‘Maestro’ Review: Bradley Cooper, maestro of melodrama
<p>For its interminable first half hour, Bradley Cooper’s Maestro is the exact movie I feared it would be. After a tiny prologue, in which Cooper’s subject, positioned behind a grand piano, cigarette burning away in an ashtray as he vividly expresses his sadness at his wife’s passing, we’re treated to a maximalist black-and-white depiction of the courtship between Leonard (Cooper) and Felicia Montealegre Bernstein (Carey Mulligan), a Chilean-Coasta Rican actress who fell head over heels for the man but didn’t […]</p>
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