DS Photo Gallery & Show Review: 25 Years of Bayside: The Errors Tour (The Stone Pony, NJ 9/24/2025)

It’s 2004, a time when we burned CDs, had Myspace profiles, Purevolume, and had to find a ride to the local VFW hall. Bayside had just released Sirens & Condolences, and in our adolescence there wasn’t much to worry about beyond heartbreak, friendships, and what the next show was. Life felt heavy then, but looking […]

It’s 2004, a time when we burned CDs, had Myspace profiles, Purevolume, and had to find a ride to the local VFW hall. Bayside had just released Sirens & Condolences, and in our adolescence there wasn’t much to worry about beyond heartbreak, friendships, and what the next show was. Life felt heavy then, but looking back, my worries were simple.

Fast forward twenty-one years, they revisited that era head-on, celebrating 25 years by diving deep into their first four records: Sirens & Condolences, Self-Titled, The Walking Wounded, and Shudder. For fans like myself who grew up with those albums, the night felt like both a reunion and a reminder of just how much those songs still mean to myself and everyone there.


The Sleeping came along to open up on the last leg of the tour.. which was such perfect choice to keep up in the peak 2000’s post-hardcore energy. Playing deep cuts, and also fan favorites like “Don’t Hold Back” and “King of Hearts” had the crowd moving early. For myself and many others, it somehow felt like a reunion within a reunion — as they were were staples of the mid-2000s Long Island/NYC hardcore scene that Bayside also came up alongside.


Bayside’s set opened up with the classic “Montauk”, pulling us all back to where it began.. back to 2005-ish nights at now-legendary venues like Maxwell’s in Hoboken, NJ (R.I.P.) or Crocodile Rock in Allentown, PA (also R.I.P.). Hearing these first three albums live again in 2025 truly felt like unlocking a time capsule that was never really locked in the first place.

Of course other classics like “Masterpiece” and “Devotion and Desire” had the crowd singing back at volume that nearly drowned out the actual band’s vocals. Deeper cuts like “They Looked Like Strong Hands” and “Carry On” gave the night even more sense of nostalgia.. reminding us that Bayside has always been more than just an influential band that we grew up with, but still a part of who we are now.


If you’ve been to The Stone Pony, you know the intimacy and history that this venue carries. The distance between bands and audience is basically non-existent, and becomes a room full of friends who had grown up with these songs, living them again together. Every show at The Pony is underscored by decades of legends who’ve played the same stage.. and Bayside has definitely contributed to that legacy and history.

Twenty-five years later, it’s like we forgot all of the years that have passed since the basement and VFW shows. We may have grown up, grown some back pain, but we haven’t grown out of our roots. Cheers to 25 years and many more to come!


Check out more photos and galleries from night one of 25 Years of Bayside: The Errors Tour on Instagram!

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DS Remembers: The Best Pop-Punk Tours of All Time

The pop-punk genre has had some legendary crossover throughout the years. Most of the tours listed below are shows that will never happen again. They are a perfect moment in time, a product of their generation and surroundings. Some fans were lucky enough to witness such an experience. As for the rest of us, we’ll […]

The pop-punk genre has had some legendary crossover throughout the years. Most of the tours listed below are shows that will never happen again. They are a perfect moment in time, a product of their generation and surroundings. Some fans were lucky enough to witness such an experience. As for the rest of us, we’ll look at these lineups and dream about what it might have been like to see such a show. 

This list excludes festivals like Bamboozled, Warped Tour, Mayhem fest, Sad Summer fest, etc. To make the list they must be cross-country traditional shows. 

12.) 21 Years of Really Bad Luck Tour (2021)- Bayside, Senses Fail, Hawthorne Heights, The Bombpops

This is the most recent tour by far. Originally scheduled for 2020, but delayed a year because of COVID, the 21 Years of Bad Luck Tour was everything fans wanted and more. Seeing 3 staples of the pop-punk community on one tour was breathtaking. Every time one set ended, the next one came in even stronger. All 4 bands on the bill truly gave it their all and it shows. Bayside was supporting their heaviest record yet, Interrobang [2019]. Senses Fail had just collaborated with Spencer from Ice Nine Kills and was gearing up for Hell Is In Your Head [2022]. As a pop-punk fan, you won’t see a lineup this stacked for a while.

11.) Fall Tour (2015)- The Wonder Years, Motion City Soundtrack, State Champs, You Blew It!

The Wonder Years have never had a bad lineup on any of their tours. The band is known for having their finger on the pulse of the scene. Their fall tour with Motion City Soundtrack is easily one of the most iconic tours yet. State Champs even opened for this show right before they blew up into the mainstream. This feels like a fan-made tour on Tumblr in 2014. Fall tour of 2015 is even more impressive when you consider this is in the wake of the bands 7″ split EP! All of these bands on this bill grew to have even more successful careers. 

10.) The World Tour (2014)- Pierce the Veil, Sleeping With Sirens, Beartooth, This Wild Life

The hype for this tour was palpable to say the least. Pierce the Veil drops King for a Day with Sleeping With Sirens in 2012, it soars to the top of every rock chart. It immediately becomes a cult classic. The tour was inevitable, but what was unexpected was just how memorable it would be. It skyrocketed every band on the bill’s career. This tour made post-hardcore cool again. Sleeping with Sirens was still extremely heavy at this time. Opener Beartooth had dropped their debut album Disgusting and was on track to be the next huge headliner. Even the more mellow This Wild Life provided a breathtaking soundscape for fans to enjoy (and get real sad to). Fans of one band soon found themselves obsessed with all 4. This was a scene kid’s dream come true.

9.) Summer Tour (2018)- Taking Back Sunday, Coheed and Cambria, The Story So Far

Any show that either Taking Back Sunday or Coheed and Cambria do separately is always a 10/10 performance. Some fans were lucky enough to see these two rock legends perform together, back to back. Taking Back Sunday is known worldwide for their energy and charisma. Coheed is famously one of the most talented and technical bands in the scene. They can play unimaginable riffs with ease. Not only that, but The Story So Far opened for this once-in-a-lifetime event. From old bands to new bands, this tour brought the heat. While all the bands are still together, we’ll never see them in this incredible order again.

8.) Believers Never Die Tour (2009)- Fall Out Boy, All Time Low, Cobra Starship, Metro Station, Hey Monday

It’s hard to even imagine the excitement of a Fall Out Boy and All Time Low tour alone. What happens when you add on Cobra Starship, Metro Station, and Hey Monday? You get the scene tour of the decade. Anyone that ever bought skinny jeans from Hot Topic or had Green Day on their iPhone shuffle went to this tour. To this day, memes about this tour are all over pop-punk Instagram and tik-tok. It’s defined the test of time. It certainly lived up to its hype for decades to come.

7.) The California Tour (2016) Blink 182, A Day To Remember, All Time Low, All American Rejects

You know this lineup is stellar when even the bottom of the bill could headline an arena. Considering this was Blink 182’s first album without Tom Delonge, they knew they had to bring their best. This tour was perfect for every generation. Older fans were there to see Blink and A Day to Remember, younger fans came in droves for All Time Low and the All-American Rejects. This show can only happen once in a lifetime, and if you were there, you’ll never forget it.

6.) The Save Rock and Roll Tour (2013)- Fall Out Boy, Panic! At The Disco, Twenty One Pilots

This is another tour that is absolutely baffling. Fall Out Boy, fresh off the heels of their massive comeback, and touring with Panic! At the Disco, the band they helped create. Save Rock and Roll may be a divisive record but I firmly believe it has so much heart. There’s a reason the band came back even bigger than when they broke up. To add a cherry on top, Twenty One Pilots was the main opener and still extremely small at this point. When people refer to alt-emo this is the sound they are referring to. Regardless of your preferred genre of music, this tour was perfect for everyone who rejected mainstream modernity in 2013.  A show like this would sell our baseball stadiums in 2022. 

5.) The Story So Far Fall Tour (2018)- The Story So Far, Turnover, Citizen, Movements 

The Story So Far Tour in 2018  was a renaissance of modern pop-punk. Every single band on this lineup would grow up to be influential in the emo scene. Citizen and Movements have become icons for sad downbeat music. Turnover has dove deep into soft rock and found success there. All of these artists gave something back to the scene they loved and pushed the boundaries of music forward. The best compliment about this lineup that I can say is that it feels almost too good to be true. 

4.) The House Party Tour (2013) – A Day To Remember, All Time Low, Pierce The Veil, The Wonder Years

This is the tour on the list I’m the most jealous of by far. Even the main opener (The Wonder Years) is one of the most concise and powerful bands of all time. Keep in mind, when this tour occurred all 3 headliners were experiencing a massive rise in their respective careers. A Day To Remember had just dropped their magnum opus, Common Curtsey. Pierce the Veil had released their biggest album to date, Collide With The Sky. Even All Time Low was finding success again with their record Don’t Panic! Every band was blowing up simultaneously. If you got to witness this lineup, you are one of the lucky ones.

3.) The Hella Mega Tour (2021) – Green Day, Fall Out Boy, Weezer, The Interrupters 

Another recent entry on this list, and arguably one of the biggest, the Hella Mega tour swept the world with hype. 3 of the largest rock bands in the scene agreed to come together for an epic tour. Very rarely can you see Emo and Pop-punk bands sell out 50,000-capacity stadiums. The financial success of this tour showcases how necessary it was and valued among the pop-punk community. 

2.) Brand New Fall Tour (2016)- Brand New, The Front Bottoms, Modern Baseball

This tour is extra special because 2/3 of this bill no longer exists. It is literally impossible to see these artists live. However, for the special fans who got to experience such an event, I am confident they will never forget it. Brand New and Modern Baseball both being the faces of modern emo, with the fun alternative sound of the Front Bottoms makes this a legendary show. This concert will forever live on as one of the greatest experiences in rock history. 

1.) The Pop Disaster Tour (2002)- Green Day, Blink 182, Saves The Day

There isn’t much that can be said about this tour that hasn’t already been said. Green Day and Blink 182 were dominating the mainstream in ways rock hasn’t seen in years. Their tour together would cement itself as one of the crowning live events of the 2000’s. This tour is so well known, you can say “pop disaster” to any fan of the genre and they’ll immediately know exactly what you’re referring to. 

IG: @ValentinoPetrarca

Twitter: @Valentino_Emo

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DS Show Review & Gallery: Bayside; Finch; Armor for Sleep; and Winona Fighter. Chicago (04.29.2024)

House of Blues welcomed Bayside back to Chicago. Winona Fighter and Armor For Sleep lent support. Finch, with the penultimate set, was billed as a special guest. Bayside, named for the Bayside, Queens neighborhood of its origin, brought its There Are Worse Things Than Being Alive tour to Chicago at the end of April. The […]

House of Blues welcomed Bayside back to Chicago. Winona Fighter and Armor For Sleep lent support. Finch, with the penultimate set, was billed as a special guest.


Bayside, named for the Bayside, Queens neighborhood of its origin, brought its There Are Worse Things Than Being Alive tour to Chicago at the end of April. The tour name doubles as the title of the band’s brand new album from Hopeless Records.

It’s an album garnering positive reviews and it pulls no punches. “The Devils” haunting intro sets the mood:

We are the trade-ins, the souls that needed saving
Counting on a tired god who didn’t really want the job
If he’s on vacation, as I wait to be taken
Then nothing really matters now
So what am I so worried about?

As for the Monday night show, Bayside’s powerful performance was a 21-song salute to its 2-plus decade history. Included in the set (not in order of how played at the show) were “Devotion and Desire” from Bayside’s 2005 self-titled record, “Sick, Sick, Sick” off of 2011’s Killing Time, and “Prayers” from 2019’s Interrobang.

Of course, the band also peppered the set with cuts off of the new album, including, “Castaway,” “Go To Hell,” and “The Devils.”

Bayside will be playing the Not Just A “Phase” Fest in Kansas City, KS on June 2nd. The band will then head to The United Kingdom to play a couple of headling shows, in Brighton on June 11th, and in Huddersfield on June 12th. On June 14th, Bayside will hit the Avalanche stage of Download Festival, at Donington Park, in Leicestershire, England.


Finch, out of Temecula, CA, returned to playing shows in 2023 for its What It Is to Burn 20th Anniversary Tour. The band played shows in NYC, Chicago, Boston, and Anaheim. Being the special guest of Bayside this year has allowed even more Finch fans the opportunity to see the band live again or for the first time.

Finch’s set, including, “Rainy Day,”  “Letters to You,” “Post Script,” “A Piece of Mind,” “New Beginnings,” “Insomniatic Meat,” and “What It Is To Burn,” was a throttling one. The reception the band received made it clear that its fans are glad to see it back on stage.


Teaneck, New Jersey’s Armor for Sleep, disbanded in 2009 and reunited in 2020 for the 15th Anniversary of its album What To Do When You Are Dead. The band then released a new album, The Rain Museum in 2022. This year the band is spending a great deal of time on the road. Along with providing support to Bayside, Armor For Sleep will be joining Hawthorne Heights 20 Years of Tears tour. That second tour celebrates the 20th Anniversary of Hawthorne Heights’ debut album, The Silence In Black And White.

Blasting through a set including “Remember to Feel Real,” “Dream to Make Believe,” “Williamsburg,” and “Awkward Last Words,” Armor For Sleep gave a solid and tight performance. When the band returns to Chicago on June 28, on the above-mentioned tour, no doubt many of the same fans at this House of Blues show will be amped up to see them at The Salt Shed.


The fantastically named group, Winona Fighter, from Nashville, TN, kicked off the evening with a massive bang. The highly energetic lead singer Coco utilized all sections of the stage as she led the band’s propulsive performance. Winona Fighter ripped through a set including “Hamms In A Glass,” “I’m in the Market to Please No One,” a cover of Blur’s “Song 2,” and “You Look Like A Drunk Phoebe Bridgers.” She got her first taste of punk in Boston, MA before moving to a city more famous for country music. Winona Fighter, formed in 2022, was the revelation for me on an evening stacked with decades-old veteran bands. I am looking forward to seeing the band again, whenever that might be. I am also curious to find out what other punk bands call Music City home.


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DS Show Review & Gallery: Bayside, I Am The Avalanche, and Koyo at Metro in Chicago (02.26.2022)

Bayside returned to Chicago to perform a headlining show at the legendary Metro Chicago. It also was my return to the venue just blocks from Wrigley Field after not covering a show there for at least a couple of years now. I was as glad to be back at the Metro, which just celebrated its […]

Bayside returned to Chicago to perform a headlining show at the legendary Metro Chicago. It also was my return to the venue just blocks from Wrigley Field after not covering a show there for at least a couple of years now. I was as glad to be back at the Metro, which just celebrated its 40th Anniversary, to document the show as Bayside fans were to be watching it. Bayside, currently on its “Just Like Home” tour, had strong support on the bill from fellow Empire Staters Koyo opening and I Am The Avalanche in the middle spot. It all added up a fun Sunday night.


Bayside, founded in the Queens/Long Island area, made a stop at one of its favorite U.S. venues. Frontman Anthony Ranieri told the crowd that they should play all of their shows at the Metro, even the out-of-state ones. With its large stage, intimate size floor space, and a balcony affording a great view, it’s no wonder both musicians and fans love the Chicago icon. Ranieri, who made a brief appearance during the I Am The Avalanche set led his bandmates through a rip-roaring performance. The set was jam-packed with some of Bayside’s very best songs, including, “Sick, Sick, Sick,” “How To Ruin Everything (Patience),” “Already Gone,” “Duality,” “Hate Me,” and “Go To Hell.” The band also performed a cover of Smoking Popes’ “Megan.” At one point, I Am The Avalanche singer Vinnie Caruana bounded on stage to join Bayside for a tune, just as Anthony Ranieri ran on to stage during the IATA’s set to hug and sing with his tour mate. Bayside appeared to be having a blast on this tour. For the fans, including some who traveled from as far as California, to see the band live, there is little doubt they could feel it and experience that feeling as well.


Once Brooklyn, NY’s I Am The Avalanche, blasted onto the stage, hardly a breath was taken. Its powerful set included “I Took A Beating,” “Amsterdam,” “Green Eyes,” “The Shape I’m In,” and “177.” The highlight was easily a rousing edition of “Brooklyn Dodgers,” the band’s wistful ode to its hometown and the people from it.


Koyo is also from Long Island, as am I, born and raised. Though I haven’t lived on the Island for many years, I still put that down as a point in the band’s favor. However, not much help was needed in scoring Koyo. A muscular performance start to finish, the group drove through “Moriches,” “A Song For Anthony,” “Fifty First Dates,” “Straight North,” and “Ten Digits Away.” Koyo provided a pretty strong kick-off to a very fun evening.


Please check out more photos from the show below!


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