both labels have CDs and vinyl test pressings available, too, which is bad ass.

Sounds Rad Records is repressing the latest record from band that kinda reminds me of Green Day, otherwise known as The Mr. T Experience. This second pressing of King Dork Approximately, The Album consists of 100 copies on Yellow Smoke and another 100 copies on Black Smoke colored vinyl. You can get it from soundsradical.com tomorrow – Monday, July 8th, 2024.

Also available to pre-order from Sounds Rad tomorrow: Pansy Division’s debut album Undressed. The record has been remastered by Justin Perkins at Mystery Room Mastering (the man behind most of the recent Screeching Weasel and MTX remasters) and will be available on violet colored vinyl.

The new Mad Caddies album Arrows Room 117 is getting a 2nd pressing (apparently the 37 color variants in the first run weren’t enough, though I’m pretty sure most of those are still available). SBAM has issued four new splatter color variants, all of which are limited to 100 copies each and can be obtained with money from their EU store.

Indianapolis 7-piece ska/dub/reggae/punk (their words, not mine) band The Operators just released their new record, incredibly creatively titled Self​-​Titled Second Album, on Jump Up Records. You can get it on powder blue and/or concrete colored vinyl, as well as compact disc(!), right here.

Luxembourg punk band Versus You has released a semi-career spanning compilation album called “A Collection” 2009-2024. The 2xLP set boasts a 25-song tracklist housed on yellow and red colored mechanically flattened 12” polyvinyl chloride discs (otherwise known as records by those in the trade). Get it here.

Chicago power-pop-punk band Space Age Zeros will be releasing their debut LP Strange New World on September 13th through Mystic Records. Yes, that Mystic Records. Check out the first single “Fireworks” below and pre-order the record (or CD (or both)) here.

Fraser Murderburger’s Wrong Life has released a new double A-Side single in The Politics of Projection / The Corrections. Limited Fun Records is releasing it as a clear lathe cut 7” which you can pre-order here. Profits from physical and digital pre-orders through July 26th will be donated to Scottish Women’s Aid.

And we’ll close out this week’s Record Radar with a special offer from our friends at Punk Rock Radar: The Punk Rock Radar Birthday Box! For $39 you get: 2 random records! 1 shirt! 1 sticker pack! And most importantly, the opportunity to choose the topic for an upcoming Punk Rock Radar youtube video. It’s an unbeatable offer, folks. Head over to the PRR Store and take advantage of it today. And throw a few more awesome records in your cart while you’re there – I highly recommend Making Friends’ Fine Dying, Stank Finger’s Three Finger Discount, Goldenboy’s Qualmbum, and Snackwolf’s Lunch Breakdown, but you truly can’t go wrong with any Punk Rock Radar-sanctioned release.

Well, that’s all, folks. Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs (or do, I’m not your father). See ya next time!

Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!

Post a Comment

Your email address will not be published. Required fields are marked *

DS Record Radar: This Week in Punk Vinyl (Operation Ivy tribute, The Vandals, Bouncing Souls & more)

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is a weekly column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold […]

Greetings, and welcome to the Dying Scene Record Radar. If it’s your first time here, thank you for joining us! This is a weekly column where we cover all things punk rock vinyl; new releases, reissues… you name it, we’ve probably got it. Kick off your shoes, pull up a chair, crack open a cold one, and break out those wallets, because it’s go time. Let’s get into it!

We’re starting off this week’s column with a huuuuuge Operation Ivy tribute comp from Lavasocks Records and Sell The Heart Records. The Double LP titled Mooorree Than Just Another Comp features 33 Op Ivy covers from bands like The Chinkees, Catbite, Flying Racoon Suit & more. There are a bunch of color variants available here and here.

Earlier this week, your friends at Dying Scene hosted the exclusive premiere of a new song by North Carolina’s Wolves & Wolves & Wolves & Wolves. “Oh Catalonia” comes from the band’s upcoming album cursecursecurse, due out April 7th on A-F Records and Gunner Records. Check out the single below and pre-order the record here.

Belgian punks The Priceduifkes‘ new self-titled LP compiles 21 tracks from a bunch of previously released EPs and it actually flows pretty well as a full-length album. If you’ve never heard of these guys, this record is a perfect introduction to their high octane brand of pop-punk. Listen below and grab it on vinyl here (US) or here (EU).

Fat Wreck Chords imprint Bottles To The Ground put out a few new releases this week, the first of which is Bottle Music for Broken People. This sampler comp features a brand new track from the label’s newest signing Fishbone, along with songs by Codefendants, The Meffs & more. Check out the Fishbone single below and grab the LP here.

Bottles To The Ground’s other release comes from The Meffs. The Essex, UK two piece’s new 10″ EP Broken Britain Pt. 2 was produced by Frank Turner. Check out the music video for one of the tracks below and grab the wax here (US) or here (UK exclusive variant).

Our friends at Dead Broke Rekerds have issued a second pressing of their Fifteen – The Choice of a New Generation reissue. There are 257 copies on black vinyl, and 100 of each color variant. Head over to their webstore to grab your copy of this East Bay punk classic.

Listen up, true believers! The Bouncing SoulsAnchors Aweigh turns 20 this year and to mark the occasion, it’s back in print on colored wax! 500 copies on “toxic green” colored wax, to be specific. Get it here.

The VandalsHollywood Potato Chip is getting a new pressing on blue/white haze colored vinyl. I’ve seen this available to pre-order pretty much everywhere, but Amazon‘s probably the cheapest option with free Prime shipping. Or if you’re really frugal and don’t give a shit about color variants, the black LP is also on sale for $16 on Amazon.

RECORD OF THE WEEK

It’s been a while since we featured a Record of the Week(!) on the Record Radar, but what better way to end the streak than with a killer new record from a Canadian pop-punk band? Hellaphant‘s debut LP Crumble and Rise caught me by surprise in the best way possible. Listen below and grab it on vinyl here (shipping to the US is very reasonably priced!). And don’t forget to tell ’em your pals at Dying Scene sent ya!

That’s all, folks. Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, leave us a comment below, or send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs (or do, I’m not your father). See ya next week!

Wanna catch up on all of our Record Radar posts? Click here and you’ll be taken to a page with all the past entries in the column. Magic!

Post a Comment

Your email address will not be published. Required fields are marked *

DS Review: Baby’s 1st – Brakrock Day 1.

Hi babes! I’m finally over my festival blues and ready to bring you my second highlight of the year. Or third? It could be fourth or fifth. I’ve lost track, and who cares anymore. As many of you have noticed from my Instagram and our Dying Scene’s Instagram, I’ve been in Belgium to visit the […]

Hi babes! I’m finally over my festival blues and ready to bring you my second highlight of the year. Or third? It could be fourth or fifth. I’ve lost track, and who cares anymore. As many of you have noticed from my Instagram and our Dying Scene’s Instagram, I’ve been in Belgium to visit the highly recommended festival, Brakrock. The festival took place on August 4th and ended the following day. Yes, a totally sad face from my side. But you know, sometimes we must go home and regroup for next year’s festival season.

Anywho, let’s get on with it. Because Day 1 is already going to be longer than… Something. My brain didn’t survive Brakrock. So how was it? What happened? Did it blow my mind? All these questions will be answered. But first, here’s a sweet picture of our wine and water—something you’ll need to get through this post.

So, Brakrock! That happened, and we started with me getting a few bracelets. Fine, fine.
I entered a different entrance and hit right when Public Serpents did soundcheck. I had to race to my friends because I had our locker combo, and I had to return for Public Serpents to go on stage. But FIRST, let’s do a Brakrock 101.

At Brakrock, you don’t pay with a card – Actually, that’s a lie – you can pay with a card or cash for merch. But if you want wine or beer or food. That’s tokens, my friends. 10 tokens cost you about 30 euros. Yup. But it’s whatever. It works? I was actually not convinced until I tried it myself.
If you want a locker – please, reserve it prior to the festival. It sucks waiting 20 minutes in line to scan a bloody QR-code. Or actually, Brakrock, make sure there’s maybe three screens for the lockers? Idea.
Beer or Wine? Wine. Always wine. Belgium beer is amazing, but it does fill you up fast. Switch things up. But honestly Brakrock, I actually missed my cider.

But everything else worked. Clean toilets, barely any queue for drinks and food. Nice people. There were three stages; Riverstage, Ruinstage and Woodstage. They weren’t more than three minutes apart, so you can tell it was actually a nice and intimate compared to many of the other festivals I’ve covered this summer. I loved it. I could find my friends, easily. I could find merch and there were bars at every stage. What more could a girl ask for?!

So let’s get to my job. Which is reviewing bands and hopefully not pissing anyone off with this review. Oh and due to miscommunication, we actually didn’t know we were press until we were there and therefore all pictures and videos from day 1, are from my telephone.

Public Serpents

I will be honest; I love ska. I do. And I like Public Serpents; they are the fine mix between ska, and there’s some screaming, some hardcore in there. You know what? I suggest you get your asses out to a show if they are around you.
They started us off with ‘Hated by a Nation’ – probably one of the most popular songs that helped put them on the map. People were getting ready to mosh, and the crowd gathered fine around my friends and meme. It’s important to state here; Public Serpents are far from unknown here in Europe. And the name that they’ve worked incredibly hard for has only benefited them. I saw young people bring beach floats to the show to throw around and start a wild mosh pit where I needed to excuse myself. I wasn’t prepared for that at all. But damn, that show was one of the best I’ve seen that day.
They would have had me going immediately if I hadn’t been in the mood to dance before their set. Another thing, their set went by in a flash of the eye. I was surprised how well everyone in the band was to interact with the audience and keep the mood high. I’m excited to see them again.


The Slackers

After a show like Public Serpents that has the adrenaline rushing, it’s time for some nice, slow third-wave ska and chill. That’s right; it’s time for me to experience The Slackers for the first time. I fell in love with their album, and I had heard their previous material in passing, but not where I could tell you the name of many of the golden oldies they played. I will say they played the songs that I know and hold dear. “Shameboy”, “Wasted Days”, and “Married Girl,” and they did a cover of Misfits’ “Attitude,” and that was even better than Misfits’ own version. Yeah, I said it; it was awesome! Words can’t describe how much I’ve fallen in love with The Slackers after this. They were even the best-dressed band the entire weekend. I could have spent another hour listening to them. They sounded outstanding and respect to the audience for feeling the music as much as the rest of us.

Wonk Unit or The Dickies?!

Ah, yes. I forgot about this clash, and honestly, that was my first annoyance (we will get to the rest). I had never seen either band live. I have been a fan of The Dickies since childhood, so this felt obvious. But I wanted to check out the hype about Wonk Unit to see if they were all talk or the fact that they deliver. So, fair is fair sometimes; you decide to leave halfway through a set to see the end of the other band’s set. I’ll start with Wonk Unit because they were the first of the two bands we decided to see.

Wonk Unit

Wonk Unit is punk. It’s unique and super underrated. It reminds me… Of some 90s punk but updated, the whole band is just firecrackers. I had a considerable part, and so did my friends. I lost Annette; she entered the crowd while Bjarke (from The 20 Belows) hung out on the side and took it in. They don’t care if you know the songs or if you do know each lyric in the music. They want you to dance, and dance was something we did! Shit, everyone should book them.

The Dickies

The Dickies! Dream comes true to the smallest ones of us. Okay, I’m pretty tall, but still! I fangirled throughout the last fifteen minutes of their show. And when we arrived, who would happen to come and join The Dickies on stage? None other than one of my favorite bassists, Randy Bradbury from Pennywise. I was full after that show. I felt I had seen everything, yet I wanted more of The Dickies. Call me greedy. It was fun, and the sound was good. I was standing nicely on the grandstand. The view was good, and probably one of my new favorite spots for Riverstage. It worked out well. Let’s get The Dickies back for next year?

Satanic Surfers

They might have a tough name, but Satanic Surfers are still to date some of the sweetest guys I’ve met on my journey as a music reviewer. This is my second time seeing them, which blew me away. Now, the setlist was full of the bangers “The Usurper”, “… And the Cheese Fell Down”, “Don’t Skate on My Ramp”, and my all-time favorite song, which they aced and closed their concert off with “Head Under Water”. Rico still goes hard on the drums, and Andy steals the show as usual with his outgoing personality on bass. Max and Magnus throwing themselves around on stage. But the sound, compared to the last time I saw them was much more rehearsed, much more intact, and they delivered. I had my own party on the side.

Good Riddance

Are we going to pretend for a minute that I would skip Good Riddance? Not today, Satan. Apart from the annoying smoke machine, I have little to contribute to their show. Russ was feeling the crowd, and the crowd was feeling the energy that Russ was delivering and the rest of the band. Mosh pits found their way to the front, and I witnessed a few crowd surfers. Honestly, Good Riddance has been around longer than I’ve been on this planet. And last year, when I saw them in Copenhagen, they had an off day. But on Riverstage, it was the complete opposite. They had room to move; they had room to perform. This has to go down as one of the best concerts from Brakrock’s day 1.

Cigar

… I got stuck in the mosh pit and experienced my first human sandwich in the worst possible way ever. One from the back and one from the front at the same time. But it was AWESOME. It’s not exactly how I imagined my first Cigar concert but damn. Can we talk about how fantastic Cigar is? It’s flawless. They started with an oldie from the album they released back in 1999. And I set the playlist up in perfect order. In between the old stuff, they played “We Used To”, “Classic You” (one that I’ve always said is a stand-out on the album), “Legacy of the 7 Piles”, and “Gone Wrong” from the new album. Rami has terrific vocals, and they are equally impressive live. Jon Sortland made me tired watching his powerful drumming; I’m terrified of him.

If Cigar is in a town near you, check them out.

Pennywise

It’s been eight months since I last saw Pennywise. It’s been eight months since the venue in Copenhagen killed my first time seeing Pennywise. I still haven’t forgiven the venue. BUT how can you stay mad at a band that helped shape you? Or, in fact, a band that has such a massive impact on your own kid’s life? You can’t.

As it is Pennywise, and everyone was there, you couldn’t not expect some minor appearances from different bands. We got some NOFX covers from Pennywise and Russ from Good Riddance to sing a Minor Threat cover; we had Steve Caballero from Urethane on guitar during “Bro Hymn”. And Brakrock also had a pleasant taste of Dying Scene’s very own favorite ginger, ME, on stage for Bro Hymn. We had kids singing and showing us why Pennywise are where they are. Randy Bradbury, on bass, was on fire once again. I have yet to witness a better bass game from anyone but Randy, which is why he is my favorite bassist. Fletcher and his unforgiving humor got the already rowdy crowd going. 

I didn’t care about anything else. I was taken aback because I had been waiting for this in January. I got to experience it and became an even bigger Pennywise fan. #sorrynotsorryfriends

They delivered an incredible show and continue to amaze after decades on the scene. People commented that this may have been the best Pennywise show they’ve seen post-covid. So, I am not alone. Pennywise, we love ya.


Diesel Boy

Hey Diesel Boy, I know I’ve reviewed your new album, interviewed you, and now I’m reviewing half your gig for the first time. I’m counting my lucky stars. Okay, so it’s been years since Diesel Boy has been on stage, and it’s their first time at Brakrock – What a catch for Brakrock. What a catch for me.
After Pennywise, I need a drink, and I want to see what Diesel Boy can deliver since the hype around them has been so huge. I come in time for “Lime Green” from their ’96 album Cock Rock, Diesel Dave, the vocalist, does know how to sing. I’ll give him that much. So, sipping my beer, I noticed how the band seemed energized even though they were closing the festival with The Meffs playing on Riverstage.  

They played well together; my beer was excellent, and they continued to play their golden oldies. To be nice here, that is why most of us were there. Listen to the old stuff and hold out hope for some new stuff. But either way, after five songs, it’s time to go home because there’s a new day, Saturday, and it’s as heavy as Friday.

I actually might need to see Diesel Boy once again to give a proper, and decent review.

Post a Comment

Your email address will not be published. Required fields are marked *

DS Review: Karina goes to NOFX’s Final Tour (?) at Hatfield!

Put your hands up if you follow me on Instagram. Okay, cool. Well then, you know that I also attended and took some pictures at the show. Because why the fuck not? If you don’t follow me on Instagram, you missed some epic stories last weekend. So, let us begin. Thanks to England’s public transportation […]

Put your hands up if you follow me on Instagram. Okay, cool. Well then, you know that I also attended and took some pictures at the show. Because why the fuck not? If you don’t follow me on Instagram, you missed some epic stories last weekend.


So, let us begin. Thanks to England’s public transportation and their great job at CANCELLING trains, I missed The Meffs, and most of Get Dead, which I looked forward to but arrived at the end of the set. Oh well, another time – I hope. To be honest, Get Dead sounded so fucking good. I need more Get Dead in my life.

Comeback Kid

Iiiiiiiiiiiiiiii have to admit that I’ve never given this band the attention that they rightfully claimed Sunday the 28th in Hatfield. Now, for those that aren’t familiar with Comeback Kid, their sound is hardcore punk. But not the annoying kind; they actually know how to play instruments, and Andrew Neufeld knew how to grab the attention of fans when he decided to go down in the crowd and make noises.
To be honest, I’m pretty sure a dude broke his leg during their set. And to be honest, I was enjoying the nice view of people going apeshit in the pit. Would I see them again? I mean, I actually would as long as it was outside, at a festival, with friends. Surprise! I’m now a Comeback Kid fan…but I’m never joining that fucking pit.

Anti-Flag

… I love Anti-Flag. That’s all, folks. I have nothing more to say about this. It’s Anti-Flag. And if I recall, I’m the only reviewer on this planet that actually gave Lies They Tell Our Children a positive review. Okay, maybe not. But to be fair, I really liked that album and still do. But I’m about to ramble – here’s a fun little anecdote; Anti-Flag played in Copenhagen last year. I had bought tickets but forgot about the day; I did something else instead. I just remember the day after when I got a text asking where I was… I was actually very annoyed the whole day.
But no more! Because I saw them, and it’s better than I expected (sorry A-F. Lol, as if you’ll read this)

Lagwagon

Back in July, more preciously July 31st, I saw Lagwagon play in Copenhagen; honestly, that was trash. So, I’ll admit I was nervous about their performance… But they aced it. And now I’ll say THIS was my first time seeing Lagwagon because it was really good! And funny and sentimental… and the setlist was fucking awesome!

NOFX

STORY TIME! Nearly seven years ago, on 15.06.2016 (very specific), NOFX played in Copenhagen. Yay, or… actually, not for me. Because I. Went. Into. Labor. And as a sensible 24-year-old, I decided that it would be a stupid idea to try and enjoy a concert while having contractions and maybe/maybe not having a baby in the middle of a NOFX concert. I mean, THAT could’ve been a fun story too. But…no.

So, finally, it was my turn to see NOFX. On this stop, they played So Long and Thanks for All the Shoes and White Trash, Two Heebs and a Bean in full. Worth it, but sad at the same time. But honestly, it did actually feel like a final show. And that alone was bittersweet… But what a fucking party it was on a Sunday. I just want to see them again to compare the crowds because this was mind-blowing and fun. Everyone’s mood was high, and they ran the festival well without any large mistakes. There wasn’t even a queue to the bathrooms, bars, or food. Kudos. This was a HUGE success. Can we do it again, NOFX?

Post a Comment

Your email address will not be published. Required fields are marked *

Dying Scene Record Radar: This week in punk vinyl (MxPx, Transplants, Frenzal Rhomb & more)

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, thank you! This is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, pull up a chair, grab a few beers, and break out those wallets, because it’s […]

Hello, and welcome to the latest installment of the Dying Scene Record Radar! If it’s your first time joining us, thank you! This is a weekly column where we cover all things punk rock vinyl. So kick off your shoes, pull up a chair, grab a few beers, and break out those wallets, because it’s time to run through this week’s new releases and reissues (and there are a lot of them). Let’s get into it!


If you missed out on the full discography box set MxPx released last year, good news! The Bremerton pop-punk veterans are releasing standalone reissues for three albums – Life in General, Slowly Going the Way of the Buffalo, and The Ever Passing Moment. There are three variants for each record, and these will be available on the band’s webstore Friday, November 4th at 10AM Pacific / 1PM Eastern time.


The Transplants‘ self-titled debut album turns 20 this year, so naturally it’s getting reissued. There are two variants, each limited to 1,000 copies. The US exclusive version is available here, and the European variant can be bought here. Garnier Fructis shampoo not included.



If you completely lack self control and are collecting every color variant of the new Flatliners record for some reason, I have some good (or bad) news for you! A new “lava” colored pressing has popped up, and this is the only place you can get it.



Almost 20 years after its initial release on compact disc (otherwise known as “CD” by us in the trade), Frenzal Rhomb‘s Sans Souci is getting its vinyl cherry popped. This is only being released in Australia on “Russell Crowe Shit Brown” colored vinyl. Grab it here and use code “FIRST10” at checkout to save 10% on your order.



Fat Wreck Chords has signed a new band from the UK called The Meffs – no, not The Muffs; The Meffs – and they have a 10″ EP coming soon. Check out the first single below, and grab the record here.



New pressings of three Dwarves records have popped up on Jeff Bezos’ Amazon.com. Thank Heaven for Little Girls, Sugarfix, and Blood, Guts & Pussy are all available to pre-order right now. Get on it!



Two titans of pop-punk DeeCracks and The Manges have announced a new split 7″, due out on December 2nd. It’s not available to pre-order yet, but Mom’s Basement Records will be handling the US release, and our European friends can get it from Striped Music.



And because one pop-punk split simply wasn’t enough, here’s another one from The Huntingtons and Travoltas! This 8-song split LP is also due out on December 2nd, and it’s available to pre-order right now here (US) and here (EU). There’s also a CD version that you can grab here.



Now that we got all that pesky new music out of the way, let’s get back to the reissues of old shit! Here’s one from Alkaline Trio: it’s a new pressing of their 2011 acoustic album Damnesia. Limited to 750 copies on red and white marble colored vinyl, this is only available at Newbury Comics.



Smartpunk recently announced an exclusive reissue of Yellowcard‘s 2006 album Lights and Sounds. It was pretty limited, and inevitably sold out within minutes, so they’re doing a second run on another color variant. Grab it here. Or don’t.



And finally we have British punk legends The Damned have a new live album arriving just in time for Halloween. The 2xLP titled A Night of a Thousand Vampires was recorded live in London in 2019. Links to pre-order the different color variants can be found here.



RECORD OF THE WEEK!

We here at Dying Scene are all about trying new things, so this week I’m challenging you, loyal reader, to listen to something new! Or, in this case, something kinda old that is likely new to you! This week’s Record of the Week comes from NorCal skate punks Symphony of Distraction. I’ve been listening to their 2018 album Horse on repeat for a week now. If you like fast shit, this is the right band for you! Give it a listen below, and buy the record here. Check out their new album Horseshit as well!



And that’s all, folks! Another Record Radar in the books. As always, thank you for tuning in. If there’s anything we missed (highly likely), or if you want to let everyone know about a new/upcoming vinyl release you’re excited about, send us a message on Facebook or Instagram, and we’ll look into it. Enjoy your weekend, and don’t blow too much money on spinny discs. See ya next week!

*Wanna catch up on all of our Record Radar posts? Type “Record Radar” in the search bar at the top of the page!

Post a Comment

Your email address will not be published. Required fields are marked *

Fat Wreck Chords announces new imprint, releases videos by Melvinator and The Meffs

Fat Mike and Erin Burkett have announced a new imprint of Fat Wreck Chords. The imprint is called Bottles to the Ground and is “curated and owned mostly by Mike and all the members of NOFX”. Codefendants, Melvinator (Eric Melvin’s solo project with Fat Mike), Home Street Home, Ras-1, Doom Scroll, and The Meffs are currently on the imprint. A 12-song comp featuring all of the bands on the imprint will be out next year.The debut 12-inch single from Melvinator called American Errorist is out on the label which features Melvinator’s version of NOFX’s “American Errorist” along with a ZBA remix of the track. A video for the song, which was directed by Baz The Frenchman, has also been released. The Meff’s EP Broken Britain Part One is also out now on the imprint. A video for their song “Broken Britain, Broken Brains”, directed by Jonathan Dadds, has been released. See the announcement post and videos below.

Fat Wreck Chords announces new label imprint, Bottle To The Ground

Erin and Fat Mike Burkett, the dynamic duo behind the legendary Fat Wreck Chords, have announced a new label imprint. It’s called Bottles To The Ground and it’ll be curated primarily by Mike and his NOFX counterparts. Here’s what Erin and Mike had to say: “BTTG will be featuring mostly artists that are not Fat […]

Erin and Fat Mike Burkett, the dynamic duo behind the legendary Fat Wreck Chords, have announced a new label imprint. It’s called Bottles To The Ground and it’ll be curated primarily by Mike and his NOFX counterparts. Here’s what Erin and Mike had to say:

BTTG will be featuring mostly artists that are not Fat sounding bands. It will also feature bands and projects that members of NOFX are involved with such as Codefendants, Melvinator, Home Street Home and Fat Mike Gets Strung Out… There will be a 12 song comp coming out early next year featuring all the new bands.

Bottles To The Ground’s webstore is up and running here. For now, they’ve got The MeffsBroken Britain Pt. 1 and Melvinator’s American Errorist up for grabs. Stay tuned for that Codefendants record too…the singles released so far have been stellar!

Post a Comment

Your email address will not be published. Required fields are marked *

Festivals & Events: No Fun At All, The Meffs, Pkew Pkew Pkew, Kill Lincoln, more added to Manchester Punk Fest 2023

More bands have been added to the Manchester Punk Festival. No Fun At All, Petrol Girls, Onsind, Frankie Stubbs, Pkew Pkew Pkew, Kill Lincoln, Harijan, Stoj Snak, Me Rex, The Meffs, Jodie Faster, Vaction, Joey Terriying, Edward in Venice, Out of Love, Music in Our Underpants, Hell's Ditch, Bratakus, Fit to Work, Figet and the Twitchers, Glitchers, Dog Heaven, Fucking Angry, Tearjerker, Choleloe Hawes, Boom Boom Racoon, Partital Traces, Vampire Slumber Party, Other Half, Short on Time, Rough Gutts, Melonball, and Dischord will now be playing the festival. They join the previously announced first wave lineup. The festival will take place April 7, 8, and 9 across seven venues in Manchester, UK.

The Meffs

Female-fronted two-piece punk band from Essex, UK.