Pile of Love release "Over & Out" video

Pile of Love have released a video for their new song "Over & Out". The song will be on their upcoming EP Flake on the Future that will be out November 11. Pile of Love released their self-titled album in 2021. Check out the video below.

GammaGIRL: "Death City"

GammaGIRL has released a new song. It is called "Death City" and appears to be a standalone single. GammaGIRL released The Cult of Flesh and Blood earlier this year. Check out the new song below.

Videos: PONY: "French Class"

PONY has released a video for their new song "French Class". The video was shot by Pretty Matty and directed and edited by Sam Bielanski. The song appears to be a standalone single and is out now via Take This to Heart Records. PONY will be touring North America with Militarie Gun starting later this week and released TV Baby in 2021. Check out the video below.

DS Photo Gallery: Lucero and L.A. Edwards from The Met in Pawtucket, Rhode Island

Prior to last weekend, it felt like it had been a while since Lucero – my personal favorite band of the last couple of decades – had played in my neck of the woods (let’s call it southeastern New England). In reality, it had been quite literally just a hair shy of one calendar year, […]

Prior to last weekend, it felt like it had been a while since Lucero – my personal favorite band of the last couple of decades – had played in my neck of the woods (let’s call it southeastern New England). In reality, it had been quite literally just a hair shy of one calendar year, but when you’re talking about a band of veritable road warriors like the Memphis-based quintet, one calendar year seems like an eternity. Such is life when still firmly entrenched in a music industry in its third year of pandemic-inspired “new normal” or whatever.

So it was that I found myself in Pawtucket, Rhode Island, on Saturday night as the Lucero / L.A. Edwards tour that’s currently crisscrossing the eastern half of the country finally made its way to the northeast corner for the first time. Now, I know what you’re thinking: “Pawtucket? Really? They don’t even have a baseball team anymore, but they have a cool place to see good shows?” Yes, in fact, they do! It’s called the Met and it’s presently in its third location (the first two were in neighboring Providence. As an aside, shoutout to the old Met Cafe. Well, not the OLD old Met Cafe, but the second one; the one that was next to the old Lupos. Well, not the OLD old Lupos, but the second Lupos, before it moved to where the Strand is now. Yes that’s as confusing as it sounds but if you are from the area, you get it) and it’s a pretty great room, even accounting for the fact that it has a giant support pole right in the middle of stage right (see the picture above).


ANYWAY, this Lucero run finds the band in between album cycles. Touring for their last studio album, When You Found Me, has wrapped, and over the course of the last year, the crew wrote and recorded another new record. Due out in February, the new record is slated to be called Should’ve Learned By Now, it’ll be their second studio album since the start of the pandemic and their twelfth overall (thirteenth if you count The Attic Tapes). If you’ve caught any of the shows on this run, you’re no doubt familiar with probably four or five of the tracks from the new album, as they’ve already woven their way into setlists. That was certainly true on this particular evening, as we were treated to “Buy A Little Time,” “Drunken Moon” with a vocal harmony assist from all three Edwards brothers, “Nothing’s Alright,” and of course lead single and newfound crowd favorite “One Last Fuck You.”


The remainder of the set did a pretty good job of encompassing most stages of the band’s career, which is just about to hit the 25-year mark. The band’s second album, Tennessee, and second-newest album, Among The Ghosts, were equally well represented. “Watch It Burn” from 2005’s Nobody’s Darlings was a welcome surprise, as was “Smoke,” the first track on 2009’s 1372 Overton Park, my own personal favorite Lucero record. The band sounded great; tight to a point, but then again, it’s a Lucero show, so with its requisite amount of chaos embedded in the mix. As Lucero shows go, it was just about as solid as you can get!


As mentioned above, L.A. Edwards are serving as support for the duration of this run. For the uninitiated, LA Edwards is four-piece outfit that finds its frontman and namesake Luke backed on both rhythm section and vocal harmonies by his brothers Jerry and Jay and, on this run, by Landon Pigg on guitar. There’s a real heavy Tom Petty/Jackson Browne/Laurel Canyon vibe to the band’s sound, which probably makes sense given that they have roots that spread from Nashville, Tennessee, to southern California. The newly-released single “The Crow” was a personal favorite – you can check out the lyric video here.

Check out a bunch more pictures of both L.A. Edwards and Lucero below. Tour runs through the end of the month when it wraps up in Bloomington, Illinois. Catch the full rundown here, and if you’re out and about at the rescheduled Boston show this weekend, come say hi!


L.A. Edwards Slideshow

Lucero Slideshow

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Dying Scene Album Review: Friends With The Enemy – “Divide & Conquer”

Hailing from the land down under, Friends With The Enemy is a band of Four Loko-loving Aussies who have been pumping out some of the Southern Hemisphere’s finest melodic punk for over a decade now. Six years have passed since the release of the band’s debut album Declassified, and it seems they’ve made extremely good […]

Hailing from the land down under, Friends With The Enemy is a band of Four Loko-loving Aussies who have been pumping out some of the Southern Hemisphere’s finest melodic punk for over a decade now. Six years have passed since the release of the band’s debut album Declassified, and it seems they’ve made extremely good use of that time. Their new record Divide & Conquer is a marked improvement over all their previous output in every way. The quality of songwriting, playing, and production have all been taken up multiple notches, and the end result is an absolutely killer melodic punk record.

Friends With The Enemy plays a riffy, metallic, brand of melodic punk similar to bands like Strung Out, Belvedere, and Mute. For me, this sound has always necessitated top notch production, and my biggest gripe with the band’s last record Declassified was that it severely lacked in this department. On Divide & Conquer there is no more compromise. This album is head and shoulders above everything this band has done before. The production is on point and the songs finally have a chance to shine. The drums sound punchy as fuck, singer Chelsie Bomb’s voice cuts through the mix, and the vocal doubling, while used quite liberally on some songs, is well executed. Most importantly for me as a guitarist, they nailed the guitar sound on this record.

Anyway, let’s talk about those songs! There are ten of them, and they are really damn good. Starting us off is “Raise the Alarm”, complete with machine gun-like drumming, anthemic choruses, and more whoas than you can shake a stick at. The high point of this album is tracks like “Days Are Numbered” and “Set Me Free”, which lean into the heavier, more metallic side of Friends With The Enemy’s sound, as both guitarists put their fretting hands to the test with an onslaught of relentless chugging riffs. “SML” and “Patricia Anne” are more straightforward melodic punk in the vein of Good Riddance, featuring octave runs that immediately bring to mind the classic “Shadows of Defeat”. And since I’m creatively deficient and can’t find any better way to describe lesser known bands than incessantly name dropping established punk bands, I’ll also concede that “Facebook Value” reminds me a lot of more mid-tempo Pennywise songs like “My God“.

Don’t be misled by my lazy comparisons though, Friends With The Enemy are certainly not just another band imitating the classic “Epi-Fat” sound. Divide & Conquer is one of the more unique punk records I’ve heard this year. It stands on its own as a heavy, melodic, technical, exciting breath of fresh air. And for all the middle aged dudes who have spent the last 20 years listening to Punk In Drublic on repeat while lamenting that punk died in the 90’s, this album is your wake up call.

If you’re not familiar with Friends With The Enemy, right now is a better time than ever to check them out. Divide & Conquer is their best release yet, rivaling the recent output of all the bands I shamelessly name dropped throughout this very review. Give the album a listen below, and go here to find links to all the platforms the digital download is available through.

Super Official Review Score:

Four out of Five Lokos

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DS Photo Gallery: The Gaslight Anthem & Jeff Rosenstock @ The Metropolitan Opera House, Philidelphia (2022-10-07)

I’d had the weekend of October 7 marked off on my calendar since last March when The Gaslight Anthem announced that they would be coming out of their self-imposed hiatus and would be touring both Europe, The UK and most importantly (to me at least), the U.S. That U.S. leg of the tour would be […]

I’d had the weekend of October 7 marked off on my calendar since last March when The Gaslight Anthem announced that they would be coming out of their self-imposed hiatus and would be touring both Europe, The UK and most importantly (to me at least), the U.S. That U.S. leg of the tour would be coming to a conclusion with a Friday show in Philly and the final show of the tour in Gaslight’s backyard at Holmdel, NJ’s PNC Arts Center (for those of you as old as me, FKA The Garden State Arts Center). Needless to say both dates were etched firmly in my plans. That is however, until an NYC date was finally added to the tour a month or so later. I have to admit that when PNC was announced as the NJ venue, I was not happy. The idea of seeing Gaslight (and Rosenstock) in that cavernous and seated outdoor tin shed didn’t do much for me. So once I knew that I would have the opportunity to see them at the beautiful Pier 17 in Manhattan, PNC was dropped from my plans. Philly, however, I was super stoked for. I’d heard great things about The Met and of course the presence of a GA pit made all the difference in the world.

Jeff Rosenstock at The Philly MET

Jeff Rosenstock hit the stage promptly at 8 PM and when I say “hit” I mean he and his band of John DeDominici on bass, Mike Huguenor on guitar, Kevin Higuchi on drums and Dan Potthast on guitar, sax and keys hit it running! Opening up with “SCRAM!” off their most recent album No Dream (most recent if you don’t count the ska reworking of the same album SKA Dream which came out during pandemic times). I will be the first to admit that I am a huge fan of Rosenstock and while I thought there would be some logical crossover between his and TGA’s fanbases, it didn’t always appear to be that way during Jeff’s set. One place where the set was 100% appreciated however was front and center in the pit where a decently sized circle pit was active throughout “Death Rosenstock’s” rapid fire 10 song set.

As an aside, Jeff did mention midway through his set that shortly before he and the band hit the stage, he discovered that he and a whole bunch of his friends had been laid off from their day jobs. Rosenstock was the musical director for The Cartoon Network’s Craig of The Creek which evidently was uncerimoniously canceled. Nonetheless, this soul-crushing news did nothing to damper Jeff’s energized and exhilarating set. Needless to say, good luck to Jeff & the entire Craig Of The Creek staff; hopefully something pops up soon on the employment front for all of them.

Alex Rosamilia

The Gaslight Anthem came on shortly after 9 PM and opened things up with what has become their opener for most of the tour, “Have Mercy” followed by another tour regular in “Old White Lincoln”. It appeared right from the get-go that Brian was in really good spirits, coming off even more chatty than what has become the norm for him. But when I say “chatty” in this instance, I don’t necessarily mean his going off on wild tangents (don’t get me wrong, there was plenty of that throughout the evening) but I mean his literally being very conversational with the crowd, especially those at the rail. His back and forth with the newlywed upfront about their request for some never mentioned song dedicated to his wife who wasn’t there that night but would be in attendance the following evening at PNC was priceless. I wonder if the band added the song to Saturday’s setlist as promised.

Alex Levine

Moving forward were a pair of songs which were not part of the set which I’d seen 2 weeks prior in NYC, “Wooderson” and “Biloxi Parish”. Now seems like as good a time as any to mention that one of the major complaints on the various TGA facebook groups which I pay attention to was the lack of variety in the night-to-night setlists. Well I for one came out of the show at Philly feeling none of that. Without actually comparing song-for-song the setlists to the 2 shows which I attended, I definitely left The Met feeling like I’d seen a very different show from the one I’d seen in New York a couple of weeks prior. Well it turns out that my gut feeling was 100% spot on. In doing the research to put this piece together, I found that the Philly show contained a total of eight songs which I had not heard at Pier 17. Out of an average set consisting of 21 songs or so, to me 8 is a pretty good number to define variety.

Along the way, we did hear Brian go off on a number of tangents, only one which could be defined as being a little too long, but personally I enjoyed his monologues quite a bit, particularly the one where he suggested to a couple of out of town fans who were traveling to NJ after the show to go out the next morning and find someplace where they could get an authentic pork roll breakfast sandwich…”it’s pork roll, not Taylor ham! Don’t be calling it Taylor ham.” Now I know quite a few Jerseyites who would argue with this pork roll vs Taylor ham verbiage but hearing Brian explain to a couple of out-of-town newbies, the culinary delights of NJ was absolutely hilarious.

Benny Horowitz and Ian Perkins

But back to the music, with a mix that encompassed virtually the band’s entire musical catalogue. With songs from ’59 Sound and Handwritten dominating the remainder of the set, we still were treated to a smattering of selections from Get Hurt (“Get Hurt” “Halloween”, and “Stay Vicious”, Sink Or Swim (” We Came To Dance”) as well as American Slang (“The Spirit of Jazz”).

After making sure that the crowd knew that there would be no “lame walking off the stage and coming back for an encore”, the band finished the night off with none other than “59 Sound” to which they brought out Philadelphia’s own Brit Luna from the band Catbite to help on vocals (Catbite just so happens to be one of my favorite new ska bands).

It was a triumphant return to the stage for Brian, the two Alex’s, Benny and Ian. Each and every member of the band seemed to be having fun being back onstage. And sure as hell, they all sounded fantastic. I know Brian had some voice issues earlier in the tour, having to cancel a show in Denver, but his voice sounded fantastic in Philly. Now the only thing that I can hope for is that they don’t take too long to get back out there again, and if there is a delay in touring again in 2023 I hope it’s because they are busy in the studio working on a new album. Welcome back TGA, it’s great having you back.

THE GASLIGHT ANTHEM (2022-10-07)

  • The Gaslight Anthem (2022-10-07)

Jeff Rosenstock (2022-10-07)

  • Jeff Rosenstock (2022-10-07)

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ACTORS, Leathers, and Bootblacks team up for David Bowie’s ‘Boys’

<p>Warning: This new David Bowie cover could get you pregnant. It comes from a holy dark-pop trinity union of ACTORS, Leathers, and Bootblacks, who glam up and merge sinister seduction in the glorious sight and sound of David Bowie’s 1979 gender-bending mainstay “Boys Keep Swinging.” The Artoffact Records release, complete with hot-under-the-collar video directed by Dan O’Connell that pays drag homage to the Duke’s OG visual from 43 years ago, dropped just as ACTORS and Bootblacks head off for a […]</p>
<p>The post <a rel="nofollow" href="https://vanyaland.com/2022/10/20/actors-leathers-and-bootblacks-team-up-for-david-bowies-boys/">ACTORS, Leathers, and Bootblacks team up for David Bowie’s ‘Boys’</a> appeared first on <a rel="nofollow" href="https://vanyaland.com">Vanyaland</a>.</p>

Interviews: Paul and Myron of Pinkshift talk their upcoming debut album, touring as headliners, and more

To listen to Pinkshift is to experience a form of catharsis and no more so is this evident than on their upcoming debut full-length Love Me Forever. The album sees the Baltimore based punks delve deeper into their rage than ever before, with unapologetic, piercing lyrics, excellent musicianship, and an undeniable spirit that you can feel in your bones. Love Me Forever will be out everywhere October 21 via Hopeless Records and Pinkshift are currently on their first full US headlining tour. Punknews editor Em Moore caught up with guitarist Paul Vallejo and drummer Myron Houngbedji to talk about the evolution of their songwriting process, signing with Hopeless Records for the new album, the importance of expressing yourself, My Chemical Romance, and so much more. Read the interview below!

Podcast: Listen to Punknews Podcast #611 – Blink is back!

Episode #611 of the Punknews Podcast is now up! In this episode John has been abducted by aliens so Em takes over hosting and is joined by Sam and Hallie. They talk about Blink-182 reuniting, the lineup for When We Were Young 2023, the Punk Rock Museum set to open in Vegas in January, Gladie's upcoming album, Weeping Icon's new fly-filled video, and Action/Adventure's upcoming album. Cover songs, the upcoming Kinks tribute album, Big Joanie's "Sainted" video, and strip clubs are also discussed. Listen to the episode below!

Knuckle Puck sign to Pure Noise Records, release new song

Knuckle Puck have announced that they have signed to Pure Noise Records and released a new song. It is called "Groundhog Day" and will be on their upcoming LP which will be out next year on the label. Knuckle Puck released their EP Disposable Life earlier this year and their album 20/20 in 2020. Check out the song below.