DS Photo Gallery & Show Review: GWAR, Soulfly, King Parrot (Starland Ballroom, NJ 3/26/2026)

It’s official.. GWAR has hit the road on their GOR GOR STRIKES BACK! Tour and ya’ll aint ready. There are shows, and then there are full on blood baths. If you’re a fan of GWAR, you know the number one rule: one must wear a plain white t-shirt in hopes of leaving the show drenched […]

It’s official.. GWAR has hit the road on their GOR GOR STRIKES BACK! Tour and ya’ll aint ready. There are shows, and then there are full on blood baths. If you’re a fan of GWAR, you know the number one rule: one must wear a plain white t-shirt in hopes of leaving the show drenched and covered in blood looking like you just survived a massacre.

Needless to say, GWAR absolutely shook everyone to the core.. but it couldn’t have been done without openers King Parrot, hailing from Australia, and Soulfly all the way from Phoenix, Arizona. Easily one of the most incredible shows I’ve ever been to and documented.


I had yet to catch King Parrot live before this, but after hearing nothing but praise my expectations were high and they absolutely delivered. As someone raised on heavier metal and grindcore, their set hit hard and filthy. A perfect appetizer, leaving us hungry for the carnage coming up next.

Unfortunately, there was no media allowed during Soulfly’s set at the band’s request. Honestly though? I wasn’t mad about it.. it almost made the experience hit harder, bringing us back to times where we were forced to live in the moment with no cameras. It was definitely one of those moments where you had to be there.


If you have struggle with sensory overload, a GWAR show on a Thursday night might not be on the top priority list. From insanely elaborate costumes, their own constructed characters called the Scumdogs from Scumdogs of the Universe, to their signature blend of red liquids, I was in awe the entire time. Fluids flew (as expected), the crowd pushed to the front in their soon to be blood soaked white t-shirts, mockery directed towards today’s political climate was had. Including: chopping off Kristi Noem’s boobs, slicing open Trump’s stomach, and decapitating Bill Clinton (in that order).

Those who aren’t in the loop would refer to them as “shock-rock”, or maybe just a lousy metal band begging for attention, but honestly? GWAR doesn’t just put on a regular old concert; it’s an entire artistic production.

Here’s some deep lore and context:
“The story of GWAR is carved across the history of this barren and hopeless planet, but GWAR themselves are not of this world… their story begins in the deepest reaches of outer space. Long ago, the beings who would become the rock band GWAR were part of an elite fighting force, the Scumdogs of the Universe. For eons, they served as thralls to a supreme being known only as the Master. But one by one, each future member of the band earned a glaring reputation for being an intergalactic fuck-up. And so, they were banished, sent away on a fool’s errand to conquer an insignificant shitball floating in a dark corner of the universe; the planet Earth. Once here, GWAR shaped the face of the globe, destroying and rebuilding the natural world, and giving rise to all of human history. Aliens to some, gods and demons to others, our erstwhile Scumdogs fucked apes to create the human race, and this fateful unplanned pregnancy would prove to be truly disastrous!”


If there’s one thing to know, it’s that GWAR’s fanbase falls nothing short of diehards no matter how young or how old. From longtime devotees in battle blood worn shirts (circa Oderus Urungus era, may he Rest in Peace!), to first-timers bracing for their first baptism in blood. There’s a shared understanding when you walk into a GWAR show that you’re not just watching, but you’re fully participating.


Check out more photos on Instagram!


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DS Show Review and Photo Gallery: Getting intimate with SPACED, DUEL, QUIZ, Belligerent (Cinco De Mayo’s NJ, 03/18/26)

If you live in New Jersey and your main music interest is hardcore/punk adjacent, chances are you’ve probably been to a cramped as hell show at Cinco’s. Originally operating as a small, family owned and run Mexican restaurant in New Brunswick (the flautas are killer), Cinco De Mayo gradually became part of NJ’s DIY music […]

If you live in New Jersey and your main music interest is hardcore/punk adjacent, chances are you’ve probably been to a cramped as hell show at Cinco’s. Originally operating as a small, family owned and run Mexican restaurant in New Brunswick (the flautas are killer), Cinco De Mayo gradually became part of NJ’s DIY music ecosystem over the last few years. As venues in the area began disappearing, Cinco’s stepped up in hosting hardcore, punk, and underground shows inside the literal dining area. Remember that viral “What the fuck is up Denny’s?” video? Yeah, imagine exactly that… but Mexican food. Some honorable mentions that have played at Cinco’s: Haywire, Bayway, Jivebomb, Dry Socket, XL Bully.


Hardcore local bands Belligerent and QUIZ (in photo) packed Cinco’s by opening up for the next two following bands.

Bands like Belligerent, DUEL, and SPACED are truly redefining what the hardcore scene looks like.. and proving that it’s not just a space for “the boys,” but one where femme-fronted and queer voices are essential. In a genre that has been male-dominated, their presence isn’t just a breath of fresh air, but a necessity.

DUEL was formed in NJ in 2024 by some friends looking to carve out their own space in the scene, and the band really channels community into their set. You can tell just by seeing the amount of people singing back the words, being handed over the microphone. DUEL is on the rise and I’m so here for the ride. They recently released their heavy hitters, two song EP “Counting Sheep” and “The Cost of Living” back in October. Hard recommend if you’re a fan of: GEL, Jivebomb, Gouge Away, Niis.


I think I’ve lost count now on how many times I’ve seen SPACED by now; from larger festival crowds to mid-size venues opening tours and let me tell you… it never feels the same twice. Right now they’re on tour with Sweet Pill, but this show specifically was their own intimate, headlining, side quest show.

Cinco’s was packed from the start, the windows were fogged up, and the neighbors were probably pissed by the time Buffalo’s SPACED hit. They played some classics from their first LP “This Is All We Ever Get”, mixed in with some absolute bangers from their new EP “No Escape”. From start to finish, everyone was engaged.. and that goes for every single time I have seen them. I can’t wait to see what the future holds for them.


Check out more photos on Instagram!


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DS Photo Gallery & Show Review: 25 Years of Bayside: The Errors Tour (The Stone Pony, NJ 9/24/2025)

It’s 2004, a time when we burned CDs, had Myspace profiles, Purevolume, and had to find a ride to the local VFW hall. Bayside had just released Sirens & Condolences, and in our adolescence there wasn’t much to worry about beyond heartbreak, friendships, and what the next show was. Life felt heavy then, but looking […]

It’s 2004, a time when we burned CDs, had Myspace profiles, Purevolume, and had to find a ride to the local VFW hall. Bayside had just released Sirens & Condolences, and in our adolescence there wasn’t much to worry about beyond heartbreak, friendships, and what the next show was. Life felt heavy then, but looking back, my worries were simple.

Fast forward twenty-one years, they revisited that era head-on, celebrating 25 years by diving deep into their first four records: Sirens & Condolences, Self-Titled, The Walking Wounded, and Shudder. For fans like myself who grew up with those albums, the night felt like both a reunion and a reminder of just how much those songs still mean to myself and everyone there.


The Sleeping came along to open up on the last leg of the tour.. which was such perfect choice to keep up in the peak 2000’s post-hardcore energy. Playing deep cuts, and also fan favorites like “Don’t Hold Back” and “King of Hearts” had the crowd moving early. For myself and many others, it somehow felt like a reunion within a reunion — as they were were staples of the mid-2000s Long Island/NYC hardcore scene that Bayside also came up alongside.


Bayside’s set opened up with the classic “Montauk”, pulling us all back to where it began.. back to 2005-ish nights at now-legendary venues like Maxwell’s in Hoboken, NJ (R.I.P.) or Crocodile Rock in Allentown, PA (also R.I.P.). Hearing these first three albums live again in 2025 truly felt like unlocking a time capsule that was never really locked in the first place.

Of course other classics like “Masterpiece” and “Devotion and Desire” had the crowd singing back at volume that nearly drowned out the actual band’s vocals. Deeper cuts like “They Looked Like Strong Hands” and “Carry On” gave the night even more sense of nostalgia.. reminding us that Bayside has always been more than just an influential band that we grew up with, but still a part of who we are now.


If you’ve been to The Stone Pony, you know the intimacy and history that this venue carries. The distance between bands and audience is basically non-existent, and becomes a room full of friends who had grown up with these songs, living them again together. Every show at The Pony is underscored by decades of legends who’ve played the same stage.. and Bayside has definitely contributed to that legacy and history.

Twenty-five years later, it’s like we forgot all of the years that have passed since the basement and VFW shows. We may have grown up, grown some back pain, but we haven’t grown out of our roots. Cheers to 25 years and many more to come!


Check out more photos and galleries from night one of 25 Years of Bayside: The Errors Tour on Instagram!

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DS Photo Gallery & Show Review: Hunx and His Punx (First Unitarian Church – Philadelphia, PA 9/12/2025)

The First Unitarian Church basement has long been a rite of passage for anyone steeped in queer DIY culture. Low ceilings, concrete floors, BYOB, and one of those sick-ass carpets you only ever saw in kindergarten classrooms have all set the stage for generations of legendary shows (Jimmy Eat World, Bouncing Souls, Jeff Rosenstock, The […]

The First Unitarian Church basement has long been a rite of passage for anyone steeped in queer DIY culture. Low ceilings, concrete floors, BYOB, and one of those sick-ass carpets you only ever saw in kindergarten classrooms have all set the stage for generations of legendary shows (Jimmy Eat World, Bouncing Souls, Jeff Rosenstock, The Get Up Kids — just to name a few). That night was all about glitter, leather, and bare butts as Hunx and His Punx descended on Philadelphia, joined openers Tchotchke. Together, they conjured something that played out like a John Waters fever dream.


Tchotchke kicked things off with a set that balances retro-pop hooks with garage grit, truly an homage to ‘60s progressive girl-group shine. Doing a cover of The Tammy’s “Egyptian Shumba” was a peak moment for myself.. often cited as one of the earliest proto-punk songs led by an all-girl group, and one of my personal favorites (so maybe I’m biased).


This tour marked a long-awaited return for Hunx and His Punx, who hadn’t released an album or hit the road in years. Their latest record, “Walk Out On This World”, and tour feel less like a comeback and more like a loud reminder of why they’ve always mattered in the first place. For fans who’d been waiting the last 10+ years, the night carried the charge of reunion energy: part celebration, part exorcism, all catharsis.

They truly wasted no time transforming the basement into a re-united, sweaty, leather dance hall. The setlist was an absolute joyride.. from new songs about being “Alone In Hollywood On Acid”, to some of our favorite classic anthems.


A big part of the band’s power comes from Shannon Shaw (front queen of Shannon And The Clams), whose basslines (and one of my personal favorite bassists of all time) anchor the chaos and whose vocals cut through with a such soul that contrasts Seth’s fire. Her presence on and off stage balances the spectacle, grounding the mayhem with something steady and undeniable.



Check out more photos and galleries on Instagram!

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DS Show Review and Photo Gallery: Camp Punksylvania (6/22/25: Day 3!)

Well, it’s safe to say that it only took a month to recover from Camp, but we’re already counting down the days until next year (about 325 days to be exact). Sunday, the last and final day of Camp Punksylvania, kicked off with no signs of slowing down and kept the momentum going with a […]

Well, it’s safe to say that it only took a month to recover from Camp, but we’re already counting down the days until next year (about 325 days to be exact). Sunday, the last and final day of Camp Punksylvania, kicked off with no signs of slowing down and kept the momentum going with a stacked lineup including highlights from The Car Bomb Parade, JER Band, and Bridge City Sinners.

Not only did we get down and boogie to these headliners, but we also had the chance to hang out with the nonprofit Punk Rock Saves Lives, learn more about the rad work they’re doing in the community, and connect with like-minded folks who care about more than just music. Oh — and did we mention we witnessed a full-blown wedding proposal in the middle of it all? Yeah.

If you’re into true anarcho-fueled punk, super soakers, and chaotic pool noodle fights in the heat amongst sweat and beer, then this was the set to catch. The Car Bomb Parade made the trip down from upstate New York and brought a raw classic sound that channels the grit of Sick Of It All and T.S.O.L., fused with the of modern punk bands like Propagandhi.



You’ve probably seen them pop up on your feed at some point — those wildly fun, hyper-niche ska covers of everything from Britney Spears’s ‘Toxic’ to Smash Mouth’s ‘All Star,’ and even the ‘Scooby-Doo’ theme song. That’s Skatune Network, the brainchild of the insanely talented JER. Drawing inspiration from video games, ’90s cartoons, and grassroots activism, JER took the internet by storm with these inventive reimaginings. But they didn’t stop there — after building a devoted following on YouTube, JER brought in a crew of equally passionate musicians, and thus the JER Band was born.



Punk Rock Saves Lives (PRSL) is a nonprofit organization rooted in the heart of the punk community, using the power of music and culture to drive positive change. Their mission goes beyond the music — PRSL focuses on mental health awareness, human rights advocacy, and encouraging blood and bone marrow donations through on-site activations at shows and festivals. Whether they’re registering voters, handing out free Narcan, free earplugs (yes, I have almost run them dry of their earplug inventory), or simply creating safe spaces to talk about mental health, PRSL always shows up where the community needs them most.

Bonus: A marriage proposal? (She said yes)



Bridge City Sinners brought Camp Punksylvania 2025 to a close with a spellbinding set, as the festival’s most-requested act. Blending their originated street style with dark folk instrumentation, the Portland based band tore through a long setlist packed with favorites like “The Devil’s Swing” and “Break the Chain.” Their performance was theatrical, and emotionally charged, with banjos, violins, and vocals that echoed all the way to the far end of the grounds.


Check out more photos and galleries from the final day on Instagram!


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DS Show Review and Photo Gallery: Camp Punksylvania (6/21/25: Day 2!)

We returned for Day Two of Camp Punksylvania under the relentless Pennsylvania sun, with the mingling scents of cows and beer from the night prior hanging heavy in the air. While the dust hadn’t quite settled from Friday, Saturday brought a whole wave of some of your favorite classic punk sets that made the hangovers […]

We returned for Day Two of Camp Punksylvania under the relentless Pennsylvania sun, with the mingling scents of cows and beer from the night prior hanging heavy in the air. While the dust hadn’t quite settled from Friday, Saturday brought a whole wave of some of your favorite classic punk sets that made the hangovers worth it.

Teenage Halloween kicked off Saturday afternoon. If you’re a New Jersey local, you’ve most likely heard of them—or been lucky enough to catch them live. I first saw them open for Laura Jane Grace last year during the East Coast leg of her tour, and they’ve been added to my “must see” list ever since. Teenage Halloween always brings a fun, high-energy vibe, making them the perfect band to set the tone for the rest of the day.



Murphy’s Law is a staple of the NYC punk scene. Whether you’ve seen them for the first time, or have seen them over 100 times everyone is an automatic friend of the band. The moment they hit the stage, beers were cracked open and hurled into the air (for hydration, of course).

If you spot a familiar face in the lineup, you’re probably right—Big B is on bass, holding it down as he has for Madball, too.



While this year’s Camp leaned less ska-heavy and more into punk and hardcore, Working Class Stiffs delivered the best of both worlds with their blend of ska-hardcore. Their set was fast, brassy, and unapologetically fun for everyone.



Saturday night was closed out by The Vandals. We all know that The Vandals have been around since the early 80’s, which makes us concert goers wary skeptical these days (Thanks Danzig)… “Are they going to absolutely suck? Do these guys still got it?” Needless to say, they absolutely did not suck. I would say they’re better live vs. listening through your stereo.

Guitarist Warren Fitzgerald also moves in ways and fits into pants that I could never imagine myself… shoutout to Warren.


Keep your eyes open for the final day of Camp Punk! Check out more photos and galleries on instagram.


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DS Show Review and Photo Gallery: Camp Punksylvania (6/20/25: Day 1!)

Camp Punksylvania hit the West End Fairgrounds for its fifth year in good ol’ Gilbert, Pennsylvania (and no, we still have no idea who Gilbert is or why the town’s named after them). What started in 2021 as a few small stages, local punk bands, and a hotdog stand in a field has since outgrown […]

Camp Punksylvania hit the West End Fairgrounds for its fifth year in good ol’ Gilbert, Pennsylvania (and no, we still have no idea who Gilbert is or why the town’s named after them). What started in 2021 as a few small stages, local punk bands, and a hotdog stand in a field has since outgrown its original venue and blossomed into something so much more.


We kicked off the sweltering, 100-degree Friday afternoon with BEEF. They’re known for bringing the heat to your local tri-state area basement, but this time was a little different—an outdoor stage, with fresh air and the smell of beer (but outside)! BEEF set the immaculate tone for the rest of the day, which was stacked with femme-fronted hardcore.


Headed over to Cancer Bats on the main stage, hailing all the way down from Canada. Known for their heavy, sludge-tinged hardcore sound, they brought a perfect blend of chaos and precision to the stage. Not only do they crush it with their original music, but they also have a Black Sabbath cover band called Bat Sabbath—cheeky name, killer execution.


Scowl was one of the main headliners of the weekend, and for good reason. The first time I heard them, it was like a lightbulb went off—this is it. There was something about their sound that just clicked: gritty, melodic, unfiltered, and full of intent. It felt fresh but familiar, like something I didn’t even know I’d been waiting for. Since that first listen, I haven’t missed a single show when they come through the area. Watching them take the main stage at Camp Punksylvania felt like a full-circle moment—not just for me, but for everyone who’s been screaming along with them since the early days.


Spaced closed out Friday night for us on the Riot Stage, bringing a final burst of raw energy to an already stacked day. Despite the intense heat, I had to stick it out to catch them.


Keep your eyes open for more coverage from day 2 and 3! Check out more photos and galleries on instagram.


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