Dying Scene

DS Show Review & Gallery: SPELLS, Celebration Summer, and Heavy Seas – Chicago (05.28.2023)

SPELLS traded in the Mile High City for the Windy City on May 28, 2023. The Colorado self-described “vacation” band was joined by Celebration Summer, and Heavy Seas at Reggie’s Music Joint. It was a low-key, but high-energy evening of compelling music and equally compelling performances. On this weekend Punk Rock Bowling lured many punk […]

SPELLS traded in the Mile High City for the Windy City on May 28, 2023. The Colorado self-described “vacation” band was joined by Celebration Summer, and Heavy Seas at Reggie’s Music Joint. It was a low-key, but high-energy evening of compelling music and equally compelling performances.

On this weekend Punk Rock Bowling lured many punk rock fans away from the Windy City, leading to a smaller crowd in attendance. Many bands would be disheartened by the situation. But not the trio of bands on the bill this night. In fact, in many ways, this situation enhanced the experience. Having become friends with several of the musicians who performed, as well as some showing support, it felt, to me, more of a personal house party. Intimate, yet super fun. You know how there are always a few friends who decide to break out into song during parties? It just happened to be that these friends are all excellent musicians. No drunken, cringy renditions of “Don’t Stop Believing” sung along to a Karaoke machine.

Instead, we got the hyper-goofy fun of SPELLS. The band, consisting of “Little Stevie Shithead” (aka Ben Roy), Charlie “Continental” Stimsell, Don Bersell (aka Duke “Box” Standard), Robert Drew Burleson (aka Peter “P.” Bohner) and Dawn “Dusk Monarch” King were clad in matching golf shirts, and at least partial tracksuits, as is their modus operandi, though they do maintain a rotation of different patterns.

Roy and King shared vocals and played off of each other in a dynamic way unmatched since Sandy and Danny hit the Rydell High Senior Fair. Ok, maybe that’s just a tad hyperbolic. Still, there is a crackling dynamic when they abandon the stage to mingle amongst the crowd, even more so when they draft fans to be a part of the show.

I spoke to Coffey, Burleson, and King several days after the show to get to their reflections on the evening. King told me:

“I think the show was amazing! Even though it was a small crowd, it’s the energy we feed off of. The people who were there were friends or friends of people who weren’t able to make it. Some of them were brand new to the SPELLS experience! I feel like over the years SPELLS have cultivated friendships all over the US and overseas. It’s hard not to fall in love with this band.

“Chicago is an amazing city and we’re lucky to have a bunch of buds there.“

King ended with:

“What’s up next? World Domination.”

Burleson also spoke to the sometimes smaller crowds which every band experiences at some point:

“We are never really concerned about who attends shows. Staying in is the new going out so we get it. But for those who venture out to the dance party, we want to give them a complete 80% effort.”

Burleson shared some amusing memories from lesser-attended shows:

“One time we played in Quebec and the promoter got mad cause we were stuck in traffic and showed up a little late. He proceeded to take the opening band and all of the people who were there and went to another (bigger) show. We ended up playing to a room full of maybe 6 friends of friends, the bartender, the door person, and the sound person. IT WAS AMAZING!“

And he had some invaluable advice to other musicians:

“We made everyone get on stage and had a dance party. Maybe one of my favorite shows. Play to the people who are there and not the ones who aren’t. I’ve played to a room full of stuffed animals, GI Joes, and Kathy Ireland posters, and having a chance to play live in a club in a city we love (Chicago) to people we love is THE BEST.”

Oh, and Burleson also answered a query I’ve had for a while. That is, how they came up with the band name:

“SPELLS is an acronym for Stupid People Elevating Lonely Losers Socially. We came up with it after attending a youth leadership conference.”

Coffey echoes the sentiments of the King and Burleson:

“Like my bandmates said, we play our asses off for anyone that’s there and don’t sweat if it’s 10 people or 200.  We do what we do because we love it.“

He added:

“It’s always great to see friends at shows. We do have an affinity for Chicago. It’s the city we’ve played the most outside of Colorado. We’re fortunate to have some great friends in town that have gotten us on some good shows and introduced us to a lot of rad people, such as yourself.“

Coffey is credited as the producer of the latest SPELLS release but he describes the process as this:

“I pretty much get producer credit cuz I’m there during the entire recording process, but it’s a full band effort.”

When not touring with SPELLS, Coffey, remains immersed in music as a producer and owner of his own record label.

“Yep, I started Snappy Little Numbers in 2011. I run it out of my basement. Rob helps out with art for SLN quite a bit too. Reminder… it’s not Fingers!!  Even though there are fingers in the logo. I don’t always think things through, haha. [Coffey immediately followed up that he made the joke about “Fingers” “lovingly” sans disrespect to Stiff Little Fingers. He added that it’s quite common for people to make this mistake.]”

And because Burleson revealed the origin of the band name, Coffey thankfully offered how he came up with the name of his label:

“I came up with Snappy Little Numbers cuz it’s old-timey slang for a catchy song. Like, “hey that tune is a snappy little number”. Then I added an S to pluralize how many freakin’ hits we were gonna curate!“

With all this talk about sparsely attended shows, it should be noted that SPELLS shows are way more often playing to jam-packed crowds. No doubt the shows will continue to get ever bigger. With a set list like the band cruised through on this Sunday night, including “What The Hell is Caution,” “Some Would Say,” “She Wants to Die Before Me,” “Deceiver,” and closing with, of course, my favorite, the above referenced “80% Is Good Enough.”

SPELLS latest record, “Loose Change, Vol. 2,” is planned for release on June 29, 2023. If you want the vinyl version, you have a choice between “Dolphin Blue,” or “Drakula Red.” It’s available for pre-order now.

Celebration Summer, a wonderfully upbeat band moniker, sounds like the name of a music fest. However, per the band’s online press kit:

“Celebration Summer is a mash-up of sorts, pays homage to the iconic Hüsker Dü song “Celebrated Summer” and Washington DC hardcore’s significant social and activist “Revolution Summer” of 1985.“

The band’s songs are politically driven and have the mission of racial and social justice. With its powerful set, including “Disconnected,” “Silly Me,” “My Devotion,” “Patience in Presence,” “Bitter End,” and “Fraud,” Celebration Summer neither pulls its punches nor suffers fools. For those who lean MAGA, this is might not the music for them, as the band describes itself this way:

“Celebration Summer hit the ground running with anthemic, progressive songs capturing the struggles of
modern life in Trump/post-Trump-era America.”

Actually, perhaps MAGAs should be listening to Celebration Summer. Perhaps they’ll have a change of heart. In any case, with compelling lyrics set to strident, in the very best way, music, this band should be celebrated this summer and in every season.

Celebration Summer will be festing in Gainesville, FL. You can check them out at Fest 21 in late October.

Heavy Seas co-founder/guitarist Jeff Dean has been a very busy man of late. Amongst other projects produced and engineered The Bollweevils latest release Essential. In the audience at this show was Daryl “The Punk Rock Doc” Wilson, to show his gratitude to and support of Dean, and other friends on the bill.

Dean told me:

“Recording [and] producing Bollweevils was rad…“

Heavy Seas founders Dean and Ronnie DiCola recruited former All Eyes West bandmate Justin Miller to fill in on bass after that position came up available. This Chicago trio kicked off its set with its own originals, “Waves and Dreams,” “Sunn,” “Idle in Life,” and “Oscillation.” Heavy Seas also included as surprise for long-time fans of the three musicians/ Per Dean:

“We also ended the set with 4 All Eyes West songs since Justin was filling in on bass.”

Dean continued:

“Ronnie, Justin and I were All Eyes West then Ronnie and I started Heavy Seas. So having Justin fill in basically made it All Eyes West.

Dean is currently in Baltimore, MD recording the third Heavy Seas album. He provided me with some information about this:

“Heavy Seas has a new album called Distortion Days coming out at the end of summer on Rad Girlfriend records for the US and little rocket records for EU UK.”

Looking forward to the new album and also Dean’s perspective on his role in making Essential. He pledged to tell us at Dying Scene more about it later. We can’t wait!

Please check out more photos from the show. Thanks & cheers!

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  • Daryl Wilson, of The Bollweevils, jumps in on the fun with Ben Roy
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by Staff Writer MerGold
Tags: 
Celebration Summer chicago Denver Punk Heavy Seas Humor-punk

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DS Show Review & Gallery: The Bollweevils -“Essential” Record Release, with Reaganomics, The Dopamines, Rad Payoff, and Butchered (Chicago – 5/27/23)

Chop Shop, in Chicago’s Bucktown/Wicker Park neighborhood, was the site of The Bollweevils‘ release show for its long-awaited new record, “Essential.” Heavy duty support was provided by Reaganomics, The Dopamines, Rad Payoff, and Butchered. The Bollweevils just released their first new record in almost a decade and a half to high praise from multiple outlets. […]

Chop Shop, in Chicago’s Bucktown/Wicker Park neighborhood, was the site of The Bollweevils‘ release show for its long-awaited new record, “Essential.” Heavy duty support was provided by Reaganomics, The Dopamines, Rad Payoff, and Butchered.

The Bollweevils just released their first new record in almost a decade and a half to high praise from multiple outlets. Essential hit the public in May. (Disclaimer: I contributed to the record’s inside photography.) I assure you I am not cutting and pasting past The Bollweevils reviews when I describe the band’s performance as wonderfully raucous. It’s just that I have yet to experience a disappointing show put on by these men. It starts with the charismatic lead singer in Dr. Daryl Wilson, M.D. A.K.A. the Punk Rock Doc, jumping well above his nearly 6’5″ frame, and providing the numerous shooters in the makeshift photo-pit ample opportunities to catch air in the form of cool images. But The Bollweevils are far from a one-tall-man show. Bass duties are performed by the red-headed Pete (“Publish only in black and white!”) Mittler or the 5th Bollweevil, Joe Mizzi, from the Mizzerables. The split bass player situation is due to Mittler, also of The Methadones, moving to Florida a few years back for personal reasons. On this night Mittler flew back from the Sunshine State to perform, and Mizzi, who provides vocals on Essential flew back from attending Punk Rock Bowling to provide support to his friends and bandmates. Mittler showed support for Mizzi as well, forgoing his most well-known “Smoke Crack and Steal” top (which he once wore on a popular local morning new programs) and instead sporting a The Mizzerables t-shirt.

Mittler has a well-known affinity for
sleeveless shirts. But with his “guns,” many in the crowd appreciated them too. I write that respectfully for the hard work he puts in. Most importantly his playing was just as muscular as his upper arms.

Throttling through the set in conjunction with Mittler to make a dynamic backline was the other Pete, Pete Mumford. The double Petes provided a powerful backline to fuel a firecracker of a show.

Mumford, a charming, self-effacing personality with a sharp sense of humor, is also a fantastic drummer. Witnessing his jubilance behind his kit is always a delight.

Ken Fitzner, a Chicago Public School teacher, and former principal in the CPS, when not displaying his deft and blazing guitar skills rounds out the group. Fitzner, a founding member of the group, along with Wilson, has provided a crucial solidity to The Bollweevils. His near life-long deep friendship with the band’s singer is apparent both on and off-stage. They define “brothers from other mothers,” and it is a joy to observe. PBS agreed apparently. Actually, The Bollweevils can be described in whole, with apologies to Stephen E. Ambrose, as a band of brothers.

On this night, The Bollweevils’ hard-driving set included the highly liked, “Bottomless Pit,” “Galt’s Gulch,” (from the new album), and “The Failure of Bill Dozer.” But the top crowd pleasers had the crowd magnificently joining in “The Bollweevils Anthem.”

“Liniment and Tonic,” also (featured on Essential) and “999-Stoney.” That latter song, one of my favorites of this band, played as a part of the set’s finale, has perhaps my very favorite The Bollweevils lyric as its chorus. A simply stated, yet stinging, retort to those with a privileged view of the world,

“Things seem so different when you’ve got your rose-colored glasses on.“

In fact, the song itself seems to be an indictment of people who are apathetic to or willfully ignorant of so many sad states of the world. I loved it, as did the crowd, who sang along in glorious unity.

I’ll also say this every time I write about The Bollweevils: if you have yet to see them live, get on it as soon as the next chance arises. In the interim, pick up the new record, and as much of its discography you can get your hands on.

Next up for The Bollweevils takes place in Rancho Cucamonga, CA. The guys will sharing a stage with another legendary band, The Adolescents on August 12, 2023 at Haven City Market.

When you have such a beloved, forceful, and legendary headliner, on its record release show, it is essential (yes, I meant to do that) that the supporting bands can honor that with superb sets. Boy, did the show’s organizers deliver big time.

I like The Reaganomics name quite a bit but not the fiscal policies, upon first hearing the band name, are easy to misconstrue as the inspiration for said name. In reality, per Cantu,

“I think the band name is a joke, one of the guys old landlords looking like Reagan and some rules they had at their apt. Or something to that effect.”

Red Scare label mates with The Bollweevils, the band self-describes as “4 sweaty dads playing punk rock with constant pummeling banter mostly pertaining to collective soul.” It did indeed pummel the audience in the very best way. Roaring through “STFU,” “Meth Gator,” “The Four Cliches,” “Grown Ass Man,” “Worth A Damn” all from its 2019 release, The Aging Punk, The Reaganomics, comprised of Terry Morrow, Greg Alltop, Nick Mclenighan, and Eddie Cantu, granted the crowd a more positive experience in one night than the similarly named former screen actor did in 8 years as President of the United States. Well, the exception being Ronald Reagan’s effect on punk rock.

Next up for The Reaganomics: a show at Elder Brewing Co. in Joliet on June 23, 2023. They will share the bill with Death and Memphis, Kalico Skies, and Tall Doug.

The Dopamines, out of Cincinnati OH, put on a fun and rollicking performance, tearing through its set list, which included “Business Papers,” “Night Vision,” “Ire,” and “Cincinnati Harmony.” However, bass player and vocalist Jon Weiner never did get the answer to his burning query. The same question he asked during the band’s set at the War on Christmas show this past December. The question being, “what it is that Congress does?” Having studied politics, law, and journalism, I suppose I could have provided a somewhat complex though admittedly somewhat convoluted explanation. However, I prefer to let my friend Bill take charge of answering it, at least partially. Still, I have a feeling the band will still search for the answer, at least until an audience member elects, pun intended, to step up and speak out. It will be an entertaining moment on top of an already very entertaining band.

This was not the first time I’ve documented Butchered, from Chicago, and I’m sure it won’t be the last. The band, composed of Nick Cvijovic, Louis Steimel, Derek Barberini, and Vinnie Dinwiddie, gave a boisterous performance, grinding through its set which opened with “Half-Assed” and closed with “Born to Run With Scissors.”

Cvijovic, who informed me his surname is pronounced “svi-oh-vich,” gave me his reaction, via direct message, to the night a few days after the show,

“Room was packed when we played, it felt real good. The whole show was insane and awesome and made us feel really great and [he inserted the 100% emoji here.]”

Your next chance to check out Butchered, or check them out again will be on July 2, 2023, at GMan Tavern in Chicago, They will be sharing a bill with Nowhere Fast, out of Kentucky, and another Windy City punk group Dying Scene has covered at least a couple of times, Torch The Hive. That should be a terrific show and a good time.

The one band new to me was Rad Payoff. The group has been a part of the Chicago punk scene for a while, but as far as I can recall, I had yet to see them live. I could say something like getting images of this band had a rad payoff, but that would be silly. In any case, the band, comprised of Jason Smith, Jon Olson, Zack Hjelmstad, and Mike Oberlin, whipped up the crowd as it ripped through a set list including, “It’s Pronounced Mogue,” “Sunglasses,” and “The Gender of My Animals.” The band also performed its single, “A Series of Excuses,” a song whose proceeds were donated to the National Association for the Advancement of Colored People (NAACP).

Please check out more photos from this really cool night! Thanks & Cheers!

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by Staff Writer MerGold
Tags: 
Butchered Chop Shop Rad Payoff the bollweevils The Dopamines

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DS Show Review & Gallery: Bouncing Souls, Samiam, Swingin’ Utters, and Pet Needs – Chicago (05.11.2023)

Bouncing Souls returned to Chicago’s Metro on Thursday, May 11, 2023, as a part of its Ten Stories High tour. Solid support on this bill was provided by Samiam, Swingin’ Utters, and Pet Needs, adding up to quite an enjoyable evening. As the lights dimmed for the headliners, fans were singing “Ole”  from Bouncing Souls’ […]

Bouncing Souls returned to Chicago’s Metro on Thursday, May 11, 2023, as a part of its Ten Stories High tour. Solid support on this bill was provided by Samiam, Swingin’ Utters, and Pet Needs, adding up to quite an enjoyable evening.

As the lights dimmed for the headliners, fans were singing “Ole”  from Bouncing Souls’ 1999 album Hopeless Romantic. Of course we featured that tune near the top of our Dying Scene’s World Cup Anthems playlist on Spotify. The band hit the stage to the iconic Simple Minds theme “Don’t You (Forget About Me)” from The Breakfast Club, the John Hughes film set in a Chicago suburb. The crowd, many of whom were either not yet born when the classic 1985 film was released or were too young to see it at that time, sang enthusiastically along.

The tour derives its name from Bouncing Soul’s new album Ten Stories High, released this past March and the New Jersey crew got right down to business at the Clark Street located venue. Lead singer Greg Attonito bounded across the stage and to the edge of it. Pete Steinkopf, shredded through both the well-known and newer tunes. Bryan Kienlen held court stage right with his powerful bass playing. In the back, Greg Rebelo tore it up behind his drum kit.

As noted above, the setlist was comprised of old and new songs. About midway through the set, Attonito asked for two song suggestions from fans, at first telling them he would pick one.

Of course the band performed both nominees, “Bullying the Jukebox,” also from Hopeless Romantic, and “Quick Chek Girl” from 1995’s Maniacal Laughter. Joyous cheering and crowd surfing ensued. The band also performed its very popular cover of Avoid One Thing’s “Lean on Sheena,” which the Bouncing Souls recorded for The Gold Record from 2006.

And finally, being from the Empire State, born and raised east of the Big Apple and having spent a whole lot of time annually, in the City That Never Sleeps I have a certain affection for “East Coast! Fuck you!”And I was more than happy to whisper-chant along,

“Punkers should be pale and pasty
Pizza here is fierce and tasty
East Coast! Fuck you!
East Coast! Fuck you!“

That second cited line I especially love and will preach its truth to the willfully deaf ears of friends in my adopted city of Chicago. The struggle to live in a place devoid of a truly great New York slice is indeed real (before anyone takes exception, struggle is sarcastically noted).

Samian appeared to have drawn a large portion of the crowd to the show. The Berkeley, CA band released Stowaway, in late March 2023 and played several cuts from it including, “Crystallized,” “Lights Out Little Hustler,” and “Lake Speed.” Samiam also delivered robustly with “Sunshine,” “Wisconsin,” and “Paraffin” from 2000’s Astray, among tunes from other releases. It was an enjoyable set and perfectly placed between Swingin’ Utters and Bouncing Souls.

I first saw Swingin’ Utters in 2009 at the now sadly defunct Frankie’s Inner City in Toledo, OH, days before moving from the Glass City to the Windy City. I wasn’t documenting the show, just enjoying the evening in my going away week with close friends from my work as a housing legal advocate at Legal Aid of Western Ohio. They were playing in the middle of the bill but of course stood out and I am glad my eyes and ears were open to such a great band.

Fourteen years later, I am still immensely impressed by how damn good they are. Lead singer Johnny “Peebucks” Bonnel, at times, whipped the microphone cord so furiously I was worried for his safety and the safety of those around him, Seriously, though, he commanded the stage whilst Darius Koski dominated on lead guitar. At the other end of the stage, Alex, from Toyguitar, contributed on guitar as well. Tony Teixeira, on bass and Luke Ray, added the powerful backline.

The band tore through “As You Start Leaving,” “The Librarians Are Hiding Something,” Windspitting Punk,” “No Eager Men,” “Kick It Over,” and “Deranged.” As the set closed out, Swingin’ Utters ruminated with “Five Lessons Learned,”

“Five lovely lessons learnt today
Coating my throat with the dust of a new day
As the saints pray their lonely way
They’re dead weight lays the passion to waste.”

Pet Needs, from Essex in the United Kingdom, is on only their second tour of the USA. The band’s debut album Fractured Party Music, was produced and mixed by none other than Frank Turner. Turner, both a friend and fan of Pet Needs, also produced its sophomore record Primetime Entertainment.

Crowd members who arrived in time were treated to a killer of a set by musicians whose captivating performance exuded an infectious enthusiasm for their off-stage experiences. Blasting through a set list including “Lost Again,” “Ibiza in Winter,” and “Kayak.” The band also performed “Punk Isn’t Dead, It’s Just Up For Sale.” Whether the band is trying to be ironic or not, I did find it clever that Pet Needs was selling t-shirts with that declaration emblazoned across the front and sported on stage by drummer Jack Lock.

“Doors open
With eyes unfocussed
You coast past the clones of the blokes
You swore you’d never become
And then you catch your reflection.”

Lock and bandmates, the Pet Needs founding brothers Marriott – Johnny and George – and Rich Gutz, made sure to take in take advantage of the close proximity of two Chicago icons. Those being Metro Chicago, and its neighbor a few blocks down, Wrigley Field. The lads took in an afternoon watching the American pastime day earlier, watching the Cubs raise the W against the St. Louis Cardinals, 10-4. Johnny Marriott described his excitement at the prospect of sporting a large foam finger and his surprise that the only ones seemingly sold were to him and two of his three bandmates. But still, the delight in being able to drink beer out of a bat was too good to pass up.

After the set, Jack Lock described how, while taking in a game at the Friendly Confines was wonderful, there was one aspect he found weird. Unlike the football (soccer to those of us in the land of the red, white, and blue) matches in his native land, baseball fans can sit together, no matter what team they follow. Lock, who roots for Ipswich Football Club (congrats on the promotion lads!) was referring to the fact that in football stadiums across the UK, supporters of opposing clubs are prohibited from sitting nearby each other. Or at least, those wearing visiting club kits (jerseys) and those wearing home club kits may be in close proximity to one another during the match. Things tend to get a bit rowdier across the Pond. But in the States, he reported to me, everyone was so welcoming and friendly to each other, no matter which team was preferred. Or even if no preference.

In fact, several English Premier League Kits were spotted in the audience and nary a hint of conflict witnessed.

Hopefully, the next time Pet Needs is visiting these US shores, they will be greeted by larger crowds. The band deserves it and those who missed it, really missed out on something special.

With three highly popular veteran bands and a fourth beginning its breakthrough, I would have predicted a pretty packed venue from the moment of doors opening. Disappointingly, that was not the case. Well, not at the start. Very few people were in the audience by the time the very good opening band, Pet Needs, from the UK, took the stage. This means a whole lot of ticket holders missed out on really fun set with a lot of terrific music performed by charismatic artists. There was also a surprisingly sparse crowd when the legendary Swingin’ Utters kicked off its great set. I know a few who missed it due to reasons beyond their control but surely more could have gotten there in time?

Please see more photos from the show below. Thanks Cheers!

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by Staff Writer MerGold
Tags: 
bouncing souls chicago Metro Chicago pet needs Samian

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DS Show Review & Gallery: Sparrowhawk, Petty Larcenists, and “Little Dave” Merriman. Members of Off With Their Heads lend local support. Chicago (04/23/2023)

Liar’s Club played host to two Minneapolis-based bands, Sparrowhawk and Petty Larcenists on April 23, 2023. The Arrivals‘ “Little Dave” Merriman, opened up with a solo set and his fellow Chicagoans, Off With Their Heads‘ Ryan Young and Kyle Manning, jumped on the Saturday night bill to provide closing local support for their friends from […]

Liar’s Club played host to two Minneapolis-based bands, Sparrowhawk and Petty Larcenists on April 23, 2023. The Arrivals‘ “Little Dave” Merriman, opened up with a solo set and his fellow Chicagoans, Off With Their Heads‘ Ryan Young and Kyle Manning, jumped on the Saturday night bill to provide closing local support for their friends from the Twin Cities.

Sparrowhawk, out of the Twin Cities (Minneapolis/St. Paul, MN), gave a soaring performance. The band flew through its set which included, “Take A Bow,” “Colony Song,” “Blackberry Brandy,” Queen & Country,” and “Fool’s Mercy.” Ok, no third bird pun, I promise but it was a terrific showing.

Sparrowhawk is prepping to release its self-titled debut album this summer. Looking forward to it for sure.

Petty Larcenists, also from the City of Lakes, were rowdy and loud, and in the midst, pilfered the hearts of the crowd (hey, not bird related). Tunes included “The Last Time,” “Loud and Ugly,” “The Kids Back Home,” and “I Can’t Get High,” from its 2019 release “Stolen Chords and Lifted Riffs.” Oh, and the group has an of amusing set of “stolen” band logos too, including homages to the TV show, Law and Order, and the English Premier League among others. Check them, and the band, out now.

“Little Dave” Merriman, of The Arrivals, played a terrific solo set to kick off the evening. Armed with just his guitar, the set was both fun and tender. That latter adjective because Merriman has written several tunes for his just- turned-one-year-old daughter, including her theme song, “J.E.M.”

“Who’s that girl? / Right over there / What’s her name again? / It’s Josephine / Elisabeth / Merrrriiiiimaaaaan“

In another of the “Jo Songs,” “President of Space,” the proud papa lets his little girl know that the sky’s the limit,

“You don’t have to be the President of Space / But I know you have it in you / You could if you wanted and I think that you’d do great.”

Getting verklempt at a punk show isn’t the most common expectation. However, it happened here and there isn’t really a need to discuss this in a “Coffee Talk” format. Merriman gave a very moving set while standing very still. But this Lullaby punk was neither syrupy nor cloying in the slightest. Just pure sweetness. Such a treat.

Merriman also performed “I’m Going Up Again,” and “You Know,” from his 2014 solo record, “Odd Bird,” on which he wrote all songs and played all instruments.

Merriman is working on a new album, or maybe two.

“I’m going to do another one [solo record] and it will have children’s songs on it. Or I’ll do two separate releases.”

Whichever way he decides to release the new material, Dying Scene will be there for it. I know I will be.

Ryan Young and Kyle Manning, from Off With Their Heads (OWTH), played a freewheeling closing set. In a Facebook post, OWTH described the show this way,

“Oh yeah! We caught word our friends from Minneapolis were playing our friends’ bar in Chicago and didn’t have a local band. Sounds perfect to jump on.“

There was a physical set list on the stage, though the musicians didn’t really follow it in any organized manner. No matter, because everyone seemed to be having a good, laid-back time as Young and Manning closed out the night among pals.

Just days after this show, OWTH kicked off the first leg (USA/Canada) of the “HOME Ten Year Anniversary” tour in Detroit, MI. Several stops have already been sold out. Make sure to grab tickets as soon as you can.

Please see more photos from the show below. Thanks & Cheers!

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by Staff Writer MerGold
Tags: 
chicago Liars Club Little Dave Merriman minneapolis Off With Their Heads

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DS Show Review & Gallery: Death and Memphis; The Linden Method; and Fire Cat! in Chicago (04.21.2023)

Death and Memphis, out of Joliet, IL, with support from The Linden Method, and Fire Cat! both of Chicago, headlined at Burlington Bar for a diverting night of music on April 21, 2023 on the Second City’s north side. Recently, I’ve documented several shows at Burlington Bar. It’s always a terrific experience. Burlington Bar is […]

Death and Memphis, out of Joliet, IL, with support from The Linden Method, and Fire Cat! both of Chicago, headlined at Burlington Bar for a diverting night of music on April 21, 2023 on the Second City’s north side.

Recently, I’ve documented several shows at Burlington Bar. It’s always a terrific experience. Burlington Bar is a cozy spot tucked along a well-known street on the north side of Chicago. With the actual bar up front and the music room in the back, separated by two doors, there is a warm and welcoming ambiance to the place. Whilst every show I have been to at the venue thus far has featured highly energetic bands, said shows have also been quite mellow. It may sound contrary but it’s not. Burlington Bar is a cool little joint working hard to provide its customers with good times. The Burlington’s vibe, set by the staff, and its physical appearance, is just relaxing and laidback sans pretension. We could use a few more of these types of places nearby.

Death and Memphis takes inspiration for its name from the song “Alex Chilton,” by the Replacements. Its music is a potent mix, frequently of sorrow and longing. Singer and guitar player Paul Garcia’s voice grittily conveys both sadness and hope. If the music was ever added to a soundtrack, surely the film would about a fighter (literal or metaphoric — either will work) who has been knocked down, but the full count has yet been given. In “Exhausted,” the title track from the band’s 2019 release is a prime example:

“So exhausted

I’m sick of feelin’

So exhausted

(My feet are broken

My knees are broken

My back is broken

But my spirit’s holdin’ fast)…”

Steev Custer, razor thin and leaning sharply forward, appears almost elastic while swinging his guitar loose and low. However, his tight shredding adds an integral jolt of intensity into the music.

The group is rounded out by the very strong backline of Devin Morris on bass (also on vocals), and newest member, Dave Spearman, on drums. Working in conjunction, Morris and Spearman, contribute a rhythmic gravitas and growl suited to the lyrical content and howling guitars. In addition to “Exhausted,” the band also tore through “Way Back Home,” “Maybe It’s The Way,” “Change,” and “Satisfied.” In the end the members may have been exhausted themselves, as they appear to put everything they had into the performance.

The twin heartbeats of Death and Memphis are Steev Custer and Paul Garcia. Friends since their teens the two have played together in numerous precursors to Death and Memphis. It’s the type of friendship and musical partnership in which they seem to share their own language. An often-mournful language with a slight inflection of twang. But rather than merely being two copies of one thing, Custer and Garcia, complement each other with their individual playing styles. Days after the show, I asked the two men about their relationship. Garcia responded,

“To answer your question, Steev and I are almost always on the same page. We can read each other. We’ve been doing this together for so long we developed a sense, similar to a married couple. We all as individuals as well as a whole have a passion for making music so we put in 100% right outta the gate. We are a family. Though we’ve been through other members Steev and I try to make everyone feel comfortable and an integral part of what is happening.”

Custer describes their relationship this way,

“Paul and I have been in bands together for 35 years now. He’s the only person I’ve ever met whose drive and passion for music is a match for mine. I’m certain there is no other way.“

But lest you think Death and Memphis is all melancholy, I assure you it is not. The band brings a rollicking good time as well. Garcia, Custer, Morris, and Spearman can be counted amongst some of the more positive people you’re bound to meet in the Chicago area punk scene.

Death and Memphis has a new EP coming out in the near future, to be released by Bypolar Records. Until then, members are keeping busy in various ways. For Steev Custer,

“Right now I’m focusing on the upcoming Death and Memphis release, playing in Space Age Zeros and teaching music which is a full-time job in itself.” Custer’s teaching takes place mostly at Fine Tunes Center For the Arts, a business he founded, owns and of which he is the director. He also added,

“The new EP should be out within the next couple of months. There’s a couple of other projects that go along with it, so there are several announcements coming.”

At the same time, Custer reflected on this evening,

“I thought the show was a blast. All the bands were awesome and it was  great to see everyone having a good time.“

Chicago skate punk crew, The Linden Method (TLM), used this night to showcase its latest album “Grief.” The band, comprised of singer/guitar player Alex Wight, Xack Brame on bass, and Jake Fritzler, drove through “November,” “Reverent,” “Original Sin,” and “Is This Thing Even On?”

TLM also performed “Monsters Inside,” a searing portrait of mistakes made and redemption being sought:

“It’s past the past-time

‘Cuz I’m trying to be better than the prick you knew from the suburbs

And I’m not running from memories

Not passive or patient

I’m trying and failing

And still not prevailing and clinically struggling.”

Robby Di Domenico, TLM bassist for several years, joined the band on secondary vocals for “Better Off Dead.” Di Domenico played on the recording of the tune from the group’s EP “Falling Short.”

Echoing the sentiments of Death and Memphis’ Steev Custer, Wight was ecstatic with how the evening went. A day or two later I touched base with him to get his feelings on it,

“I thought the show was a perfect intimate punk show at a great venue. We all had an absolute blast and are thankful that Death and Memphis and Fire Cat! had us out for the evening.“

The night’s bill also marked the first show of 2023 for Chicago’s Fire Cat! The band is in the planning stages for more events this year per singer/guitarist Tim Robaczewski. Fire Cat!, which also includes Lou Pontillo on bass, guitar player/backing vocalist Justin Saunders, and drummer/backing vocalist Liam O’Brien lit up its set with “Sleepless in Chicago,” “Big Business,” Wide Awake,” and “Eastland.” The band seems to address the idea of last stands in the face of futility in “Battlecry!,” the title track from its 2018 EP, which they played as well.

“All differences aside, this is goodbye, I try to accept

But I can’t help but sympathize

I see them all running like it’s the end

Like they have something to live for

Hum their battle cry: next time I’ll try.”

Fire Cat! may sing of trying “next time,” but this time it succeeded kicking off the show in a very lively way. Hoping the band finds itself quite busy during the remainder of the year.

Please see below for more images from the show!

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by Staff Writer MerGold
Tags: 
Burlington Bar bypolar records chicago Death and Memphis Fire Cat!

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DS Interview: Caitlin Edwards on Punk The Burbs, Bumsy & The Moochers, and her debut solo record

Caitlin Edwards, the singer of suburban punk ska band, Bumsy & The Moochers, and founder of local music fest, Punk The Burbs, just released her debut solo record. We caught up with her to discuss how her new project and to reflect on past milestones, her creative process, and what’s coming up next. Caitlin Edwards […]

Caitlin Edwards, the singer of suburban punk ska band, Bumsy & The Moochers, and founder of local music fest, Punk The Burbs, just released her debut solo record. We caught up with her to discuss how her new project and to reflect on past milestones, her creative process, and what’s coming up next.

Caitlin Edwards is having a moment. Actually, it is just the latest moment she is having. As lead singer for the popular suburban Chicago ska band Bumsy & The Moochers (BATM), Edwards founded the area punk fest, Punk the Burbs, almost a decade ago. On February 25, 2023, Edwards introduced her tunes from debut solo record Pluto Party during her release show at Cobra Lounge in Chicago, IL. The first single off the independently released album is the infectiously fun “Unlucky Charm.” In addition to her vocals, Edwards played the guitar, bass, and violin. John Perrin, noted below as well, played the drums. For her live band, pictured below in this piece, it’s Tim Flynn (L) on bass, and drummer Andrew Cielo (R). Oh, and Bruce, her friend’s pup and also pictured below, is the musical mascot to them all.

MG: How did you get your start in music?

CE: “I started playing violin when I was ten. My dad always played guitar and of course I listened to a lot of rock bands then so I picked up the guitar at thirteen. I taught myself how to play guitar, but having that experience playing on the violin helped. Callous already on the fingers and all that.“

MG: Who are some of your musical influences?

CE: “Most recently The Muffs, Beabadoobee, The Beths, Best Coast. Of course Green Day, Weezer, Oasis, and The Copyrights will always be bands that influence me throughout my life.”

MG: Did you have a writing partner for your solo work and is the songwriting with BATM collaborative?

CE:“Typically songs just come to me at random or just waking up from a dream. Sometimes when I’m walking around or in the shower. This goes for both projects. I could never just sit down and be like ok, gonna write a song. It just doesn’t work that way for me. Sometimes in BATM, other members will bring song ideas, chords, lyrics to the table and we’ll collaboratively write.”

MG: What’s the best show or tour you’ve ever played and why was it so special to you?

CE: “Probably Bumsy and the Moochers playing at FEST 20 last year. I’ve always wanted to play FEST. We put on our best set and the crowd was wild. So much love. For my solo project I had a ton of fun playing this recent album release show at Cobra Lounge. Once again, so much love and just having people come up to me saying they loved the album. Such an amazing feeling.”

MG: Do you have any funny or interesting stories from being on the road that you can share with us?

CE: “One time Bumsy and the Moochers played in St. Louis. We stayed at the coolest Airbnb that was a loft. Had a ping-pong table, fancy showers and beds. Then we played at this tiny hole-in-the-wall bar where there was Street Fighter 2 that people could play. I must’ve played everyone in that bar and kicked their ass. Of course I was Blanka, that’s my guy. Lol. Then we played this show with mostly pop punk bands, but everyone dug us. Even one dude said, I hate ska, but I love you guys. Not really an interesting story, just a fun time on tour.”

MG: What are some of your favorite songs to play live?

CE: “In my solo project I love playing “No Kids” and “All That Fun.” They’re songs that aren’t the typical pop punk songs that I’m used to playing so I enjoy doing something different. But I also love playing “Guess Again.” Just love the energy that song brings.”

MG: How does your creative process differ from album to album?

CE: “For my solo band, I take a lot of time writing songs, adding new parts or lyrics, seeing which songs would fit in an album because it’s just me. No input from others encourages me to make sure I’m doing everything I can to make sure my songs sound good. With Bumsy and the Moochers, even when I just write a song, I’m still getting input from everyone else. At times it’s easier because you’re getting so many ideas, but at times it’s harder. Sometimes it’s hard for us to agree on something, too many cooks in the kitchen so to speak.”

MG: How did you found Punk the Burbs and how has it been?

CE: “I created the Punk The Burbs Facebook group in 2014. Just wanted a Facebook for people to post shows, ads, events in the burbs since there was mostly groups for shows happening in the city. Doing Punk The Burbs every year is a lot of hard work, but I’m glad I’ve helped create more of a music community in the burbs. I’m also glad that we’ve introduced a lot of people to new bands they may have never heard before.”

MG: How much of the year is occupied organizing the fest each year? Do you have a team to help?

CE: “It really takes up most of the year to organize the fest. So much goes into it, even more when it’s Jason [Fein of The Run Around] and myself doing most of the work. We’ve had volunteers help at the fest before in the past, but that’s it. We’d love to have more help and actual employees next time around.“

MG: How did you decide to do a solo record at this point?

CE: “I’ve actually been wanting to do a solo record since I was a teenager. Just never got around to it because other things were happening in life, school, other bands, you know how it goes. I finally started to get serious about a solo project in 2017. Up until 2019, I never had enough songs to do an album. With everything that happened to me from 2019-2022, I suddenly had a ton of material that would be perfect for an album.“

MG: Tell us about the musicians who backed you on the record? Who produced it?

CE: “I played the guitar, violin, bass, and vocals on this record. My friend John Perrin did the drums. I knew he could do the drums exactly how I imagined them and he did! I did the production work as well. Dan Precision [Dan Wleklinski of 88 Fingers Louie and formerly of Rise Against] mixed and mastered the album. There was a few things he put in that weren’t there before. For example, the orchestral part in “Lip”, Dan came up with that. Definitely gave that song more emotion.“

MG: How do you balance Bumsy, PTB and new solo work, along with your day job/life?

CE: “I actually balance it all pretty easy these days. I’ve been doing it for such a long time, it just comes naturally. If I wasn’t doing all that stuff, I’d probably get bored. Though a nice break from Punk The Burbs Fest I wouldn’t mind. I’d much rather be creating music than being on the business side of it.“

MG: Along with that band release, do you have plans to our solo or will you play solo work on the same bill as BATM?

CE: ”I like to keep Bumsy and my solo project pretty separate. I’d get exhausted playing the same show together or doing a tour back-to-back. I am trying to piece together a solo weekender tour at the moment for 2023.”

MG: How did the song “Unlucky Charm” come about and was it about anything personally?

CE:  “Like most people, I experience anxiety from time to time. When I was younger, it was a lot worse. I used to get panic attacks. Nowadays, I have my anxiety way more under control. Music, therapy, and loved ones helped me no doubt. That’s what “Unlucky Charm” is about. Having anxiety around you for a long time and finally not letting it hang around in your life anymore.“

MG: Who directed the video for it and what was the inspiration for the video?

CE: “Justin Sostre directed the video. He’s also Bumsy and the Moochers trumpet player. Amazing musician and super cool dude. I came up with the idea. Anxiety is something that can feel like it’s always lurking, or sometimes sneaks up on you. I figured why don’t we have anxiety literally doing that, but as a creepy masked person? I always loved music videos with humor and a message. So that’s why if anything it’s meant to be a really funny video on something serious.“

MG: What do you have upcoming, both as a solo artist, with the band and with Punk the Burbs?

CE: ”My solo project has two shows coming up. We’re playing at Programme Skate and sound in Fullerton, CA April 15th. [Spoke with Edwards prior to the Fullerton, CA date]. We’re also playing at the Village Theater in Davenport, IA April 28th.”  

It’s a good time for Caitlin Edwards and she’s grabbing hold of the momentum via her talent, her work, and ability to have fun as well. Check out Pluto Party, as soon as you can and get yourself to a show when she hits your town, solo or leading Bumsy and the Moochers!

by Staff Writer MerGold
Tags: 
Bumsy and the Moochers caitlin edwards chicago Illinois pop punk

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DS Show Review & Gallery: The Return of Sludgeworth! Tightwire and Permanent Residue join in on the fun (Chicago – 04.08.2023)

Sludgeworth, the1990’s beloved Chicago punk band, returned to the stage on a recent Saturday night. With support from Chicago’s Permanent Residue, and rapidly ascending Minneapolis band Tightwire, it was an incredible night on stage and a helluva fun one offstage at Cobra Lounge. Longtime fans who were there at the start and have been waiting […]

Sludgeworth, the1990’s beloved Chicago punk band, returned to the stage on a recent Saturday night. With support from Chicago’s Permanent Residue, and rapidly ascending Minneapolis band Tightwire, it was an incredible night on stage and a helluva fun one offstage at Cobra Lounge. Longtime fans who were there at the start and have been waiting decades to see them play again were thrilled. Some even expressed disbelief that this was even happening. Others in the crowd, whether not born yet at that time, too young to remember them, or not from Chicago, instantly became new fans. Cobra Lounge was packed at this sold-out show. This was a momentous show, but this night also helped demonstrate why, though Chicago may be called the Second City, for some many it is #1 when it comes to its punk rock community.

First, a note about that community: It is a tight-knit one. Like a family, there are many different personalities and perhaps not everyone gets along. But far more often it is easy to witness the support those in the community have for each other, including most musicians, most of the venue owners and staff, other behind-the-scenes people, and yes from my experience most of the photographers and writers covering the shows. This night was no exception, though it did seem to be an all-star event. Tobias Jeg, founder and owner of Red Scare Industries returned to the Windy City to support one of his label’s band, Tightwire, do business, and hang with so many good friends. There were some heavy hitters among the punk rock musicians on hand to celebrate the return of Sludgeworth. Among those spotted at the event were Naked Raygun‘s Jeff Pezzati, Daryl Wilson and Ken Fitzner from The Bollweevils, Joe Principe of Rise Against, Deanna Belos aka Sincere Engineer, Brendan Kelly from The Lawrence Arms and The Falcon, Steev MF Custer from Death and Memphis, 88 Fingers Louie‘s Denis Buckley, and Joe Sowinski, currently of Static Age, but formerly of The Evictions, Major Threat, and The Old Comiskeys. Dave Simon, of Deal’s Gone Bad, The Crombies, and Anger, a popular bartender at Cobra, was on the job this night but is definitely a prominent member of the Windy City punk rock family. I would be remiss if I did not mention him. I’m guessing there were others but in the cozy confines it was sometimes hard to see much else around me as I documented the festivities.

For a smaller venue, such as the case with Cobra Lounge, that’s quite an impressive turnout. Witnessing this amount of support for each other is one of the biggest reasons this Long Island born and raised, Chicago transplant, who spends a good deal of time each year traversing the Lower East Side of NYC, loves the Chicago punk rock scene. Oh, and the oftentimes very good, sometimes great and occasionally, phenomenal music factors in too.

Ok, now that the scene is set, on to the show. I moved to Chicago in March of 2009, so I had no idea of Sludgeworth until very recently. However, in the weeks leading up to it, I was repeatedly told I had to be at this show by various friends They argued that this was going to be an important one. Fortunately, this came from close friends who were on the ground during the first Sludgeworth era. So of course I had immense trust in them. All I can say is damn! Well, that and thanks to those who insisted I attend. And of course, all that I am about to say in this piece. Because, wow! Sludgeworth is straight-up phenomenal, both in music and performance. Oh and there was the live performance debut of a future punk rock star. More on that in a bit.

Having documented Dan Schafer as the lead singer for Dan Vapid and The Cheats multiple times and also seeing him front another of his groups, The Methadones, I knew going into this event that he is a dynamic performer and musician. But with his Sludgeworth bandmates, this was taken up a notch. He worked the cozy stage, engaged the fans about as much as one can without actually jumping into the crowd. Schafer spent much of the time extending his arm, microphone wielded tightly in his hand into the upfront scrum. Yes, this is a common movement in shows. Yet the frequency with which it was done here, coupled with the frenzied glee from fans who seemed to remember every lyric to all of the songs from long ago, surely set this apart. No doubt Schafer and bandmates were having a blast.

Mike Hooten on bass, Adam White and Dave McLean on guitars, and drummer Brian McQuaid aka Brian Vermin behind the kit, each commanded their spots on the stage individually. Collectively, they powered the music against which Schafer’s vocals were set.

Red Scare Industries recently re-issued the band’s 1995 record, “Losers of the Year.” They opened with, the appropriately titled for this event, “Never Say Never.” From there Sludgeworth drove through an electrifying set that included fiery renderings of “Follow,” “Another Day,” “She’s Not Disposable,” “Waste It Away,” “Angry Man,” and “Two Feet on the Ground.”

Every band member appeared very glad to be together on the stage again. McQuaid, with Yankees cap (per McQuaid “It’s 100% Jay-Z and 0% baseball.” That said, Let’s Go Mets!) turned backwards on his head, spent most of the set with a giant grin on his face as he slammed through, in the very best way, the setlist. McQuaid was also celebrating a very special moment on stage, and he had reason to be proud.

Brian McQuaid’s 13-year-old son, Max McQuaid, made his live performance debut when he took over on the drums for the song “Anytime.” The kid crushed it. This is no generous hyperbole to encourage Max, who has been playing drums for five years. He legit killed it on the the song “Anytime.” Fans showered the younger McQuaid with some of the loudest cheers of the night, immediately adopting him in a sense as the newest member of their beloved band. Almost jumping into a bear hug with his Dad on stage just added another verklempt-inducing moment. Later, Max stage-dived, and crowd-surfed, the only one to do so this night and Schafer jokingly put the kibosh on him invading the stage to try it again. Instead, Max had to make do with rocking out on the shoulders of a family friend named Mikey. Max signed a drumstick for me after the show. I’m going to hold onto it because this young man is a drummer who we should all keep an eye on. He is part of the next generation of great Chicago punk musicians preparing to take over. I have no doubt about that.

As great as the show was, I was curious as I am sure many or most of the fans old, and new were. The obvious question being, how did this event happen?

I caught up with Schafer by DM a few days post-show to get some answers.

“We had the reissue of “Losers of the Year” on Red Scare records, and I believe, if memory serves me correct, the idea was floating during various Zoom interviews back in December. It was met with a resounding no, which turned into a maybe, into a yes, and into an enthusiastic, hell yes. How? I’m not exactly sure. There were some problems to work out, but we did.”

And the welcome news: “Yes. We will be playing again in 2023 and will have a new single.“

Indeed the band, played a new tune called “Together, Not Together.” Fans were euphoric.

Schafer shared the genesis of the new song,

“Through the excitement of playing again, they suggested it to me. I was dead set against it. They sent a riff to me, and I was like, “Hmmmm…”

He continues, “Next thing I know, words pop into my head, and we go back and forth with voice memos. We made the final touches on it the day before the show.“

So Schafer’s verdict on the show?

“I couldn’t have asked for it to go any better. I felt well-rehearsed, relaxed, in good spirits, great camaraderie, enthusiastic fans.“

 “The passage of time was a mind trip. It’s been 30 years since we broke up. Aside from a handful of reunions over the years, the thought of these songs being in somewhat of a demand in 2023 is pretty incredible.”

Incredible? Yes. Incredible news that there is more to come this year from Sludgeworth? Absolutely.

When you have such a major event headlined by a beloved band, you better make sure the two support bands measure up to the importance of the night. The organizer of this show hit the jackpot.

Playing in the middle spot was Tightwire, a band on a rocket ship to greatness, ready to blast off. I have covered the band a few times for Dying Scene since our resurrection and know that there are plenty more to follow. The Minneapolis quartet are big fans of the Windy City, and the Windy City has many big fans of the band.

The group, on the Red Scare Industries label, had the energy to match the headliners. Singer Tane Graves shredded his vocal chords, and his bass. Both guitarists Noelle Stop, often in close proximity to Graves, and Paul Mullaney, lurking in the darker corner of the small stage, contributed powerful vocals whilst driving the music. Drummer Parker Thompson seemed to be happily destroying his kit in proper service of the music.

Tightwire kicked off its set with the appropriately titled for this night, “Party,” and ended with “AYL.” In between they jammed through “Six Feet Deep,” “Told Yah,” “Hidden Planet,” “Spell On Me,” and “Anyone But You.”

I look forward to seeing them again in short order. I’d hazard a guess anyone else who has witnessed them live feels the same way.

Another band I had the pleasure to document previously, as support for The Brokedowns a few months back, is Chicago’s own pop-punk Permanent Residue. It’s a fun crew led by singer, guitarist, and harmonica player Kate Manic, also from Fuck You Idiot. Her bandmates are Jake Levee of Canadian Rifle, on bass. drummer Victor Lord Riley, and guitar player, Vince Miller. The band, off the Long Island label, Dead Broke Rekerds, provided a great opening for the show. Its music is played at a full-throttle pace, with the songs clocking in under two minutes long. The speedy set started with “Ogden Avenue,” the title referencing a well-known street named for Chicago’s first mayor, William B. Ogden. It was followed by “O Well,” “Resignation,” and “I Don’t.” The last song in the set was the delightfully titled “David Gilmour Girls.” I expect the band to be headlining more and bigger shows. But wherever they are on the bill, make sure you check them out.

This was a top-shelf night of great music, equally great friends, and massive talent amongst the fans. Please see below for more photos. Cheers!

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  • Drumstick used by 13 year oldMax McQuid in his live debut as a drummer. He played with Sludgeworth, his father, drummer Brian McQuaid’s band.
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  • Chicago all-stars aka Sludgeworth friends and fans.
by Staff Writer MerGold
Tags: 
Chicago Punk Chicago Punk Scene cobra lounge Midwestern Punk Permanent Residue

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DS Show Review & Gallery: The Rise Against Residency, with The Smoking Popes, Kali Masi (Chicago, 03.30.2023 – 04.01.2023)

Chicago punk legends Rise Against took over Metro Chicago recently, playing three completely unique set lists on three nights. The iconic Chicago venue hosted Rise Against – Alive & Well: The Metro Residency as the concert hall celebrates its 40th anniversary. I had the chance to witness this unique weekend, presented by Q101 FM, all […]

Chicago punk legends Rise Against took over Metro Chicago recently, playing three completely unique set lists on three nights. The iconic Chicago venue hosted Rise Against – Alive & Well: The Metro Residency as the concert hall celebrates its 40th anniversary. I had the chance to witness this unique weekend, presented by Q101 FM, all three nights. The first night, with The Bollweevils opening ahead of the band’s new record release, I was there to hang with and support good friends. Admittedly, it felt a little strange, not having my camera gear and not spending time in the photo pit, yet it was a fun time. The crowd, though heavily represented by hometown fans, also saw many traveling from all over the country and even from the United Kingdom. Oh, and a very special event took place under the Metro marquee for two RA fans. More on that in a bit.

Thursday Night

Rise Against opened the weekend on the same day as the first-ever criminal indictment of a former President occurred. There were more than a few “Happy Indictment Day!” exclamations heard both outside and inside the venue. For some, it felt appropriate, on such a precedent-setting day, that the band they were seeing is known for its socially conscious lyrics and offstage activism. Indeed, rather than opening music, the band chose to play an audio clip from one of my longtime top 5 films. It was “Howard Beale”‘s (portrayed by Peter Finch who won a posthumous Oscar for this leading performance) iconic “I am as mad as hell and I’m not going to take this anymore” speech from the classic, multi-Oscar winning film, Network. It was the whole speech, and it was brilliant.

The Rise Against residency was a sort of retrospective. Each night had a totally unique set list sans any repeats over the course of the weekend. Unlike the common practice of a band playing a different one of its albums start to finish each night of a multi-night stand, Rise Against mixed up songs from different records. Surely this was highly appreciated by those who were present for all, or at least more than one, of the nights.

Night one’s set list included, “Tragedy + Time,” “Broken Dreams, Inc.,” “Bridges,” “Paper Wings,” and “Entertainment.” Two notes on this song lineup: this was the live debut performance of “Bridges,” and the first time they have played “Entertainment” live in about a dozen years. As with the other two nights, this was an expectedly strong evening of music. Just as the film “Network” and “Howard Beale”‘s rallying cry are still relevant decades on, so too is Rise Against’s music. I don’t see any of these changing in the near future.

Supporting act on night one, The Bollweevils, jump-started the weekend in a big way. As in a big jump from the Punk Roc Doc, Dr. Daryl Wilson. Wilson has been catching major air since the formation of the band decades ago. His bandmates, guitarist Ken Weevil, a middle school teacher/former middle school principal, and “the double Petes”, bassist Peter Mittler, back from Florida for this performance, and drummer Pete Mumford, on the backbeat, delivered a boisterous performance. The set included  “Predisposition,” “Fencesitter,” “Peggy Sue,” “Bottomless Pit,” and “Cutting Solution.” The band’s new album, Essential off of Red Scare Industries, is set to be released on May 5, 2023. It features backing vocals by “the 5th Bollweevil,” Joe Mizzi of The Mizzerables, who also provides live bass duties when Mittler is not available. The release takes place just weeks before the band heads to Pouzza Fest. 2023 is shaping up to be a great year for The Bollweevils. I’m all here for it.

Friday Night

Night two also started with an audio clip, from the HBO, Aaron Sorkin created series, “The Newsroom.” In this case the oft shared scene whereas series lead Jeff Daniels, as news anchor “Will McAvoy” responds to a college student’s question of what makes the US the greatest country in the world.

Tim McIlrath, Joe Principe, Brandon Barnes, and Zach Blair throw emotional punches with their songs, and this was on full display throughout the Metro residency. While too often political punk bands can seem didactic, Rise Against never does. Instead, fans are fully engaged to the message of the lyrics, and how said message is being delivered intoxicatingly via the music.

As with the first night, RA performed some songs which have not been played live in years or never played live prior to this. Included in the former category were “My Life Inside Your Heart,” and “Torches.” It had been roughly 18 and 8 years respectively since the songs were last performed live. “About Damn Time,” and “Whereabouts Unknown,” were live debuts. The set also included “Black Masks & Gasoline,” “Survivor Guilt,” “The Great Die-Off,” and “State of the Union.”

The Smoking Popes opened night 2 with a bouncy and satisfying set. The first tune of the night was the one often, but not always played first, “Simmer Down.” It was followed by tunes including “Let’s Hear It For Love,” “Rubella,” “Megan,” and “Amanda My Love.” The Smoking Popes, consisting o the brothers Caterer (Josh Caterer, Eli Dixon Caterer, and Matt Caterer), and Mike Felumlee, per usual, were the charismatic and unusually fun punk band its fans love so much. This is at least my second time in the last 6 months or so documenting the band for Dying Scene. Hopefully it won’t the last before 2024.

Saturday Night

Admittedly, if Rise Against played an audio clip before its Saturday night set, I did not catch it. However, the band continued another pattern established during the first two nights with a set list including the live debuts of “The Black Market,” “Sudden Urge,” “Endgame,” “Lanterns,” and “Escape Artists.” Rise Against also performed “Anywhere But Here” for the first time since 2006, “Rumors of My Demise Have Been Greatly Exaggerated” for the first time since 2007, and “From Heads Unworthy,” for the first time since 2011. If the crowd’s electric reaction to these songs is any indication, perhaps the bands will consider making some, if not all, at least semi-regulars on its future set lists. RA rounded out the setlist with “Chamber The Cartridge,” “Heaven Knows,” and “Drones.” This might have been an exhausting weekend for the crowd, the band, and all others involved, yet it was also an immensely fun one.

Kali Masi was the youngest of the bands playing on this bill, with its debut album released in 2017. Yet the members of this dynamic band performed with confident abandon. Sam Porter on guitar and lead vocals, drummer John Garrison, bass player/vocals Adam Romero, and Tim Roark is on guitar/vocals tore through their set, which included “Paint me Jade,” ”Sputter,” “Some Friends,” “Trophy Deer,” “Recurring (I),” and “The Stray.”

The band will soonish be returning to the Wrigleyville area of Clark St. when they play at the Metro’s neighbor, GMan Tavern in June. I’d advise you to be there if you can. As good as Kali Masi are presently, there is ample evidence that they will only get better and better.

Now to that special moment. Rise Against super fans Nick Novak and his long-time girlfriend, Lisa Bulwan, had plans to attend the Saturday night show. What Lisa did not know was that Nick had a ring on him and was planning to propose before doors opened. Full disclosure part 1: Nick hired me to take photos of the event without giving away the surprise. Careful planning allowed that to happen and Lisa, of course, said yes. Fans lined up the block exploded into cheers. Full Disclosure part 2: I clued those fans on to what was about to happen. Hey, for this one moment I was there, not as a photojournalist, but as a hired photographer. Letting others know what was about to go down was part of doing the job well! Congratulations Nick and Lisa, from all of us at Dying Scene!

Please see below for more photos!

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by Staff Writer MerGold
Tags: 
chicago kali masi Metro Chicago Midwestern Punk Rise Against

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DS Show Review & Gallery: Flatfoot 56, The Rumjacks, The Drowns, and Criminal Kids. Chicago (03.11.2023)

Chicago celebrates St. Patrick’s Day a bit early. The city partook in its traditional Dyeing of the Chicago River, followed by a boisterous post-downtown Irish parade afternoon. The events draw thousands, most seeming to be decked out in various formed of green plastic, t-shirts slightly updated, often vulgarity or cheesy wise, from the classic of […]

Chicago celebrates St. Patrick’s Day a bit early. The city partook in its traditional Dyeing of the Chicago River, followed by a boisterous post-downtown Irish parade afternoon. The events draw thousands, most seeming to be decked out in various formed of green plastic, t-shirts slightly updated, often vulgarity or cheesy wise, from the classic of bygone years “Kiss Me I’m Irish,” and silly hats. More than a few people remarked that the only thing seemingly missing were actual Irish people. The accuracy of that last part I do not know.

However, after a day accented by a few celebrants puking up green beer on the “L,” Reggie’s acted as a sort of refuge from the shenanigans (yes, I use that word sans apologies). The pride of Southside Chicago Celtic punk, Flatfoot 56, as it often does at this time of the year, stormed the stage. The band had hearty support from The Rumjacks, The Drowns, and another of Chicago’s own, Criminal Kids.

To say that a Flatfoot 56 show is always a good time is an understatement. Led by the affable founding members the brothers Bawinkel, Tobin and Kyle, the band roars through its set. Tobin Bawinkel, the towering lead singer, exudes the energy of a preacher leading an old-time revival under a big tent, the charm of your favorite high school teacher, (he actually is a high school social studies teacher in the Chicago Public school system), and the requisite charisma of a veteran frontman. Kyle Bawinkel, with a good-natured, but slightly mischievous grin, slams on bass, Drummer Dan Alfonsi, aka singer of another windy city band “Still Alive,” works in tight conjunction with Kyle for a sturdy backbeat. Original Flatfoot 56 Pipes player Josh Robieson rejoined the band a few years back, much to the delight of the Ollie Mob.

The band is well-known as a Christian group. But during the secular shows, you won’t witness proselytizing. However, you will hear stories of forgiveness, redemption, unity, and faith laid bare in FF56 lyrics. Two of the band’s most popular songs played live are actually covers of
Christian hymnals. Tobin regularly encouraged, pre-pandemic, fans to hold the
hands of their neighbors at the show, as they slowly build then burst into a very up-tempo rendition of “Amazing Grace.” Tobin still encourages fans to take a moment to introduce themselves to those around them they do not yet know.

On this particular night, however, the hymnal of choice, was the joyously rowdy version of “I’ll Fly Away.” And whether fans describe themselves as believers, atheists, agnostics, or by any other religion-related description, the crowd joins in, triumphantly singing the chorus.

“I’ll fly away, oh, Glory
I’ll fly away
When I die, Hallelujah, by and by
I’ll fly away.”

It’s quite a moving moment. Decency is a word you will often hear associated with this band. It fits, in part, because it requests one thing of its fans, to bear cathartic witness to our shared humanity. But a FF56 show is no solemn affair, Its reliable strength is neither generic nor boring.

This was demonstrated as the members of Flatfoot 56 blasted through the set, also including “Brotherhood,” “Knuckles Up,” “Winter In Chicago,” a terrific cover version of “The Wild Rover,” “Courage,” and “We Grow Stronger. 

Flatfoot 56 shows, simply put, are the very definition of a rip-roaring good time free of judgment, full of joy.

Celtic punk band The Rumjacks, was founded in Sydney, Australia but now its members are based in Europe.

Lead singer Mike Rivkees, who is actually from the United States, spent most of this time on stage in perpetual motion, springing lightly on the front of his shoes. Also playing tin whistle throughout the set, Rivkees commanded the crowd with his strong vocals. He led the bandmates, including his Mickey Rickshaw bandmate Kyle Goyette on accordion, through a rollicking set proper for a modern-day St. Patrick’s Day celebration in the USA. The Rumjacks easily satisfied the fans as it tore through “One for the Road,” ”Kirkintilloch,” “Bloodsoaked in Chorus,” ”A Fistful O’ Roses,” “Sainted Millions,” and “An Irish Pub Song.”

Hopefully we will not have to wait until the next St. Patrick’s Day celebration to welcome The Rumjacks back to Chicago.

The Drowns, out of the Emerald State helped celebrate the Emerald Isle with a spirited performance. The Seattle band has a stacked festival year. Among the upcoming highlights are Punk Rock Bowling, Punk in Drublic, and Rebellion Festival, as well as Sjock Festival. So it was a treat for those who can’t travel to a big festival to be able to see them at Reggie’s. The boisterous set included “Black Lung,” “Lost Boys Of Suburbia,” “One More Pint,” “Wolves on The Throne,” and ”Hold Fast.”

Band members felt compelled to point out one of their tour highlights or perhaps lowlights. The band hit White Castle pre-show. For at least one of its crew it was the first taste of the iconic fast-food joint. There is a White Castle right around the corner from the venue. Unsurprisingly (at least to me, as I am not a White Castle fan), the band expressed more than a little regret at that dinner choice.

The Drowns also played a barn-burning cover of Sweet’s “Ballroom Blitz.” Of course, that classic song was featured in the classic comedy “Wayne’s World,” which has several keys scenes set in the Windy City area. The crowd was absolutely all for it.

Regret is something you may experience if you don’t catch this The Drowns live at your first chance. Whether it is at a huge festival or in a more intimate setting, the crucial thing is to catch them. You will be glad you did.

I am always delighted to see Southside Chicago’s own Criminal Kids on the bill. The band fired up the hometown crowd to kick off the party.

The rough and tumble but sweet attitude befitting a band with this name was demonstrated as Criminal Kids blasted through “Little Bitch,” “Night,” “Outcast,” “Vanity,” and “Life.”

The band’s rambunctious cover of The Undertones classic from 1978, “Teenage Kicks,” was a notch above terrific.

Is this where I say it’d be a crime to miss Criminal Kids? Ok, I will apologize for that groaner. The manner of expressing this idea might be dorky. But the sentiment is not.

See below for more photos!

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by Staff Writer MerGold
Tags: 
chicago Criminal Kids flatfoot 56 Reggie's st. patrick's day

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DS Show Review & Gallery: Bayside, I Am The Avalanche, and Koyo at Metro in Chicago (02.26.2022)

Bayside returned to Chicago to perform a headlining show at the legendary Metro Chicago. It also was my return to the venue just blocks from Wrigley Field after not covering a show there for at least a couple of years now. I was as glad to be back at the Metro, which just celebrated its […]

Bayside returned to Chicago to perform a headlining show at the legendary Metro Chicago. It also was my return to the venue just blocks from Wrigley Field after not covering a show there for at least a couple of years now. I was as glad to be back at the Metro, which just celebrated its 40th Anniversary, to document the show as Bayside fans were to be watching it. Bayside, currently on its “Just Like Home” tour, had strong support on the bill from fellow Empire Staters Koyo opening and I Am The Avalanche in the middle spot. It all added up a fun Sunday night.

Bayside, founded in the Queens/Long Island area, made a stop at one of its favorite U.S. venues. Frontman Anthony Ranieri told the crowd that they should play all of their shows at the Metro, even the out-of-state ones. With its large stage, intimate size floor space, and a balcony affording a great view, it’s no wonder both musicians and fans love the Chicago icon. Ranieri, who made a brief appearance during the I Am The Avalanche set led his bandmates through a rip-roaring performance. The set was jam-packed with some of Bayside’s very best songs, including, “Sick, Sick, Sick,” “How To Ruin Everything (Patience),” “Already Gone,” “Duality,” “Hate Me,” and “Go To Hell.” The band also performed a cover of Smoking Popes’ “Megan.” At one point, I Am The Avalanche singer Vinnie Caruana bounded on stage to join Bayside for a tune, just as Anthony Ranieri ran on to stage during the IATA’s set to hug and sing with his tour mate. Bayside appeared to be having a blast on this tour. For the fans, including some who traveled from as far as California, to see the band live, there is little doubt they could feel it and experience that feeling as well.

Once Brooklyn, NY’s I Am The Avalanche, blasted onto the stage, hardly a breath was taken. Its powerful set included “I Took A Beating,” “Amsterdam,” “Green Eyes,” “The Shape I’m In,” and “177.” The highlight was easily a rousing edition of “Brooklyn Dodgers,” the band’s wistful ode to its hometown and the people from it.

Koyo is also from Long Island, as am I, born and raised. Though I haven’t lived on the Island for many years, I still put that down as a point in the band’s favor. However, not much help was needed in scoring Koyo. A muscular performance start to finish, the group drove through “Moriches,” “A Song For Anthony,” “Fifty First Dates,” “Straight North,” and “Ten Digits Away.” Koyo provided a pretty strong kick-off to a very fun evening.

Please check out more photos from the show below!

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  • Bayside’s Anthony Ranieri joins in a song with Vinnie Caruana during I Am The Avalanche’s set
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by Staff Writer MerGold
Tags: 
bayside chicago I Am The Avalanche Koyo Long Island Punk

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