Dying Scene Photo Gallery: Interview With Jim Ruland, Printers Row Lit Fest, Chicago, Illinois (09/09/2023)

On September 9, 2023, I caught up with Jim Ruland, also known as Jim Vermin, while he was in Chicago to promote his books, Corporate Rock Sucks: The Rise & Fall of SST Records and Make It Stop, and participate in a couple of speaking engagements. The first was a talk at the Printers Row Lit Fest to […]

On September 9, 2023, I caught up with Jim Ruland, also known as Jim Vermin, while he was in Chicago to promote his books, Corporate Rock Sucks: The Rise & Fall of SST Records and Make It Stop, and participate in a couple of speaking engagements. The first was a talk at the Printers Row Lit Fest to discuss his recent novel Make It Stop, in conversation with Tony Tovano of the Chicago punk band Vortis. The second was a virtual conversation with Jim Ruland, Daniel Weizmann, and Kyle Decker about their books and punk rock, sponsored by the Chicago Public Library


Jim Ruland is the Los Angeles Times bestselling author of Corporate Rock Sucks: The Rise & Fall of SST Records, which was named a best book of 2022 by both Pitchfork and Rolling Stone. He also co-authored Do What You Want with Bad Religion and My Damage with Keith Morris (Black FlagCircle Jerks, and OFF!). Ruland is a frequent contributor to Razorcake fanzine and the Los Angeles Times. He lives with his family in San Diego.


Jim Ruland (left) with Chicago-based author, educator, and punk vocalist Kyle Decker, who sings for Bad Chemicals and recently released his novel This Rancid Mill through PM Press.


Short interview with Ruland below.

Dying Scene: What brings you to Chicago?

Jim Ruland: I’m here for the Printers Row Lit Festival to promote Corporate Rock Sucks — the paperback came out in April — and to do a reading with Kyle Decker and Danny Weizmann for my novel Make It Stop; the Chicago Public Library is sponsoring that. 

DS: How’s it going so far?

JR: It’s been a whirlwind. Usually, when I come to a city, I like to scope things out, let people know I’m coming. You know, go to some of my favorite spots or hit up a bookstore or record store but this has just been go go go.

DS: What are some of your favorite spots?

JR: I love Exile in Bookville. We’re right down the street from them on Michigan Avenue. And Lincoln Hall where we saw the OFF! show. Lincoln Hall was a lot of fun. I don’t drink so I really don’t have a lot of bar spots. It’s all like bookstores and coffee spots…things like that.

DS: How’s the transition from non-fiction to fiction? 

JR: It’s great except it seems like whenever I’m writing non-fiction, I’d rather be making something up. And whenever I’m writing fiction, I’d rather just stick to the facts. The grass is always greener.

DS: What’s the response been like from your punk rock supporters?

JR: The response for Corporate Rock Sucks has been overwhelming. I know from doing books with Keith Morris and Bad Religion that punk fans are the fans. But I was expecting a grumpier, more curmudgeonly response from fellow Gen Xers, who are very protective of SST and the things that they love, and they’ve been awesome.

DS: What’s a big lesson you’ve learned from being a writer?

JR: Double-check. Triple-check everything. Triple-check everything.

DS: What message do you have for aspiring writers?

JR: Read as much as you can and as widely as you can. First, follow your passion…the things you care about the most. And then follow your curiosity. There are some people who think that I don’t want other peoples’ voices in my head when I’m writing. The only people who have that are people who haven’t read enough. What makes you special is your voice, and you learn how to tell a story by reading one.

DS: What are the top five punk and hardcore bands you’re listening to this week? 

JR: I’m gonna go with Drain from Santa Cruz. I’m gonna go with Osees who dropped a new album that I really like. I’m gonna go with The Nerves. I’ve been listening to The Nerves a lot lately. A local San Diego hardcore band called Take Offense…some of their old stuff. And, mostly, The Stains because the guitar player, Robert Becerra, passed away last week. So, much respect to one of the greatest guitar players of the LA punk rock scene or any scene.

DS: Do you have anything else you like to share?

JR: Read more books. Support your local zines. And if there aren’t any, start one.


Photo Gallery below.


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Navel Gazing for September 24, 2023

Welcome to Navel Gazing, the Punknews.org commenter community's weekly symposium, therapy session, and back-alley knife-fight. Chime in below with your latest playlists, record store finds, online time wasters, and site feedback.

DS Show Review & Gallery: Ween at The Salt Shed. Chicago (09.09.2023)

Ween hit the outdoor stage at the Salt Shed in Chicago, IL on Saturday, September 9, 2023. The show was sold out and at nearly 3 hours long, even sans supporting bands; a pretty good bang for the buck. That the night was gorgeous, with late summer slightly overcast skies setting the temps perfectly between […]

Ween hit the outdoor stage at the Salt Shed in Chicago, IL on Saturday, September 9, 2023. The show was sold out and at nearly 3 hours long, even sans supporting bands; a pretty good bang for the buck. That the night was gorgeous, with late summer slightly overcast skies setting the temps perfectly between just a tinge cool and hoodie weather was a lovely bonus. The only water in site was that of the Chicago River to the side of the venue and the free water station on the Salt Shed’s midway.

The outdoor stage at The Salt Shed is situated so that in the backdrop Willis Tower looms large. Scan a bit to the left and 875 N. Michigan as the building at that address is presently called. Of course, to those who love the two iconic buildings, they are better known, respectively, as the Sears Tower, and the John Hancock Center. Having worked in the latter for almost 5 years, I am among those who stubbornly continue call it by its original name. The buildings will likely remain beloved whatever the name. They just stand on their own no matter what some corporation decides to deem them.

Fortunately, fans of Ween have not had to deal with similar names changes. And as with the two architectural landmarks, Ween has kept unique its contributions to musical landscape for decades. With a voice distinctly its own the band has a devoted, a benevolant, cult-like following. There was little doubt the love ran deep for this group. Ween, with its scheduled set time of 2 hours and 45 minutes, obviously reiterates that love.

Ween fans were so excited for the show to begin that once the doors opened 2 hours earlier many of them had to be told by venue security to slow down or walk as so many of them were seen racing to secure a spot as close to the stage as possible.


Ween kicked off its set with “Nan” from its debut album GodWeenSatan: The Oneness. It then immediately rolled right into the immensely popular ode to heartbreak, “Take Me Away,” off 1994’s White Pepper Album.


“Gabrielle,” “Object,” “Even If You Don’t,” and “The Golden Eel,” followed.


The band kept the crowd pumped as it jammed through most followers’ favorites.

The moment in the set in which the band takes requests was especially lovely for newlywed couple, pressed up against the barricade. The bride waved a sign requesting the band perform “Oh My Dear (I’m Falling in Love).” Ween presented the couple with a sweet rendition of it as a sort of wedding gift.

Tell me where you come from, was it heaven above?
Oh my dear, I must be falling in love
Can you climb the sunny peaks of a fortress in mud?
Oh my dear, I must be falling in love
Did I tell you I want more than what you’re really made of?
Oh my dear, I must be falling in
Love


The band’s present line-up consists of founders Gene and Dean Ween (Aaron Freeman and Mickey Melchiondo, respectively) both on vocals and guitars, plus drummer Claude Coleman Jr, multi-instrumentalist David Dreiwitz on bass here, and Keyboards player Glen McClelland. Together they kept the excitement going on as the gloaming changed to night.


Ween’s set also included, among others, “Light Me Up,” “Tried and True,” “Chocolate Town,” “Buckingham Green,” “The Mollusk,” and “Ocean Man.”

One of the highlights of the night was the live debut of “I Fell In Love Today,” from its 1995 album Shinola, Vol 1. It was a pleasant surprise and evidence that a band, decades on, can still provide a few to even its most devoted fans.


Please see more photos from the show. Thanks and Cheers!

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Jesse Detor shatters a delusional ex in her video for ‘Mirror’

<p>Mirror, mirror, on the wall, who’s a little bitch and can’t face his own flaws? Jesse Detor takes a sledgehammer to an ex’s warped self-image in her video “Mirror,” which arrived yesterday (September 21) to accompany the new track. The Minneapolis-raised Berklee student exerts a boomerang of redirection in the release, as she fends off a dubious ex’s projected shortcomings. The sparking boudoir backdrop intensifies the message of her firecracker fall single: That is, there’s nothing wrong with Detor or this […]</p>
<p>The post <a rel="nofollow" href="https://vanyaland.com/2023/09/22/jesse-detor-shatters-a-delusional-ex-in-her-video-for-mirror/">Jesse Detor shatters a delusional ex in her video for ‘Mirror’</a> appeared first on <a rel="nofollow" href="https://vanyaland.com">Vanyaland</a>.</p>

DS Album Premiere: Punt – “The Heat”

Happy Friday, comrades! In our ongoing effort to bring you the coolest new underground and independent punk rock releases out there, we’re fired up (see what we did there?) to get to spread the word about The Heat today! It’s the brand new album from NYC’s Punt, and it’s their first music in close to […]

Happy Friday, comrades!

In our ongoing effort to bring you the coolest new underground and independent punk rock releases out there, we’re fired up (see what we did there?) to get to spread the word about The Heat today! It’s the brand new album from NYC’s Punt, and it’s their first music in close to a decade!

Following an 8 year break after their last release, Oil, Punt came back together during a brutal heat wave in the Big Apple a couple years back. The resulting album, The Heat, hauls listeners through the grimy underbelly of the city, exploring the “random terrible thoughts” in Frank’s brain and delivering a fuzzed out and riff heavy salute to all things noir. 

Here’s what the band had to say about the release:

Punt has always been about music as a spontaneous social expression… hanging out together in a room and deferring to the voltage and the frequencies instead of really inserting yourself with all of your baggage or over-intellectualizing anything. We got together for a week during a heat wave and that’s exactly what we brought, that heat. This album deals with anger, revenge, passion and murder. We’re both extremely passionate and fiery personalities with an uncompromising vision. These songs reflect the more taboo parts of ourselves and helped us put our energy into something we can be proud of.

The Heat is out today on Trash Casual Records. Check it out below!

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V3 Weekend: Jawbreaker, Aparna Nancherla, ‘The Fugitive’

<p>Editor’s Note: Welcome to V3 Weekend, Vanyaland‘s guide to help you sort out your weekend entertainment with curated selections and recommendations across our three pillars of Music, Comedy, and Film/TV. It’s what you should know about, where you need to be, and where you’ll be going, with us riding shotgun along the way. Music: Jawbreaker at MGM Music Hall Sometimes we get to plan out our live music experiences, other times they spring up rather abruptly. Last month, Jawbreaker announced a September tour around since-cancelled appearances […]</p>
<p>The post <a rel="nofollow" href="https://vanyaland.com/2023/09/22/v3-weekend-jawbreaker-aparna-nancherla-thefugitive/">V3 Weekend: Jawbreaker, Aparna Nancherla, ‘The Fugitive’</a> appeared first on <a rel="nofollow" href="https://vanyaland.com">Vanyaland</a>.</p>

Interviews: 'Growing in Strange Places' with Thank You, I'm Sorry

Exactly one week from today, indie band Thank You, I’m Sorry (who are currently based between Minneapolis and Seattle) will be releasing their wonderful third album Growing In Strange Places. The band, now with the addition of their long-time collaborator Abe Anderson on guitar and synths, mixes together indie rock, emo, punk, and dream pop to create a sound that is introspective, honest, and energetic. Over the course of 13 tracks, they look at what it truly means to grow and they do not shy away from exploring the struggles that come with change or the emotional complexities that growth can bring. The band tells us that, much like the plants that adorn the cover of the album, when we give ourselves the space and time to develop, we will bloom into who we are truly meant to be. Growing In Strange Places will be out everywhere on September 29 via Count Your Lucky Stars and Thank You, I’m Sorry will be touring the US and Canada starting in October.Punknews editor Em Moore caught up with lead vocalist and guitarist Colleen “Lleen” Dow, bassist Bee Schreiner, and drummer Sage Livergood over Zoom to talk about the new album, self-growth, tour snacks, and so much more. Read the interview below!

TIFF 2023: ‘The Holdovers’ will win over Alexander Payne haters

<p>Editor’s Note: Vanyaland film editor Nick Johnston is back in Canada all week covering the 2023 Toronto International Film Festival. We wish we were up there with him! Check out our continuing coverage of TIFF 2023, read our official preview, and revisit our complete archives of prior editions.  I’ll skip the high-minded intro and get straight to the point: Alexander Payne’s work has never clicked with me. My peers have long beloved Payne, be it within the cinephile world or the chubby bearded person who listens […]</p>
<p>The post <a rel="nofollow" href="https://vanyaland.com/2023/09/22/tiff-2023-the-holdovers-will-win-over-alexander-payne-haters/">TIFF 2023: ‘The Holdovers’ will win over Alexander Payne haters</a> appeared first on <a rel="nofollow" href="https://vanyaland.com">Vanyaland</a>.</p>

Mustard Plug release "Why Does It Have To Be So Hard?" video

Mustard Plug have released a video for their song “Why Does It Have To Be So Hard?”. The video was shot and edited by Chris Graue. The song is off their album Where Did All My Friends Go? which is out now via Bad Time Records. Mustard Plug will be touring the US next month. Check out the video below.

Bugsy: "Soup"

Bugsy has released a new song. It is called “Soup” and was recorded, mixed, and mastered by Abe Anderson of Thank You, I’m Sorry. The song is available digitally and appears to be a standalone single. Bugsy released their single "Recluse" earlier this year and released their EP Teratoma in 2020. Check out the song below.